Satan's Fire (A Medieval Mystery Featuring Hugh Corbett) (15 page)

Corbett, slightly embarrassed, stared round at the trunks and coffers stored there.

‘It’s our treasure house,’ Branquier explained. ‘Many of our houses and manors have such a room. Doesn’t the king have the same?’ Branquier pushed his face near Corbett’s. ‘Perhaps even you, Keeper of His Secret Seal. Are all your rooms and chambers, Sir Hugh, open to the curious and inquisitive?’

‘I simply asked,’ Corbett replied.

‘And you have your answer.’

Corbett stared at a tapestry on the wall: a beautifully embroidered piece of cloth held in place by a thin wooden frame. The tapestry depicted the taking of Christ down from the cross by Nicodemus and St John. Mary knelt, arms outstretched, waiting to receive him. The artist had executed a brilliant scene: the gold, blue, red, green and purple colours seemed more like a picture than a tapestry.

‘It’s very costly,’ de Molay explained. ‘Done by an Italian artist. The goldwork alone is worth the profits of this manor. But come, Sir Hugh, we have more to show you.’

Corbett left the chamber. De Molay made the door secure and Branquier closed the wooden partition before leading him along the gallery and up some steps. In the stairwell at the top, two soldiers guarded a flight of stairs to what must be the garret. De Molay told them to stand aside. He unlocked the door, ushering Corbett inside. The room was long, rather musty, a small oval window at the far end just above a makeshift dais on which stood a wooden altar with candlesticks at either end.

‘Look around,’ Branquier taunted Corbett.

‘There’s no need to,’ Corbett retorted. ‘It’s as bare as a hay-loft.’

He glanced up at the slanted ceiling and, through chinks in the tiles, glimpsed the sky beyond. He walked towards the altar, noticing the two cushions on the floor before it. He picked at the wax on top of the table.

‘There’s nothing here!’ Branquier snapped, but he looked uneasy, as if frightened to be here.

‘So why is it guarded so securely?’ Corbett asked.

Branquier, startled, opened his mouth to reply. De Molay, however, was quicker.

‘Sir Hugh, you are so suspicious. We are the Templar Order. We have our own rites and rituals.’

‘You have a fair enough chapel downstairs.’

‘True. True,’ the grand master replied. ‘But go to any religious house in York: Cistercians, Carthusians, the Crutched Friars, Friars of the Sack. They all have their own private chanceries and chapels well away from the public gaze. This is what happens here.’

‘For everyone?’ Corbett asked.

‘No, no,’ de Molay replied. ‘Only Sir Richard and myself. We have reached that stage of development in our Order.’

De Molay kept in the shadows, his face turned away. Corbett intuitively knew he was hiding something, but what else could he say? He’d asked his questions and de Molay had replied.

‘Grand Master.’ He walked to the door. ‘I thank you for your courtesy. This morning my servant left the king’s gift of wine in your kitchens.’ He smiled over his shoulder. ‘A poor token compared to the trouble I have caused.’

Chapter 7

Corbett left the garret but turned half-way down the stairs.

‘Oh, by the way, Grand Master, did anyone leave Framlingham Manor last night?’

‘Apart from the servants who fled, no. The rest of our community are under strict orders: they are not to leave Framlingham.’

Corbett thanked him and returned to his quarters. Ranulf and Maltote were deep in conversation with Claverley over the intricacies of spoilt dice and how easy it was to cheat at shuffle penny.

‘We are leaving,’ Corbett announced briskly. ‘Maltote, get our horses ready. Ranulf, collect my cloak and swordbelt, I’ll meet you down at the stables.’

‘And you, Master?’

‘I want to see Brother Odo. Oh, by the way, Claverley,’ Corbett called out as he left. ‘Whatever you do, don’t play dice with Ranulf or buy any of his potions!’

A Templar serjeant showed him to the library: a long, high-vaulted room at the back of the manor house overlooking the garden. It was pleasant and cool. Books filled the shelves along all the walls; some were chained and padlocked, others stood open on lecterns. At the far end were the study carrels each built into a small portico containing a table, chair, a tray of writing implements and a large, metal-capped beeswax candle. At first Corbett thought the library was deserted. He walked slowly down, his footsteps echoing through the cavernous room.

‘Who’s there?’

Corbett’s heart skipped a beat. Brother Odo emerged from the shadows where he had been poring over a manuscript: his one good hand was covered in ink.

‘Sir Hugh, I did not know you were a bibliophile.’

‘I wish I was, Brother.’

Corbett shook his hand and the librarian led him into one of the study carrels.

