Specimen Days (20 page)

She got out of bed. "Call you later," she said.

"Right," he answered.

They both paused. Now would be the time for one of them to say "I love you." If they were at that point.

"Bye," she said. "Bye," he answered.

It was Halloween at the office. She'd never felt the air so agitated. This was what never actually happened: a psychopath announcing his intentions, with every indication of follow-through. This was movie stuff.

Ed was just shy of coming in his pants. His hair, what was left of it, seemed to be standing on end. "Hot damn," he said.

"They find anything in Bed-Stuy?" she asked. "Nope. I wish / could talk to him." "And what would you say?"

"I think he needs a father figure."

"Do you?"

"Don't be offended. You're doing a fine job with him."

"In my way."

"No offense. I just think maybe a guy could get more out of him. It's the luck of the draw, him calling here and attaching to you."

"You don't think a woman is as effective with him?" "Hey. Don't get all Angela Davis on me."

Ed was one of the new breed, the guys who seemed to think that if they were right up front about their sexism and racism, if they walked in and sat down and just
said it,
they were at least semi-absolved. That if racism was inevitable, it was better, it was more manly and honorable, to be candid. She, frankly, preferred secrecy.

"I wouldn't dream of it," she said.

"A bad dad is telling him to do bad things. A good dad might have a better chance of telling him to do good things. A mother figure doesn't have the same authority. She's a refuge. She can't contradict the bad dad. She can only console."

"I can't tell you how much I hope you're wrong about that."

"I hope so, too. We're going to
get
this little fucker."

Ed had the killer buzz in his voice. He had the pure, shining conviction of the almost smart. When Ed went on like this, Cat heard
the ping
inside her head. Here was a true murderer.

"Yeah," she said. "We're going to get him."

Pete came into the cubicle, with black coffee for her.

"You're sweet," she said.

"We're nowhere," he told her.

"We're never
no
where."

"They've run dental records on more than two thousand missing kids. They got no matches to the teeth we found."

"Disappointing."

"It's like that first kid appeared out of thin air."

"Or nobody knows or cares that the first kid is missing."

"I know, I know. It's funny, though." "I agree. It's funny."

Ed broke in. "Or somebody never cared enough to send their kid to a dentist."

"Always a possibility," Cat said. "Have you noticed how he starts to disintegrate as he gets agitated?"

"Go on," Pete said.

"His coherence fades. He starts throwing out lines from Whitman. Or, as he would say, from home."

"He gets more and more random," Ed offered.

"Maybe," Cat said. "Or maybe, in his mind, he gets less and less random. I have a feeling that the poem
is
his language. It's what's in his head. Maybe it's more of a stretch for him to say something like 'I'm afraid to die' than it is to say 'Do you think a great city endures?'"

"That
sounds like a bit of a stretch, to me," Ed said.

Cat wanted to say, I have a feeling, but she couldn't say that kind of thing in front of Ed. He'd use it against her. She was the girl with the degree from Columbia, who'd read more books than all of the men put together, who'd gone into forensics because she hadn't managed to establish a private practice. She was overaggressive and under-qualified. She was someone who relied on feelings.

She said, "It's just an idea, Ed. This seems like an excellent time for us to give free rein to our ideas, wouldn't you say?"

Queenly bearing, schoolmarm diction. She really had to quit that. Problem was, it worked. Most of the time.

"Sure, sure," Ed said. "Absolutely."

"There's something strange about the kid's associations," she said. Back to regular voice. "It's like he's programmed. A concept trips a wire, and he's got the line, but he hasn't got the circuitry to make sense of it. He's like a vessel for someone else's wishes. The poetry signifies something for him, but he's not able to say what it is."

"I thought we'd have a trace by now," Pete said. "These are
kids."

"Someone is putting them up to it," Cat said.

"I don't know," Ed said. "No one's taken any credit yet."

Cat said, "Unless whoever it is
wants
these kids to call in. Unless that's his way of taking credit."

Pete said, "I started that Whitman book last night. Can't make head or tails of it, frankly."

"I'm seeing a woman at NYU later today." "Good."

"What more do we know about Dick Harte?" Cat asked.

"A lot," Pete answered. "But nothing's jumping out. No history with boys. Or girls, even. Nothing we can find. It's all pretty standard. Went to law school"

"Where?"

"Cardozo. Not Harvard. Practiced for a few years, then went into real estate. Married a decent girl, got rich, dumped the decent girl and married a new decent girl but prettier. Had two pretty children with wife number two. Big house in Great Neck, country place in Westhampton. All in all, a very regular guy."

"Apart from all that money," Cat said.

"Right. But it's real estate. He didn't have sweatshops. His employees didn't love him, but they didn't hate him, either. They got their salaries. They got their benefits. They got Christmas bonuses every year, plus a party at the Rihga Royal."

"In my experience," Cat said, "very few rich people have no enemies."

"His enemies were all on his level. Basic business rivalries, guys he outbid, guys he undersold. But these people didn't
hate
him. It doesn't work that way. It's a club. Dick Harte was one of the less sleazy members."

"What about the son who had to be sent away to school in Vermont?"

"Just a troubled kid. Got into drugs, grades started slipping. Mom and Dad shipped him off to the country. I'm sure they weren't happy about it, but it doesn't seem like any big deal."

"What was Dick Harte up to at Ground Zero?" Cat asked.

"He was one of a group of honchos pushing for more retail and office space in the rebuild. As opposed to those who favor a memorial and a park."

"That might be a big deal to any number of people," Cat said.

"But to a ten-year-old?"

