Rough Country (19 page)

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Authors: John Sandford

Tags: #Suspense, #Mystery, #Thriller

BOOK: Rough Country
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I'll call somebody right now. You're still in Grand Rapids? Davenport asked.

Yeah.

Okay, uh, you'll be here by two. Five hours of sleep. That good enough?

That's fine, Virgil said. Listen, call the patrol and tell them I'm coming down I-35 with lights. If they'll let me roll, I can get an extra half-hour.

Plan on it. But I'll call you.

ZOE SAID VIRGIL could drop the boat in her driveway, and when that was done, he headed back to the motel, told the clerk to hold his room, got his bag, and took off. Davenport called as he was pulling out of the parking lot, said, You're clear all the way down, but don't hit any deer or you'll be all over the place. You're not pulling a boat, are you?

No, I'm not pulling a boat, Virgil said. Why're you always so suspicious?

' Cause I got you working for me, for one thing, Davenport said. I talked to Doug; he'll be ready to fly at seven o'clock.

Then he was driving fast through the starry night, past the hamlets and small towns and widespots, Blackberry, Warba, Swan River, Wawina, Floodwood, Gowan to the Highway 33 cutoff, south to I-35, then hammering down I-35, into Minneapolis by one o'clock. He crashed at the Radisson University, with a wake-up call for six-thirty.

Thought little about God that night; but, still, some.

WAYNE WAS IN HIS FLIGHT SUIT, reading a Walter Mosley paperback and eating a peanut butter cookie. Virgil came in, five minutes late, and Wayne said, We're rolling.

They were in the air in ten minutes, heading for an airport south of Cedar Rapids. Hertz had promised to have a Chevy Impala waiting for him.

So tell me about what happened after I dropped you off last time, Wayne said.

Virgil told him about the shoot-out in International Falls, about who did what, and how they set up the ambush, and about the Vietnamese team coming in, about the firefight at dawn.

Man, people were so proud of you guys, Wayne said. Nobody was talking about anything else. Fucking North Vietnamese commandos, man, and you guys took them down.

Didn't feel proud at the time, Virgil said. Still don't. And we missed their main operator.

That chick. Yeah. But man, that was something. . . .

ON THE WAY DOWN, passing from cell tower to cell tower, Virgil talked to the chief deputy for Johnson County, whose name was Will Sedlacek, and who said the sheriff was fishing in Minnesota. If you tell me he's in Grand Rapids, I'll kill myself, Virgil said.

I don't know where Grand Rapids is I thought it was in Michigan, to tell you the truth but he's on Lake of the Woods.

That's quite a way from Grand Rapids, Virgil said. Look, I'll be down there at eleven, and I need to talk to somebody about the murder of Constance Lifry and this country-western bar you got down there

The Spodee-Odee, the deputy said. Tell you what: call me when you get here, I'll take you over and talk to Jud.

Deal, Virgil said.

Two hours to Cedar Rapids, clear skies all the way. Wayne said he'd catch a movie up in Cedar Rapids. He'd brought a bag, and was prepared to stay overnight, if Virgil had to.

I don't think we'll have to, Virgil said. I mostly need to look at the case file and talk to a few people, and we're all set up on that.

SEDLACEK WAS A BURLY, dark-haired man who pointed Virgil at a visitor's chair and asked, Have any trouble finding us? and half listened to Virgil's reply as he poked a number into his office phone and said, He's here, and hung up.

Yeah, I got tangled up by the river and went the wrong way around the university . . . nothing to speak of, Virgil said.

Another deputy stepped into the office, carrying a paper file, and Virgil stood up to shake hands with Larry Rudolph, and they all sat down and Sedlacek asked, What the heck happened up there?

Virgil ran them through it, both men listening closely, and when he finished, Rudolph said, That's a hell of a coincidence, if it's a coincidence, but boy, it doesn't feel like our guy. Our guy did it with a rope, up close and personal. Gun's a whole different thing.

Both wound up dead, Sedlacek said.

