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Authors: Jane Johnson

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Nus-Nus – or Akuji, to give him his true name – is my own creation.

Glossary
abid
slave
afrit
devil
alhemdullillah
thanks be to God
bab
gate
babouches
leather slippers
baksheesh
literally ‘charity', though usually cynically used to mean ‘bribe'
baraka
good luck
bukhari
the Black Guard
burnous
cloak
charaf
honour; also a term of affection
chicha
hookah pipe
Dar Kbira
Great Palace
djellaba
hooded robe
djinn
spirit of smokeless fire
Eid
feast
Fassi
from Fez
fkih
sir
funduq
guest house
hajib
vizier
hammam
steam bath
haram
forbidden
harem
women's private quarters
hijab
Islamic headscarf
insh'allah
if God wills it
kaid
senior civil servant, administrator
kasbah
fortress
khanjar
ceremonial dagger
kif
marijuana
koubba
domed, four-sided building, often a shrine
lalla
madam, honorative
ma'alema
teacher
marabout
holy man
matamore
slave pit
marhaban
welcome
mechoui
spit-roasted lamb
medina
old, walled part of city
Meknassi
from Meknes
mellah
‘place of salt', Jewish quarter
mezian
good
nus-nus
half-and-half
oud
Arabic lute
qadi
judge
qamis
loose leggings
qibla
direction of Mecca
rabab
Moroccan instrument
raïs
captain
ras al hanout
mixture of spices
Ribati
from Rabat
salaam aleikum
peace be upon you
shahada
profession of Islamic faith
Shaitan
Satan
sherif
descendant of the Prophet
sidi
sir, lord: honorative
smen
preserved butter
souq
market
sura
chapter of the Qur'an
tadelakt
specialist plaster
Tafraouti
from Tafraout
tajine
earthenware cooking vessel, and the casserole made in it
taleb
scholar
tarboush
a ‘fez': hard red hat
zellij
mosaic tile-work
zelliji
master tiler
zumeta
rich paste of nuts and seeds
Acknowledgements

With thanks to my wonderful agents, Danny and Heather Baror, for all that they do; to Emma and Philippa for feedback and support; to Venetia and Will at Viking Penguin for their passion and care; to Donna for her exacting standards. And to Eugène Delacroix, whose ‘Portrait of a Turk in a Turban', glimpsed across a Moroccan restaurant, started a lively discussion and inspired the character of Nus-Nus.

Bibliography

Aouchar, Amina, Jean-Michel Ruiz and Cécile Tréal,
Fès, Meknès
(Paris, Flammarion, 2005)

Bejjit, Karim,
Encountering the Infidels: Restoration Images of the Moors
(essay, University Hassan II, Casablanca)

Blunt, Wilfrid,
Black Sunrise
(London, Methuen, 1951)

de Beer, E. S. (ed.),
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Daileader, Celia,
Racism, Mysogny and the Othello Myth
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Doutté, Edmond,
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(Algiers, Société Musulmane du Maghrib, 1909)

Forneron, Henri,
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Frasier, Antonia,
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(London, Weidenfeld, 1979)

Harris, Tim,
Restoration
(London, Allen Lane, 2005)

Lithgow, William,
The Totall Discourse, of the Rare Adventures, and Painefull Peregrinations
 … 
to the Most Famous Kingdomes in Europe, Asia, and Africa
 … (London, N. Okes, 1632)

Mafi, Maryam and Kolin, Azima Melita,
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Matar, Nabil,
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Mernissi, Fatema,
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(New York, Perseus, 1995)

Milton, Giles,
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(London, Hodder & Stoughton, 2004)

Ogg, David,
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(London, A&C Black, 1943)

Pearson, Hesketh,
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Picard, Liza,
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Tames, Richard,
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(London, Historical Publications, 1995)

Vitkus, Daniel J. (ed.),
Piracy, Slavery, and Redemption
(New York, Columbia University Press, 2001)

Pierre Mignard's portrait of Louise de Kéroualle, Duchess of Portsmouth (painted in 1682 during the Moroccan embassy visit), is held at the National Portrait Gallery, as are the two anonymous, but very handsome, portraits of Mohammed ben Hadou. The latter two are not on general view, but arrangements can be made with the curators to see them.

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