The Bamboo Blonde

THE BAMBOO BLONDE

By

Dorothy B. Hughes

The Bamboo Blonde

By Dorothy B. Hughes

First published in 1941.

All rights reserved, including the right to reproduce this ebook or portions thereof in any form whatsoever. No part of this ebook may be copied, stored in a retrieval system, or transmitted in any form or by any means without the expressed written permission of the publisher.

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Gate Way Publishers

164 Robles Way, #188

Vallejo, California 94591

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www.vintage-pulp-ebooks.com

ISBN: 978-1-936432-24-0

This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events, locales or persons, living or dead, is entirely coincidental.

INTRODUCTION

A new revolution was underway at the start of the 1940s in America—a paperback revolution that would change the way publishers would produce and distribute books and how people would purchase and read them.

In 1939 a new publishing company—Pocket Books—stormed onto the scene with the publication of its first paperbound book. These books were cheaply produced and sold in numbers never before seen, in large part due to a bold and innovative distribution model that soon after made Pocket Books available in drugstores, newsstands, bus and train stations, and cigar shops. The American public could not get enough of them, and before long the publishing industry began to take notice of Pocket Book’s astonishing success.

Traditional publishers, salivating at the opportunity to cash in on the phenomenal success of the new paperback revolution, soon launched their own paperback ventures. Pocket Books was joined by Avon in 1941, Popular Library in 1942, and Dell in 1943. The popular genres reflected the tastes of Americans during World War II—mysteries, thrillers, and “hardboiled detective” stories were all the rage.

World War II proved to be a boon to the emerging paperback industry. During the war, a landmark agreement was reached with the government in which paperbound books would be produced at a very low price for distribution to service men and women overseas. These books were often passed from one soldier or sailor to another, being read and re-read over and over again until they literally fell apart. Their stories of home helped ease the servicemen’s loneliness and homesickness, and they could be easily carried in uniform pockets and read anywhere—in fox holes, barracks, transport planes, etc. Of course, once the war was over millions of veterans returned home with an insatiable appetite for reading. They were hooked, and their passion for reading these books helped launch a period of unprecedented growth in the paperback industry.

In the early 1950s new subgenres emerged—science fiction, lesbian fiction, juvenile delinquent and “sleaze”, for instance—that would tantalize readers with gritty, realistic and lurid stories never seen before. Publishers had come to realize that sex sells. In a competitive frenzy for readers, they tossed away their staid and straightforward cover images for alluring covers that frequently featured a sexy woman in some form of undress, along with a suggestive tag line that promised stories of sex and violence within the covers. Before long, books with sensational covers had completely taken over the paperback racks and cash registers. To this day, the cover art of these vintage paperback books are just as sought after as the books themselves were sixty years ago.

We are excited to make these wonderful paperback stories available in ebook format to new generations of readers. We present them in their original form with very little editing so as to preserve the tone and atmosphere of the time period. In fact, much of the language—the slang, the colloquialisms, the lingo, even the spellings of some words—appear as they were written fifty or sixty years ago. We hope you will enjoy this nostalgic look back at a period in American history when dames were dangerous, tough-guys were deadly and dolls were downright delicious.

DEDICATION

To BOY
His Book

CAST OF CHARACTERS

In the order of their appearance

C
ON
S
ATTERLEE
, ex-newspaperman, who had some funny ideas about a honeymoon.

G
RISELDA
S
ATTERLEE
., who had married him twice, and was still wondering why.

K
ATHIE
T
RAVIS
, a naval officer's wife, who was a little too beautiful to be true.

ALEXANDER
(
C
HANG
)
S
MITHERY
, waiter and second-story man at the Bamboo Bar.

S
HELLEY
H
UFFAKER
, a Hollywood blonde, who picked up Con and argued with him about murder.

K
EW
B
RENT
, Washington columnist, who liked nothing better than a good story, unless it was another man's wife.

M
AJOR
A
LBERT
G
EORGE
P
EMBROOKE
, who described himself as a spy.

C
APTAIN
C
HARLES
T
HUSBY
, Long Beach chief of police, who maintained that you can't shoot yourself in the back.

V
INNIE
T
HUSBY
, his son, who loved peanuts and
crime passionel.

L
IEUTENANT
W
ALKER
T
RAVIS
, U. S.
N
.,
who knew too much about radio and too little about women.

S
ERGEI
V
IRONOVA
, movie director, who kept one assignation too many.

D
ARE
C
RANDALL
, one of the women in Con's life, whose many friends included a corpse or two.

CHAPTER 1

Con was bored. If he hadn't been he wouldn't have prowled around the living room of their beach cottage, making more noise than the incensed roar of the waves. Below the fogged windows they shattered with nerve-jumping regularity against the sea wall. She liked the pound of the water at high tide. But she didn't like it tonight. Not with Con bumping against chairs, shaking the floor with his tread, pretending to fix the rented radio. He was bored and she didn't like it. He had said this would be a second honeymoon. It wasn't. It was exactly like the first.

"We're going to Long Beach."

He had announced that before they were two days in Hollywood, with parties scheduled for every party hour, and Griselda wanting to show him off to all of her friends and perhaps-friends.

