Secret and Suppressed: Banned Ideas and Hidden History (16 page)

The remaining law is to be revealed through researchers using the “Freedom of Information Act” to “make manifest all that is hidden” in a way that will be irremediably helpful to the enemy’s cause.

This is not a bluff meant to intimidate inquiry: that can only be done with physical or psychological terror, but human curiosity has never been successfully thwarted by threats of a “curse,” to say nothing of frustrating those who seek, on a higher level, justice and truth about the arch-criminals of all history.

I do not wish to discourage truth-seeking, but rather supply researchers with the final information needed to create an object which will serve as an immovable object to block their vaunted irresistible force.

The hoodwinked populace unfortunately, will sink lower and lower as they discover the extent to which they have been duped and may, reactively, search for a ruler or drug to put them asleep, to make them less aware.

We must demonstrate that we remain aware of all the enemies and all of their tricks and gadgetry and yet we must not be dissuaded from pursuing truth for the sake of the truth. Let the enemy take upon themselves and their children the consequences of their actions.

This is a record of observations of subliminal images and possible subliminal messages in the film JFK using the slow motion and freeze-frame controls on a VCR. I have made this list in the order of appearance in which they occurred. Subliminals are at their greatest frequency and intensity during the middle and especially the second half of the film. The following list of subliminal descriptions is totally the result of my own personal observations.

1. Tight close-up of a man’s face wearing eyeglasses can be seen three times during the movie. He appears to wear the same style eyeglass frame that Garrison wears. This is the first subliminal image seen in freeze-frame during the movie. Is it Garrison’s face?

2. Black and white scene of Oswald being questioned by FBI agent after Oswald is arrested for fighting with anti-Castro Cubans. One moment Oswald is sitting in a chair by an FBI agent sitting behind a desk. While advancing the scene frame-by-frame, Oswald is seen sitting in a chair facing his questioner, then instantly Oswald is standing against a wall facing the opposite direction. The chair is empty. The subliminal message appears to be that Oswald can be in two different places at the same time.

3. Garrison questions homosexual convict O’Keefe. In the flashback homosexual party scenes, there appears a full-screen subliminal skull, then a rat in a cage, and then an image of a skull in the background over Shaw’s raised left hand. All this can only be caught by advancing the movie frame by frame.

4. Man in dark suit passes three hoboes being taken into custody by police. There is a hint that the man gives the hoboes a secret hand sign. This happens later in the film in more detail.

5. White ghost-like figure in picture on wall watches Garrison and his staff meeting in Garrison’s home.

6. During a carnival parade, an American flag is lowered to expose a huge human skull.

7. Garrison questions Shaw in Garrison’s office. There are flashback homosexual situations and a very quick black and white scene where an old-fashioned 16 mm projector projects a film of a dark-skinned man crawling between the legs of a line of playful, white men in bathing suits.

8. Seen in David Feme’s apartment following his death are a skull, rats and religious figurines.

9. Garrison travels to Washington, D.C., to meet with former intelligence agent, “X.” Leaving the Lincoln Memorial Garrison opens an umbrella and raises it over his head. Agent “X” instantly recognizes Garrison, and their talk begins. Passersby likewise open their umbrellas, though it does not appear to be raining.

10. While “X” gives Garrison a short lesson in geopolitics and nuclear war, the Washington monument in the background appears like it has become an ICBM about to lift off, complete with yellow exhaust plumes.

11. A man in a dark suit passes by the three tramps and gives a secret hand sign for the tramps’ benefit.

12. Moments after Martin Luther King Jr.’s assassination is announced on television, Garrison’s young daughter talks to a stranger on the telephone, who tells her that she’s just been entered into a beauty contest. Over her head, on the wall behind her, is the picture frame containing the image of a white, ghost-like figure. Advancing the scene frame-by-frame reveals that the figure appears to talk.

13. Garrison talks to his legal staff about the FBI agent questioning Oswald in connection with Oswald’s arrest for fighting with anti-Castro Cubans. Scene shifts to black and white. One moment Oswald is questioned while sitting, the next moment he is standing, facing the opposite direction while the chair he was sitting in is empty. Again, this subliminal message reinforces the feeling that Oswald can be in two places at the same time.

14. Moments before he sees Robert Kennedy being shot on television, Garrison makes a sandwich using Wonder Bread. Of course, viewers wonder who killed JFK.

15. Seconds before he is killed, Robert Kennedy is heard to say, “We are a great country, and a
selfish
country, and a compassionate country.”

16. Moments after Robert Kennedy is assassinated, Garrison goes upstairs and makes love to his wife. Horrible televised violence gets Garrison in the mood.

17. As Garrison and his team walk up the courthouse steps, a mysterious man with white hair similar to Clay Shaw is seen moving behind Garrison’s left shoulder. Is Shaw stalking Garrison?

18. During Willy O’Keefe’s testimony on the witness stand, scene flashes to a homosexual meeting between Shaw and O’Keefe. Above Shaw’s left hand in the corner of the screen in the image of a human skull. A frame-by-frame analysis reveals that the skull opens its mouth in horror, and seems like it is about to explode.

