Authors: Anton Szandor LaVey
Tags: #Non-Fiction, #Humor, #Philosophy, #Religion
To be able to adjust one's wants to one's capabilities is a great talent, and too many people fail to realize that if they are unable to attain the maximum, “a half a loaf can be better than none”. The chronic loser is always the man who, having nothing, if unable to make a million dollars, will reject any chance to make fifty thousand with a disgruntled sneer.
One of the magician's greatest weapons is knowing himself; his talents, abilities, physical attractions and detractions, etc., and when, where, and with whom to utilize them! The man with nothing to offer, who approaches the man who is successful with grandiose advice and promise of great wealth, has the alacrity of the flea climbing up the elephant's leg with the intention of rape!
The aspiring witch who deludes herself into thinking that a powerful enough working will always succeed, despite a magical imbalance, is forgetting one essential rule: MAGIC IS LIKE NATURE ITSELF, AND SUCCESS IN MAGIC REQUIRES WORKING IN HARMONY WITH NATURE, NOT AGAINST IT.
A. NOTES WHICH ARE TO BE OBSERVED BEFORE BEGINNING RITUAL
1. Person performing ritual stands facing the altar and symbol of Baphomet throughout ritual, except when other positions are specifically indicated.
2. If possible, altar should be against west wall.
3. In rituals performed by one person the role of priest is not required. When more than one person is involved in the ceremony, one of them must act as priest. In a private ritual the sole performer follows the instructions for the priest.
4. Whenever the words “Shemhamforash!” and “Hail Satan!” are spoken by the person acting as priest, the other participants will repeat the words after him. The gong is struck following the other participants' response to “Hail Satan!”
5. Conversing (except within the context of the ceremony) and smoking are prohibited after the bell is rung at the beginning, until after it is again rung at the end of the ritual.
6. The Book of Belial contians the principles of Satanic magic and ritual. Before attempting the rituals in the Book of Leviathan, it is imperative that you read and understand the complete Book of Belial. Until you have done so, no degree of success can be expected from the thirteen steps which follow.
B. THE THIRTEEN STEPS
(See Devices Used in a Satanic Ritual for detailed instructions.)
1. Dress for ritual.
2. Assemble devices for ritual; light candles and shut out all outside light sources; place parchments to right and left of the altar as indicated.
3. If a woman is used as the altar she now takes her position - head pointing south, feet pointing north.
4. Purification of the air by ringing of the bell.
5. “Invocation to Satan” and “Infernal Names” which follow (see Book of Leviathan) are now read aloud by priest. Participants will repeat each Infernal Name after it has been said by priest.
6. Drink from chalice.
7. Turning counter-clockwise, the priest points with the sword to each cardinal point of the compass and calls forth the respective Princes of Hell: Satan from the south, Lucifer from the east, Belial from the north, and Leviathan from the west.
8. Perform benediction with the phallus (if one is used).
9. Priest reads aloud appropriate invocation for respective ceremony: Lust, Compassion, or Destruction (see Book of Leviathan).
10. In the case of a personalized ritual this step is extremely important. Solitude is compatible with the expressing of the most secret desires, and no attempt to “hold back” should be made in the acting out, verbalizing, or casting of images pertaining to your desires. It is at this step that your “blueprint” is drawn, wrapped, and sent off to the recipient of your working.
(A)
To Summon One For Lustful Purpose Or Establish A Sexually Gratifying Situation
Leave the area of the altar and remove yourself to that place, either in the same room or without, that will be most conducive to the working of the respective ritual. Then, fashion whatever imagery you possibly can that will parallel in as exact a way possible the situation towards which you strive. Remember, you have five senses to utilize, so do not feel you must limit your imagery to one. Here are devices that may be employed (either alone, or in any combination):
a) graphic imagery such as drawings, paintings, etc.
b) written imagery such as stories, plays, descriptions of desires and eventual outcome of same.
c) acting out the desire in tableau or playet, either as yourself or portraying the role of the object of your desire (transference), using any devices necessary to intensify imagery.
d) any odors relative to the desired person or situation.
e) any sounds or background noises conducive to a strong image.
