Skinner's Festival (6 page)

'Bob, I’m your closest colleague, and you’ve never told even me the whole story of that night. You’ve changed since then, you know. I tell you this as a friend, that I’ve noticed a side to you that wasn’t there before. Just now and again, it’s as if you’re somewhere else, in a very scary place. Maybe only people who really know you can see it.’

Skinner had his back to Martin as he replied. It was perhaps as well that the younger man could not see the expression in his grey eyes. 'Andy, I try not to let any of my thoughts show on the outside, but that was something of a night.’ Then, suddenly Skinner laughed out loud. 'And I’ve got a fucking great bullet hole in my leg to remind me!’
The tension broken, Skinner quickly changed the subject.
'Now, the last member of the team. I want to include Sarah. What d’you think? Can I have my own wife on my team?’
Martin looked thoughtful for a second, then looked up and nodded. 'Yes, boss, I’m all for it. She knows how you think, and she’s got her Masters in criminal psychology, too. If she can help you, she’s helping us all. And since she’s still a part-time police surgeon, technically she’s an insider as well.’
'Right, Andy,’ said Skinner emphatically. “That’s our team picked. Now let’s get it on the park. The game’s started and the other side’s a goal up already!’

EIGHT

From the privacy of his own office in the command suite. Skinner made six quick fire telephone calls. The first two were to the divisional detective superintendents at the Torphichen Street and St Leonards police stations, who were, respectively, the line officers Maggie Rose and Mario McGuire. He told them that each would be losing his best sergeant for an indefinite period. He expected no questions or protests, and received none. The third
call went to a private number.
The phone was answered on the second ring, and a familiar deep voice sounded on the line. 'McGuire.’
'Hi, Mario. ACC here. Are you alone, or is anyone I know there with you?’
'Well as it happens, sir, DS Rose is watching a video in the living-room. Me? I’m in the kitchen as usual.’
'In that case. Sergeant, I’ve got good news for you, and bad news for Maggie. You heard about this morning’s bang in Princes Street?’
McGuire grunted assent.
'Well, I’m setting up a unit to co-ordinate the search for the cowboys who did it. I want my best on it, so you two are in. Get yourselves down to Fettes right away, and meet me in the SB suite.’

Next he dialled the mobile number of Detective Inspector Brian Mackie, his personal assistant. As Mackie answered. Skinner could hear the din of a crowd.
'Where are you, Brian?’
Tynecastle, sir. Kicked off five minutes ago. The Jam Tarts are one down already.’
'So am I. Give the rest a miss and get into the office.’
For his fifth call. Skinner switched to a green scrambled telephone on his desk. Seconds later he was connected to an MI5 duty officer. He identified himself, and asked the woman to call
him back in confirmation. When she did so, he asked her to do everything necessary to have Captain Adam Arrow report to him personally at police headquarters in Edinburgh by 10:00 am the next morning.

Finally, he called his own home number in Edinburgh. Sarah and he had just moved into a bungalow off Queensferry Street, even closer to Fettes Avenue than the flat in Stockbridge from which they had recently moved. He assumed that Sarah herself would answer his call, but he was wrong.
'This is 957 0825. Alex Skinner speaking.’
He smiled at the unexpected sound of his daughter’s voice.
'Hi, kid. I thought you were rehearsing up to the last minute.’
'No, Pops. Our director decided that we could only get worse, so he gave us the afternoon off, to rest up. Curtain goes up at 8:00 sharp. Will you be able to get to it, with all this bomb stuff and everything? Sarah told me about it. In fact will you get home at all this evening. Pops? There’s someone here I’d like you to meet. My new leading man, you might say.’
'Don’t think so. Better postpone the introduction. But unless something else happens, I will make it tonight. So you be good, and if you can’t be good, just be sensational. Now put your
stepmother on, okay.’
'I think she’s in the shower. No, I lie. Just a sec. Sarah! It’s your old man!’
Moments later, he heard Sarah’s soft New York drawl. 'Hello, honey, where are you?’
'At HQ. Did you get everything cleaned up at your end?’
'Eventually. No other serious casualties. That poor girl looked in worse shape than actually she was. A bad scalp cut; lots of blood – most of it ended up on me. God, was I a mess. I’ve just done washing it off. Next I’ll have to wash the shower-curtain. It looks like that scene from Psycho. When will you be home?’
'Not for a bit yet. But, that’s not why I’ve called. Look, I want you up here now. I’m putting a team together and I want you on it. I need somebody with your sort of expertise, so why not you?’
'Well. . .’ she tried, but failed, to sound matter-of-fact. 'See you in twenty minutes.’

