Sam (BBW Bear Shifter Wedding Romance) (Grizzly Groomsmen Book 2) (79 page)

After only a few minutes in Nashville, Meg was already beginning to experience that friendliness for herself. She did remind herself that she couldn’t trust everyone—she’d be a fool to let down her guard completely with strangers—but that didn’t mean she couldn’t be pleasant to the people who were pleasant to her. And what better way to blend in? If she remained remote in this town, people would notice and wonder about her—and they’d remember her, when her father’s PI came asking about her. She doubted very much that anyone tonight would recognize her from either a description or a photograph someone working for her father might have.

In a surprisingly short time, they pulled up beside the forbidding structure of the Schermerhorn Symphony Center. It was beautiful, Meg thought as she alighted from the taxi after paying her fare with wrinkled small bills. The Roman columns marched proudly along the street, enclosing a beautiful outdoor space rather like a miniature Roman forum. It was small scale—everything she had seen of Nashville thus far seemed small after spending most of her life in some of the greatest cities throughout the world—but it had an unmistakable charm about it, and from Bryan’s iPad, she knew it housed multiple performance spaces for a variety of music styles. She sighed, wondering how one went about auditioning for a chair in Nashville’s Symphony Orchestra.

Curious, she turned right down the broad pedestrian way that ran along the front of the main hall. Trying not to think about her appearance, she hurried up the steps before she could change her mind and entered the lobby, where ushers were posted at the doors to the hall. One stepped forward to meet her.

“I’m sorry, miss, but the concert’s already started, and you can’t go in until intermission.”

She smiled. “That’s all right. I’m not here for the concert. I only wondered if I might buy a program?”

“Oh. Sure.”

He directed her to a small sales counter across the lobby, and smiling her thanks, she hurried over.

“One program, please,” she said to the young woman working the counter.

“Are you comin’ on another night, then?” the girl asked, as she made Meg’s change.

“I hope so. Thank you.”

Meg tucked the program into a pocket of her bag then made her way back outside.
Can’t know the players without a program,
she remembered her grandmother used to say. With a concert program, she would have both names and contact information. All she needed now was a library with computers, where she could set up an e-mail account and contact the symphony. She quickly retraced her steps down the grand stairway then turned back to 4
^th
Avenue and turned right toward the lighted intersection ahead. Another block and she was on Broadway in the heart of Nashville’s nighttime music scene.

Like New York’s Broadway, the sidewalks were crowded with people enjoying the nightlife, but that was where any comparison ended. Besides being much shorter in length, the buildings that lined the street were no more than three or four stories high, their walls mostly red brick, though some had been painted outlandish colors. While the occasional modern tower could be seen from a distance, this old part of town, the entertainment district, was old and worn. Like an old lady, it used bright lights, decorations, and color, in an attempt to mask its wrinkles. Cowboy boots and hats seemed to be the style of choice for both men and women, and the facades of the various eateries and music venues boasted huge guitars, fiddles, boots, and hats, all outlined in flashing neon lights. Businesses ranged from boot and tourist shops to saloons and bars offering live entertainment from “real” country music to karaoke to hillbilly to honky-tonk. One or two even displayed banners bragging “smokers welcome.” She shook her head in disbelief and began to look for a place she thought she might safely enter on her own. Whatever the entertainment, she was hungry after her long trip.

Then she saw it. The sign on the narrow red-brick building across the street said “The Fiddlers’ Cave,” and she quickly moved to the corner, waiting for the light with the rest of the crowd before crossing to approach the place. The windows and door frames were painted a solid, stop-sign red, and the windows displayed vintage photos of what she assumed were famous fiddlers. She could hear the music pouring through the front door, which had been left open on what she assumed was an unusually balmy mid-March evening.
 

As she approached, she saw the welcome—to her— “no smoking” sign in the front window as well as a posted menu. They offered mostly bar food and one main dish, which changed daily. She checked Tuesday and decided she could handle a burger and fries this once, and headed inside.

The stage was situated on a rough platform just inside the door, with a railing of split rails for safety. The floor between the stage and the front corner of the long bar that ran the length of the room was crowded with couples dancing to the lively music. Meg made her way around the dancing crowd and saw the room was three or four times longer than it was wide. The walls were decorated with vintage signs, radios, gramophones, and larger-than-life musical instruments. Half-tables were attached to the wall opposite the bar, each with two or three stools. An equal number of tiny round tables ran down the center of the room. Along the bar, more of the same kind of stools sat. Most were occupied by a variety of people ranging widely in shapes, sizes, and dress.

Meg made her way over to the bar and sat on one of the unoccupied stools at the short “L” of the bar. She half turned toward the front of the room, taking in the stage, where four young men performed. They looked as though they must be in their twenties and related, for they were all very tall, and well-built, broad-shouldered and slender-waisted. They sported the same thick dark wavy hair, and their faces seemed chiseled by the same craftsman. But it was their eyes that really caught her attention, for they were a deep golden color, even from a distance. She had never seen the like anywhere in the world.

It was the smallest of the four who really caught her attention, though, for he stood to one side, hipshot, his fiddle under his chin, his eyes half-closed. She might have thought he was asleep but the music pouring from his fiddle was amazing, and unlike any she had ever heard before. They all played acoustical instruments—guitar, double-bass, drums, and fiddle—and while she saw there were microphones, they didn’t depend upon them for their sound. The fiddler was an absolute magician, though, for he played without any pausing, any hesitation, and the music simply rolled off his fiddle.

“I.D., please.”

Startled, she turned to see the bartender had come to her.

“I beg your pardon?”

“It’s after six. I need to see some I.D., if you’re gonna be here.”

“Oh. Of course.”
 

