Short Stories: Five Decades (35 page)

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Authors: Irwin Shaw

Tags: #Literature & Fiction, #Contemporary, #Historical, #Short Stories & Anthologies, #Maraya21

BOOK: Short Stories: Five Decades
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“Hi, Lieutenant,” said Carver. He was a big, fat man, with a weary, puffy, intelligent face. He turned back to Ruth. “I thought you were sick,” he repeated in a pleasant, loud, slightly drunken voice.

“I was sick,” Ruth said, cheerfully. “I had a miraculous recovery.”

“The American Army,” Carver said, “expects every civilian worker to do her duty.”

“Tomorrow,” said Ruth. “Now please go away with your friends. The lieutenant and I are having an intimate talk.”

“Lieutenant …” It was one of the Arabs, the shortest of the three, a slight, dark man, with a round face and liquid, veiled eyes. “My name is Ali Khazen. Permit me to introduce myself, as no one here seems to remember his manners well enough to do so.”

Mitchell stood up. “Mitchell Gunnison,” he said, putting out his hand.

“Forgive me,” Carver said. “I’m suffering from drink. This is Sayed Taif …” He indicated the tallest of the Arabs, a middle-aged man with a severe, handsome, tight-lipped face. Mitchell shook hands with him.

“He doesn’t like Americans,” Carver said loudly. “He’s the leading journalist of the local Arab world and he writes for thirty-five papers in the United States and he doesn’t like Americans.”

“What was that?” Taif asked politely, inclining his head in a reserved, small gesture.

“Also, he’s deaf,” said Carver. “Most useful equipment for any journalist.”

Nobody bothered to introduce the third Arab, who stood a little to one side, watching Taif with a fierce, admiring stare, like a boxer dog at his master’s feet.

“Why don’t you all go away and eat your dinner?” Ruth said.

“Lieutenant,” Carver said, ignoring her, “take the advice of a veteran of the Middle East. Do not become involved with Palestine.”

“He’s not becoming involved with Palestine,” Ruth said. “He’s becoming involved With me.”

“Beware Palestine.” Carver weaved a little as he spoke. “The human race is doomed in Palestine. For thousands of years. They chop down the forests, burn down the cities, wipe out the inhabitants. This is no place for an American.”

“You drink too much, Mr. Carver,” Ruth said.

“Nevertheless,” Carver shook his big head heavily, “it is no accident that they picked this place to crucify Christ. You couldn’t pick a better place to crucify Christ if you scoured the maps of the world for five hundred years. I’m a Quaker myself, from the city of Philadelphia, Pennsylvania, and all I see here is the blood of bleeding humanity. When this war is over I’m going back to Philadelphia and wait until I pick up the morning newspaper and read that everybody in Palestine has exterminated everybody else in Palestine the night before.” He walked unsteadily over to Ruth’s chair and bent over and peered intently into her face. “Beautiful girl,” he said, “beautiful, forlorn girl.” He straightened up. “Gunnison, I admonish you, as an officer and gentleman, do not harm one hair on this beautiful girl’s head.”

“Every hair,” Mitchell said, gravely, “is safe with me.”

“If you must drink,” Ruth said to Carver sharply, “why don’t you do it with Americans? Why do you have to go around with bandits and murderers like these?” She waved her hand toward the Arabs. The journalist smiled, his handsome face frosty and amused in the wavering light.

“Impartiality,” Carver boomed. “American impartiality. We are famous for it. We are nobody’s friend and nobody’s enemy. We merely build airfields and pipelines. Impartially. Tomorrow I lunch with the President of the Jewish Agency.”

Ruth turned to the journalist. “Taif,” she said, loudly, “I read your last piece.”

“Ah, yes,” he said, his voice a little dead and without timbre. “Did you like it?”

“You’ll be responsible for the death of thousands of Jews,” said Ruth.

“Ah, thank you,” he said. He smiled. “It is my fondest hope.” He turned to Mitchell. “Naturally, Lieutenant,” he said, “our charming little Ruth is biased in the matter. It is necessary to give the Arab side of the proposition.” He began to speak more seriously, with a severe, oratorical emphasis, like an evangelical preacher. “The world is dazzled by the Jewish accomplishment in Palestine. Fine, clean cities, with plumbing. Industries. Where once was desert, now the rose and the olive bloom. Et cetera.”

“Taif, old boy,” Carver pulled at his arm, “let’s eat and you can lecture the lieutenant some other time.”

