Terrorist (16 page)

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Authors: John Updike

Tags: #Fiction, #General, #Fiction - General, #Literary, #Terrorism, #Mothers and Sons, #John - Prose & Criticism, #Single mothers, #High school students, #Egyptian Americans, #Updike

BOOK: Terrorist
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Then Jack comes home depressed because the problems beyond solving are getting to be boring, and his gestures at solving them a mere routine, a
shtick
, a job, a con job. "What really gets me," he would say, "is they refuse to grasp how
bad off th
ey are. They think they're doing pretty good, with some flashy-trashy new outfit they've bought at half-price, or the latest hyper-violent new computer game, or some hot new CD everybody has to have, or a ridiculous new religion when you've drugged your brain back into the Stone Age. It makes you seriously wonder if people deserve to live—if the massacre masterminds in Rwanda and Sudan and Iraq don't have the right idea."

And by letting herself get fat she has disqualified herself from cheering him up like she used to. He never would say so. He would never be rude. She wonders if that is die Jewish in him—the sensitivity, the burden, a sense of superiority really that tries to keep his sorrow to himself, getting up early and going to the window rather than wake her up with it by staying in bed. They have had a good life together, Beth decides, pushing herself up from the tiny hard wood-seated Shaker chair, bracing herself with a hand on the back, taking care not to tip it with her weight. That would be a pretty sight, sprawled on the floor with a broken pelvis, unable even to reach down and tug her bathrobe down for the paramedics when they came.

She must get out of her bathrobe and go do some shopping. They are running out of basics—soap, laundry detergent, paper towels, toilet paper, mayonnaise. Cookies and snacks. She can't ask Jack to buy all these things on top of picking up the microwave meals from ShopRite or takeout from the Chinese place whenever they keep her at the library until six. And cat food. Where
is
Carmela? The cat doesn't get stroked enough, she sleeps all day under the sofa, depressed, and runs around like a wild thing at night. It was wrong in a way to get her spayed, but then if you don't it's wall-to-wall kittens.

She and Jack have had a good life together, Beth tells herself, getting a living pushing pencils—tapping computer keys now—and being pleasant and helpful to people. This was more than Americans in the old days had been allowed to do, slaving in the mills when cities still made things; people are so afraid of the Arabs, but it's the Japanese and Chinese and Mexicans and Guatemalans and those others in these low-wage platforms who are doing us in, putting our workforce out of work. We come to this country and pen the Indians into reservations and build skyscrapers and superhighways and then everybody wants a piece of our domestic markets, like a whale being gutted by sharks in that Hemingway story; but that was a marlin. The same idea. And Hermione has been fortunate too, landing an important Washington job with one of the administration's key players, but it's ridiculous the way she goes on about her boss—the savior of us all, to hear her tell it. You get a spinster mentality from stopped-up hormones, like those nuns and priests who turn out to be so cruel and wanton, not believing any of what they've been preaching, to judge from their actions, molesting these poor trusting little children trying to be good Catholics. Getting married and learning the sorts of thing men do, the way they smell and behave, at least is normal: it releases frustrations and quenches ridiculous romantic ideas. On her way to the stairs and her bedroom to change into street clothes (but what? is the problem; nothing is going to disguise a hundred extra pounds, nothing is going to make her look snappy on the street again), Beth thinks she wouldn't mind peeking into the kitchen to see if there's something to nibble in the refrigerator even if she did just have lunch. As if to suppress that impulse she lets herself flop back into the La-Z-Boy, and levers up the foot-rest to ease the throb in her ankles. Dropsical, the doctor calls
them, where Jack once could circle them with his thumb and middle finger. No sooner stuck there in the chair's embrace, she realizes she needs to go pee. Well, ignore it and the need goes away, her life's experience has taught her.