NINE

Detective Inspector Brian Mackie had found that getting out of a football ground just after kick-off can be more difficult than gaming entry. Having been forced earlier to park his car a mile from Tynecastle Stadium, he found himself the last to join the team in the Special Branch suite. As he arrived, apologetically, the clock on the wall was just approaching 4:00 pm.
Nevertheless, Skinner greeted him with a smile. 'Hello, Brian. We were beginning to think you’d hung on there for the pies and the Bovril. Hearts were 3-1 up at half-time, in case you hadn’t heard.’
'I always had faith in them, boss.’
'God knows why. OK, grab a seat and let’s get on with it.’
Skinner walked over to a pin-board fixed to the wall. 'Most of you will know each other, I think. But, Maggie, Mario, have you met Barry Macgregor here?’ The two sergeants nodded towards the detective constable who, at twenty-four, was the youngest of the group by several years. Maggie Rose gave him a friendly smile.
'Mind you, even if you hadn’t met him, you’d have marked him out, nae bother, as Crime Squad just by the hairdo.’ Macgregor’s mousy-blond hair was shoulder-length. It was pulled back into a pony-tail, and some of it was braided and ringed with white beads.
The young man grinned, shaking his head vigorously from side to side to make the beads rattle.
'All of you know Dr Sarah Grace, from various crime scenes and elsewhere. Be in no doubt that, although she’s my wife, Sarah’s here now as Dr Grace, police surgeon, criminal psychologist and fully fledged member of the team. If she slips up, she’ll get bollocked just like any of the rest of you. For me,’ he said with a sudden broad grin, 'the downside is that if I slip up myself, she’ll let me know – in her own special way.’

Then the smile left Skinner’s face. 'That’s the last laugh you’ll get from me for a while. We’ve been brought together here – and it’s a reunion for all of us but you, Barry – by a very nasty incident which took place this morning. For those of you who’ve only heard the news reports, I’ll tell you now what we’re dealing with – as far as we know. An explosion took place in a hospitality marquee on top of Waverley Market at around midday today. It could be that it was meant to go off at 12:00 noon exactly. There was one fatality, an unfortunate lad named Danny Baker, who was too close to the seat of the blast to have stood a chance. His next-of-kin have been told. Apart from the boy Baker, there were no serious casualties, although around twenty people wound up in the Royal with shock or minor injuries. I’ve just told the Press Office to issue a statement that we are investigating the possibility that the explosion was caused by a faulty gas bottle.’

He paused for a moment. “This may shock you good people, but that is an out-and-out lie. “Gammy” Legge, the bomb expert, has just confirmed that it was caused by approximately one pound of Semtex. He believes that the explosive was hidden in a metal tool-box, on account of some bits of scorched shrapnel dug out of the poor lad Baker and three other casualties. That fact makes it very clear that we must take very seriously the contents of this
letter which was delivered to the Secretary of State at St Andrews House shortly after the explosion.’

He went from person to person, handing each a photocopied sheet. 'Read it, note the details, then each of you make sure you shred your copy before you leave this room. No copies other than mine must be taken out of this building. The original is currently at the forensics lab. Although the lads there will take until this time tomorrow to prove it, I am quite certain that it, and the envelope in which it was delivered, will yield no fingerprints other than those of a couple of security guards, the Secretary of State, DCI Martin and me. They will also tell us that it was originated on a word-processor using a common software package – WordPerfect or some such – and printed on a laser or bubble-jet job with no distinguishing features. In other words, the sort of kit that thousands of punters buy across the counter at Dixons every
year.

'However, I could be wrong. You never know, the scientists might find a set of dabs that’ll let us wrap this business up by tomorrow night. If that happens, I will personally treat you all to
a fine steak dinner – but don’t set your taste buds going in anticipation! Mr Martin has made sure that neither the existence nor the content of that letter will be mentioned in the press, radio or television, for the meantime at least. That will piss off our friends no end, but I don’t expect any further action from them within the next twenty-four hours.’

