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Authors: Stephen King

Skeleton Crew (27 page)

BOOK: Skeleton Crew
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Hal went into the bathroom, looked behind the toilet, and got the bowl brush leaning there. He took it back to the window and stood there with it in his hand like a cut-rate magic wand. He looked out at Petey in his melton shirt-jacket, crossing the parking lot with his flight bag, DELTA showing clearly in white letters against a blue field. A fly bumbled in an upper comer of the window, slow and stupid with the end of the warm season. Hal knew how it felt.
He watched Petey hunt up three good-sized rocks and then start back across the parking lot. A car came around the comer of the motel, a car that was moving too fast, much too fast, and without thinking, reaching with the kind of reflex a good shortstop shows going to his right, the hand holding the brush flashed down, as if in a karate chop ... and stopped.
The cymbals closed soundlessly on his intervening hand, and he felt something in the air. Something like rage.
The car’s brakes screamed. Petey flinched back. The driver motioned to him, impatiently, as if what had almost happened was Petey’s fault, and Petey ran across the parking lot with his collar flapping and into the motel’s rear entrance.
Sweat was running down Hal’s chest; he felt it on his forehead like a drizzle of oily rain. The cymbals pressed coldly against his hand, numbing it.
Go on, he thought grimly.
Go on, I can wait all day. Until hell freezes over, if that’s what it takes.
The cymbals drew apart and came to rest. Hal heard one faint
click!
from inside the monkey. He withdrew the brush and looked at it. Some of the white bristles had blackened, as if singed.
The fly bumbled and buzzed, trying to find the cold October sunshine that seemed so close.
Pete came bursting in, breathing quickly, cheeks rosy. “I got three good ones, Dad, I—” He broke off. “Are you all right, Daddy?”
“Fine,” Hal said. “Bring the bag over.”
Hal hooked the table by the sofa over to the window with his foot, so it stood below the sill, and put the flight bag on it. He spread its mouth open like lips. He could see the stones Petey had collected glimmering inside. He used the toilet-bowl brush to hook the monkey forward. It teetered for a moment and then fell into the bag. There was a faint jing! as one of its cymbals struck one of the rocks.
“Dad? Daddy?” Petey sounded frightened. Hal looked around at him. Something was different; something had changed. What was it?
Then he saw the direction of Petey’s gaze and he knew. The buzzing of the fly had stopped. It lay dead on the windowsill.
“Did the monkey do that?” Petey whispered.
“Come on,” Hal said, zipping the bag shut. “I’ll tell you while we ride out to the home place.”
“How can we go? Mom and Dennis took the car.”
“Don’t worry,” Hal said, and ruffled Petey’s hair.
 
He showed the desk clerk his driver’s license and a twenty-dollar bill. After taking Hal’s Texas Instruments digital watch as collateral, the clerk handed Hal the keys to his own car—a battered AMC Gremlin. As they drove east on Route 302 toward Casco, Hal began to talk, haltingly at first, then a little faster. He began by telling Petey that his father had probably brought the monkey home with him from overseas, as a gift for his sons. It wasn’t a particularly unique toy—there was nothing strange or valuable about it. There must have been hundreds of thousands of wind-up monkeys in the world, some made in Hong Kong, some in Taiwan, some in Korea. But somewhere along the line—perhaps even in the dark back closet of the house in Connecticut where the two boys had begun their growing up—something had happened to the monkey. Something bad. It might be, Hal said as he tried to coax the clerk’s Gremlin up past forty, that some bad things—maybe even most bad things—weren’t even really awake and aware of what they were. He left it there because that was probably as much as Petey could understand, but his mind continued on its own course. He thought that most evil might be very much like a monkey full of clockwork that you wind up; the clockwork turns, the cymbals begin to beat, the teeth grin, the stupid glass eyes laugh... or appear to laugh....
He told Petey about finding the monkey, but little more—he did not want to terrify his already scared boy any more than he was already. The story thus became disjointed, not really clear, but Petey asked no questions; perhaps he was filling in the blanks for himself, Hal thought, in much the same way that he had dreamed his mother’s death over and over, although he had not been there.
