Authors: John R. Fultz
The only way to make sense of nature’s grand design was to isolate the threads, follow the individual strands in the weave of the world. To capture the essence of life itself on parchment with a spell of ebon ink. One tale at a time.
He picked up his quill and dipped it into the flask of dark fluid.
He thought of his friend who had lived, died, triumphed, and lived again, and he pictured the King and Queen of Yaskatha lying in some shady bower. They would have many heirs to read this story.
In the brazen haze of daylight, he touched quill to page and began his spell.
The broad streets of Udurum were full again. Not with bustling and rowdy Giants, but Sharrian refugees eager for homes and work. They carried bags of gold and precious jewels from the treasury of their dead city, placed into their hands by Vireon the Slayer. Spring warmed the black walls of the city, and the Sharrians walked humbly through lanes built by Giant hands. They spread their wealth gradually among the folk of Udurum and forged lives for themselves the way Giants used to forge steel here.
Vireon looked across his city from a balcony on the high tower of Vod’s palace. His mother had gone south to visit her daughter and new son-in-law in Yaskatha. She had given him the crown before she left, and Udurum applauded her choice. Even the
fiercely proud Uduri knew the city would be stronger with Vireon as its King. The Giants who went north might even return when they heard the tale of King Vireon whispered about their cold fires.
Shaira lingered long enough to bless his marriage to Alua. Shar Dni’s fall and the murders of her entire extended family, brothers, sisters, nephews, nieces… it had all been too much for her. The lines of worry marred her face, and the burden of Queenship must come off her shoulders. So Vireon took the weight of the crown, made Alua his Queen, and now his mother would know at least a little happiness. She would have many grandchildren. He expected she would live out the remainder of her life in warm, sunny Yaskatha. It reminded her of Shar Dni as she had known it in her youth. He would visit her when duty allowed it.
Now Udurum had both King and Queen again. Alua turned her natural wisdom to the fields and orchards. The blooms of spring had never come so thick and vibrant. Vireon watched the dancers of the spring festival in the streets below, and the lilting music filled his ears.
She came from the tower to join him on the terrace, wrapping her cool arms about his chest from behind.
“Shall we go down and join them?”
“It is expected,” he said.
“What troubles you? This should be a time of joy. The frost fades and the earth sends forth its bounty. Speak to me.”
He breathed deep of the sweet northern air. Along the southern horizon, the Grim Mountains looked tiny and insubstantial, black fangs crowned by white mists.
“At times… I still think of Tadarus,” he told her. “And the other one.”
She knew of whom he spoke, as she knew he could never again say the name.
She kissed his mouth softly. “The past is set in stone… the future is a mystery… but the
now
is what you wish it to be. Your memories honor Tadarus. Let that honor give you joy.”
He held her in his arms while warm winds danced about the tower.
He said nothing of Fangodrel’s last words, the hatred he spat as his scorched head flew from his shoulders.
My blade interrupted that curse… stole it from his lips
.
I reject his curse
.
It is only the reminder of a sad revenge
.
The only true curse is that of memory
.
Alua was right. He must forget the one and honor the other.
I reject his curse
.
They entered the tower and lay together, the melodies of the festival wafting in through the windows. Later they went down into the streets and sampled the delights of spring.
He still did not understand Love.
Or Sorcery.
But this simple joy in a world filled with sorrow…
Perhaps this was the beginning of Wisdom.
I
t took far longer than he imagined. His body congealed from mist to mud and finally to cold, weary flesh. He awoke in the center of runes and sigils carved into the floor. He blinked but could not raise his head. Here, in the highest chamber of the thorny tower, he knitted together a body from fluid strands of shadow. The windows were curtained, so he could not see the passage of days outside, but it must have been many. Eventually, after an eternity of gnawing hunger, he rose from the frigid floor and stood on two legs.
The second ring of runes lay empty.
Where was she? Ianthe should have manifested here at the nexus of her power. She had given him this knowledge, helped him carve the runes. On her shelves the skulls and tomes were cluttered and dusty. The great desk and its chair were empty but for the usual piles of scrolls and moldering volumes. The decanters and bottles along the walls stood festooned with cobwebs.
She had never returned.
She must be truly dead. Annihilated by Vireon’s bitch
.
He shivered at the memory of his burning agony. That was his physical body… The first death was the most difficult – so
Ianthe had told him. This new body was a shell, a creation of his will and the power of the blood. His belly ached for more of that red wine.
Now the pale ghost of Tadarus stood where Ianthe should be.
“You are avenged,” he told it. “Vireon has killed me. You may go now.”
And the ghost was gone.
He stared at the blank spot on the basalt stones where she
must
appear. He wept a few tears, then remembered the Glass of Eternity. He approached it, bending its obscure surface to his will. A blur of colors and shapes swirled inside the flat pane, taking no form he could identify. The more he concentrated on Ianthe, the less he recognized. There could be only one answer… The Empress was dead and he was now Emperor of Khyrei. Or would be when he descended from the tower and laid claim to the throne. A city of ignorant, loyal slaves awaited him.
Perhaps this was not such a terrible loss.
He turned from the mirror and glanced at the books of antique lore, the texts of inscribed sorcery. He would miss her tutelage even more than her kisses. There was so much more to discover in the labyrinthine kingdom of sorcery.
Something drew his eyes back to the glass. It swirled now of its own accord and turned to solid black. A starless void hung open before him. A distant hum rang in his ears.
