Authors: Hammond Innes
âThank you,' I said quickly. âSome tea would be great.' I was staring at her, conscious of her figure, everything about her. Conscious, too, of the effect she was having on me. It wasn't just her youth, or even the protruding breasts, that extraordinary cap of brilliantly coloured hair now catching the sun. It was something much more powerful, a deep current passing between us, so that I just stood there watching her as she crossed to the dressing table, put down the tray and laid the books carefully beside it.
âMilk?' she asked, and I nodded, feeling overwhelmed and at the same time a little ridiculous at being dumbfounded by something I'd never experienced before.
In an effort to pull myself together, I said, âThis is your bedroom, is it?'
âYes.' She had turned and was smiling at me, the full lips turned up at the corners, a glint of laughter in her eyes. âYou're wondering how I can go to bed with that dreadful face hanging over me.' The smile broadened, a flash of long, very white teeth. âYou must think my taste very odd, but I've lived with them all my life. They remind me of the world I used to know.'
She turned her head, staring out of the window towards the sea. âIt made life more bearable.' Her voice, intense and tinged with nostalgia, was husky, barely above a whisper. Then she seemed to collect herself, bending quickly to pour the tea. âDo sit down. It's very hot and you haven't stoppedâ' She stood for a moment, the cup in her hand, staring out of the window. âYou can see the sea up here. It's the only room in the house that looks out to the sea. Sugar?'
I shook my head, looking round for somewhere to sit other than the bed. There was nowhere except the dressing-table stool. She handed me my cup and, having poured her own, perched herself on the broad window ledge. Seeing her there against the light, she seemed like something caged in and on the verge of flight, her hair in the sunlight red-bronze, like a burnished helmet. There was a long silence as she sat there drinking her tea and staring out of the window.
âI had a bathe before I came here,' I said. âIt must be nice living so close to the sea.'
She nodded abstractedly. âI used to swim, once. But my father was a sick man, and then Tim came back. I never had time after that.' And she added almost harshly, âMy brother was paralysed, you see.' There was another silence. Then she said very quickly, âIt's been a long time and now he's dying.'
I thought perhaps she wanted to talk about it, and almost without thinking I asked her what he was dying of.
âSorcery.' She said it so quietly, so matter-of-factly, that I thought for a moment I must have misheard her.
But then she added, still in the same tone of voice as though she were talking about something as common as cancer. âAs a kiap â a patrol officer â he had a lot of experience of that sort of thing. Of course, the doctor says it's the effect of the accident, some sort of stroke following the spinal injury. But I told him it wasn't that.' She gave a nervous little giggle. âIt was really very funny, his face. Sorcery! Dammit, the silly little man thought I was out of my mind. He started prescribing sleeping pills, pain killers, all that rubbish. Not that it mattered, no doctor's going to cure him of sorcery or enter that on a death certificate, is he? Not here in England. But that's what it'll be. Tim's had a death wish put on him, and he knows it.'
I stared down at my inventory, feeling confused and wondering to what extent she was suffering from shock. âHe was a patrol officer, you say,' I heard myself murmur. âWas he in the Army then?'
âNo, not the Army. Civil Administration. In the Goroka District. He was very badly injured and invalided home.' She hesitated, but before I could ask her where Goroka was, she said, âIt's been a long time, and now ⦠' She shrugged. âWith him gone, I feel a little lost.' Again that effort to collect herself. âYou're just about through now, aren't you? This is the last room.'
âUnless there is anything of value in the loft that you want included in the sale?'
She hesitated, then shook her head. âNo, nothing.'
âAny jewellery you want disposed of?'
She laughed. âAll that went long ago.' She fell
silent, as though recollecting; then she gave a little sigh. âMother left me her things. They were beautiful, mostly native work. But they didn't fetch much.' Her eyes fell involuntarily to her hands, which were strongly formed and capable, the wrists slim and bare, no rings on the short, broad fingers. âI hated parting with them. But I kept the carvings.' She said it almost defiantly. âMy grandfather gave them to me, and I've nothing else to remember him by.'
She sat there for a moment as though thinking about him. Then she said, âDo you have a safe in your office?'