‘All these books and manuscripts belong to the Templars,’ Odo explained. ‘Well, at least to its province north of the Trent.’ He fingered his ink-stained lips and looked round wistfully. ‘We lost so many libraries in the East. We even had an original of Jerome’s commentary . . . but you haven’t come to ask me about that, have you?’

He jabbed a finger at a stool next to his chair. Corbett sat down self-consciously and stared at the manuscripts littered across the desk.

‘I am writing a chronicle,’ Odo announced proudly. ‘A history of the siege of Acre and its fall.’

He pulled across a piece of vellum and Corbett stared at the drawing: Templar knights, distinctive by the crosses on their cloaks, were defending a tower; they were throwing spears and boulders down at evil-looking Turks. The drawing was not accurate, it lacked proportion – yet it possessed a vigour and vibrancy all of its own. Underneath, written in a cramped hand, was a Latin commentary.

‘I have done seventy-three pieces,’ Odo announced. ‘But I hope that the chronicle will include two hundred; a lasting testament to the valour of our Order.’

A piece of parchment fell off the table. Corbett picked it up. There was writing on this but it was strange and twisted. Corbett, fluent in Latin and the Norman French of the Royal Chancery, thought it might be Greek.

‘What language is that, Corbett?’ Odo teased.

‘Greek?’

Odo grinned and seized the parchment.

‘No. They are runes, Anglo-Saxon runes. My mother’s name was Tharlestone. She claimed descent from Leofric, Harold’s brother, who died at the Battle of Hastings. She owned lands in Norfolk. Have you ever been there, Corbett?’

The clerk recalled his recent, and most dangerous, stay outside Mortlake Manor the previous November.

‘Yes,’ he replied. ‘But perhaps it was not the happiest of visits.’

‘Well, I was raised there. My mother died young.’ The old librarian’s eyes misted over. ‘Gentle as a fawn she was. No other woman like her: that’s probably the reason I entered the Order. Ah well,’ he continued briskly, ‘my grandfather raised me. He would take me fishing on the marshes. I still do that now, you know: I have a little boat down near the lake. I call it
The Ghost of the Tower
. Anyway, whilst Grandfather and I were waiting for the fish to bite, he’d scratch out the runes on a piece of bark and make me learn them. See that letter there like our “P”? That’s “W”. The arrow is a “T” and the sign like a gate is “V”. I make my own notes.’ He plucked the parchment from Corbett’s hand. ‘So no one really knows what I am doing.’ He smiled. ‘Ah well, how can I help you?’

‘On the day Reverchien died,’ Corbett asked, ‘did you notice anything amiss, anything wrong?’

‘No. Both Sir Guido and I were pleased when the grand master and his commanders left. Framlingham went back to its usual serene ways. We went round checking stores, I spent most of the time here in the library. We met in church to sing the Divine Office. He had a good voice, Reverchien, slightly higher than mine. We thundered out the verses then supped in the refectory. The next morning, just after Matins, Sir Guido went on what he called his little Crusade.’ He shrugged. ‘The rest you know.’

‘And then what?’

‘Well, when I smelt the smoke and heard the screams, some of the servants and I went into the maze. It looks difficult to thread so you must keep moving in a certain direction.’ The old man’s face became sad. ‘But, by the time we reached the centre . . .’ His voice faltered. ‘Oh, don’t misunderstand me. I have seen men burning alive at Acre but, in the centre of an English maze on a warm spring morning, to see a comrade’s body smouldering, blackened ash from head to toe. The flames must have been intense. The ground and the great iron candelabra were all burnt black. We sheeted the corpse and took it to the death-house. I went into the buttery. Perhaps I drank more than I should have. I felt sleepy so I went back to my cell. I was snoring my head off when Branquier woke me.’

‘What do you think caused the fire?’ Corbett asked.

‘I don’t know. The whispers say the fire of hell.’ The old librarian leaned closer. ‘But Sir Guido was a good man, kind and generous: a little addled in his wits but he loved God, Holy Mother Church and his Order. Why should such a good man be burnt, whilst the wicked swagger around boasting of their evil?’ The librarian blinked; he ran his good hand across the parchment, stroking it gently like a mother would a child.

‘I don’t believe it was the fire of hell,’ Corbett remarked. ‘Sir Guido was a good man. He was murdered. But how, and why, God only knows.’

‘The flames had died but it smelt so bad.’ Odo murmured. ‘I could smell the sulphur and brimstone in the air. Just like . . .’

‘Like what?’ Corbett asked.

