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Authors: Gene Wolfe

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BOOK: Sword & Citadel
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The Widow's House
In Saltus, where Jonas and I stayed for a few days and where I performed the second and third public decollations of my career, the miners rape the soil of metals, building stones, and even artifacts laid down by civilizations forgotten for chiliads before the Wall of Nessus ever rose. This they do by narrow shafts bored into the hillsides until they strike some rich layer of ruins, or even (if the tunnelers are particularly fortunate) a building that has preserved some part of its structure so that it serves them as a gallery already made.
What was done with so much labor there might have been accomplished on the cliff I descended with almost none. The past stood at my shoulder, naked and defenseless as all dead things, as though it were time itself that had been laid open by the fall of the mountain. Fossil bones protruded from the surface in places, the bones of mighty animals and of men. The forest had set its own dead there as well, stumps and limbs that time had turned to stone, so that I wondered as I descended, if it might not be that Urth is not, as we assume, older than her daughters the trees, and imagined them growing in the emptiness before the face of the sun, tree clinging to tree with tangled roots and interlacing twigs until at last their accumulation became our Urth, and they only the nap of her garment.
Deeper than these lay the buildings and mechanisms of humanity. (And it may be that those of other races lay there as well, for several of the stories in the brown book I carried seemed to imply that colonies once existed here of those beings whom we call the cacogens, though they are in fact of myriad races, each as distinct as our own.) I saw metals there that were green and blue in the same sense that copper is said to be red or silver white, colored metals so curiously wrought that I could not be certain whether their shapes had been intended as works of art or as parts for strange machines, and it may be indeed that among some of those unfathomable peoples there is no distinction.
At one point, only slightly less than halfway down, the line of the fault had coincided with the tiled wall of some great building, so that the windy path I trod slashed across it. What the design was those tiles traced, I never knew; as I descended the cliff I was too near to see it, and when I reached the
base at last it was too high for me to discern, lost in the shifting mists of the falling river. Yet as I walked, I saw it as an insect may be said to see the face in a portrait over whose surface it creeps. The tiles were of many shapes, though they fit together so closely, and at first I thought them representations of birds, lizards, fish and suchlike creatures, all interlocked in the grip of life. Now I feel that this was not so, that they were instead the shapes of a geometry I failed to comprehend, diagrams so complex that the living forms seemed to appear in them as the forms of actual animals appear from the intricate geometries of complex molecules.
However that might be, these forms seemed to have little connection with the picture or design. Lines of color crossed them, and though they must have been fired into the substance of the tiles in eons past, they were so willful and bright that they might have been laid on only a moment before by some titanic artist's brush. The shades most used were beryl and white, but though I stopped several times and strove to understand what might be depicted there (whether it was writing, or a face, or perhaps a mere decorative design of lines and angles, or a pattern of intertwined verdure) I could not; and perhaps it was each of those, or none, depending on the position from which it was seen and the predisposition the viewer brought to it.
Once this enigmatic wall was passed, the way down grew easier. It was never necessary again for me to climb down a sheer drop, and though there were several more flights of steps, they were not so steep or so narrow as before. I reached the bottom before I expected it, and looked up at the path down which I had traveled with as much wonder as if I had never set foot on it—indeed, I could see several points at which it appeared to have been broken by the spalling away of sections of the cliff, so that it seemed impassable.
The house I had beheld so clearly from above was invisible now, hidden among trees; but the smoke of its chimney still showed against the sky. I made my way through a forest less precipitous than the one through which I had followed the brook. The dark trees seemed, if anything, older. The great ferns of the south were absent there, and in fact I never saw them north of the House Absolute, except for those under cultivation in the gardens of Abdiesus; but there were wild violets with glossy leaves and flowers the exact color of poor Thecla's eyes growing between the roots of the trees, and moss like the thickest green velvet, so that the ground seemed carpeted, and the trees themselves all draped in costly fabric.
Some time before I could see the house or any other sign of human presence, I heard the barking of a dog. At the sound, the silence and wonder of the trees fell back, present still but infinitely more distant. I felt that some mysterious life, old and strange, yet kindly too, had come to the very moment of revealing itself to me, then drawn away like some immensely eminent person, a master of the musicians, perhaps, whom I had struggled for years to attract to my door but who in the act of knocking had heard the voice of another guest who was unpleasing to him and had put down his hand and turned away, never to come again.
Yet how comforting it was. For almost two long days I had been utterly alone, first upon the broken fields of stone, then among the icy beauty of the stars, and then in the hushed breath of the ancient trees. Now that harsh, familiar sound made me think once more of human comfort—not only think of it, but imagine it so vividly that I seemed to feel it already. I knew that when I saw the dog himself he would be like Triskele; and so he was, with four legs instead of three, somewhat longer and narrower in the skull, and more brown than lion-colored, but with the same dancing eyes and wagging tail and lolling tongue. He began with a declaration of war, which he rescinded as soon as I spoke to him, and before I had gone twenty strides he was presenting his ears to be scratched. I came into the little clearing where the house stood with the dog romping about me.
The walls were of stone, hardly higher than my head. The thatched roof was as steep as I have ever seen, and dotted with flat stones to hold down the thatch in high winds. It was, in short, the home of one of those pioneering peasants who are the glory and despair of our Commonwealth, who in one year produce a surplus of food to support the population of Nessus, but who must themselves be fed in the next lest they starve.