19. A downward zoom over the Judge’s desk shows the Judge’s hand pounding a gavel. Nearby is seen a round ashtray that resembles the Wicker Man of the movie of the same name. The theme of the
Wicker Man
movie was symbolic ritual murder.

20. Kennedy waves as his car passes through Dealey Plaza. Scene momentarily shifts to a close-up of a man wearing eyeglasses similar to Garrison’s. The image of a four-legged, deer-like animals moves across the reflection of the glasses. A gunshot cracks out.

21. A doctor puts the remains of Kennedy’s brain in a supermarket style weighing basket.

22. In Garrison’s final summation to the court, he says, “So what really happened that day? Let’s just for a moment speculate, shall we?” A man in a black suit and white shirt raises an open umbrella in front of another man wearing a jacket with the word “Ripley” emblazoned on its back. Does this refer to Robert Ripley of “Ripley’s Believe It Or Not?” or the sci-fi character Ripley of the movie
Alien?

23. Man aims rifle with telescopic sight at Kennedy. Camera zooms in for an extreme close-up. Scene shifts to the objective lens of the telescopic sight. A reflection of an emotionless face in freeze-frame can be seen in the lens of the sight. This faces then metamorphoses into another face with a wild-eyed, devilish grin. This face then disappears, and then light begins to emanate from within the sight. This emanation gives the impression that the telescopic sight has now become the projection lens of a movie projector.

24. After James Tague is nicked by a stray bullet, scene changes to Claw Shaw holding an umbrella over his head. Several frames later the scene changes to a younger dark-haired man holding an umbrella over his own head.

25. Immediately following the shooting in Dealey Plaza patrolman Joe Smith stops and questions a man. The man produces a Secret Service badge and moves off. Scene shifts to the courtroom, where patrolman Smith is testifying on the witness stand. He says, “Afterward it didn’t ring true but at the time — we were so pressed for time.” The scene immediately shifts to a tall young man wearing a dark suit. He has his left hand up to his ear, as if listening to an earphone. This man turns toward the camera and clearly gives a Masonic sign of distress. He holds the palm of the left hand up and crosses it with the right hand palm down. This is done several times at waist level, with the hands held out about twelve inches from the body. This is the sign of distress in the Entered-Apprentice, first degree of Freemasonry.

26. After Garrison delivers his summation to the court, there is another downward zooming shot over the judge’s desk. The judge pounds the gavel next to the round ashtray that appears to be a symbolic Wicker Man’s face.

Other notes:

In the first scene in which Garrison makes his appearance, a German infantry helmet is seen at the top of his desk.

While standing in front of Guy Bannister’s old office building, Garrison says, “I used to have lunch with him [Bannister].”

Garrison’s young son, waiting for his father to attend a family dinner, says, “Daddy never keeps his promises.” Garrison’s baby then cries.

A jive-talking lawyer, Dean Andrews, hired by Clay Shaw to be Oswald’s attorney, had been friends with Garrison for years.

Secret intelligence agent “X” says to Garrison, “Remember, fundamentally people are suckers for the truth.”

Jim Garrison acted the role of Chief Justice Earl Warren.

Underground computer video games circulating among Austrian and German students test the ability to manage a Nazi death camp and to distinguish between Aryans and Jews, a Holocaust study center says.

Eight copies of the programs, designed for home computers, were obtained by the Simon Wiesenthal Center in Los Angeles. The center demonstrated two of the programs for the Associated Press. Rabbi Abraham Cooper, the center’s associate dean, said the programs are based on the Holocaust but often substitute Turks, many of whom work in Germany, for Jews.

In one program, KZ Manager, the player must sell gold fillings, lampshades and labor to earn enough money to buy gas and add gas chambers to kill Turks at the Treblinka death camp. “KZ” is an abbreviation of the German word for concentration camp.

The player must correctly answer questions about Turks or be taken by a Grim Reaper figure to the Buchenwald death camp.

“What you want to do now if you love playing computer games, you want to go right back in and you want to win,” Cooper said. “It’s a very shrewd psychology in terms of the design of the games.”

Reports of the games have circulated for several years, but they were not believed to be widespread until a recent surge of reports in the Austrian media, he said.

Newspapers reported that a poll of students in one Austrian city said that nearly 40 percent knew of the games and more than 20 percent had seen them, Cooper said.

The game Aryan Test says it is by Adolf Hitler Software Ltd. The game Anti-Turk Test says it was made in Buchenwald by Hitler & Hess.

Distribution has been by electronic mail, under-the-counter sales, word of mouth and in deceptive packaging on store shelves. Cooper believes the games are the work of neo-Nazi propagandists seeking youthful followers through a technology largely unfamiliar to their parents.

“Not shocking to anybody, the kids are way ahead of the adults, and this is one area where the Nazis, the fascists, have found a way in,” he said.