Now, where did that TV remote get to? She picked it up and clicked the TV off, and then her memory is blank. It's frightening, how often her mind is blank. She checks both chair arms and with an effort peers over the arms to the celadon carpet that man sold her, thinking for the second time that day of Miss Dimitrova and her stretching exercises. It must have been balanced on an arm and then slid down into the crevice beside the cushion when she just flopped herself here instead of going upstairs to dress. The fingers of her right hand explore the tight crevice, the vinyl imitating cowhide from the old Wild West days that probably weren't so wonderful if you were there, and then those of the left hand the crevice on the other side, and they do encounter it—the cool matte length of the channel clicker. It would all be easier if her body wasn't so much in the way, pushing the cushion so tight against the chair arm she had to be careful of catching a nail on a seam or something metal. Hairpins and coins and even needles and pins collect in these cracks. Her mother was always sewing or mending something in that old skirted plaid armchair by the window at home to catch the light, the deep wooden sill with its dotted-swiss curtains and tray of geraniums and view of greenery so lush it kept its moist places right through the middle of the day. She points the remote and clicks it to Channel Two, CBS, and the summoned electrons slowly gather, making sounds and an image. The background music on
As the World Turns
is subtly more orchestral, less wispily pop, than that on
All My Children
—woodwinds and deep strings
mixed in with the more ghostly sounds, a knocking like hoofbeats fading in the distance. Beth can tell from the excited music and the expressions on the faces of the young actor and actress who have just spoken—angry, eyebrow-knitting, even frightened expressions—that what they have just said to one another was momentous, pivotal, a parting or a murder agreed upon, but she has missed it; she has missed the world turning. Beth could almost cry.

But life is strange, the way it comes to the rescue. Carmela, out of nowhere, comes and jumps up on her lap. "Where has Baby
been?"
Beth asks in a high ecstatic voice. "Mama has
missed
you!" In the next minute, though, she impatiently pushes the cat, settling in on the expanse of warm flesh to purr, off her lap, and struggles to rise again from the La-Z-Boy. Suddenly, there are too many things to do.

Two weeks after his day of graduation from Central High, Ahmad passed his commercial-driver's-license test at the testing facility in Wayne. His mother, who had allowed him in so many respects to raise himself, accompanied him, in the battered maroon Subaru station wagon she uses for driving to the hospital and for hauling her paintings to the gift shop in Ridgewood and what other display venues she has, including various amateur shows in churches and school auditoriums. Winter salt has eaten away at the lower edges of the chassis, and her careless driving and the hastily opened doors of other cars in parking lots and spiral-ramped garages has taken a toll on the sides and fenders. The front right fender, victim of a misunderstanding at a four-way stop sign, was patched with Bondo body filler by one of her boyfriends, a significantly younger man who dabbled in junk

sculpture and moved to Tubac, Arizona, before the patch could be smoothed and painted. So it stays a raw and rough putty color, and in other spots, mostly the hood and roof, the paint, exposed outdoors to all weathers, has faded from maroon to the tint of a peach. His mother seems to Ahmad to flaunt her poverty, her everyday failure to blend into the middle class, as if such failure were intrinsic to the artistic life and the personal freedom so precious to infidel Americans. She contrives, with her bohemian wealth of bangles and odd clothing, such as the factory-blotched jeans and vest of purple-dyed leather she wore on this day, to embarrass him whenever they venture together into public.

That day in Wayne, she flirted with the elderly man, this miserable minion of the state, who administered the exam. She said, "I have no idea why he thinks he wants to drive a truck. It's an idea he picked up from his imam—not his mama, his imam. The dear child calls himself a Muslim."

The man behind the desk at the MVC Regional Service Center in Wayne looked troubled by this gush of maternal confiding. "There can be steady money in it," he brought out, after thought.