“No, if you please.” The journalist pulled his arm politely away from Carver’s hand. “I welcome the opportunity to talk to our American friends. You see, my good Lieutenant, you may be very pleased with the factory and the plumbing, and perhaps, even, from one point of view, they may be good things. But they have nothing to do with the Arab. Perhaps the Arab prefers the desert as it was. The Arab has his own culture.…”

“When I hear the word ‘culture,’” Carver said, “I reach for my pistol. What famous American said that?”

“To Americans and Europeans,” the journalist went on, in his singsong, dead voice, “the culture of the Arab perhaps seems backward and dreadful. But, forgive us, the Arab prefers it. The virtues which are particularly Arab are kept alive by primitive living. They die among the plumbing.”

“Now,” said Ruth, “we have heard a new one. Kill the Jew because he brings the shower bath.”

The journalist smiled indulgently at Ruth, as at a clever child. “Personally,” he said, “I have nothing against the Jews. I swear that I do not wish to harm a single Jew living in Palestine today. But I will fight to the death to keep even one more Jew from entering the country. This is an Arab state, and it must remain an Arab state.”

“Gunnison,” Carver said, “aren’t you glad you came?”

“Six million Jews have died in Europe,” Ruth said, her voice harsh and passionate, and surprising to Mitchell. “Where do you want the survivors to go?” She and the journalist had forgotten the rest of them and were locked with each other across the table.

The journalist shrugged and looked for a moment up above the palm fronds at the dark sky. “That,” he said, “is a question for the world to decide. Why must the poor Arab have the whole decision? We’ve taken in much more than our share. If the rest of the world really wants to see the Jewish race survive let them take them in. America, Britain, Russia … I do not notice those large countries taking in great masses of Jews.”

“There are no great masses,” Ruth said. “There is only a handful.”

Taif shrugged. “Even so. The truth may be, perhaps,” he paused, a little doubtfully, reminding Mitchell of an old Latin teacher in a class in Cicero, shrewdly hesitating for effect, before telling the class whether the word in question was in the ablative or dative absolute, “the truth may be that the rest of the world really wants to see the Jewish race die out.” He turned and smiled warmly at Mitchell. “It is an interesting supposition, Lieutenant. It might be most interesting to examine it before talking any more about Palestine.” He walked over to Ruth and leaned over and kissed her fleetingly on the forehead. “Good night, little Ruth,” he said, and went to a table across the patio, with the silent, adoring Arab behind him.

“If I see you with that man once more,” Ruth spoke to the man who had introduced himself to Mitchell, and who had remained standing at their table, “I’ll never talk to you again.”

The Arab looked swiftly at Mitchell, a veiled, probing flick of the eyes, and said something to Ruth in Arabic.

“No,” said Ruth, her voice clipped and sharp. “Definitely no.”

The Arab bowed slightly, put out his hand to Mitchell and, as they shook hands, said, “Very pleasant meeting you, Lieutenant,” and went off to join his friends at their table.

“The dansants in old Tel Aviv,” said Carver. “Bring the kiddies. Good night.” He waddled over to the other table.

“Ruth,” Mitchell started to talk.

“Lieutenant Gunnison …” It was the soft, apologetic voice of Schneider at his elbow. “I am so anxious for your opinion. What did you think of ‘Stardust’?”

Mitchell turned slowly from staring at Ruth, who was sitting tense and upright in her chair. “Great, Schneider,” Mitchell said. “I thought it was sensational.”

Schneider beamed with pleasure. “You are too kind,” he said. “I will play you ‘Summertime’ once more.”

“Thanks a lot,” said Mitchell. He put out his hand and covered Ruth’s, lying on the table. “You all right?” he asked.

She smiled up at him. “Sure,” she said. “I am an admirer of abstract political discussions.” Her face grew serious. “Do you want to know what Khazen asked when he spoke to me in Arabic?”

“Not if you don’t want to tell me.”

“I want to tell you.” Ruth absently caressed his fingers. “He asked me if I would meet him later.”

“Yes,” said Mitchell.

“I told him no.”

“I heard you.” Mitchell grinned at her. “They probably heard you in Cairo.”

“I didn’t want you to feel disturbed or doubtful,” Ruth said, “your last night.”

“I feel fine,” Mitchell said.