Uncle Will and Aunt Ida had both been there for the funeral. Afterward, Uncle Will had gone back to Maine—it was harvesttime—and Aunt Ida had stayed on for two weeks with the boys to neaten up her sister’s affairs before bringing them back to Maine. But more than that, she spent the time making herself known to them—they were so stunned by their mother’s sudden death that they were nearly comatose. When they couldn’t sleep, she was there with warm milk; when Hal woke at three in the morning with nightmares (nightmares in which his mother approached the water cooler without seeing the monkey that floated and bobbed in its cool sapphire depths, grinning and clapping its cymbals, each converging pair of sweeps leaving trails of bubbles behind); she was there when Bill came down with first a fever and then a rash of painful mouth sores and then hives three days after the funeral; she was there. She made herself known to the boys, and before they rode the bus from Hartford to Portland with her, both Bill and Hal had come to her separately and wept on her lap while she held them and rocked them, and the bonding began.
The day before they left Connecticut for good to go “down Maine” (as it was called in those days), the rag-man came in his old rattly truck and picked up the huge pile of useless stuff that Bill and Hal had carried out to the sidewalk from the back closet. When all the junk had been set out by the curb for pickup, Aunt Ida had asked them to go through the back closet again and pick out any souvenirs or remembrances they wanted specially to keep. We just don’t have room for it all, boys, she told them, and Hal supposed Bill had taken her at her word and had gone through all those fascinating boxes their father had left behind one final time. Hal did not join his older brother. Hal had lost his taste for the back closet. A terrible idea had come to him during those first two weeks of mourning: perhaps his father hadn’t just disappeared, or run away because he had an itchy foot and had discovered marriage wasn’t for him.
Maybe the monkey had gotten him.
When he heard the rag-man’s truck roaring and farting and backfiring its way down the block, Hal nerved himself, snatched the monkey from his shelf where it had been since the day his mother died (he had not dared to touch it until then, not even to throw it back into the closet), and ran downstairs with it. Neither Bill nor Aunt Ida saw him. Sitting on top of a barrel filled with broken souvenirs and moldy books was the Ralston-Purina carton, filled with similar junk. Hal had slammed the monkey back into the box it had originally come out of, hysterically daring it to begin clapping its cymbals (go on, go
on, I dare you, dare you,
DOUBLE DARE YOU), but the monkey only waited there, leaning back nonchalantly, as if expecting a bus, grinning its awful, knowing grin.
Hal stood by, a small boy in old corduroy pants and scuffed Buster Browns, as the rag-man, an Italian gent who wore a crucifix and whistled through the space in his teeth, began loading boxes and barrels into an ancient truck with wooden stake sides. Hal watched as he lifted both the barrel and the Ralston-Purina box balanced atop it; he watched the monkey disappear into the bed of the truck; he watched as the rag-man climbed back into the cab, blew his nose mightily into the palm of his hand, wiped his hand with a huge red handkerchief, and started the truck’s engine with a roar and a blast of oily blue smoke; he watched the truck draw away. And a great weight had dropped away from his heart—he actually felt it go. He had jumped up and down twice, as high as he could jump, his arms spread, palms held out, and if any of the neighbors had seen him, they would have thought it odd almost to the point of blasphemy, perhaps—why
is that boy jumping for joy
(for that was surely what it was; a jump for joy can hardly be disguised), they surely would have asked themselves,
with his mother not even a month in her grave?
He was doing it because the monkey was gone, gone forever.
Or so he had thought.
