The Bannerman Effect (The Bannerman Series) (36 page)

BOOK: The Bannerman Effect (The Bannerman Series)
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She held his gaze, not amused. She gestured vaguely at her surroundings. “If I had none of this, what then?”
“The point is, you have it. I don't.”
“Very well.” She raised her chin. ”I will leave the money here. You will bring me home with you. You will take care of me.”
Lesko pushed to his feet, stepping behind his chair as if to keep it between them. He didn't believe this. Not in his dumbest daydreams, not even at four in the morning would he—“Look.” He winced. “Could we change the subject for a minute? Where's Bannerman?”
“No, we cannot. I have dealt you a queen. You will please cover it.”
“Let me get this straight,” he said, fingers to his temples. “You'd give up all of this. Just to be with me.”
“Certainly not. It would be here for our visits.”
“Just checking.” He made a face. “And how long would you expect this to last?”
“Until you hurt me.”
“So we're not talking marriage here.”
She shrugged. “We can marry. If you wish. But I would like a child in any case. You seem to do that well.”
The room tilted. Lesko held fast to the chair. Through a soft mist, layers of gauze, he could see Elena rising toward him, eyes moist, lips tight as if she were trying not to let him see her laugh, guiding him back to his chair. Now she was kneeling, her good arm resting on his thigh. She was talking to him. He heard only fragments. Like
Poor Lesko.
And from time to time she would grin broadly as if recalling something funny. /
know how this must seem to you. To me
as well I had no idea that I would say such things.
Here was this woman who, two years ago, had calmly tried to bargain for her life and now, in this dream, she was back and she wanted him to take her home and give her babies—
Poor Lesko
—which meant that she would actually have to be in bed with him, not make-believe like in the other dream, and he would have to try not to roll over and crush her some night like he heard pigs do with their young.

It is not a requirement.
She's still on babies.
Perhaps it is foolish.
Then about how she's forty-six years old but other women that age have had healthy . . .
but your wishes
must be considered as well . .
. and he had time to shower and take a nap before lunch and then they could discuss these matters with clearer heads . . . /
will ask Uncle Urs
to dinner. He wants so much to meet you.

Lesko barely heard. This could not be happening. His fingers traced lightly over the back of her hand as if to see if she were real. They floated up against her cheek with a will of their own and they felt the texture of her hair. It was shorter now. And lighter. Kind of halfway blond. It was like that last time, too, he remembered dimly. Maybe he should say he likes it.
The fingers moved on. They brushed downward near her lips, which turned, and, with a soft kiss, welcomed them. They moved on to her shoulder, the injured one, barely touching it, his brain playing a scene in which men were shooting at her and he saw himself plunging toward them, he heard his own voice in a bellow of rage and his hands were seizing them, tearing away their weapons, snapping the bones of their arms and hearing their shrieks. But another hand was there now, taking his, gently, guiding it once more to her lips and then downward against her breast where it could feel the beating of her heart.
Somehow, he had slid from his chair. His body, sapped of strength or will, had melted to the floor beside her. It enveloped her. His hands, searching for a way to hold her that would cause no pain, touched her in places, a hip, a thigh, that should have been forbidden to them.
Such a rough man,
Lesko .
. .
Such a gentle man.
They found the firm flesh of her back and they made it shudder. Her face turned upward toward his. He saw that tears had welled in her eyes and were spilling to the corners of her mouth. He asked what's wrong, he thought. Was he hurting her? Perhaps he didn't ask. There was no answer save the light of a hundred diamonds dancing in her eyes and on her cheeks. He saw in those eyes ... he didn't know what. So many different emotions, each coming fast on the other. Another man might have taken them together and called them love but Lesko could not. To be loved, a man like himself, by a woman such as this, it was not possible. Affection, perhaps. Born of gratitude, or need. And the tears were more likely born of relief, purging her soul of a spell she had somehow cast on herself, washing away the torrent of unwanted emotions with which it had betrayed her for so long.
Lesko could not articulate such thoughts. He could only feel them. He could only let them settle in his own heart and simmer there until his brain and his instincts began to function once more and remind him that this was ridiculous. It could not work. Not for long. Perhaps for a year. Perhaps only a month. It might not even last the night.
But here it was. For whatever reason. And better than any dream.
And he would take it.
Late afternoon. Westport.
“Molly”—Susan leaned across Paul's regular table at Mario's; her voice was low but firm—”I want to know what's happening here.”
She had told her of the calls from Roger Clew. Of her attempts to locate Paul and her father. Of her knowledge that at least two of the others, probably more, had suddenly left Westport and were almost certainly en route to Europe.
Paul's friend, her friend, had listened attentively, showing no sign of alarm. But Susan saw a light in her eyes, which she had not seen before. Molly reached for her hand and squeezed it.
“As for your father,''she answered, not hesitating at all, “you're right. He's gone to sort himself out with Elena once and for all. He's in no danger.”
“But Paul is?”
She waved the question to one side. “As for Roger Clew, you're sure he said that? That he'd send people into West-port?”
“It's still on the machine,” Susan told her. “Go listen for yourself.”
“Give me a second.”

Molly walked from the table to the bar where she reached for a phone and tapped out two different series of numbers with a pause in between. She listened without speaking. Susan realized that she'd memorized Paul's remote access number and was now listening to the voice of Roger Clew. Molly met Susan's gaze and gave her a nod of acknowledgment. She broke the connection, held up one finger, then dialed another number. Susan watched her lips. They pronounced the name of Anton Zivic, then waited.

