Self-Help (Vintage Contemporaries) (2 page)

At one-thirty, he gets up noiselessly except for the soft rustle of his dressing. He leaves before you have even quite fallen asleep, but before he does, he bends over you in his expensive beige raincoat and kisses the ends of your hair. Ah, he kisses your hair.

Technically, you are still a secretary for Karma-Kola, but you wear your Phi Beta Kappa key around your neck on a cheap gold chain, hoping someone will spot you for a promotion. Unfortunately, you have lost the respect of all but one of your co-workers and many of your superiors as well, who are working in order to send their daughters to universities so they won’t have to be secretaries, and who, therefore, hold you in contempt for having a degree and being a failure anyway. It is like having a degree in failure. Hilda, however, likes you. You are young and remind her of her sister, the professional skater.

“But I hate to skate,” you say.

And Hilda smiles, nodding. “Yup, that’s exactly what my sister says sometimes and in that same way.”

“What way?”

“Oh, I don’t know,” says Hilda. “Your bangs parted on the side or something.”

Ask Hilda if she will go to lunch with you. Over Reuben sandwiches ask her if she’s ever had an affair with a married man. As she attempts, mid-bite, to complete the choreography of her chomp, Russian dressing spurts out onto her hands.

“Once,” she says. “That was the last lover I had. That was over two years ago.”

Say: “Oh my god,” as if it were horrible and tragic, then try to mitigate that rudeness by clearing your throat and saying, “Well, actually, I guess that’s not so bad.”

“No,” she sighs good-naturedly. “His wife had Hodgkin’s disease, or so everyone thought. When they came up with the correct diagnosis, something that wasn’t nearly so awful, he went back to her. Does that make sense to you?”

“I suppose,” say doubtfully.

“Yeah, maybe you’re right.” Hilda is still cleaning Reuben off the backs of her hands with a napkin. “At any rate, who are you involved with?”

“Someone who has a wife that makes lists. She has Listmaker’s disease.”

“What are you going to do?”

“I don’t know.”

“Yeah,” says Hilda. “That’s typical.”

“Patricia’s really had quite an interesting life,” he says, smoking a cigarette.

“Oh, really?” you say, stabbing one out in the ashtray.

Make a list of all the lovers you’ve ever had.

Tuck it in your pocket. Leave it lying around, conspicuously. Somehow you lose it. Make “mislaid” jokes to yourself. Make another list.

Whisper, “Don’t go yet,” as he glides out of your bed before sunrise and you lie there on your back cooling, naked between the sheets and smelling of musky, oniony sweat. Feel gray, like an abandoned locker room towel. Watch him as he again pulls on his pants, his sweater, his socks and shoes. Reach out and hold his thigh as he leans over and kisses you quickly, telling you not to get up, that he’ll lock the door when he leaves. In the smoky darkness, you see him smile weakly, guiltily, and attempt a false, jaunty wave from the doorway. Turn on your side, toward the wall, so you don’t have to watch the door close. You hear it thud nonetheless, the jangle of keys and snap of the bolt lock, the footsteps loud, then fading down the staircase, the clunk of the street door, then nothing, all his sounds blending with the city, his face passing namelessly uptown in a bus or a badly heated cab, the room, the whole building you live in, shuddering at the windows as a truck roars by toward the Queens-boro Bridge.

Wonder who you are.

“Hi, this is Attila,” he says in a false deep voice when you pick up your office phone.

Giggle. Like an idiot. Say: “Oh. Hi, Hun.”

Hilda turns to look at you with a what’s-with-you look on her face. Shrug your shoulders.

“Can you meet me for lunch?”

Say: “Meet? I’m sorry, I don’t eat meat.”

“Cute, you’re cute,” he says, not laughing, and at lunch he gives you his tomatoes.

Drink two huge glasses of wine and smile at all his office and mother-in-law stories. It makes his eyes sparkle and crinkle at the corners, his face pleased and shining. When the waitress clears the plates away, there is a silence where the two of you look down then back up again.

“You get more beautiful every day,” he says to you, as you hold your wine glass over your nose, burgundy rushing down your throat. Put your glass down. Redden. Smile. Fiddle with your Phi Beta Kappa key.

When you get up to leave, take deep breaths. In front of the restaurant, where you will stride off in different directions, don’t give him a kiss in the noontime throng. Patricia’s office is nearby and she likes to go to the bank right around now; his back will stiffen and his eyes dart around like a crazy person’s. Instead, do a quick shuffle-ball-chain like you saw Barbra Streisand do in a movie once. Wave gigantically and say: “Till we eat again.”

In your office building the elevator is slow and packed and you forget to get off at the tenth floor and have to ride all the way back down again from the nineteenth. Five minutes after you arrive dizzily back at your desk, the phone rings.