When there is no paved path before a door, one can judge how often feet go out and in by the degree to which the grass encroaches on the trodden ground. Here there was only a little circle of dust the size of a kerchief before the stone step. When I saw it, I supposed that I might frighten the person who lived in that cabin (for I supposed there could only be one) if I were to appear at the door unannounced, and so since the dog had long ago ceased to bark, I paused at the edge of the clearing and shouted a greeting.
The trees and the sky swallowed it, and left only silence.
I shouted again and advanced toward the door with the dog at my heels, and had almost reached it when a woman appeared there. She had a delicate face that might easily have been beautiful had it not been for her haunted eyes, but she wore a ragged dress that differed from a beggar's only by being clean. After a moment, a round-faced little boy, larger-eyed even than his mother, peeped past her skirt.
I said, “I am sorry if I startled you, but I have been lost in these mountains.”
The woman nodded, hesitated, then drew back from the door, and I stepped inside. Her house was even smaller within its thick walls than I had supposed, and it reeked with the smell of some strong vegetable boiling in a kettle suspended on a hook over the fire. The windows were few and small, and because of the depth of the walls seemed rather boxes of shadow than apertures of light. An old man sat upon a panther skin with his back to the fire; his eyes were so lacking in focus and intelligence that at first I thought him blind. There was a table at the center of the room, with five chairs about it, of which three seemed to have been made for adults. I remembered what Dorcas had told me about furniture from the abandoned houses of Nessus being brought north for eclectics who had adopted more cultivated fashions, but all the pieces showed signs of having been made on the spot.
The woman saw the direction of my glance and said, “My husband will be here soon. Before supper.”
I told her, “You don't have to worry—I mean you no harm. If you'll let me share your meal and sleep here tonight out of the cold, and give me directions in the morning, I'll be glad to help with whatever work there is to be done.”
The woman nodded, and quite unexpectedly the little boy piped, “Have you seen Severa?” His mother turned on him so quickly that I was reminded of Master Gurloes demonstrating the grips used to control prisoners. I heard the blow, though I hardly saw it, and the little boy shrieked. His mother moved to block the door, and he hid himself behind a chest in the corner farthest from her. I understood then, or thought I understood, that Severa was a girl or woman whom she considered more vulnerable than herself, and whom she had ordered to hide (probably in the loft, under the thatch) before letting me in. But I reasoned that any further protestation of my good intentions would be wasted on the woman, who however ignorant was clearly no fool, and that the best way to gain her confidence was to deserve it. I began by asking her for some water so that I could wash, and said that I would gladly carry it from whatever source they had if she would permit me to heat it at her fire. She gave me a pot, and told me where the spring was.
At one time or another I have been in most of the places that are conventionally considered romantic—atop high towers, deep in the bowels of the world, in palatial buildings, in jungles, and aboard a ship—yet none of these have affected me in the same way as that poor cabin of stones. It seemed to me the archetype of those caves into which, as scholars teach, humanity has crept again at the lowest point of each cycle of civilization. Whenever I have read or heard a description of an idyllic rustic retreat (and it was an idea of which Thecla was very fond) it has dwelt on cleanliness and order. There is a bed of mint beneath the window, wood stacked by the coldest wall, a gleaming flagstone floor, and so on. There was nothing of that here, no ideality; and yet the house was more perfect for all its imperfection, showing that human beings might live and love in such a remote spot without the ability to shape their habitat into a poem.
“Do you always shave with your sword?” the woman asked. It was the first time she had spoken to me unguardedly.
“It is a custom, a tradition. If the sword were not sharp enough for me to shave with, I would be ashamed to bear it. And if it is sharp enough, what need do I have of a razor?”
“Still it must be awkward, holding such a heavy blade up like that, and you must have to take great care not to cut yourself.”
“The exercise strengthens my arms. Besides, it's good for me to handle my sword every chance I get, so that it becomes as familiar as my limbs.”
“You're a soldier, then. I thought so.”
“I am a butcher of men.”
She seemed taken aback at that, and said, “I didn't mean to insult you.”
“I'm not insulted. Everyone kills certain things—you killed those roots in your kettle when you put them into the boiling water. When I kill a man, I save the lives of all the living things he would have destroyed if he had continued to live himself, including, perhaps, many other men, and women and children. What does your husband do?”
The woman smiled a little at that. It was the first time I had seen her smile, and it made her look much younger. “Everything. A man has to do everything up here.”
“You weren't born here then.”
“No,” she said. “Only Severian …” The smile was gone.
“Did you say
Severian
?”
“That's my son's name. You saw him when you came in, and he's spying on us now. He is a thoughtless boy sometimes.”
“That is my own name. I am Master Severian.”
She called to the boy, “Did you hear that? The goodman's name is the same as yours!” Then to me again, “Do you think it's a good name? Do you like it?”
“I'm afraid I've never thought much about it, but yes, I suppose I do. It seems to suit me.” I had finished shaving, and seated myself in one of the chairs to tend the blade.
“I was born in Thrax,” the woman said. “Have you ever been there?”
“I just came from there,” I told her. If the dimarchi were to question her after I left, her description of my habit would give me away in any case.
“You didn't meet a woman called Herais? She's my mother.”
I shook my head.
“Well, it's a big town, I suppose. You weren't there long?”
“No, not long at all. While you have been in these mountains, have you heard of the Pelerines? They're an order of priestesses who wear red.”
“I'm afraid not. We don't get much news here.”
BOOK: Sword & Citadel
5.77Mb size Format: txt, pdf, ePub
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