(Shadowmarch #2) Shadowplay (67 page)

BOOK: (Shadowmarch #2) Shadowplay
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“Those two are canny fellows,” he told his men. “Don’t worry, they will deal with that Xandy fool.”

“Unless the darkling can fly like Strivos himself, you’re right to call him foolish,” the tavernkeeper Bedoyas chuckled. “That alley’s a dead end.” Briony wanted to hit the man in his fat face.

But to her surprise, the guards appeared a moment later without Dawet. They were smiling nervously, as if pleased by their own failure. “He’s gone, sir. Got clean away.”

“He did, did he?” The commander nodded grimly. “We’ll talk about this later.”

The rest of the guards shoved Briony and the other players back into line again and led them out of the inn, marching them toward the stronghold in the great palace at the city’s center. Bad enough to have lost a throne, but now even her humble, counterfeit life as a player was in ruins. Briony’s eyes blurred with tears, though she tried hard to wipe them away. As they crossed the first bridge it seemed she walked through some place even stranger than the capital of a foreign land.

37
Silence

Thunder and his brothers at last found Pale Daughter wandering lost in the wilderness without her name or her memory. His honor satisfied, Thunder did not think any more upon her, but his brother Black Earth was unhappy with his wife, Evening Light, and their music had strayed out of sympathy. He sent her away and took Pale Daughter to be his wife. He gave her a new name, Dawn, that she might not remember what had gone before. She was ever after silent, sitting beside him in the dark chambers beneath the ground, and if she remembered her child Crooked or her husband Silvergleam, she did not say.

—from
One Hundred Considerations
out of the Qar’s
Book of Regret

W
HILE MATT TINWRIGHT PAUSED for breath and mopped his brow, Puzzle played a refrain on the lute. The tune was a little more sprightly than Tinwright would have liked, considering the seriousness of the subject matter, but he had finished his poem so late that the two had found little time to practice.

He nodded to the old jester, ready to begin again. Most of the courtiers, although not all, politely lowered their voices once more.

“At last Surazem came to birthing bed,”
Tinwright declaimed, half-singing in the Syannese style now expected at court entertainments,


As the Four Winds hovered to cool her brow,
Her sister, her semblance, stood at her head
Dark Onyena, bound by a sacred vow
Like oxen traced unwilling to the plow.
On high Sarissa her own infant son
Lay coldly dead ’neath the pine’s snowy bough
Because Sveros cruelly had decreed that none
Should midwife one twin but the other one…”

 

For long moments Tinwright could almost forget what was really happening—that almost no one was listening to the words he declaimed, that the rumble of talk and drunken laughter made it hard for even those few who wanted to hear, and that in any case there were darker, grimmer matters to think about than even the fall of gods—and could revel in the fact that for this moment, at least, he was presenting his verse before the entire royal court of Southmarch. His own verse!

 

“But now as Perin’s infant head appeared
Surazem’s dark twin saw her time, and thieved
From out her sister’s belly, blood-besmeared,
That essence which the world has so long grieved
For Onyena with it three more conceived,
Repaying cruelly the death of her own,
A fated tapestry which first she weaved
As her sister in childbirth’s pain did groan
And thus were the seeds of the gods’ war sown…”

 

One of the few people paying attention was the man who had commissioned the poem, Hendon Tolly himself, who frightened Tinwright in ways he had never even imagined possible. Another was the young woman Elan M’Cory, the object of Tinwright’s own painful affection, to whom he had promised to bring poison tonight.

A strange audience, at best,
he admitted to himself.

One of those most obviously
not
paying attention was Hendon’s brother, the new Duke of Summerfield. Caradon Tolly was more like the dead brother Gailon than like Hendon, jut-jawed and big across the shoulders. His square face reflected little of what went on behind it—Tinwright thought he seemed more statue than man—but he was known to be heavy-handed and ruthless, though perhaps lacking his younger sibling’s flair for cruelty. Just now Duke Caradon was staring openly at the Southmarch nobles gathered in the banquet hall, as if making a list of who would serve the Tollys well and who would not. The objects of his gaze looked almost uniformly discomforted.

