Slaughterhouse-Five (20 page)

He changed the subject now, congratulated Valencia on her engagement ring.

“Thank you,” she said, and held it out so Rosewater could get a close look. “Billy got that diamond in the war.”

“That’s the attractive thing about war,” said Rosewater. “Absolutely everybody gets a little something.”

With regard to the whereabouts of Kilgore Trout: he actually lived in Ilium, Billy’s hometown, friendless and despised. Billy would meet him by and by.

“Billy—” said Valencia Merble.

“Hm?”

“You want to talk about our silver pattern?”

“Sure.”

“I’ve got it narrowed down pretty much to either Royal Danish or Rambler Rose.”

“Rambler Rose,” said Billy.

“It isn’t something we should
rush
into,” she said. “I mean—whatever we decide on, that’s what we’re going to have to live with the rest of our lives.”

Billy studied the pictures. “Royal Danish,” he said at last.

“Colonial Moonlight is nice, too.”

“Yes, it is,” said Billy Pilgrim.

And Billy traveled in time to the zoo on Tralfamadore. He was forty-four years old, on display under a geodesic dome. He was reclining on the lounge chair which had been his cradle during his trip through space. He was naked. The Tralfamadorians were interested in his body—
all
of it. There were thousands of them outside, holding up their little hands so that their eyes could see him. Billy had been on Tralfamadore for six Earthling months now. He was used to the crowd.

Escape was out of the question. The atmosphere
outside the dome was cyanide, and Earth was 446,120,000,000,000,000 miles away.

Billy was displayed there in the zoo in a simulated Earthling habitat. Most of the furnishings had been stolen from the Sears Roebuck warehouse in Iowa City, Iowa. There was a color television set and a couch that could be converted into a bed. There were end tables with lamps and ashtrays on them by the couch. There was a home bar and two stools. There was a little pool table. There was wall-to-wall carpeting in federal gold, except in the kitchen and bathroom areas and over the iron manhole cover in the center of the floor. There were magazines arranged in a fan on the coffee table in front of the couch.

There was a stereophonic phonograph. The phonograph worked. The television didn’t. There was a picture of one cowboy killing another one pasted to the television tube. So it goes.

There were no walls in the dome, no place for Billy to hide. The mint green bathroom fixtures were right out in the open. Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.

•  •  •

Billy brushed his teeth on Tralfamadore, put in his partial denture, and went into his kitchen. His bottled-gas range and his refrigerator and his dishwasher were mint green, too. There was a picture painted on the door of the refrigerator. The refrigerator had come that way. It was a picture of a Gay Nineties couple on a bicycle built for two.

Billy looked at that picture now, tried to think something about the couple. Nothing came to him. There didn’t seem to be
anything
to think about those two people.

Billy ate a good breakfast from cans. He washed his cup and plate and knife and fork and spoon and saucepan, put them away. Then he did exercises he had learned in the Army—straddle jumps, deep knee bends, sit-ups and push-ups. Most Tralfamadorians had no way of knowing Billy’s body and face were not beautiful. They supposed that he was a splendid specimen. This had a pleasant effect on Billy, who began to enjoy his body for the first time.

He showered after his exercises and trimmed
his toenails. He shaved, and sprayed deodorant under his arms, while a zoo guide on a raised platform outside explained what Billy was doing—and why. The guide was lecturing telepathically, simply standing there, sending out thought waves to the crowd. On the platform with him was the little keyboard instrument with which he would relay questions to Billy from the crowd.

Now the first question came—from the speaker on the television set: “Are you happy here?”

“About as happy as I was on Earth,” said Billy Pilgrim, which was true.

There were five sexes on Tralfamadore, each of them performing a step necessary in the creation of a new individual. They looked identical to Billy—because their sex differences were all in the fourth dimension.

One of the biggest moral bombshells handed to Billy by the Tralfamadorians, incidentally had to do with sex on Earth. They said their flying-saucer crews had identified no fewer than
seven
sexes on Earth, each essential to reproduction. Again: Billy couldn’t possibly imagine what five of those seven
sexes had to do with the making of a baby, since they were sexually active only in the fourth dimension.

The Tralfamadorians tried to give Billy clues that would help him imagine sex in the invisible dimension. They told him that there could be no Earthling babies without male homosexuals. There
could
be babies without female homosexuals. There couldn’t be babies without women over sixty-five years old. There
could
be babies without men over sixty-five. There couldn’t be babies without other babies who had lived an hour or less after birth. And so on.

It was gibberish to Billy.

There was a lot that Billy said that was gibberish to the Tralfamadorians, too. They couldn’t imagine what time looked like to him. Billy had given up on explaining that. The guide outside had to explain as best he could.

The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or a cloud, at a stone right in front of them, or even down into a
canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe.

This was only the beginning of Billy’s miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn’t know he was on a flatcar, didn’t even know there was anything peculiar about his situation.

The flatcar sometimes crept, sometimes went extremely fast, often stopped—went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, “That’s life.”