Now she was speaking to him. Susan could not hear but she could pick out other names.
Roger,
spoken with a frown.
Paul
spoken with ... at least not with concern. Even a smile here and there. Then her own name. Molly was looking at her. Her eyes, thought Susan, kept flicking down to her purse, which sat on the table at her elbow. Molly was listening, nodding, and agreeing. She replaced the phone and stepped from behind the bar.
“That was Anton?” Susan asked, more an observation than a question.
“Yes. And I called Paul's machine.”
”I saw. Are you going to tell me?”

“About Paul? You know I can't. If it helps, even our own people don't know where he is. Just Anton and myself because we need to.”

“Can you tell me if he's in danger?”
Molly seemed as if she were going to say one thing but chose another. “No morç than usual,” she said.
“You were about to say something else.”
Molly brushed her hair from one cheek. ”I was about to lecture you.”
”I know,” she nodded. “Get used to it, Susan. If you can't stand the heat, go find yourself a yuppie.”
“Not exactly,” Molly smiled, “but close enough.” She gestured with her thumb toward Susan's purse. “What's the gun for?”
“How did you know?”
Molly didn't answer. Susan turned her head toward Mario's single front door. Metal detectors, she assumed. Now she understood why several heads had snapped up when she entered. And why one of the ceiling lights had suddenly begun to blink. She could probably make that happen all over Westport.
“Susan,” Molly repeated. “Why the gun?”
“Just trying to fit in.”
“Do you know how to use it?”
”I asked Paul to teach me. He said he's not very good. Is that true?”
Another smile. A rocking motion of the hand. Molly chose not to elaborate. “Challenge Paul to a contest shooting at tin cans,” she might have said, “and you might very well beat him. Come at him with a gun, let him see you coming or miss with your first shot, and he will surely kill you.”
“Please don't carry that,” she dropped her voice, “anywhere in Westport until I tell you that all of us know you by sight. And until then, never, ever, reach into your purse while there's a weapon in it.”
“Especially if I see a blinking light?”

Molly hesitated, then grinned approvingly. “Especially then. Yes.” She tapped the table to signal a change of subject. ”I hope you trust me,” she said, “because I'm about to ask you to do something. You can't say no.”

“Give you the gun?”
She shook her head. “Fly to Zurich. This evening. You'll have your travel documents within the hour. Travel light. Join your father at Elena's house. Stay there until Paul contacts you.”
Susan frowned. “This is about Roger Clew?”
“Yes.”
“Getting little Susan out of the way in case there's trouble?” She straightened. “I'd rather stay and help. Sooner or later, you're going to have to find out what I'm made of.”
“What you're made of “—Molly put a hand on her arm— “is old Raymond ‘the Terrible.’ ” She meant it as a compliment. “But we're not staying either, exactly. We'll have faded away by the time you board your flight. There will be nobody for Roger Clew to find. We don't want him finding you.”
“That's all you'll do? Just run?”
”I didn't say that.”
“Then what happens when he gets here and finds nobody home?”
“We'll have found him,” she said.

-22-

Urs Brugg could not help himself. He was staring at Lesko. Less blatantly, he hoped, than young Willem had. And without tittering, certainly, as had three more of his nephews plus two of their wives who had insisted on escorting him the short distance between his own home and Elena's. Add to these his driver and his bodyguard who also wanted see this man. In all, his escort was redundant by a factor of eight.

But he could not blame them. Their curiosity was no greater than his own. And the cousins and their wives had stayed only long enough to be introduced to the notorious Lesko.
Raymond ‘the Terrible’ Lesko.
Lesko, the lumbering American giant had managed to tum the formidable Elena Brugg into a schoolgirl romantic.
There was Elena. Alternately blushing and blathering. Confusing the names of her cousins. Dropping things in her kitchen from which she flitted back and forth assessing the progress of the meal she had insisted on helping to prepare. Trying to serve aperitifs with one weakened arm, spilling much of what she poured. Lesko rushing to assist. Spilling even more. Elena giggling. Who, Urs Brugg wondered, had ever heard Elena giggle?
But now, alone at last. The relatives were gone. His bodyguard and driver had joined Elena's outside the gate. The only remaining upheaval, thought Urs Brugg, would be Elena's cook expelling her bodily from the kitchen if she did not promise to calm herself, leave the lids of pots alone, and keep her hands off the china, which had begun the day as a service for twelve but could now fully accommodate only ten.
Lesko sat before him. Stiffly. Hors d'oeuvres—an assortment of cheeses and meats—sat untouched on a tray before him. Twice, Urs Brugg had seen him reach, only to withdraw his hand, lest, thought Brugg, he partake of it incorrectly. Urs Brugg wheeled closer and helped himself, using his fingers. Lesko watched, gratefully, then did the same.
”I have looked forward to this meeting,” said Urs Brugg pleasantly. “Although I confess I did not foresee this circumstance.”
”I sure as h—” Lesko stopped himself. ”I didn't either.”
The older man glanced in the direction of the kitchen. ”I have never seen Elena like this. It is a remarkable change.”
Lesko could only nod. He had never seen anyone like this. Not toward him. Not even his ex-wife. Fussing over him. Flattering him. Touching him every time he came within reach. All defenses down. The gates wide open.
“There is something within her . . . some need”—Urs Brugg seemed to be struggling with this—“that could be fulfilled only by you. I have known this for some time. Perhaps I understand it. Perhaps I do not. I am delighted, of course, to see her so happy, but—”

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