Shadow of a Broken Man (9 page)

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Authors: George C. Chesbro

Tags: #Fiction, #General, #Mystery & Detective, #Mystery Fiction, #Private Investigators, #Mongo (Fictitious Character), #Criminologists, #Dwarfs, #Private Investigators - New York (State) - New York, #Criminologists - New York (State) - New York, #Dwarfs - New York (State) - New York

BOOK: Shadow of a Broken Man
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    9

Lippitt had done his homework well; although he never said so, I was convinced he knew about my last case. He'd repeatedly warned me about the possibility of people getting hurt, and his words had had their intended effect. I sat on my couch for a long time after he left, thinking, staring into space. Finally I got up and went to the phone.

There was no answer at Mike Foster's office, so, reluctantly, I called his home. Elizabeth Foster answered in her hollow-sounding voice. I felt strange talking to her, knowing that she probably held the secret to the riddle of Victor Rafferty. I was beginning to see the dimensions, if not the exact shape, of the nightmare she was living.

Foster was out on a job, but his wife gave me a number where he could be reached. I dialed and finally got through to him.

"Frederickson here, Mike."

"Right." He sounded anxious.

"We should talk," I said. "Can we meet sometime today?"

There was a short pause. His breathing was rapid and shallow, as if he'd been running. "I can't get out of here now. Later?"

"How about dinner?"

"All right," he replied after another pause. "I'll tell Elizabeth I have to entertain a client."

"Can you stop home first?"

"Probably. Why?"

"You mentioned a safe containing some of Rafferty's personal effects. Can you get into it?"

He thought about it. "I don't know, Frederickson. I can't go rummaging around without Elizabeth asking why."

"I need something with Rafferty's fingerprints on it."

"I'll do the best I can," he said. "Have you got a suspect?"

"Just taking a wild shot. Do you know where Danny's is?"

"West Seventy-second."

"Is seven good?"

"Seven it is."

Next, I called Abu's office. His secretary told me he was out to lunch. "I want to leave a message," I said. "Tell him that Mongo called." I spelled it for her. "Right. Tell him I said to
lay
o
ff our project. He'll know what I mean. Ask him to call me when he gets in, or whenever it's convenient." I gave her my number, thanked her, and hung up.

My talk with Lippitt had left me a little shaky. I certainly didn't want to be responsible for anyone's getting hurt, so I thought it better to ease off on any inquiries until I'd had more of a chance to determine whether Lippitt had been telling the truth or was just trying to bluff me.

Not wanting to miss Abu's call, I stayed in the apartment; I made myself some lunch and picked at it. The phone didn't ring. I tried reading a book and fell asleep; it was past five when I woke up. It wasn't likely that I'd slept through a ringing telephone, but I called Abu's office anyway. He hadn't returned from lunch. I sat by the phone for another forty-five minutes, then showered and tried to put the worry out of my mind as I went to meet Foster at Danny's.

Foster was sitting in a back booth, under an autographed picture of Mel Torme. I sat down next to him under a photo of Jack Dempsey. Foster's light hair was unkempt, as if he'd been running his fingers through it. He pointed silently to a package wrapped in oilcloth on the table in front of him. I carefully unwrapped the cloth. He'd brought me a draftsman's tool kit. I used the tip of my table knife to lift up the cover; inside was an array of drafting tools. Most of the surfaces were thin and round, but there were just enough flat surfaces to make me think there might be latent prints there.

"I imagine a lot of people have handled that box since Victor's death," Foster said, "but there may be some of his prints on the tools inside. Nobody would have had a reason to handle those."

I thanked him and slipped the thin box into my jacket pocket.

"Whose prints are you going to compare those with?" Foster asked.

"I told you it was a wild shot," I said, evading the question. "In any case, I think it's a good idea to have some kind of fingerprint record on Rafferty. The police didn't have him long enough to print him."

Over vodka martinis I brought Foster up to date. He absorbed it all in silence, occasionally stirring his drink. When I finished he grimaced and slowly, emphatically, shook his head.

"This Lippitt character is lying."

"Why do you say that?"

"I knew Victor Rafferty as well as anybody. He wasn't any Russian agent. He
couldn't
have been a spy. Architecture was his whole life. My God, Victor just didn't have
time
to be a spy."

