Selected Stories (9781440673832) (28 page)

‘Horrible!' said Miss Raby.

‘Horrible people!' said Colonel Leyland.

The
Hôtel des Alpes
was an enormous building, which, being made of wood, suggested a distended chalet. But this impression was corrected by a costly and magnificent view terrace, the squared stones of which were visible for miles, and from which, as from some great reservoir, asphalt paths trickled over the adjacent country. Their carriage, having ascended a private drive, drew up under a vaulted portico of pitch-pine, which opened on to this terrace on one side, and into the covered lounge on the other. There was a whirl of officials—men with gold braid, smarter men with more gold braid, men smarter still with no gold braid. Elizabeth assumed an arrogant air, and carried a small straw basket with difficulty. Colonel Leyland became every inch a soldier. Miss Raby, whom, in spite of long experience, a large hotel always flustered, was hurried into an expensive bedroom, and advised to dress herself immediately if she wished to partake of table d'hôte.

As she came up the staircase, she had seen the dining-room filling with English and Americans and with rich hungry Germans. She liked company, but to-night she was curiously depressed. She seemed to be confronted with an unpleasing vision, the outlines of which were still obscure.

‘I will eat in my room,' she told Elizabeth. ‘Go to your dinner: I'll do the unpacking.'

She wandered round, looking at the list of rules, the list of prices, the list of excursions, the red plush sofa, the jugs and basins on which was lithographed a view of the mountains. Where amid such splendour was there a place for Signor Cantù with his china-bowled pipe, and for Signora Cantù with her snuff-coloured shawl?

When the waiter at last brought up her dinner, she asked after her host and hostess.

He replied, in cosmopolitan English, that they were both well.

‘Do they live here, or at the
Biscione?'

‘Here, why yes. Only poor tourists go to the
Biscione.'

‘Who lives there, then?'

‘The mother of Signor Cantù. She is unconnected,' he continued, like one who has learnt a lesson, ‘she is unconnected absolutely with us. Fifteen years back, yes. But now, where is the
Biscione?
I beg you contradict if we are spoken about together.'

Miss Raby said quietly: ‘I have made a mistake. Would you kindly give notice that I shall not want my room, and say that the luggage is to be taken, immediately, to the
Biscione.'

‘Certainly! certainly!' said the waiter, who was well trained. He added with a vicious snort, ‘You will have to pay.'

‘Undoubtedly,' said Miss Raby.

The elaborate machinery which had so recently sucked her in began to disgorge her. The trunks were carried down, the vehicle in which she had arrived was recalled. Elizabeth, white with indignation, appeared in the hall. She paid for beds in which they had not slept, and for food which they had never eaten. Amidst the whirl of gold-laced officials, who hoped even in that space of time to have established a claim to be tipped, she moved towards the door. The guests in the lounge observed her with amusement, concluding that she had found the hotel too dear.

‘What is it? Whatever is it? Are you not comfortable?' Colonel Leyland in his evening dress ran after her.

‘Not that; I've made a mistake. This hotel belongs to the son; I must go to the
Biscione.
He's quarrelled with the old people: I think the father's dead.'

‘But really—if you are comfortable here—'

‘I must find out to-night whether it is true. And I must also'—her voice quivered—‘find out whether it is my fault.'

‘How in the name of goodness—'

‘I shall bear it if it is,' she continued gently. ‘I am too old to be a tragedy queen as well as an evil genius.'

‘What does she mean? Whatever does she mean?' he murmured, as he watched the carriage lights descending the hill. ‘What harm has she done? What harm is there for that matter? Hotel-keepers always quarrel: it's no business of ours.' He ate a good dinner in silence. Then his thoughts were turned by the arrival of his letters from the post office.

 

‘Drive!' exclaimed Colonel Leyland. Acquaintance with Miss Raby had made his sight keener. He recognized in this part of his sister's letter nothing but an automatic conventionality. He was no more moved by its perusal than she had been by its composition.

 

How could he explain the peculiar charm of the relations between himself and Miss Raby? There had never been a word of marriage, and would probably never be a word of love. If, instead of seeing each other frequently, they should come to see each other always it would be as sage companions, familiar with life, not as egoistic lovers, craving for infinities of passion which they had no right to demand and no power to supply. Neither professed to be a virgin soul, or to be ignorant of the other's limitations and inconsistencies. They scarcely even made allowances for each other. Toleration implies reserve; and the greatest safeguard of unruffled intercourse is knowledge. Colonel Leyland had courage of no mean order: he cared little for the opinion of people whom he understood. Nelly and Lionel and their babes were welcome to be shocked or displeased. Miss Raby was an authoress, a kind of Radical; he a soldier, a kind of aristocrat. But the time for their activities was passing; he was ceasing to fight, she to write. They could pleasantly spend together their autumn. Nor might they prove the worst companions for a winter.

He was too delicate to admit, even to himself, the desirability of marrying two thousand a year. But it lent an unacknowledged perfume to his thoughts. He tore Nelly's letter into little pieces, and dropped them into the darkness out of the bedroom window.

‘Funny lady!' he murmured, as he looked towards Vorta, trying to detect the campanile in the growing light of the moon. ‘Why have you gone to be uncomfortable? Why will you interfere in the quarrels of people who can't understand you, and whom you don't understand. How silly you are to think you've caused them. You think you've written a book which has spoilt the place and made the inhabitants corrupt and sordid. I know just how you think. So you will make yourself unhappy, and go about trying to put right what never was right. Funny lady!'

Close below him he could now see the white fragments of his sister's letter. In the valley the campanile appeared, rising out of wisps of silvery vapour.

‘Dear lady!' he whispered, making towards the village a little movement with his hands.

