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Authors: Ted Chiang

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BOOK: Stories of Your Life
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Upon returning home, Janice resumed her evangelism, but the topic of her speeches has changed. She no longer speaks about how the physically handicapped have the resources to overcome their limitations; instead she, like the other eyeless, speaks about the unbearable beauty of God's creation. Many who used to draw inspiration from her are disappointed, feeling they've lost a spiritual leader. When Janice had spoken of the strength she had as an afflicted person, her message was rare, but now that she's eyeless, her message is commonplace. She doesn't worry about the reduction in her audience, though, because she has complete conviction in what she evangelizes.

Ethan quit his job and became a preacher so that he too could speak about his experiences. His wife Claire couldn't accept his new mission and ultimately left him, taking their children with her, but Ethan was willing to continue alone. He's developed a substantial following by telling people what happened to Neil Fisk. He tells people that they can no more expect justice in the afterlife than in the mortal plane, but he doesn't do this to dissuade them from worshiping God; on the contrary, he encourages them to do so. What he insists on is that they not love God under a misapprehension, that if they wish to love God, they be prepared to do so no matter what His intentions. God is not just, God is not kind, God is not merciful, and understanding that is essential to true devotion.

As for Neil, although he is unaware of any of Ethan's sermons, he would understand their message perfectly. His lost soul is the embodiment of Ethan's teachings.

For most of its inhabitants, Hell is not that different from Earth; its principal punishment is the regret of not having loved God enough when alive, and for many that's easily endured. For Neil, however, Hell bears no resemblance whatsoever to the mortal plane. His eternal body has well-formed legs, but he's scarcely aware of them; his eyes have been restored, but he can't bear to open them. Just as seeing Heaven's light gave him an awareness of God's presence in all things in the mortal plane, so it has made him aware of God's absence in all things in Hell. Everything Neil sees, hears, or touches causes him distress, and unlike in the mortal plane this pain is not a form of God's love, but a consequence of His absence. Neil is experiencing more anguish than was possible when he was alive, but his only response is to love God.

Neil still loves Sarah, and misses her as much as he ever did, and the knowledge that he came so close to rejoining her only makes it worse. He knows his being sent to Hell was not a result of anything he did; he knows there was no reason for it, no higher purpose being served. None of this diminishes his love for God. If there were a possibility that he could be admitted to Heaven and his suffering would end, he would not hope for it; such desires no longer occur to him.

Neil even knows that by being beyond God's awareness, he is not loved by God in return. This doesn't affect his feelings either, because unconditional love asks nothing, not even that it be returned.

And though it's been many years that he has been in Hell, beyond the awareness of God, he loves Him still. That is the nature of true devotion.

[Back to Table of Contents]

Liking What You See: A Documentary
"Beauty is the promise of happiness."—Stendhal

Tamera Lyons, 1st-year student at Pembleton
:

I can't believe it. I visited the campus last year, and I didn't hear a word about this. Now I get here and it turns out people want to make calli a requirement. One of the things I was looking forward to about college was getting rid of this, you know, so I could be like everybody else. If I'd known there was even a chance I'd have to keep it, I probably would've picked another college. I feel like I've been scammed.

I turn eighteen next week, and I'm getting my calli turned off that day. If they vote to make it a requirement, I don't know what I'll do; maybe I'll transfer, I don't know. Right now I feel like going up to people and telling them, “vote no.” There's probably some campaign I can work for.

* * * *

Maria deSouza, 3rd-year student, President of the Students for Equality Everywhere (SEE):

Our goal is very simple. Pembleton University has a Code of Ethical Conduct, one that was created by the students themselves, and that all incoming students agree to follow when they enroll. The initiative that we've sponsored would add a provision to the code, requiring students to adopt calliagnosia as long as they're enrolled.

What prompted us to do this now was the release of a spex version of Visage. That's the software that, when you look at people through your spex, shows you what they'd look like with cosmetic surgery. It became a form of entertainment among a certain crowd, and a lot of college students found it offensive. When people started talking about it as a symptom of a deeper societal problem, we thought the timing was right for us to sponsor this initiative.

The deeper societal problem is lookism. For decades people've been willing to talk about racism and sexism, but they're still reluctant to talk about lookism. Yet this prejudice against unattractive people is incredibly pervasive. People do it without even being taught by anyone, which is bad enough, but instead of combating this tendency, modern society actively reinforces it.

Educating people, raising their awareness about this issue, all of that is essential, but it's not enough. That's where technology comes in. Think of calliagnosia as a kind of assisted maturity. It lets you do what you know you should: ignore the surface, so you can look deeper.

We think it's time to bring calli into the mainstream. So far the calli movement has been a minor presence on college campuses, just another one of the special-interest causes. But Pembleton isn't like other colleges, and I think the students here are ready for calli. If the initiative succeeds here, we'll be setting an example for other colleges, and ultimately, society as a whole.

* * * *

Joseph Weingartner, neurologist:

The condition is what we call an associative agnosia, rather than an apperceptive one. That means it doesn't interfere with one's visual perception, only with the ability to recognize what one sees. A calliagnosic perceives faces perfectly well; he or she can tell the difference between a pointed chin and a receding one, a straight nose and a crooked one, clear skin and blemished skin. He or she simply doesn't experience any aesthetic reaction to those differences.

Calliagnosia is possible because of the existence of certain neural pathways in the brain. All animals have criteria for evaluating the reproductive potential of prospective mates, and they've evolved neural “circuitry” to recognize those criteria. Human social interaction is centered around our faces, so our circuitry is most finely attuned to how a person's reproductive potential is manifested in his or her face. You experience the operation of that circuitry as the feeling that a person is beautiful, or ugly, or somewhere in between. By blocking the neural pathways dedicated to evaluating those features, we can induce calliagnosia.