Intense sexual feeling should accompany this step of the ritual, and after sufficient imagery is obtained, as strong an orgasm as is possible should serve as climax to this step. This climax should be attained using any masturbatory or auto-erotic means necessary. After orgasm is obtained, return to the location of the altar and proceed with step #11.
(B)
To Insure Help Or Success For One Who Has Your Sympathy Or Compassion (Including Yourself)
Remain in close proximity of the altar and with as vivid a mental image as possible of the person you wish to help (or intense self-pity), state your desire in your own terms. Should your emotions be genuine enough, they will be accompanied the shedding of tears, which should be allowed to flow without restraint. After this exercise in sentiment is completed, proceed to step #11.
(C)
To Cause The Destruction Of An Enemy
Remain in the area of the altar unless imagery is more easily obtained in another spot, such as in the vicinity of the victim. Producing the image of the victim, proceed to inflict the destruction upon the effigy in the manner of your choice. This can be done in the following ways:
a) the sticking of pins or nails into a doll representing your victim; the doll may be cloth, wax, wood, vegetable matter, etc.
b) the creation of graphic imagery depicting the method of your victim's destruction; drawings, paintings, etc.
c) the creation of a vivid literary description of your victim's ultimate end.
d) a detailed soliloquy directed at the intended victim, describing his torments and annihilation.
e) mutilation, injury, infliction of pain or illness by proxy using any other means or devices desired.
Intense, calculated hatred and disdain should accompany this step of the ceremony, and no attempt should be made to stop this step until the expended energy results in a state of relative exhaustion on the part of the magician. When the exhastion ensues, proceed to step #11.
11. If requests are written, they are now read aloud by the priest and then burned in the flames of the appropriate candle. “Shemhamforash!” and “Hail Satan!” is said after each request.
12. If requests are given verbally, participants (one at a time) now tell them to the priest. He then repeats in his own words (those which are most emotionally stimulating to him) the request. “Shemhamforash!” and “Hail Satan!” is said after each request.
13. Appropriate Enochian Key is now read by the priest, as evidence of the participants' allegiance to the Powers of Darkness.
14. Ringing of the bell as pollutionary, and then the words “SO IT IS DONE” are spoken by the priest.
END OF RITUAL
C. DEVICES USED IN A SATANIC RITUAL
CLOTHING
Black robes are worn by the male participants. The robes may be cowled or hooded, and if desired may cover the face. The purpose in covering the face is to allow the participant freedom to express emotion in the face, without concern. It also lessens distraction on the part of one participant towards another. Female participants wear garments which are sexually suggestive; or all black clothing for older women. Amulets bearing the sigil of Baphomet or the traditional pentagram of Satan are worn by all participants.
Robes are donned by men before entering the ritual chamber, and are worn throughout the ritual.
Men may substitute all black clothing for black robes.
Black is chosen for the attire in the ritual chamber because it is symbolic of the Powers of Darkness. Sexually appealing clothing is worn by women for the purpose of stimulating the emotions of the male participants, and thereby intensifying the outpouring of adrenal or bioelectrical energy which will insure a more powerful working.
ALTAR
Man's earliest altars were living flesh and blood; and man's natural instincts and predilictions were the foundation on which his religions were based. Later religions, in making man's natural inclinations sinful, perverted his living altars into slabs of stone and lumps of metal.
Satanism is a religion of the flesh, rather than of the spirit; therefore, an altar of flesh is used in Satanic ceremonies. The purpose of an altar is to serve as a focal point towards which all attention is focused during a ceremony. A nude woman is used as the altar in Satanic rituals because woman is the natural passive receptor, and represents the earth mother.
In some rituals nudity for the woman serving as altar may be impractical, so she may be clothed or partially covered. If a female is performing the ritual alone, no woman need be used for the altar.