The old librarian scratched his unshaven cheek. ‘I can’t remember,’ he whispered. ‘God forgive me, Corbett, but I can’t.’ He looked at the clerk. ‘Is there anything else?’

Corbett shook his head and got to his feet. He gently pressed Odo’s thin shoulder.

‘They’ll talk of you in years to come,’ Corbett declared kindly. ‘They’ll talk of Odo Tharlestone, soldier and scholar. Your chronicle will be copied in monasteries, libraries and abbeys throughout the land. The halls of Oxford and Cambridge will bid for it.’

Odo looked up, his eyes sparkling. ‘Do you really think so?’

‘Oh, yes, the king has a great library at Westminster. He’ll want a copy as well but, Brother,’ Corbett added, ‘reflect on what you saw the morning Sir Guido died.’

And with the librarian’s assurance that he would do so ringing in his ears, Corbett went to the stables to join his companions.

A few minutes later, accompanied by Claverley and Ranulf, who were arguing noisily about which was the fairest, York or London, Corbett left Framlingham. They rode down the lonely pathway, past the guards and through the gate, turning left on to the Botham Bar road. The day was drawing on but the sun was still strong. The hedgerows on either side were alive with the rustling of birds and the buzzing of bees searching for honey amongst the wild flowers.

‘I have beehives,’ Claverley announced. ‘At least a dozen steppes in my garden. The best honey in York, Sir Hugh.’

Corbett smiled absentmindedly. His mind was back in that library. Odo had remembered something. Corbett just hoped the old man’s long memory would produce a key to unlock all these mysteries. They rode on under the shadow of the towering trees. At last Claverley reined in.

‘We have to leave the road here.’ The under-sheriff pointed to a small, beaten trackway on the edge of the forest. ‘The remains were found deeper in.’

‘What happened to them?’ Ranulf asked.

‘They had been unearthed by some animal. They were rotting, rather mangled, then tossed about by the hunting dogs. They were put into a leather sack; a verderer took them into the city for burial in a pauper’s grave. Look, I’ll show you.’

They left the trackway and entered the forest. The sunlight began to fade as the path wound along between holm, oak, elm, larch, black poplar, sycamore, beech and copper beech. The sky became shut off, the sunlight blocked out by the thick canopy of leaves and entwining branches. Their horses became uneasy at the rustling amongst the bracken and the sudden, startling song of some bird. Now and again there would be a break in the trees, and they’d cross a clearing where the grass grew long and lush and wild flowers filled the air with their heady scent. Then back into the green darkness, as if entering some strange cathedral where the walls were wooded, the roof green and the distant bird-song the chanting of some choir. Ranulf, frightened of nothing, stopped his banter with Claverley and peered nervously about. Corbett rode ahead, guiding his horse carefully, ears straining for the snap of the twig or a footfall which could mean danger. Now and again his horse would toss its head, snorting angrily. Corbett tightened his reins, stroking his horse’s neck, talking to it gently.

‘Of course, I’ve already been here,’ Claverley declared in a voice which seemed to boom amongst the trees. ‘It’s not far now.’

He pushed his horse forward and they entered a small glade. Claverley pointed to an outcrop of rock in the centre where the soil had been dug up and piled on either side of a hole. Corbett nudged his horse forward and carefully examined where the grisly remains of that mysterious victim had been buried. He stared at the rough cross carved on the rock.

‘Is there any settlement round here? A village or hamlet?’

Claverley shrugged and scratched his cropped hair. ‘Not that I know of.’

‘Well, there’s nothing behind us.’ Corbett remarked. ‘And there’s no trace of any settlement to the left or right, so let’s keep to the path we are following.’

They rode deeper into the forest. Corbett closed his eyes and prayed that the assassin from Framlingham had not followed them; he reined in, his horse whinnying at the acrid tang of the woodsmoke.

‘There’s something ahead,’ he called back.

‘Possibly a verderer,’ Claverley replied. ‘Or a woodcutter.’

At last the trees thinned and they rode into a clearing. At the far end, just in front of the line of trees, was a large, thatched cottage, its roof heavy and sloping. On either side of it were wooden sheds or byres and stacks of logs, around which scrawny-necked chickens pecked at the earth. A gaggle of geese, alarmed at their approach, turned from their feeding and fled screeching towards the house. The door opened and a mongrel dog came yapping at them, followed by two children dressed in ragged tunics, their hands and faces covered in soot, their thick hair greasy and matted. They showed no fear but stared up at these unexpected visitors, chattering in a dialect Corbett couldn’t understand.