"This is a ten-year-old who's memorized
Leaves of Grass."

"A freak," Ed added.

"Or maybe a savant," Cat said.

"The one doesn't necessarily rule out the other," Pete said.

"No," Cat answered. "It doesn't."

She spent the morning waiting in her cubicle, hoping for another call. Who were the great waiters in literature?

She couldn't think of any stories about men whose job it was to wait. But as Ed had put it,
Hey, don't get all Angela Davis on me.
She'd do her best.

She listened to the tape, several times. She looked through
Leaves of Grass.

Little boy. Who do you want to take into space to behold the birth of stars?

At ten-thirty, she tossed her cell into her bag and went over to Rita Dunn's office at NYU. Dunn was in a building on Waverly. One of these buildings, Cat had never been quite sure which, had been that sweatshop, where the fire was. She knew the story only vaguely the exits had been blocked to keep the workers from sneaking out early. Something like that. There'd been a fire, and all those women were trapped inside. Some of them had jumped. From one of these buildings was it the one she was entering? women with their dresses on fire had fallen, had hit this pavement right here or the pavement just down the street. Now it was all NYU. Now it was students and shoppers, a coffeehouse and a bookstore that sold NYU sweatshirts.

Cat went up to the ninth floor and announced herself to the department secretary, who nodded her down the hall.

Rita Dunn turned out to be red-haired, mid-forties, wearing a green silk jacket and heavy makeup. Dark eyeliner, blush expertly applied. Around her neck, a strand of amber beads just slightly smaller than billiard balls. She looked more like a retired figure skater than she did like a professor of literature.

"Hello," Cat said. She gave Rita Dunn a moment to adjust. No one ever said, You didn't sound black over the phone. Everybody thought it.

"Hello," Rita responded, and pumped Cat's hand enthusiastically. People loved talking to cops when they weren't in trouble.

"Thanks for taking the time to see me." "Glad to. Sit."

She gestured Cat into a squeaky leatherette chair across from her desk, seated herself behind the desk. Her office was a chaos of books and papers
(disorderly sister).
On the wall behind her, a poster of Whitman great lightbulb of old-man nose, small dark eyes looking out from the cottony crackle of beard and hair. In the window of Rita Dunn's office, a spider plant dangled its fronds before the vista of Washington Square Park. Had seamstresses once huddled at that window, trapped by flames? Had they stood on that sill and jumped?

"So," Rita Dunn said. "You want to know a thing or two about Mr. Whitman."

"I do."

"May I ask what exactly you're looking for?" "Relating to a case I'm investigating." "Does it have to do with the explosion?" "I'm sorry, I can't discuss the details."

"I understand. A case involving Walt Whitman. Is he in trouble?"

"I know it's unusual."

Rita Dunn steepled her fingers, touched them to her mahogany-red lips. Cat felt, abruptly, the force of her attention. It was palpable, a clicking-on, a jewel-like zap that rose in her perfectly outlined eyes. Right, Cat thought. You dress like this to fool the men, don't you? You're a stealth fighter.

"I like the unusual," Rita said. "I like it very much. Can you give me a hint about where to begin?"

"Let's say this. Could you give me some idea about Whitman's message to his readers?"

"His message was complicated."

"Got that. Just tell me whatever comes to mind."

"Hm. Do you know anything about him at all?"

"A little. I read him in college. I've been reading him again."

"Well. Okay. Whitman as you probably know was the first great American visionary poet. He didn't just celebrate himself. He celebrated everybody and everything."

"Right."

"He spent his life, and it was a long life, extending and revising
Leaves of Grass.
He published it himself. The first edition appeared in 1855. There were nine editions in all. The last, which he called his deathbed edition, appeared in 1891. You could say that he was writing the poem that
was
the United States."

"Which he loved."

"Which he did love."

"Would you call him patriotic, then?"

"It's not quite the right term for Whitman, I don't think. Homer loved Greece, but does the word 'patriotic' feel right for him? I think not. A great poet is never anything quite so provincial."

She picked up a pearl-handled letter opener, ran a fingertip along the blade. Aristocrats with tentative claims to thrones might have been just this impeccably overdressed, Cat thought. They might have possessed this underlayer of fierce, cordial vigilance.

Cat said, "But might someone, reading him today, interpret him as patriotic? Could
Leaves of Grass
be read as some sort of extended national anthem?"

"Well, you wouldn't believe some of the interpretations I've heard. But really, Whitman was an ecstatic. He was a dervish of sorts. Patriotism, don't you think, implies a certain fixed notion of right versus wrong. Whitman simply loved what
was"

"Indiscriminately."

"Yes and no. He believed in destiny. He imagined that the redwood tree was glad for the ax because it was the tree's destiny to be cut down."

"So he had no particular sense of good and evil."

"He understood life to be transitory. He was not particularly concerned about mortality."

"Right," Cat said. "Is that helpful?"

"Mm-hm. Does the phrase 'In the family' mean anything to you?"

"Do you mean, do I recognize it from Whitman?"

"It's not from Whitman."

"I thought not. Though I can't claim to know every single line."

"Does it suggest anything to you?"

"Not really. Could you put it in some sort of context?"

"Say, as a declaration. If somebody said to you, 'I'm in the family.' In light of Whitman."

"Well. Whitman empathized with everyone. In Whitman there are no insignificant lives. There are mill owners and mill workers, there are great ladies and prostitutes, and he refuses to favor any of them. He finds them all worthy and fascinating. He finds them all miraculous."

"The way, say, a parent refuses to favor one child over the others?"

"I suppose you could say that, yes."