Looking at this cold, powerful man, Matt Tinwright felt sick at his stomach.
What am I thinking, meddling in the Tollys’ affairs? I am far out of my depth—they could kill me in an instant!
Remembering how certain he had been only a few days ago that he would be executed, he almost lost his place in the poem. He had to swallow down this sudden fright and force himself back into his words, spreading his arms as he declaimed,

 

“…But those three treacherous siblings, theft-bred,
Plotted long Perin’s heritage to steal
When Sveros, fearsome sire of all, was dead.
’Til then, they’d follow meekly at the heel
And by soft words and smiles their lies conceal
While Zmeos, their chief, banked his envious fires…”

 

A few courtiers shifted restlessly. Matt Tinwright, sliding back and forth between terror of death and the nearly equal terror of having his work ridiculed, could not help wondering if he had made the beginning of the poem too long. After all, every child raised in the Trigonate faith heard the tale of the three brothers and their infamous step-siblings at almost every religious festival. But Hendon Tolly wanted legitimacy, and so he had wanted as much in the poem as possible about the selfless purity of Madi Surazem and the perfidy of old Sveros, Lord of Twilight—the better to prop his own family’s claim to virtue, Tinwright supposed.

He did feel a little ashamed to be trumpeting the self-serving nonsense of such a serpent as Hendon Tolly, but he consoled himself with the thought that no one in Southmarch would ever actually
believe
such things: Olin Eddon had been one of the best-loved kings in memory, a bold warrior in his youth, fair and wise in his age. He was no Sveros.

Also, Tinwright was a poet, and he told himself that poets could not fight the powers of the world, at least not with anything but words—and even with words, they had to be careful.
We worshipers of the Harmonies are easy to kill,
he thought.
The hoi polloi might weep after we are gone, when they realize what they’ve lost, but that does us no good if we’re already dead.

In any case, only Hendon Tolly appeared to be following the words with anything more than perfunctory interest. Now that his brother Caradon was no longer surveying the crowd, and had turned to stare disinterestedly at the banquet hall hangings, the rest of the courtiers were free to watch the duke and whisper behind their hands. Almost all of them had been out in the cold wind that morning when Caradon Tolly and his entourage had disembarked from their ship and paraded into Southmarch at the head of four pentecounts of fully armed men wearing the Tolly’s boar and spears on their shields. Something in the soldiers’ grim faces had made it clear to even the most heedless castle-folk that the Tollys were not just making a show, but making a claim.

As Tinwright declaimed the verses in which the Trigon brothers finally defeated their ferocious father, Caradon continued to tap his fingers absently and stare at nothing, but his brother Hendon leaned forward, eyes unnaturally bright and a smile playing across his lips. By contrast, Elan M’Cory seemed to shrink deeper and deeper into herself, so that even though Tinwright could see her eyes, they seemed as cold and lifeless as one of the eerie pictures in the portrait hall, the dead nobility that watched upstart poets with disapproving gazes. Matt Tinwright’s longing and dread were too great to look at her for more than a moment.

As with all the stories of the immortals, he had discovered he could only make an ending happy by a careful choice of stopping point. This was a poem in honor of a child-blessing, after all—he could not very well go on to describe the hatred that grew between the Onyenai and Perin’s Surazemai. Tinwright did not think even Hendon Tolly expected him to celebrate young Olin Alessandros’ naming day with a poem about one set of royal brothers destroying the children of another royal wife. If Olin or one of the twins ever regained the throne, that would be the kind of thing remembered at treason trials.

Treason.
As he raised his voice to begin the last stanzas, Tinwright felt cold sweat prickle his forehead again. Let Zosim, god of poets, stand beside him now! Why was he worrying about something as far away as a treason trial? He was planning to do something tonight that could get him beheaded without any trial at all!

He faltered for a moment, just as Perin was about to throw down his cruel, drunken father. Ordinarily Tinwright didn’t think much about the actual gods except as almost inexhaustible subjects for poetry, but there were moments like this when his childhood terror of them came sweeping back, moments when he stood again in their long cold shadow and knew that someday he must face their judgment.

 

“Great Sveros, Twilight Lord, roared in his rage,
‘How, shall sons spit into their father’s face?
My curse shall rain like blood on all this age
And pursue each whelp of my cursed race
Until Time doth all who now live erase.’
They bound him then in chains Kernios made
And cast him into dusky vaults of space
To drift unfleshed in sempiternal shade
’Til thought and feeling both should frameless fade…”

 

His legs shaky, as much from misgiving as from being so long on his feet, he spoke the final lines and Puzzle gave a last flourish on the lute. Tinwright bowed. As the courtiers lazily followed Hendon Tolly’s lead, applauding and calling a few words of praise, Elan M’Cory rose from her seat beside the guardian of Southmarch and made to go. For a moment Tinwright caught a flick of her eyes beneath the veil, then Hendon Tolly extended a hand and stopped her.

“But where are you off to, dear sister-in-law? The poet has labored hard to deliver this work to us. Surely you have a few words of praise for him.”

“Let her go,” growled Caradon Tolly. “Let them all go. You and I have things to talk about, brother.”

“But our poor poet, swooning for want of kind words from fair ladies…” prompted Hendon, grinning.