Yeah, but I know what he means, Virgil said. I'll tell you what: I've got all this stuff in my head, not much of it written down yet, so if it's okay with you, I'd just like to go through your file and see if anything pops up.

Okay with us, Sedlacek said, but, there's not much there. I mean, all the reports and everything, but we never got the first hint.

Pissed off Jerry, Rudolph said. He was good friends with Constance.

Jerry's the sheriff, Sedlacek said. He was pushing us like dogs.

Did it look to you like somebody deliberately ambushed her? Virgil asked. Did they rob her? Rape her? Anything?

Took her purse, so it could have been a robbery especially outside her restaurant. Wasn't raped or anything. Wasn't beat up. Whoever did it jumped her with the idea of strangling her. Might have figured she was taking the day's receipts home, Sedlacek said.

But then they'd have to know about her, Virgil said. They'd probably be local.

Pretty much, Sedlacek said.

Rudolph added, The thing about Swanson is, it's this tiny little town halfway between Cedar Rapids and Iowa City and it's got seven businesses one gas station, one restaurant, Constance's, and five bars. It used to be where the kids went to drink, but we cleaned that up. But still, it's a honky-tonk town, and a lot of folks still go up there for the atmosphere.

Is that where the Spodee-Odee is? Virgil asked.

Naw. That's in Coralville, out on the strip. That's right next door, here.

THEY TALKED for a few more minutes, then they gave Virgil a table and chair, and he spent an hour combing through a thick but nearly information-free file. All of the technical work looked good, but the technicians simply hadn't found anything except one nylon fiber buried in Lifry's neck, and more under a couple of broken fingernails, which suggested that she'd been strangled with a nylon cord.

Which except for one thing was like discovering that the killer wore pants. Useless.

When he was done, he carried the file back to Sedlacek's office to ask about that one thing. Sedlacek asked, Crack the case?

I didn't even bend it, Virgil said. One thing. The cord that Lifry was strangled with, nylon, I guess, but the ME says that it cut way into her neck muscles. You figure it was a guy?

Oh, yeah. That oughta be in there somewhere, but that was our operating assumption, Sedlacek said. A guy with some muscle: she was not only strangled, she actually bled quite a bit.

Doesn't fit with us, Virgil said. We found those tracks, women's boot or shoe . . .

You breed some big women up that way.

But none of the ones I'm looking at could do that, Virgil said. They're healthy, but I don't see them cutting somebody's head off with a rope.

Sedlacek flipped his hands up. Can't help you. Anyway, you had anything to eat today? We could get a sandwich and head out to Jud's. He'll be there at one o'clock. . . .

THEY GOT A BURGER, fries, and a shake at a student bar. Virgil was wearing a Breeders T-shirt under his jacket and a thin blond woman, standing in line for food, leaned toward him and asked, Are you a musician?

He grinned at her: Nope.

I really admire the Breeders, she said. Kim Deal is awesome.

I'd give you the shirt, Virgil said, gesturing across the table at Sedlacek, but this guy's a cop, and he'd probably bust me for exposure.

Maybe I could give you a phone number, and you could drop it off, she said. But she was joking, and she twiddled her fingers at him and moved up the line.

I've been working downtown for ten years and I've never been hit on by a college girl, Sedlacek said, looking after her. What have you got that I don't?

Good looks, personality . . . cowboy boots.

Fuck me, Sedlacek said. I've been trying to get by on intelligence.

Well, there you go, Virgil said.

THE CORALVILLE STRIP was a fading business/motel district outside Iowa City, motels, service businesses, insurance companies, a few clubs, and the Spodee-Odee, a big log-sided bar with an acre-sized gravel-and-dirt parking lot and a useless hitching post in front of the doors; and a life-size painting of a John Deere tractor splayed across one side wall, juxtaposed against a Sioux Indian on a pinto horse. A tangle of prickly pear cactuses climbed out of two pots on the front porch, and behind one pot was a sign that said, Pee on these plants, and you will be shot; survivors will be shot again.