âYes.' I concentrated on my tea, wondering what was coming, still thinking about her brother and his mysterious illness.
âI was hoping perhaps you'd have room for these two albums.' She nodded to the books on the dressing table. They were old leather-bound volumes with metal clasps.
âYours?' I asked, not quite certain on whose authority the sale was being made.
There was a momentary hesitation; then she said, âYes. Yes, I suppose they are now.' She was staring towards the sea again. And then, as though conscious that she had been speaking as if her brother were already dead, she went on quickly, âThey were among his things when he was sent home. He couldn't speak at all then, but I knew they were important. We were very close, you see. And then Jona wrote â that's my elder brother â he said if Tim ever recovered, he
thought he'd want to make some enquiries about them. So I kept them here, hidden in the loft.'
âWhat are they, diaries?' I asked.
âNo. Stamps. It's a collection of stamps.'
I didn't say anything for a moment, the collector's instinct suddenly taking hold, a feeling of excitement. Only once before in the years since I had switched from marine engine salesman to estate agent had the job given me the opportunity to acquire a collection direct from the owner. My eyes were fastened on the albums, wondering what was inside those battered leather covers. They looked Victorian, in which case there could be some early GBs. But this was a young woman I was dealing with, not a businessman. âYou could put them in the bank,' I said, âor it might be better to let the solicitors hold them.'
She shook her head, those large, prominent eyes of hers staring at me intensely. âI'd rather you kept them,' she said.
It was an odd request. âWhy? If they're valuable â¦'
âIt isn't that â though I wondered, of course, when things became really difficult. Anyway, I didn't know how to go about selling them, and there was never any time â¦' She hesitated, still staring at me, but her gaze had turned inward. âNo. I just want to know they're safe, that's all. I don't want them in the house any more.' That husky voice of hers was low-pitched now, almost a whisper, her thoughts a little disconnected. âSomething Jona wrote in a letter. I keep on remembering. He's never been much of a letter writer,
too wrapped up in his ship. He did write to me about Tim's future. I'd cabled him about the nursing home charges, but even then his letter was all about the need for an engine overhaul, which meant Australia and no cargo earnings. It's very expensive running a ship, I know, butâ'
There was a long pause, and then she suddenly looked at me again and said, âBut about those stamps, he did write that Tim had been very excited when he discovered them. I don't know why. That was just after the accident, and I couldn't get any sense out of Tim, of course.' Her eyes went to the window again. Another, longer pause; then she said, âYou've got to remember he wasn't very coherent. There was brain damage as well. That's why I put them in the loft. I thought he might suddenly want them. He had moments when he could communicate, after a fashion. But he was very strange, very unpredictable. About a fortnight ago, just before I finally persuaded the nursing home to take him â they're some sort of charitable hangover from colonial days and very choosy, it seems, about whom they take â he suddenly seemed to want to see them again, and when I brought them down to him, he lay staring at them most of the day. Then he suddenly lost interest. He was like that.' Her voice was very low, falling almost to a whisper. âIf ever I catch up with the man who did that to him, I'll kill him.'
It was said so quietly, without emotion, in the same matter-of-fact way she had mentioned sorcery. If she had said it wildly, I could have put it down to her being overwrought. But she wasn't overwrought or in
any way hysterical. She just sat there, making a flat statement, and that made it all the more frightening. I didn't know what to say. âCan I have a look at the albums?'
âYes, of course.' Her eyes were staring past me at the mask above the bed, her tone offhand.
I put down my cup and picked the albums up. They were identical, measuring about eight inches by five, the leather dark green, almost black, and very thick, the clasps gilt, two to each album, and the hinges damaged. The pages were loose-leaved, a heavy cartridge paper, the stamps carefully presented, sometimes only one to a page, sometimes complete sets. Many of them were unused, and in the case of the sets most of them were overprinted SPECIMEN. NO early GBs, no Queen's heads, virtually the whole collection devoted to views, ships, a sprinkling of animals, and all about the turn of the century. Nothing very early and every stamp stuck down, which was a pity.