Something gleamed in the darkness… a star? No, a mote of azure crystal. It fell toward the mirror, hurling end over end, growing larger. He recognized it as a wine bottle crafted of delicate gemwork. Opal or sapphire. Curious, he reached through the mirror’s surface and let it fall into his hand, grasping it by the slender neck.
He pulled it through the rippling glass and studied it. It sang with power, raising the hairs on his new arm. Something dark
swirled inside, and the sound of a pebble or small gem rattled against the inner surface.
A whisper seemed to come from the jeweled cork, slipping out like vapor. He held it closer to his ear. Could this be Ianthe?
Now he heard the voice clearly.
Gammir drew his head away from the crystal and frowned.
“Fool,” he said to the sealed decanter. “How I hate you. If and when she returns, she will belong to
me
… and only me.”
Without another word he hurled the bottle back through the mirror and watched it spin away into the vast sea of nothingness. Soon the void faded and the mirror stood dull and opaque as before.
He turned away from the Glass of Eternity, cloaked himself in a robe of jeweled shadow, and descended the spiral stairs.
There was still so much to learn, and so much time in which to learn it.
A colossal “Thank You” to the following fine people for the following fine reasons:
Howard Andrew Jones—for believing and for speaking up about it. (And for being an all-around great guy.)
Bob Mecoy—for listening, for spot-on advice, and for being a fantastic agent. (He’s a Magic Man.)
John O’Neill—for his support and encouragement, and for all the great artwork in BLACK GATE.
The Scribes—for invaluable feedback on the first four chapters. (Keep writing, guys!)
Tanith Lee—for her sheer imagination and endless inspiration.
Darrell Schweitzer—for showing me the path and how to walk it. (Sensei!)
John and Evelyn Waggoner—for a supply of inexhaustible love.
Wanda Jane Allgood—for reading to me when I was little, for buying me all those books, and for making damn sure her son got an education. (Love ya, Mom!)
meet the author
J
OHN
R. F
ULTZ
lives in the Bay Area of California but is originally from Kentucky. His fiction has appeared in
Black Gate, Weird Tales, Space & Time, Lightspeed, Way of the Wizard
, and
Cthulhu’s Reign
. His comic book work includes
Primordia, Zombie Tales
, and
Cthulhu Tales
. When not writing novels, stories, or comics, John teaches English Literature at the high school level and plays a mean guitar.
Seven Princes is your first novel. What was the impulse behind this project?
After years of writing short stories, and cycles of related short stories, it was only natural to move into long-form works (i.e., novels). There was a time when you could make a living writing only short stories… alas, those days are gone. Fantasy lives and breathes today in the form of novels (and series of novels). Originally, I wrote a novel called
Child of Thunder
, which told the story of Ordra, also known as Vod—the Man Who Was a Giant and the Giant Who Was a Man. In retrospect, it wasn’t quite right, so I moved it forward twenty years in the future and used everything that I had built in
Thunder
as backstory for
Seven Princes
. I was partly inspired by the way Tolkien used his decades of Middle Earth history (later collected as
The Silmarillion
) as a solid and deep foundation for the Lord of the Rings. Those books are so wonderful and rich because they have this entire panorama of history to draw upon. It makes the invented world seem fully fleshed out, and readers love discovering the depths of a fantasy world as they go. So the story of Ordra/Vod eventually comes out in
Seven Princes
, and everything Vod did sets the stage for the conflicts and situations that comprise this novel. For years I talked about my “big fantasy novel”—now it’s here. Or it will be in January 2012.
The book has a particularly mythic tone. Do you see it as being different from where fantasy is headed as a genre?
I’m not sure… it seems fantasy these days is segmented into different types, or sub-genres. You’ve got epic fantasy, sword-and-sorcery, heroic fantasy, urban fantasy, contemporary fantasy, surrealism, slipstream, and the list goes on. I believe that
all
fantasies draw on myths, some just “dress it up” more in modern-day clothing (Gaiman’s
American Gods
, for instance). I prefer fantasy set in a secondary world (I always have), and that’s the milieu in which I operate best. I’m glad to see these types of “big fantasies” coming back into style—witness the huge success of Martin’s A Song of Ice and Fire and
Game of Thrones
on HBO. So the question about where fantasy is headed—it’s anybody’s guess. However, I think interest in fantasy fiction is peaking right now, thanks to writers like Mr. Martin, Mr. Gaiman, and many others.
Some have commented that my work hearkens back to the “old school” or “traditional” type of fantasy. In a way that’s true, but I’m also trying to do something new with it. It’s not pastiche, or repetition, it’s simply my vision coming through on the page. A writer’s sensibility is, I think, determined largely by his or her influences… what you’ve read most and where your passions lie. You write what you love. That said, writers like to stretch themselves too. For me, the whole epic/heroic fantasy realm is where I’ve been heading since I began reading fantasy as a kid in the late 1970s. Some have also called my work “sword and sorcery” but nobody can give a solid definition of what that actually is. For me, the bottom line is that I just Do My Thing and let my passion for storytelling lead me where I need to go.
There is room for all types of fantasy in today’s market, and epic fantasy is a broad playground. The difference between a
fantasy world and our world is that in the fantasy world the myths are
real
. In our world they’re usually metaphors or symbols… abstractions meant to invoke truth. In a fantasy world, myths live and breathe and weave spells over mortal kingdoms. I guess my mission is to find the humanity inside the myth… therein lies a great fantasy tale.