Given how much fashions change, some people find it hard to imagine that there are absolute markers of a beautiful face. But it turns out that when people of different cultures are asked to rank photos of faces for attractiveness, some very clear patterns emerge across the board. Even very young infants show the same preference for certain faces. This lets us identify the traits that are common to everyone's idea of a beautiful face.

Probably the most obvious one is clear skin. It's the equivalent of a bright plumage in birds or a shiny coat of fur in mammals. Good skin is the single best indicator of youth and health, and it's valued in every culture. Acne may not be serious, but it
looks
like more serious diseases, and that's why we find it disagreeable.

Another trait is symmetry; we may not be conscious of millimeter differences between someone's left and right sides, but measurements reveal that individuals rated as most attractive are also the most symmetrical. And while symmetry is what our genes always aim for, it's very difficult to achieve in developmental terms; any environmental stressor—like poor nutrition, disease, parasites—tends to result in asymmetry during growth. Symmetry implies resistance to such stressors.

Other traits have to do with facial proportions. We tend to be attracted to facial proportions that are close to the population mean. That obviously depends on the population you're part of, but being near the mean usually indicates genetic health. The only departures from the mean that people consistently find attractive are ones caused by sex hormones, which suggest good reproductive potential.

Basically, calliagnosia is a lack of response to these traits; nothing more. Calliagnosics are
not
blind to fashion or cultural standards of beauty. If black lipstick is all the rage, calliagnosia won't make you forget it, although you might not notice the difference between pretty faces and plain faces wearing that lipstick. And if everyone around you sneers at people with broad noses, you'll pick up on that.

So calliagnosia by itself can't eliminate appearance-based discrimination. What it does, in a sense, is even up the odds; it takes away the innate predisposition, the tendency for such discrimination to arise in the first place. That way, if you want to teach people to ignore appearances, you won't be facing an uphill battle. Ideally you'd start with an environment where everyone's adopted calliagnosia, and then socialize them to not value appearances.

* * * *

Tamera Lyons:

People here have been asking me what it was like going to Saybrook, growing up with calli. To be honest, it's not a big deal when you're young; you know, like they say, whatever you grew up with seems normal to you. We knew that there was something that other people could see that we couldn't, but it was just something we were curious about.

For instance, my friends and I used to watch movies and try to figure out who was really good-looking and who wasn't. We'd say we could tell, but we couldn't really, not by looking at their faces. We were just going by who was the main character and who was the friend; you always knew the main character was better looking than the friend. It's not true a hundred percent of the time, but you could usually tell if you were watching the kind of thing where the main character wouldn't be good looking.

It's when you get older that it starts to bother you. If you hang out with people from other schools, you can feel weird because you have calli and they don't. It's not that anyone makes a big deal out of it, but it reminds you that there's something you can't see. And then you start having fights with your parents, because they're keeping you from seeing the real world. You never get anywhere with them, though.

* * * *

Richard Hamill, founder of the Saybrook School:

Saybrook came about as an outgrowth of our housing cooperative. We had maybe two dozen families at the time, all trying to establish a community based on shared values. We were holding a meeting about the possibility of starting an alternative school for our kids, and one parent mentioned the problem of the media's influence on the children. Everyone's teens were asking for cosmetic surgery so they could look like fashion models. The parents were doing their best, but you can't isolate your kids from the world; they live in an image-obsessed culture.

It was around then that the last legal challenges to calliagnosia were resolved, and we got to talking about it. We saw calli as an opportunity: what if we could live in an environment where people didn't judge each other on their appearance? What if we could raise our children in such an environment?

The school started out being just for the children of the families in the cooperative, but other calliagnosia schools began making the news, and before long people were asking if they could enroll their kids without joining the housing co-op. Eventually we set up Saybrook as a private school separate from the co-op, and one of its requirements was that parents adopt calliagnosia for as long as their kids were enrolled. Now a calliagnosia community has sprung up here, all because of the school.

* * * *

Rachel Lyons:

Tamera's father and I gave the issue a lot of thought before we decided to enroll her there. We talked to people in the community, found we liked their approach to education, but really it was visiting the school that sold me.

Saybrook has a higher than normal number of students with facial abnormalities, like bone cancer, burns, congenital conditions. Their parents moved here to keep them from being ostracized by other kids, and it works. I remember when I first visited, I saw a class of twelve-year-olds voting for class president, and they elected this girl who had burn scars on one side of her face. She was wonderfully at ease with herself, she was popular among kids who probably would have ostracized her in any other school. And I thought, this is the kind of environment I want my daughter to grow up in.

Girls have always been told that their value is tied to their appearance; their accomplishments are always magnified if they're pretty and diminished if they're not. Even worse, some girls get the message that they can get through life relying on just their looks, and then they never develop their minds. I wanted to keep Tamera away from that sort of influence.

Being pretty is fundamentally a passive quality; even when you work at it, you're working at being passive. I wanted Tamera to value herself in terms of what she could
do
, both with her mind and with her body, not in terms of how decorative she was. I didn't want her to be passive, and I'm pleased to say that she hasn't turned out that way.

* * * *

Martin Lyons:

I don't mind if Tamera decides as an adult to get rid of calli. This was never about taking choices away from her. But there's more than enough stress involved in simply getting through adolescence; the peer pressure can crush you like a paper cup. Becoming preoccupied with how you look is just one more way to be crushed, and anything that can relieve that pressure is a good thing, in my opinion.

BOOK: Stories of Your Life
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