If no female is used for the altar, the elevated plane used for her to lie upon may be used to hold other devices for the ritual. For large group rituals a trapezoidal altar about 3 to 4 feet high and 5½ to 6 feet long can be specially constructed for the woman to lie upon. If this is impractical, or in private ceremonies, any elevated plane may be used. If a woman is used for the altar, the other devices may be placed upon a table within easy reach of the priest.
SYMBOL OF BAPHOMET
The symbol of Baphomet was used by the Knights Templar to represent Satan. Through the ages this symbol has been called by many different names. Among these are: The Goat of Mendes, The Goat of a Thousand Young, The Black Goat, The Judas Goat, and perhaps the most appropriately, The Scapegoat.
Baphomet represents the Powers of Darkness combined with the generative fertility of the goat.
In its “pure” form the pentagram is shown encompassing the figure of a man in the five points of the star - three points up, two pointing down - symbolizing man's spiritual nature. In Satanism the pentagram is also used, but since Satanism represents the carnal instincts of man, or the opposite of spiritual nature, the pentagram is inverted to perfectly accomodate the head of the goat - its horns, representing duality, thrust upwards in defiance; the other three points inverted, or the trinity denied. The Hebraic figures around the outer circle of the symbol which stem from the magical teachings of the Kabala, spell out “Leviathan”, the serpent of the watery abyss, and identified with Satan. These figures correspond to the five points of the inverted star.
The symbol of Baphomet is placed on the wall above the altar.
CANDLES
The candles used in Satanic ritual represent the light of Lucifer - the bearer of light, enlightenment, the living flame, burning desire, and the Flames of the Pit.
Only black and white candles are to be used in Satanic ritual. Never use more than one white candle; but as many black candles as are required to illuminate the ritual chamber may be used. At least one black candle is placed to the left of the altar, representing the Powers of Darkness and the left-hand path. Other black candles are placed where needed for illumination. One white candle is placed to the right of the altar, representing the hypocrisy of white light “magicians” and the followers of the right-hand path. No other light source is to be used.
Black candles are used for power and success for the participants of the ritual, and are used to consume the parchments on which blessings requested by the ritual participants are written. The white candle is used for destruction of enemies. Parchments upon which curses are written are burned in the flame of the white candle.
BELL
The shattering effect of the bell is used to mark both the beginning and the end of the ritual. The priest rings the bell nine times, turning counter clockwise and directing the tolling towards the four cardinal points of the compass. This is done once at the beginning of the ritual to clear and purify the air of all external sounds, and once again at the end of the ritual to intensify the working and act as a pollutionary indicating finality.
The tonal quality of the bell used should be loud and penetrating, rather than soft and tinkling.
CHALICE
In Satanic ritual the chalice or goblet used represents the Chalice of Ecstasy. Ideally, the chalice should be made of silver, but if a silver chalice can not be obtained, one made from another metal, glass, or crockery may be used - anything but gold. Gold has always been associated with white-light religions and the Heavenly Realm.
The chalice is to be drunk from first by the priest, then by one assistant. In private rituals the person performing the ceremony drains the chalice.
ELIXIR
The stimulating fluid or Elixir of Life used by the Pagans has been corrupted into sacramental wine by the Christian faith. Originally, the liquor used in Pagan rituals was drunk to relax and intensify the emotions of those involved in the ceremony. Satanism does not sacrifice its god, as do other religions. The Satanist practices no such form of symbolic cannibalism, and returns the sacramental wine used by the Christians to its original purpose - that of stimulating the emotions necessary to Satanic ritual. Wine itself need not be used - whatever drink is most stimulating and pleasing to the palate is in order.
The Elixir of Life is to be drunk from the Chalice of Ecstasy, as indicated above, immediately following the Invocation to Satan.
SWORD
The Sword of Power is symbolic of aggressive force, and acts as an extension and intensifier of the arm with which the priest uses to gesture and point. A parallel to this is the pointing stick or blasting wand used in other forms of magical ritual.