Miss Raby's first novel, ‘The Eternal Moment', was written round the idea that man does not live by time alone, that an evening gone may become like a thousand ages in the courts of heaven—the idea that was afterwards expounded more philosophically by Maeterlinck. She herself now declared that it was a tiresome, affected book, and that the title suggested the dentist's chair. But she had written it when she was feeling young and happy; and that, rather than maturity, is the hour in which to formulate a creed. As years pass, the conception may become more solid, but the desire and the power to impart it to others are alike weakened. It did not altogether displease her that her earliest work had been her most ambitious.

By a strange fate, the book made a great sensation, especially in unimaginative circles. Idle people interpreted it to mean that there was no harm in wasting time, vulgar people that there was no harm in being fickle, pious people interpreted it as an attack upon morality. The authoress became well known in society, where her enthusiasm for the lower classes only lent her an additional charm. That very year Lady Anstey, Mrs Heriot, the Marquis of Bamburgh, and many others, penetrated to Vorta, where the scene of the book was laid. They returned enthusiastic. Lady Anstey exhibited her water-colour drawings; Mrs Heriot, who photographed, wrote an article in
The Strand;
while
The Nineteenth Century
published a long description of the place by the Marquis of Bamburgh, entitled ‘The Modern Peasant and his Relations with Roman Catholicism'.

Thanks to these efforts, Vorta became a rising place, and people who liked being off the beaten track went there, and pointed out the way to others. Miss Raby, by a series of trivial accidents, had never returned to the village whose rise was so intimately connected with her own. She had heard from time to time of its progress. It had also been whispered that an inferior class of tourist was finding it out, and, fearing to find something spoilt, she had at last a certain diffidence in returning to scenes which once had given her so much pleasure. Colonel Leyland persuaded her; he wanted a cool healthy spot for the summer, where he could read and talk and find walks suitable for an athletic invalid. Their friends laughed; their acquaintances gossiped; their relatives were furious. But he was courageous and she was indifferent. They had accomplished the expedition under the scanty aegis of Elizabeth.

Her arrival was saddening. It displeased her to see the great hotels in a great circle, standing away from the village where all life should have centred. Their illuminated titles, branded on the tranquil evening slopes, still danced in her eyes. And the monstrous
Hôtel des Alpes
haunted her like a nightmare. In her dreams she recalled the portico, the ostentatious lounge, the polished walnut bureau, the vast rack for the bedroom keys, the panoramic bedroom crockery, the uniforms of the officials, and the smell of smart people—which is to some nostrils quite as depressing as the smell of poor ones. She was not enthusiastic over the progress of civilization, knowing by Eastern experiences that civilization rarely puts her best foot foremost, and is apt to make the barbarians immoral and vicious before her compensating qualities arrive. And here there was no question of progress: the world had more to learn from the village than the village from the world.

At the
Biscione
, indeed, she had found little change—only the pathos of a survival. The old landlord had died, and the old landlady was ill in bed, but the antique spirit had not yet departed. On the timbered front was still painted the dragon swallowing the child—the arms of the Milanese Visconti, from whom the Cantùs might well be descended. For there was something about the little hotel which compelled a sympathetic guest to believe, for the time at all events, in aristocracy. The great manner, only to be obtained without effort, ruled throughout. In each bedroom were three or four beautiful things—a little piece of silk tapestry, a fragment of rococo carving, some blue tiles, framed and hung upon the white-washed wall. There were pictures in the sitting-rooms and on the stairs-eighteenth-century pictures in the style of Carlo Dolci and the Carracci—a blue-robed Mater Dolorosa, a fluttering saint, a magnanimous Alexander with a receding chin. A debased style—so the superior person and the textbooks say. Yet, at times, it may have more freshness and significance than a newly-purchased Fra Angelico. Miss Raby, who had visited dukes in their residences without a perceptible tremor, felt herself blatant and modern when she entered the
Albergo Biscione.
The most trivial things—the sofa cushions, the tablecloths, the cases for the pillows—though they might be made of poor materials and be aesthetically incorrect, inspired her with reverence and humility. Through this cleanly, gracious dwelling there had once moved Signor Cantù with his china-bowled pipe, Signora Cantù in her snuff-coloured shawl, and Bartolommeo Cantù, now proprietor of the
Grand Hôtel des Alpes.

She sat down to breakfast next morning in a mood which she tried to attribute to her bad night and her increasing age. Never, she thought, had she seen people more unattractive and more unworthy than her fellow-guests. A black-browed woman was holding forth on patriotism and the duty of English tourists to present an undivided front to foreign nations. Another woman kept up a feeble lament, like a dribbling tap which never gathers flow yet never quite ceases, complaining of the food, the charges, the noise, the clouds, the dust. She liked coming here herself, she said; but she hardly liked to recommend it to her friends: it was the kind of hotel one felt like that about. Males were rare, and in great demand; a young one was describing, amid fits of laughter, the steps he had taken to astonish the natives.

Miss Raby was sitting opposite the famous fresco, which formed the only decoration of the room. It had been discovered during some repairs; and, though the surface had been injured in places, the colours were still bright. Signora Cantù attributed it now to Titian, now to Giotto, and declared that no one could interpret its meaning; professors and artists had puzzled themselves in vain. This she said because it pleased her to say it; the meaning was perfectly clear, and had been frequently explained to her. Those four figures were sibyls, holding prophecies of the Nativity. It was uncertain for what original reason they had been painted high up in the mountains, at the extreme boundary of Italian art. Now, at all events, they were an invaluable source of conversation; and many an acquaintance had been opened, and argument averted, by their timely presence on the wall.