Elan swayed, and Tinwright had a sudden terror she would crumple, that she would faint and be surrounded by lady’s maids, the physician would be called, and all Tinwright’s careful plans to free her from her misery would be upset. “Of course, my dear brother-in-law,” she said wearily. “I extend my praise and gratitude to the poet. It is always instructive to hear of the lives of the gods, that we mortals can learn to comport ourselves properly.” She gave a half a courtesy, then reached out a trembling hand, letting one of her maids support her arm as she made her way slowly out of the room. The murmur of conversation, which had dropped almost to silence, now rose again.

“Thank all the gods my wife is not such a frail flower,” Caradon said with his lip curled. “Little Elan has always been the doleful one of that family.”

Hendon Tolly beckoned Tinwright forward. He produced a bag that clinked and put it in Tinwright’s hands.

“Thank you, Lord Tolly.” He tucked it away quickly, without testing the weight—to receive anything other than a blow from this man was a gift in itself. “You are too kind. I am glad my words…”

“Yes, yes. It amused me, and there is little that does so these days. Did you see old Brone squirming when you spoke the part about
‘Ever must the blood of tyrants water That free and sovereign soil of our fair honor’
? It was very funny.”

“I…I didn’t notice, my lord.”

Tolly shrugged. “Still, it is like spearing fish in a soup bowl. I miss the Syannese court. They are sharp as daggers, there. A good jest is appreciated. Not like here, or in my family’s house, which is like dining with the local deacon in some Helmingsea village.”

“Enough, Hendon,” said Caradon sharply. “Send this warbling phebe away—we have men’s talk to talk and your childish festivities have wasted enough of my time.”

Tinwright thought the look Hendon gave his brother the duke was one of the strangest he had ever seen, a combination of amusement and deadly loathing. “By all means, elder brother. You may withdraw, poet.”

Tinwright, sickened, could tell that Hendon planned to murder his brother someday. He had also seen in that same moment that Caradon himself knew it very well, and that the duke probably planned the same for his younger brother. The two of them scarcely bothered to conceal their feelings, even in front of a stranger. How could one family breed such hatred? No wonder Elan wanted to escape them into death.

“Of course,” Tinwright said as he quickly backed away. “Going now. Thank you, my lords.”

He at least had the small satisfaction of seeing that Erlon Meaher, another court poet who thought much of himself, had been watching his conversation with the two Tollys. Meaher’s face was twisted in an unhidden grimace of envy and dislike.

“Get yourself some wine, Tinwright,” Hendon Tolly called after him. “I’m sure reciting poetry is almost as thirsty work as killing—if not quite as enjoyable.”

 

It was the hardest hour of waiting he had ever experienced. He knocked on her door while the bells were still chiming the end of evening prayers.

Elan M’Cory opened it herself, shrouded in a heavy black robe. She had sent away her servants to protect him, Tinwright realized, and he was surprised again by the intensity of feeling she aroused in him.

It was a touch of lover’s madness, surely—the very thing he had written about so many times. He had always felt secretly superior to the sort of lovesick people found in poems, almost contemptuous, but in these last days, as he had come to realize that he could not sleep, eat, drink, stand, sit, or talk without thinking about Elan M’Cory, matters had begun to seem very different. For one thing, although he had alluded in many a poem to the “happy pain” or even the “sweet agony” of love, he had not understood that the agony could be worse than any other sort of agony—worse than any actual pain of the limbs or organs, worse even than the way his head felt after a night out with Hewney and Teodoros, which he had previously thought could not be outdone for misery. And there was no way to separate a wounded heart from the body it tormented—no way except death.

He was terrified to realize he now understood Elan’s pain very well, although hers had quite a different cause.

He reached out to take her hand but she would not let him. “Let me beg you one last time, my lady—please do not do this.” He felt oddly flat. He knew what her response would be, and in fact, he could think of no other way forward at this point except to let the grim machinery turn, but he had to say it.

“You have been a loyal, kind friend, Matt, and I wish nothing more than it could be another way, but there is no escape for me. Hendon will never loose his claws. He savors my pain too much, and he would kill you in an instant if he thought I cared for you. I could not bear that.” She hung her head. “Soon Queen Anissa will be his, too, if she is not already—he pays court to her as though she were already widowed. Nobody knows the depths of that man’s evil.” Elan took a deep breath, then undid the tie of her robe and threw it off, revealing a brilliant blaze that startled him like lightning. She was dressed all in white, like a bride or a phantom.

“Do you have it?” she said. She was anxious, but happy, too, like a woman on her wedding day. “Do you have that which will save me, sweet Matty?”

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