Meg relaxed instantly and reached for her wallet, handing him the new, laminated I.D. card she had recently obtained. She didn’t have a driver’s license—she’d never needed to learn to drive—but she had photo identification from the New York D.M.V. It was newly purchased, after recently learning that while her father had changed her name publicly, he had never done so legally. Part of her escape plan had been to go back to using her real name, and once she’d found her birth certificate—thanks to a rather unorthodox search of her father’s home office—she had been able to get the I.D., for which she had paid cash.
 

The man eyed it closely, with an attention she hoped was due to the card being from out of state rather than newly minted. There was nothing wrong with it, though, and it passed muster.
 

“Welcome to Nashville, Ms Baker,” the man said, handing back her card. “What can I git for you?”

“A glass of whatever you have on draft would be fine,” she said. Meg rarely drank beer, but she needed to order something, if she was going to stay here.

She found her eyes returning to the fiddler.

“Pretty good, isn’t he?”

Meg started when a huge man came up beside her.

“Yes. Yes he is.”

“You play?” he asked, nodding toward her violin case.

She snorted softly. “Not like that.”

He smiled warmly, and she froze, really looking at him for the first time. His size and coloring were the first hints, but it was the deep gold of his eyes that sealed it.

“Relatives, maybe?” she asked, nodding toward the stage.

His smile turned to a grin. “Nephews. My oldest brother’s boys.”

“Ah.”

The bartender returned with her glass of beer. “Can I get you anything else?”

“May I have one of your Tuesday specials, please?”

“Sure.”

“Bring it over to our table,” the stranger said.

“Oh, but…”
 

Before Meg could protest, the bartender had nodded and turned away, and the big stranger was picking up her bag and violin.

“Come meet the rest of the family,” he said, nodding to a group of three women across the room.

Without any choice but to follow, since he was carrying her things, Meg took up her beer, and after taking a fortifying drink, followed him.

They had pulled one of the small round tables over to the wall, so they could sit together, and all three women were smiling at her in welcome as she followed the big man.

“Have a seat,” one of the women said, indicating an empty stool. Meg could barely hear her over the music and noise of the bar.

“Thank you,” Meg mouthed. Giving in, she took the offered stool, following the big man with her eyes as he stashed her violin and bag under the table against the wall.
 

“My new friend here is getting a special,” he said. “Anybody else want something?”

“I wouldn’t mind a basket of those fries, Uncle Bart,” the small blond said.

“Coming right up. I’ll be right back.”

“I don’t mean to intrude,” Meg said, feeling a little uncomfortable. She wasn’t used to strangers, anyway, but this was turning out to be a surprisingly intimidating group.

“You’re not,” the dark-haired beauty said. “We noticed you were watching John and his fiddle, so we sent Bart to invite you over.”

“Oh.”

“Sorry about that,” the tall one with the stylishly cut sandy blond hair said. “We shouldn’t have sent Bart—he can be kind of intimidating—but he is really easy to follow across a crowded room.”

They all laughed, and Meg felt herself relaxing somewhat.

“I’m Mel,” the dark-haired woman said. “This is Addy and Candace,” she added, pointing to Sandy and Blondie in turn. “That was Uncle Bart.”

“Uncle?” Meg asked, surprised.

Mel laughed. “Well, he’s really the boys’ uncle, but we’re married to three of them, so we call him that just to make him feel old.”

“I’m Meg,” Meg said.

“Don’t listen to them, Meg,” Bart said, coming up behind her and sliding onto the next stool.
 

Meg had to look up—and up—to see his face. Like his nephews, he had to be well over six feet tall.

“I would have guessed you were related, anyway,” Meg said, naturally siding with the women.

“Was it my good looks?” he asked, giving them his profile.

“Maybe,” Meg said, and Candace giggled.

“But mostly I think it was your eyes,” Meg said then wished she hadn’t. She took another big drink from her beer.

Mel gave an exaggerated sigh. “Oh, yeah. They kind of got to me, too.”

Meg watched as all three women put their chins on their hands and sighed, their gazes locked on the men on stage.

“Did they tell you they’re married to three of them?” Bart asked Meg.

“Yes, they mentioned it.”

“Don’t worry,” he said in her ear. “The fiddler’s still available.”

Meg looked at him, startled, then feeling her face heat, dropped her attention back to her beer. At the rate she was going, she’d need another to go with her dinner.

The music ended, and in another moment, Candace bumped Addy with her shoulder.

“I think they want us.”

Meg looked up and saw the men on stage gesturing toward them.

“Oh, all right,” Addy said.

Mel sighed. “They’re going to play my song.”

“Yours?” Meg asked.

Mel nodded. “Addy gave it to me for a wedding present. She and Candace have recorded it with the boys, but it’s hard to get her on stage live to sing it. Wait until you hear it.”

“Addy wrote it,” Bart said, “but Matt sings it to Mel every time.”

Meg felt her heart melt as the song began, and she noticed Mel’s bright eyes. Matt—it must have been Matt on the guitar—was singing the lead, and when he sang, “Love Me Always,” it was clear he had nothing to worry about, because his wife would do just that. All six of them sang beautifully together, the bass and baritone of the male voices blending well with Addy and Candace’s alto and soprano. It was obvious to Meg that each of the other brothers felt the same way about their respective wives as they sang with them. Even the crowd had quieted for this one, the dancing couples moving into each other’s arms for the slow dance, and Meg found herself smiling. John had switched to mandolin, and she realized quickly he was as adept at playing it as he was his fiddle.

“We decided the boys should call their band the Four Saints, ’cause that’s our name,” Bart murmured in her ear, “but when they sing like that, I’m bettin’ heaven notices.”