Mackie raised a hand. 'You said “our friends”, sir. Couldn’t it be just one bloke? Couldn’t this letter be a con?’
'It could be – but it isn’t. First, it’d be a very resourceful individual who could lay hands on a pound of Semtex unaided.
Second, at least one person, and maybe two, had the Secretary of State’s residence under observation after that letter was delivered, reporting on arrivals and departures to someone on the other end of a mobile telephone. This is clearly a terrorist group and, to my mind, a very determined one.’

Martin, at the back of the group, opened his mouth as if to speak, then closed it tight as Skinner froze him with a warning look. Only Sarah noticed this silent exchange.
Skinner continued with barely a pause. 'Because of that, I want every one of you – except Dr Grace, of course – to be armed at all times during this investigation. You’ll have SB arms and
ammo, issued under Mr Martin’s authority. You won’t need to hand them in at the end of each shift. Each of you draw them from Brian Mackie at the end of this briefing.’
Martin had already taken his own gun, under Skinner’s authorising signature. He carried it slung in a shoulder-holster inside his baggy leather jacket. Skinner had not drawn a weapon,
for reasons which he had kept to himself.

'I hardly need to say that this is only a precautionary measure. I don’t want any Cowboys and Indians out on our streets. But in the unlikely event, and all that, I want you able to respond in any way you need to. Whether they meant it this time or not, these characters have shown that they’re prepared to kill. That means you have to be ready to drop them, if it comes to it. Anyone got a problem with that?’
He glanced in the direction of Barry Macgregor. The young man understood the reason. Unsmiling this time, he shook his head so slightly that his beads made not a sound.
'OK. We may not expect further immediate action, but we have things to do now. We’ve had a direct threat to the whole Festival, and we have to privately warn all the personnel involved. There’s no way that we can cover all the venues. Mr Martin’s been pulling some figures together. They should give you an idea of the scale of our task.

Andy?’

The detective chief inspector, powerfully built and blond-haired, took Skinner’s place at the front of the room. His green eyes were made even more vivid by his tinted contact lenses as he fixed a piercing gaze on each member of the team in turn.
'Those of you who ain’t culture vultures – and I have to admit I’m not myself – will probably be surprised by just how big this Festival is. I should really say “Festivals”, because this year there are six different ones all running at the same time. The Festival proper – that’s the Official job, the one the City backs – it’s relatively small. Over the next three weeks, starting tonight, it will put on about one hundred and fifty events, concerts, opera, coots football – sorry, ballet – and plays, in more than a dozen different venues. On the other hand, the Festival Fringe, despite its name, is the biggest event of the lot. This year it’ll put on several thousand individual performances of all shapes and sizes, in over a hundred venues. They range from church halls to circus tents, and they’re all over Edinburgh. Two of them are even
staged out of town, in Musselburgh.

'Then we’ve got the Film Festival. Very prestigious. Not Cannes, or anything like it, but it still attracts some high-quality film premieres, and some big names. That what’s-her-name, the one with the big voice-box – you know who I mean, Neil – she’s due in for it next week, and she’ll have to be looked after. Put your hand down Macgregor, Sergeant Rose will draw that job.
The Film Festival takes place mostly in the Filmhouse, and in that other cinema up Tollcross. This year there are about a hundred screenings, and five will involve personal appearances by directors and stars. The best thing about the Film Festival is that it only lasts for a couple of weeks, not the full three.

“The Jazz Festival has an even shorter run: nine days, to be exact. It’s been scaled down a bit over the last couple of years, but it still puts on eighty shows – or is that “gigs”? – in nine halls.
The Jazz Festival, so a friend tells me, tends to attract fewer tourists than the rest. Its for real aficionados, and it’s the big week of the year for all the local jazzers. There is also a strong
correlation between the Jazz Festival and the consumption of strong ales and lagers, which won’t make our security job any easier.

'The Book Festival is different entirely. It only happens every other year, and it’s an exhibition as much as anything. This year they’ve stuck it in the new Conference Centre in Lothian Road.
That makes it easy for us, 'cause there’s all sorts of security built in there.
'As well as all that lot, we also have a Television Festival. That only lasts for a few days, and it’s more of a talking shop really, but it still pulls in some very high rollers. Scottish Television puts a lot of money and effort into it, and all the big UK names – from the BBC, the Commercial network and now from satellite – turn up. There’s an international contingent, too. Guess who’s coming this year, boss? Your mate Al Neidermeyer of Television News International.’