Not three months later Aunt Ida had sent him up into the attic to get the boxes of Christmas decorations, and as he crawled around looking for them, getting the knees of his pants dusty, he had suddenly come face to face with it again, and his wonder and terror had been so great that he had to bite sharply into the side of his hand to keep from screaming
... or fainting dead away. There it was, grinning its toothy grin, cymbals poised a foot apart and ready to clap, leaning nonchalantly back against one corner of a Ralston-Purina carton as if waiting for a bus, seeming to say:
Thought you got rid of me, didn’t you? But I’m not that easy to get rid of, Hal. I like you, Hal. We were made for each other, just a boy and his pet monkey, a couple of good old buddies. And somewhere south of here there’s a stupid old Italian rag-man lying in a claw-foot tub with his eyeballs bulging and his dentures half-popped out of his mouth, his screaming mouth, a ragman who smells like a burned-out Exide battery. He was saving me for his grandson, Hal, he put me on the bathroom shelf with his soap and his razor and his Burma-Shave and the Philco radio he listened to the Brooklyn Dodgers on, and I started to clap, and one of my cymbals hit that old radio and into the tub it went, and then I came to you, Hal, I worked my way along the country roads at night and the moonlight shone off my teeth at three in the morning and I left many people Dead at many Scenes. I came to you, Hal, I’m your Christmas present, so wind me up, who’s dead? Is it Bill? Is it Uncle Will? Is it you, Hal? Is it you?
Hal had backed away, grimacing madly, eyes rolling, and nearly fell going downstairs. He told Aunt Ida he hadn’t been able to find the Christmas decorations—it was the first lie he had ever told her, and she had seen the lie on his face but had not asked him why he had told it, thank God—and later when Bill came in she asked
him
to look and he brought the Christmas decorations down. Later, when they were alone, Bill hissed at him that he was a dummy who couldn’t find his own ass with both hands and a flashlight. Hal said nothing. Hal was pale and silent, only picking at his supper. And that night he dreamed of the monkey again, one of its cymbals striking the Philco radio as it babbled out Dean Martin singing Whenna da moon hitta you eye like a big pizza pie
ats-a
moray, the radio tumbling into the bathtub as the monkey grinned and beat its cymbals together with a
JANG
and a JANG and a JANG; only it wasn’t the Italian rag-man who was in the tub when the water turned electric.
It was him.
Hal and his son scrambled down the embankment behind the home place to the boathouse that jutted out over the water on its old pilings. Hal had the flight bag in his right hand. His throat was dry, his ears were attuned to an unnaturally keen pitch. The bag was very heavy.
Hal set down the flight bag. “Don’t touch that,” he said. Hal felt in his pocket for the ring of keys Bill had given him and found one neatly labeled B’HOUSE on a scrap of adhesive tape.
The day was clear and cold, windy, the sky a brilliant blue. The leaves of the trees that crowded up to the verge of the lake had gone every bright fall shade from blood red to schoolbus yellow. They talked in the wind. Leaves swirled around Petey’s sneakers as he stood anxiously by, and Hal could smell November just downwind, with winter crowding close behind it.
The key turned in the padlock and he pulled the swing doors open. Memory was strong; he didn’t even have to look to kick down the wooden block that held the door open. The smell in here was all summer: canvas and bright wood, a lingering lusty warmth.
Uncle Will’s rowboat was still here, the oars neatly shipped as if he had last loaded it with his fishing tackle and two six-packs of Black Label yesterday afternoon. Bill and Hal had both gone out fishing with Uncle Will many times, but never together. Uncle Will maintained the boat was too small for three. The red trim, which Uncle Will had touched up each spring, was now faded and peeling, though, and spiders had spun silk in the boat’s bow.
Hal laid hold of the boat and pulled it down the ramp to the little shingle of beach. The fishing trips had been one of the best parts of his childhood with Uncle Will and Aunt Ida. He had a feeling that Bill felt much the same. Uncle Will was ordinarily the most taciturn of men, but once he had the boat positioned to his liking, some sixty or seventy yards offshore, lines set and bobbers floating on the water, he would crack a beer for himself and one for Hal (who rarely drank more than half of the one can Uncle Will would allow, always with the ritual admonition from Uncle Will that Aunt Ida must never be told because “she’d shoot me for a stranger if she knew I was givin you boys beer, don’t you know”), and wax expansive. He would tell stories, answer questions, rebait Hal’s hook when it needed rebaiting; and the boat would drift where the wind and the mild current wanted it to be.
BOOK: Skeleton Crew
13.73Mb size Format: txt, pdf, ePub
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