"He did a lot of traveling, didn't he? His career would have given him a perfect cover."

"I'm telling you he wasn't a spy," Foster said determinedly.

"Actually, Lippitt never said Rafferty was a
spy.
He said Rafferty was going to defect to the Russians. There's a difference."

Foster spoke hotly. "It's still a dirty accusation! It would
kill
Elizabeth. He's lying, which means he's covering up something. I want to find out what it is."

"It might be better to leave it alone, Mike," I said quietly.

He glanced at me sharply, surprise and anger in his eyes. "I heard you didn't scare off so easy."

"How easily I scare isn't the point, Mike. There are other considerations. I don't know if Lippitt is telling the truth, but I do believe that Rafferty was somehow involved in some very dangerous business. Just for the sake of argument, let's assume that Rafferty
isn't
dead. Now, what's the point of trying to prove it? Do you think it will help your wife's peace of mind if she finds out her first husband isn't dead after all?"

Foster stared into his drink, then slowly nodded his head. "I see your point. Even if Victor is alive, maybe it's better if Elizabeth never finds out about it."

"Also, Lippitt said that it could be dangerous for other people if I continued the investigation. The fact that
he
came out of the woodwork proves his contention that important people take an interest in this case. I'm not sure that you want to take a chance on anybody's getting hurt. I know I don't."

"Are you saying that you're dropping the case?" Foster sounded concerned.

"For the time being, at least. I think it's better to let things cool down and sift awhile. I'm leaving Thursday anyway."

"How long will you be gone?" He avoided my eyes.

"Three weeks, unless I get eaten by a great white shark."

Foster wasn't in the mood for jokes. He leaned against the vinyl backing of the booth and pressed a hand to his forehead. "If I drop it now... Elizabeth's in really bad shape."

"She could end up in even worse shape if we continue."

"I'd ... always wonder," he said distantly.

"Maybe you can handle uncertainty better than your wife can handle the truth," I said. "Still, I've got a file on this, and I've taped a lot of thoughts. If you want, I'll turn them over to somebody else you can trust before I leave."

"Uh-uh. I like the way you operate." He was staring at a large wall mirror across the room, as if searching for truth there, forgetting that mirrors only reflect the truth of the people looking into them. "You'll be back three weeks from Thursday?" He half-smiled. "Unless you get eaten by a great white shark?"

"Not necessarily to work on this case, Mike. I don't think I want the responsibility."

"But it would be
my
responsibility if I wanted to continue. I'd just like to know if you'll go back to work on it when you come back ... if I decide I want to know more."

"I'll have to think about it."

"Fair enough. Who knows? Maybe I'll be able to convince Elizabeth that
we
should get away for a couple of weeks. I think a change of scenery might do her some good."

"Do you want my file and tapes?"

"Not now," he said. "Why don't you hang on to them until you get back?"

"Okay. I'd also like to keep the draftsman's kit for a while."

"Of course. How much do I owe you up to this point, Frederickson?"

"Why don't you come around to my office tomorrow afternoon? I'll give you an itemized bill. I should also be finished with the kit by then."

We made an appointment for two o'clock.

The relief I'd expected to feel the next morning wasn't there: only unrelieved anxiety about Abu, distracting as a bad hangover. There'd been no messages left with my answering service. It was too early to start calling, so I tried to put the worry out of my mind, at least temporarily.

After breakfast, I went to see my brother. I found Garth looking hurt and annoyed, stuffed into his cubicle writing reports. The typewriter bounced like a toy under the merciless attack of his thick fingers.

"Hey, brother! Guess who's come to visit you."

"Christ," he said without looking up. "I hope you're not here to take up my time or looking for any more favors; I'm out of both."

"What about a fingerprint kit?"

That got his attention. He eased up on the typewriter, and I thought I could almost hear the machine sigh. "Why the hell do you want a fingerprint kit?"

"Just want to check out a couple of long shots." I took out Tal's pencil and Elliot Thomas' protractor and laid them on the desk in front of Garth.

"What's this? Show and Tell?"

"How long will a fingerprint last?"

Garth shrugged. "Indefinitely, as long as it's on a good surface that's been protected."