The rest of the team looked puzzled. Skinner laughed.
'If we should happen to meet, Andy, I’m sure the pleasure’ll be all his!’
Martin grinned and continued. 'When I’d tallied that lot up, I thought that all we needed to make up the set was an international gathering of arms dealers. Then I realised that, in a sense, we have. Because on top of it all, although it isn’t part of any Festival, there’s the biggest event of them all, the Military Tattoo.
Three weeks of night-time performances on the Castle Esplanade, six thousand seats for every performance, and every one of them sold in advance.

'Taking it all together, the Festival involves thousands of live performances at a couple of hundred different venues. No one knows for sure how many people will be taking part, but it’ll be in the tens of thousands for sure. As for spectators, working it out on a bums-on-seats basis, it’s reckoned to be around a million.’
Barry Macgregor let out a soft whistle.
'Remember,’ Martin went on, 'these are the performance events. I haven’t mentioned the various sorts of art exhibition that’ll be running. There are about a dozen regular galleries in
Edinburgh, and quite a few other places are pressed into service.
So that’s what’s happening in our city over the next three weeks.
And we’ve just had a threat to it of a lethal nature.

'The idea of calling it all off is a non-starter. The Government can’t be seen to give in to terrorism, and neither, for that matter can the police service. And, anyway, it’s too late. So our job is to protect it, the whole event, as best we can, and the best way to do that is to catch the people behind the threat. On that front, as the boss has said, there are no leads so far. On the security side, I have only two bits of good news. The first is that we can forget the
exhibitions, during the day at least, and also the Book Festival. All of those have high-calibre private guards as a condition of their insurance cover. There’s a very big exhibition in the National Gallery – Rembrandt’s greatest hits or something. We’ll give that special attention at night. The second bonus is that we can forget the Tattoo. It’s a military event, and the military will look after it. But the rest is up to us. Boss?’

'Thanks, Andy.’ Skinner took the floor again. 'Right. First, I’ll state the obvious: that which you’re all thinking. We don’t have anything like enough polismen and women to give proper
protection to all those venues. And, in any event, the game plan is to keep this whole business from becoming public knowledge for the moment at least. But, within these four secure walls, I’ll tell you frankly that I don’t think we’ve a snowball’s chance of doing that for too long. If this lot are as determined and resourceful as I think they are, they’ll soon find a way to force us to go public on their threatening letter. In the meantime heavy police presence at all the Festival events, even if it were possible, would be counter productive, as it could only alarm and annoy the public.

'No, what we must do is plan on the assumption that any future incidents will involve high-profile targets. Therefore, we’re going to concentrate on the biggest venues. The news blackout on that letter will buy us maybe a day or two, so let’s put that time to good use. In an hour from now, Mr Martin and I are meeting all of the Festival directors, save one, in the George Hotel. We’re going to tell them what’s happening and what we’re doing about it. Then we’re going to swear them to secrecy for as long as we say so. I am operating – and, therefore, so are you lot on my team – with the benefit of certain extra powers afforded me by the Secretary of State. If anybody plays silly buggers with us, we can, as a very last resort, bang them inside. We’ve only had one problem so far with the guy Neidermeyer from TNI, that Mr Martin just mentioned. All our own people are toeing the line, and so will the Festival directors. The reason I’m going to brief them is because you’ll need their cooperation. I want you lot, starting this evening, to recce all the major venues, and then check in here tomorrow morning with reports on how each one can be protected effectively with the minimum visible strength. I’m not using uniforms, if I can help it. If this crowd do start taking pot shots at
Festival events, then our boys and girls would be sitting targets in their blue suits and funny hats.

'Brian, I want you to give everyone here a list of the venues.
Cover all the Official Festival venues: that’s the Usher Hall, Lyceum, King’s, Empire and Playhouse, at least. Cover Filmhouse, and the telly Festival venue, too. Cover all multiple
centres, where they’ve got more than one theatre; that’s places like the Assembly Rooms and the Pleasance. Oh, and cover the Traverse. Remember, that’s part of Saltire Court, and our friends may decide that a building named after our Scottish national flag would make a prime target. I want your reports to include details of all entrances and exits at each place. By that I mean public, performers’ and vehicle entrances. Produce for each hall and theatre a security plan. If you think we need to shut a few entrances and slow the normal flow in and out, don’t be afraid to make that recommendation. As long as we can empty a place in a hurry, if we need to, it doesn’t matter to me how long it takes to fill it. Bear in mind too that, by Tuesday at the latest, all performers and stagehands will have passes, and will need to show them on their way into the building.’