When she protested, "But, Con, nobody goes there!" he told her, "You're nuts. Thousands of people go there. I can prove it by the Chamber of Commerce. The Navy's there."

The Navy wasn't; a part of the fleet was in the Far East, a part on the Atlantic, fending danger from America. Yet, surprisingly, there was a scattering of gray-towered battleships on the horizon. The papers didn't tell you that but there was.

They had come to Long Beach. And he was bored.

He was acting as if she were to blame that they were boxed in this old-fashioned wooden beach cottage instead of in the beautiful Malibu home Oppy had urged upon them. Con had been exuberant when they arrived; Barjon Garth was also in Long Beach. She hadn't liked Garth being there. She knew that there was good reason for his presence; foreign agents had been concentrating on the West Coast. It was to be expected in these times that the head of the X division, highest governmental secret service, would be on hand a part of the time. It was absurd to be uneasy about Con when Garth was in the neighborhood simply because he had once helped out the X chief. That was in the to-be-forgotten past. He had returned to his job on the air waves months ago with no hankering to continue the precarious sideline. Nevertheless, she had been relieved when she heard that the X chief was leaving. She didn't know then how Con would react.

Garth had sailed this morning on someone's exquisite and expensive yacht for a fishing trip in southerly waters and Con was left behind. It was a man's trip and this was a second honeymoon. He had to stay with" her. But he was bored and Griselda was angry, sitting there trying to read, her nerves jumping with every crash of the waves and of Con. If she hadn't been angry she wouldn't have gone out with him and she wouldn't have seen Shelley Huffaker pick him up in the Bamboo Bar.

It was eight exactly by the rented clock with the bright blue ocean painted on its face. Con said, "Think I'll go out and buy a drink."

She hadn't spoken to him since seven o'clock, when he had ejaculated for the twenty-third time that day, "God, what I'd give to be with Garth right now!" She hadn't trusted herself to speak; the anger she'd been suppressing since she began to count the ejaculations was about ready to spill. At that point she was surer than ever that this was only the echo of the first honeymoon; then he'd kept wishing all over Bermuda that he were back at Tony's on Minetta.

She spoke now, spoke acidly so that he wouldn't know there was hurt as well as anger in her. "Don't tell me all those bottles are empty."

"My God,” he said, "you don't think a bottle's an artesian well, do you, baby?"

He laughed and she was more furious. Drinks and fishing, that was all he cared about! But the fury vanquished the hurt with lucky immediacy. He was walking past her chair and he lifted her pale horn rimmed glasses off her nose, bent his leggy length down to kiss her. She turned her cheekbone to him. She said, "I'll go with you." He didn't act as if he cared one way or the other.

She went into the one bedroom, slid her white polo coat from a hanger. The ancient cretonne of the wardrobe curtains couldn't have been any more attractive when new. It looked like pink fish climbing over faded black spots. At that, the cretonne was fully as pleasant as the other things in the house. She put the coat over her baby-blue slacks, took a quick glance in the minor smoothing down the pale gold of her hair. Her eyes didn't look as watery as they felt. She returned to her husband.

"Let's go," she said.

He locked the door with the key. There really wasn't much sense in locking the cottage, a bent hairpin could have opened any door or window. As they started down the steps to the sidewalk garage she said, "Better let me have it, I may not last as long as you."

He laughed again, just as if he didn't know she was angry and could find out why by asking. But she was thankful he didn't ask. If he had, she might have capitulated against his blue shirt, and she didn't want to do that. She was too annoyed.

He handed her the key. "Oke, baby."

There was no reason for garage doors to scream like loons when they were opened. Even rust couldn't account for such ear-splitting disturbance. It was a part of the poltergeist atmosphere of the whole cottage.

The headlights of a car stopped where they spotted Con, not her standing in the mist shadows at the foot of the wooden steps.

It was a girl who caroled, "Con."

Griselda couldn't see her; she could only hear the voice. It didn't help matters that it was a voice that belonged with beauty; it had the poeticized sea-quality of softness, of lullaby.

Con turned. "What are you doing here, Kathie?" He sounded surprised and a little amused. He moved over to lean against the door of the open car.

The girl said, "I thought Walker might be with you."

"Didn't know he was on shore."

The gentle voice said, "Yes.
I
wasn't at the hotel when he came in. He left a note. I thought maybe he'd dropped in to see you. You're going out. I won't keep you."

"Just to the Bamboo for a drink. Won't you come along?" He didn't speak of a wife inconveniently in the background.

The girl said, "No thank you, Con. I'd better go back and wait for Walker. I don't want to miss him again." The car drove away and Griselda came forward. "Who was that?"

"Kathie Travis."

"And who is Kathie Travis?" She tried not to sound like a wife; she wasn't very successful.

"Mrs. Walker Travis. He's Navy. Lieutenant aboard the
Antarctica."

She didn't say any more. He didn't mention that Kathie Travis was beautiful but doubtless she was. Con's bar acquaintances in women ran to beauty. If this one weren't bar, he wouldn't have mentioned the Bamboo so casually.

She had never asked him where he located the ramshackle coupe. It was keyed to a high-school sophomore's purse and choice, noisy and as disreputable, with its peeling black coat and red wire wheels. They could have had a choice of the cars in Oppy's garages at Malibu.