Ahmad perceived that words came painfully to the public servant, spending a resource within him that he felt to be precious and in short supply. His face, foreshortened as he crouched at his desk, under his winking fluorescent tubes, was subtly deformed, as if it had once been rippled by a harsh emotion and then frozen. This was the sort of hopeless creature his mother lavished her flirtations upon, at the expense of her son's dignity. The man was so dimly alive in his spider web of regulations that he failed to appreciate how Ahmad, though old enough to apply for Class C CDL, was not yet quite man enough to disown his mother. Conscious
merely of the woman's impropriety and possible mockery, the man snatched from the applicant's hand the completed physical examination form and had Ahmad thrust his face into a box that had him read, one eye at a time, letters in various colors, telling red from green and both from amber. The machine measured his fitness to drive another machine, and this administrator of the test had been frozen into a kind of wrath because doing his job day after day had transformed him into yet another machine, an easily replaced element in the workings of the merciless, materialist West. It was Islam, Shaikh Rashid had more than once explained, that had preserved the science and simple mechanisms of the Greeks when all Christian Europe had in its barbarism forgotten such things. In today's world, the heroes of Islamic resistance to the Great Satan were former doctors and engineers, adepts in the use of such machines as computers and airplanes and roadside bombs. Islam, unlike Christianity, has no fear of scientific truth. Allah had formed the physical world, and all its devices when put to holy use were holy. Thus Ahmad, with such reflections, received his truckers' license. Class C required no road test.

Shaikh Rashid is pleased. He tells Ahmad, "Appearances can deceive. Though I know our mosque appears, to youthful eyes, shabby and fragile in its external trappings, it is woven of tenacious strands and built upon truths set deep in the hearts of men. The mosque has friends, friends as powerful as they are pious. The head of the Chehab family, just the other day, told me that his prospering business has need for a young truck driver, with no unclean habits and firmly of our faith."

"My rating is only a 'C,' " Ahmad tells him, backing a step from what he senses is too easy and swift an entry into the

adult world. "I can't drive out of state or carry hazardous materials."

He has been enjoying, in the weeks since graduation, living with his mother in a condition of idleness, working his desultory, harshly lit hours at the Shop-a-Sec, faithfully performing his daily salat, venturing to a movie or two and marvelling at the expenditure of Hollywood ammunition and the beauty of its explosions, and running in his old track shorts through the streets, sometimes into the region of row houses where he had walked that Sunday noon with Joryleen. He never sees her, just girls of similar color with her way of sauntering, knowing they are being watched. As he flies through the run-down blocks, he remembers Mr. Levy's vague talk of college and its vague but grand subject matter, "science, art, history." The guidance counselor has come by the apartment, actually, once or twice, but, though friendly enough to Ahmad, was quick to leave, as though forgetting what he came for. Without listening carefully to the answer, he asked Ahmad how his plans are coming and whether he intends to stick around here or to go out and see the world, the way a young man should. This sounded curious coming from Mr. Levy, who has lived in New Prospect all of his life, except for college and the spell in the Army that American men used to have to do. Though the doomed American war against Vietnamese self-determination was progressing at this time, Mr. Levy was never assigned to leave the United States, remaining in desk jobs, a fact he feels guilty about, since even though the war was a mistaken one it offered a chance to prove his courage and to show his love for his country. Ahmad knows this because his mother talks to him now and then about Mr. Levy—what a nice man he seems to be, though not a very happy one, and underap-

predated by the school administrators, and no longer of much importance to his wife or his son. His mother lately is unusually talkative and inquisitive; she takes more interest in Ahmad than he has come to expect, asking him, whenever he goes out, when he is coming back, and sometimes acting annoyed when he answers, "Oh, sometime."

"And when might that be, exactly?"

"Mother! Get off my case. Pretty soon. I might poke around over at the library."

"Would you like some money for a movie?"

"I
have
money, and I just saw a couple movies, one with Tom Cruise and one with Matt Damon. They were both about professional assassins. Shaikh Rashid is right— movies are sinful and stupid. They are foretastes of Hell."

"Oh, my, how holy we're getting to be! Don't you have any friends? Don't boys your age usually have girlfriends?"

"Mom. I'm not gay, if that's what you're implying."

"How do you know?"

He was shocked. "I know."

"Well, all / know," she said, combing her hair back from her forehead with the bent fingers of her left hand in a swift gesture acknowledging the dishevelled nature of this conversation and signalling a willingness to end it, "is I never know when you're going to pop back in."

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