Virgil had followed Sedlacek out to the place, and they got out in a swirl of dust, hitched up their pants, and looked around. Another sign, inside the barred front window, said, CLOSED, but the door was open, and in the dim interior, a bartender was doing paperwork. He looked up and said, We're not open until four, and Sedlacek answered, Johnson County sheriff. We've got an appointment with Jud.

He's in the office, the bartender said, pointing with his pen. Go on back, right there in the corner.

They followed the line of the pen, across a dance floor and past a twenty-foot semicircular stage. Virgil was impressed: he'd been in a lot of country bars, but the Spodee-Odee was maybe the biggest. In the back, down the hall, was an office suite, a secretary behind a big wooden reception desk, and two more women poking at computers behind her. The secretary said, Deputy Sedlacek?

JUD WINDROW POPPED OUT of the back office, a tall, thin, dry-faced guy in a Johnny Cash black shirt with mother-of-pearl buttons, jeans, and cowboy boots; brush mustache, nicotine-stained fingers. He said, Come on back, y'all want a coffee or a beer?

Just ate, Sedlacek said, and Windrow said, How you doing, Will? We don't see you much anymore.

Ah, you know, got the kids, I'm so damn tired by the time they get to sleep all I want to do is sleep myself.

Can't go through life that way, Windrow said. Get a babysitter. Come out and dance. Your old lady would love you for it. . . . You must be Virgil.

They shook hands and all took chairs and Windrow said, By the way, I invited Prudence Bauer to come down and talk with us.

A woman stepped through the door, probably fifty, Virgil thought, with small prim features, and gray hair swept up on top of her head in an old-fashioned bun: Prudence, all right. She must have been right behind them, in the parking lot.

And there she is, Windrow said. He stepped over to Bauer and they air-kissed, and Windrow said to Virgil, This is Connie's sister. She took over Honey's when Constance passed away.

Was murdered, Bauer said. She had a low, grainy voice, the voice of the third-grade teacher in Virgil's nightmares.

Sure, Windrow said.

They all sat down again and Virgil asked Windrow, What was your relationship with Constance?

He nodded: We were probably best friends. Wouldn't you say so, Prudie?

Bauer said, I believe so.

Windrow added, We grew up like twins. Born a week apart, next door to each other in Swanson, raised together, went to school together, talked to each other most every day. When she was killed, it broke my goldarned heart.

Virgil knew of such things, and had old friends in Marshall, Minnesota, whom he might see once a year, but were still close, even intimate, and always would be. Okay. What if anything did you guys have to do with a band run by a singer named Wendy Ashbach from up in northern Minnesota? Or with a resort called the Eagle Nest?

Nothing, Bauer said. I knew Connie went to the Eagle Nest, and she told me a little about this Wendy, that she was a wonderful singer, but I never went up there, and never met Wendy.

I heard about Wendy from Connie, Windrow said, looking at Virgil over a steeple made of his fingers. She said there was this terrific country act up in Grand Rapids, and thought I might want to bring them down here. I was planning to go up and listen to them, but then Connie got killed, and that broke the connection. I never followed up.

His affable country-western personality had disappeared behind his businessman's face, Virgil thought not that he'd ever doubted that the businessman was back there. Running a successful bar was not something done by fools.

Was there a contract, or an offer . . . ?

Nothing official. Connie had an ear for all kinds of music, and if she said this woman was good, then I'd listen, Windrow said. Also, the woman and her band would probably be cheap. What I do is, I have a house band that plays four nights a week for a month, which are the slow nights. Then the headliner plays on Friday and Saturday, with the house band playing as the opener on those nights. We're closed on Sundays, of course. I would have brought this Wendy in for a one-month gig as a house band. If they were good enough.

But only if she was cheap, Virgil said.

Windrow wagged a finger at him: The money would pay for their keep, and a little more. The main thing is, they'd be heard by big-time music people. If a new band does good at the Spodee-Odee, people hear about it. I mean, people who run country music. That's worth more than any money I could afford to pay them.

But you never . . . nothing ever happened, Virgil said.

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