The first volume I looked through contained nothing but Canadian provincials and Australian states. There was a Specimen set of Tasmanian scenes which was particularly attractive, and the last two pages were taken up with what looked like proofs. But it was the second volume that interested me, an exclusively island collection: Malta, Papua, North Borneo, Samoa, Tonga, Bermuda, Cook Islands, Jamaica â ships, canoes, galleys, coats of arms, island scenes, and in the case of Samoa a page of the EXPRESS stamps. There was a nice Specimen set of Turks and Caicos to the full 3s. value, all with ships, and a very
battered imperforate stamp, blue with a white sailing ship and the script letters LM
C
L underneath, stuck to the centre of the page so that it caught my eye. It was pen-cancelled and rang some faint bell in my memory.
âWell?' she asked as I sat looking at it, trying to remember an island that had issued a stamp with no designation on it, only a monogram. âI read somewhere that old stamps had kept pace with inflation.'
I nodded. âBetter than most things. But I couldn't give you even a rough idea what these are worth, not till I've checked them through with the catalogue. Even then, I won't be certain because of their condition.'
âI think my brother realised we were short of money. That day when he lay there staring at them, I was helping him over his lunchâ' She stopped there, a muscle in her cheek twitching at the memory. âI don't know whether I understood him right, but I thought he tried to tell me they would be worth a lot to somebody.'
I thought she meant a collector, or a dealer, and I said, âI think I should warn you they won't fetch anything like the catalogue price. It's an interesting little collection, well arranged, but I don't think there's anything very rare, and none of them are in mint condition. They're stuck down, you see. Mint condition requires that the original gum on the back be intact.'
âI see.' She frowned. âYou're not a stamp dealer, are you?'
âNo, but I collect them.' And I told her how as a kid I had used any money that came my way to buy
pictorials. âThey were quite cheap then, and it was a sort of displacement activity, I suppose, a world in which I could forget that my parents were at each other's throats and only staying together on account of me. Lately I've been taking advantage of the rise in market values to switch into line-engraved issues, concentrating on Great Britain and the Caribbean, islands like Antigua, St Kitts, St Vincent, Turks and Caicos.'
âSo you know some of the dealers?'
âTwo or three, yes. When I get the chance, I buy at auctions. It's usually cheaper at auction.' I hesitated, not sure what she wanted. âWould you like me to get a valuation for you?' And as I said it, I knew it had been prompted by a desire to see her again.
âCould you?' She was silent a moment, thinking about it. âThank you, yes. I'd be very glad if you would.'
It was as easy as that, and feeling slightly pleased with myself, I finished my tea and picked up the clipboard. Knowing something of her circumstances now, I said, âIs there anything else â anything I've missed â that you want either included in the sale or else for me to value for you while I'm here?'
âNo, I don't think there's anything else. Just about everything that's left belongs to Tim, I suppose. I don't own very much now except my clothes.' And she added, âThere was a time when we were quite well off, but when my father finally diedâ' She hesitated. âI knew he'd been financing Jona, but not the extent of it. There wasn't much left for Tim except the house,
and these last two years I've sold off what I could. There's nothing of any real value here now. Can I give you some more tea?'
I thanked her, studying the inventory as she refilled my cup. The contents I had listed wouldn't fetch enough to keep him very long, even if the nursing home was charity-run, and to get her mind off the subject of finance, I asked her about the carvings. âWas it your grandfather who collected them?'
âMy great-uncle.'
âHe was a missionary, was he?' I was thinking of the label on the base of that wooden figure downstairs.
She seemed amused. âNo, he was the black sheep of the family. An inveterate liar, that's how my grandfather described him. But he wouldn't talk about him, except once long ago I remember he said his brother had got into some sort of trouble. He shipped out on a wool ship to Australia and wasn't heard of again for several years. Then he suddenly turned up in England boasting he owned an island and some schooners and had become king of a lot of cannibals in a world where they believed their ancestors were butterflies.' She gave a little shrug. âMy grandfather was always reminiscing about people with strange backgrounds, so I didn't take much notice. I was a child at the time, but I liked the bit about the butterflies.'