“Meet me tomorrow at seven,” he says, “in front of Florsheim’s and I’ll carry you off to my castle. Patricia is going to a copyright convention.”

Wait freezing in front of Florsheim’s until seven-twenty. He finally dashes up, gasping apologies (he just now got back from the airport), his coat flying open, and he takes you in tow quickly uptown toward the art museums. He lives near art museums. Ask him what a copyright convention is.

“Where leisure is a suit
and
a suite,” he drawls, long and smiling, quickening his pace and yours. He kisses your temple, brushes hair off your face.

You arrive at his building in twenty minutes.

“So, this is it?” The castle doorman’s fly is undone. Smile politely. In the elevator, say: “The unexamined fly is not worth zipping.”

The elevator has a peculiar rattle, for all eight floors, like someone obsessively clearing her throat.

When he finally gets the apartment door unlocked, he shows you into an L-shaped living room bursting with plants and gold-framed posters announcing exhibitions you are too late for by six years. The kitchen is off to one side—tiny, digital, spare, with a small army of chrome utensils hanging belligerent and clean as blades on the wall. Walk nervously around like a dog sniffing out the place. Peek into the bedroom: in the center, like a giant bloom, is a queen-sized bed with a Pennsylvania Dutch spread. A small photo of a woman in ski garb is propped on a nightstand. It frightens you.

Back in the living room, he mixes drinks with Scotch in them. “So, this is it,” you say again with a forced grin and an odd heaving in your rib cage. Light up one of his cigarettes.

“Can I take your coat?”

Be strange and awkward. Say: “I like beige. I think it is practical.”

“What’s wrong with you?” he says, handing you your drink.

Try to decide what you should do:

He puts his mouth on your neck. Put your arms timidly around him. Whisper into his ear: “There’s a woman, uh, another woman in your room.”

When he is fast asleep upon you, in the middle of the night, send your left arm out slowly toward the nightstand like a mechanical limb programmed for a secret intelligence mission, and bring the ski garb picture back close to your face in the dark and try to study the features over his shoulder. She seems to have a pretty smile, short hair, no eyebrows, tough flaring nostrils, body indecipherably ensconced in nylon and down and wool.

Slip carefully out, like a shoe horn, from beneath his sleeping body—he grunts groggily—and go to the closet. Open it with a minimum of squeaking and stare at her clothes. A few suits. Looks like beige blouses and a lot of brown things. Turn on the closet light. Look at the shoes. They are all lined up in neat, married pairs on the closet floor. Black pumps, blue sneakers, brown moccasins, brown T-straps. They have been to an expensive college, say, in Massachusetts. Gaze into her shoes. Her feet are much larger than yours. They are like small cruise missiles.

Inside the caves of those shoes, eyes form and open their lids, stare up at you, regard you, wink at you from the insoles. They are half-friendly, conspiratorial, amused at this reconnaissance of yours, like little smiling men from the open hatches of a fleet of military submarines. Turn off the light and shut the door quickly, before they start talking or dancing or something. Scurry back to the bed and hide your face in his armpit.

In the morning he makes you breakfast. Something with eggs and mushrooms and hot sauce.

Use his toothbrush. The red one. Gaze into the mirror at a face that looks too puffy to be yours. Imagine using her toothbrush by mistake. Imagine a wife and a mistress sharing the same toothbrush forever and ever, never knowing. Look into the medicine cabinet:

On the street, all over, you think you see her, the boring hotel-soap stealer. Every woman is her. You smell Cashmere Bouquet all over the place. That’s her. Someone waiting near you for the downtown express: yup, that’s her. A woman waiting behind you in a deli near Marine Midland who has smooth, hand-lotioned hands and looks like she skis: good god, what if that is her. Break out in cold sweats. Stare into every pair of flared nostrils with clinical curiosity and unbridled terror. Scrutinize feet. Glance sidelong at pumps. Then look quickly away, like a woman, some other woman, who is losing her mind.

Alone on lunch hours or after work, continue to look every female over the age of twelve straight in the nose and straight in the shoes. Feel your face aquiver and twice bolt out of Bergdorfs irrationally when you are sure it is her at the skirt sale
rack choosing brown again, a Tylenol bottle peeking out from the corner of her purse. Sit on a granite wall in the GM plaza and catch your breath. Listen to an old man singing “Frosty the Snowman.” Lose track of time.

“You’re late,” Hilda turns and whispers at you. “Carlyle’s been back here twice already asking where you were and if the market survey report has been typed up yet.”

Mutter: “Shit.” You are only on the T’s: Tennessee Karma-Kola consumption per square dollar-mile of investment market. Figures for July 1980–October 1981.