“I’ve been going with him for four years.” She played for a moment with the food on the plate that the waiter had put before her. “When I came here in the beginning I was frightened and lonely and he was very decent. He’s a contractor for the Americans and British and he’s made a fortune during the war. But when Rommel was outside Alexandria he and his friends used to celebrate in secret. I can’t stand him any more. I tell him when I take up with other men. But he hangs on. Ah, finally, I suppose he’ll get me to marry him. I’m not strong enough any more.” She looked up at Mitchell and tried to smile. “Don’t be shocked, darling,” she said. “Americans can’t understand how tired the human race can get.” She stood up suddenly. “Let’s dance.”

They went onto the floor and Schneider broke into “Summertime” when he saw them and smiled fondly at them as they danced. She danced very well, lightly and passionately, and Mitchell knew as he danced that he was going to remember this for a long time, at odd moments, swinging away from targets with the flak falling off behind him, and later, if he made it, in the snowy hills of his home state, the light, soft pressure of the bright cotton dress, the dark, curved, delicate face below his, the hushed sound of their feet on the old floor under the palms, the clever, rich music of the piano under the small blue lights strung out from the stone building. There were a million things that crowded his throat that he wanted to tell her, and there was no way of saying them. He kissed her cheek as the music ended, and she glanced up at him, and smiled and said, “There, that’s better,” and they were laughing by the time they got back to their table.

He paid the bill and they went out, saying good night to Schneider, not looking back at the table where Carver and the three Arabs sat, but hearing Carver’s deep voice rolling through the music and the darkness, calling, “Does anyone want an airfield? I’ll build it for him. Does anyone want a crown of thorns? I’ll build it for him.”

There was an old carriage waiting outside the restaurant, its driver dozing and its lights dimmed, and they climbed in and sat close together as the driver clucked to the horse and they rattled slowly back toward town. The breeze had gone down as it did at nine o’clock every night, and there was a small, warm breath of salt off the Mediterranean and every once in a while a jeep rushed past in a whistle of American wind, with its slits of cat’s-eye lights cutting a darting, frail, skidding pattern in the darkness, making the creakings and rustlings of the old carriage older and dearer and more private as they sat there holding on to each other in silence.

They got off a block from where Ruth lived because the people from whom she rented her room were intensely moral and did not approve of their boarder going out with soldiers. They walked past the corner where the Italian bombers had killed a hundred and thirty people on a Friday morning the year before, and turned into Ruth’s street. From a darkened window came the sound of someone practicing the third movement of the Brahms violin concerto, and Mitchell couldn’t help smiling and realizing that one of his strongest memories of Tel Aviv would be the strains of Tchaikovsky and Brahms and Beethoven coming through the opened windows on every street of the town, as the furiously cultured inhabitants practiced runs and cadenzas with never-ending zeal.

All the houses were blacked out, but there was a tiny sliver of light along one of the windows in the third-floor apartment in which Ruth lived, and they stopped in dismay when they saw it.

“She’s up,” Ruth said.

“Doesn’t she ever sleep?” Mitchell asked angrily.

Ruth giggled and kissed him. “She can’t stay up forever,” Ruth said. “We’ll take a little walk and by the time we get back she’ll be asleep.”

Mitchell took her arm and they walked slowly down toward the sea. Soldiers and whores and fat, placid couples strolled on the concrete walk along the beach, and the Mediterranean heaved gently under the moon and broke in small white rolls of foam against the beach, with a steady, foreign grumble, not like the roar of the Atlantic on the cold northern beaches of home. From a café a hundred yards away came the sound of a string quartet playing a Strauss waltz as though Vienna had never been taken, the waltz never lost to the enemy.

Mitchell and Ruth went down the steps to the beach. A weaving British lance-corporal, coming up the steps with a girl, stiffened and saluted rigidly, his hand quivering with respect for authority, and Mitchell saluted back, and Ruth giggled.

“What’re you laughing at?” Mitchell asked, when they had passed the lance-corporal.

“I laugh,” Ruth said, “every time I see you salute.”

“Why?”

“I don’t know why. I just laugh. Forgive me.” She took off her shoes and walked barefoot in the sand up to the water’s edge. The sea swept softly in from Gibraltar and Tunis and Cyrene and Alexandria and lapped at her toes.

“The Mediterranean,” Ruth said. “I hate the Mediterranean.”

“What’s the matter with it?” Mitchell stared out at the flickering silver path of the moon over the water.

“I was on it,” Ruth said, “for thirty-three days. In the hold of a Greek steamer that used to carry cement. Maybe I oughtn’t to tell you things like that. You’re a tired boy who’s been sent here to have a good time so he can go back and fight well.…”

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