I took the draftsman's kit out of my pocket and shoved it across the desk to Garth. "Rafferty's prints may be on some of these tools. I'd like to compare them with whatever you can get off the pencil and the protractor."

"The pencil will be tough."

"Can you get partials?"

"Maybe. I'll have to see. Where'd you get the goodies?"

"The protractor from a man named Elliot Thomas, and the pencil from Ronald Tal."

"Tal? You've been traveling in high circles and keeping bad company."

"Careful, brother. Your Midwest conservatism is showing."

Garth whistled softly. "Christ, you think either of these guys could be Rafferty?"

"Doubtful, but I've got to start thinning the herd somewhere. Both men are about the right height and seem the right age; both men are Americans." Garth looked skeptical. "What can I tell you?" I added. "This is known as being methodical."

"How the hell do you get mixed up in these things? How the hell do I get mixed up in these things?" He rummaged around in his desk drawers until he finally came up with the kit. He used a pair of tweezers to lift the pencil and protractor from the cellophane sleeves I'd placed them in, then laid the items carefully beside the draftsman's kit. He opened the kit and began dusting the flat metal surfaces of the tools inside.

"Can I use your phone?" I asked.

Garth nodded as he continued dusting the implements. I picked up the receiver and dialed Abu's office. Abu still wasn't in; his secretary hadn't seen him since before lunch the previous day. I checked to make sure she had my message right, then hung up. I stared at the phone for a long time. It took me a few moments to realize that what I felt was fear.

Garth broke into my thoughts. "Take a look at these."

I took the magnifying glass he offered and studied the marks he'd raised on the instruments.

"You lucked out, Mongo," Garth said. "You've got good prints on the protractor, and decent partials on the pencil and the instruments. As far as I can see, there's no match anywhere. If you want, I'll have the lab boys take a look."

It wasn't necessary; I could see that the three sets of prints were entirely different. "Don't bother," I said, snapping the kit closed and putting it back into my pocket. "Two down, a few dozen to go. Case closed."

"Case closed?"

"For me, anyway. Too much risk with too little to gain for everybody involved."

"I don't follow you, Mongo. I thought you were really hot to go on this one. I'd have laid odds the trip to Acapulco was going to be postponed."

"Nope. Some folks I liked got hurt in the last case I was working on. I don't want to see that happen again." I outlined for Garth the reasoning I'd presented to Foster. Garth listened in silence, tapping his fingers thoughtfully on the desk top.

"Heavy," he said when I'd finished. "You're worried about me too, aren't you?"

"Has anybody leaned on you since Sunday?"

Garth pursed his lips and slowly shook his head. "Haven't heard a word."

"Lippitt knows you gave me his number. The man works fast, and he's dangerous."

Garth shrugged. "All must be forgiven."

"Or he's saving that kind of pressure as an ace in the hole. I'm pretty sure you'd be out on the street in a minute if he lifted the wrong eyebrow."

Garth's eyes glinted angrily. "We don't run this department to suit some super-Fed!" He paused, laughed to break the tension. "I guess I'm getting a little skittish myself. You think this Rafferty really is alive?"

"I don't know. It's impossible to read this Lippitt. He's playing some kind of game, but I don't know what it is. If Rafferty is alive, I think there's a good possibility that Lippitt and his merry band have him; they just don't want anybody to know it. But Lippitt
says
he shot Rafferty himself."

"Really?" It wasn't a wisecrack; Garth was listening intently.

"One more free opinion," I said. "I'm convinced Arthur Morton's murder is connected with the Rafferty case. I'm sure Lippitt knew what I was talking about when I mentioned it."

"Lippitt said so?"

"No. He pretended not to know anything about Morton. I think he was lying."

"God, you're a veritable lie detector, aren't you?"

"It was a feeling."

Garth reached into his desk and took out two manila folders. He opened them and absently gazed at the contents.

The papers inside were photocopies of the Rafferty and
Morton files.

"It's pretty risky having that stuff in your desk, isn't it?" I asked. "A lot of people would be unhappy if they found out you were going to nose around."

Garth replaced the folders in his desk and closed the drawer. "Just wanted you to know that a humble public servant is on the job," Garth said with a smile. "When do you leave for the Sunny South?"

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