Roots (2 page)

Roots
also prodded white America to reject the racial amnesia that fed its moral immaturity and its racial irresponsibility. As long as there was no book or image that captured slavery’s disfiguring reach, the nation could conduct its business as if all racial problems had been solved when it finally bestowed civil rights on its black citizens. But Haley helped us to resist that seductive lie with a tonic splash of colorful truth: that the nation had yet to successfully negotiate its perilous ties to an institution that built white prosperity while crushing black opportunity.
Roots
was a soulful reminder that unless we grappled with the past, we would be forever saddled by its deadening liabilities. Since it was published during the nation’s blithely romantic celebration of its bicentennial, Haley’s book provided a touchstone for alternative history. Haley’s book helped conscientious citizens to challenge the self-image of America as an unqualified champion of democracy and freedom.

The true impact of Haley’s book is that it started a conversation about black roots that continues to this day. DNA tests to determine black ancestry are more popular than ever. Scientific advance is part of the explanation, but the cultural impetus for such an agenda of racial discovery lies with Haley’s inspiring book. It is also fitting that
Roots
appeared the same year that Black History Week was officially extended to Black History Month. Haley’s crowning achievement came along at just the right time to prompt the investigation of black folks’ noble and complex contributions to national culture. Haley’s
Roots
sparked curiosity among ordinary citizens by making the intricate relations between race, politics and culture eminently accessible. Long before demands for history from the bottom up became a rallying cry of progressive historians, Haley’s book practiced what it preached. And if he made missteps along the way, he nevertheless put millions of us on the right path to racial and historical knowledge that shaped our reckoning with the color line. Few books can claim such an impressive pedigree of influence.

Alex Haley’s
Roots
is unquestionably one of the nation’s seminal texts. It affected events far beyond its pages and was a literary North Star that guided us through the long midnight of slavery’s haunting presence.
Roots
is an exercise in the skillful telling of a people’s pilgrimage through the quagmire of lost racial links to the solid ground of recovered connections. For that reason alone, it is to be celebrated as a classic of American ambition and black striving. Each generation must make up its own mind about how it will navigate the treacherous waters of our nation’s racial sin. And each generation must overcome our social ills through greater knowledge and decisive action.
Roots
is a stirring reminder that we can achieve these goals only if we look history squarely in the face.

E
arly in the spring of 1750, in the village of Juffure, four days upriver from the coast of The Gambia, West Africa, a man-child was born to Omoro and Binta Kinte. Forcing forth from Binta’s strong young body, he was as black as she was, flecked and slippery with Binta’s blood, and he was bawling. The two wrinkled midwives, old Nyo Boto and the baby’s Grandmother Yaisa, saw that it was a boy and laughed with joy. According to the forefathers, a boy firstborn presaged the special blessings of Allah not only upon the parents but also upon the parents’ families; and there was the prideful knowledge that the name of Kinte would thus be both distinguished and perpetuated.

It was the hour before the first crowing of the cocks, and along with Nyo Boto and Grandma Yaisa’s chatterings, the first sound the child heard was the muted, rhythmic
bomp-a-bomp-a-bomp
of wooden pestles as the other women of the village pounded couscous grain in their mortars, preparing the traditional breakfast of porridge that was cooked in earthen pots over a fire built among three rocks.

The thin blue smoke went curling up pungent and pleasant, over the small dusty village of round mud huts as the nasal wailing of Kajali Demba, the village alimamo, began, calling men to the first of the five daily prayers that had been offered up to Allah for
as long as anyone living could remember. Hastening from their beds of bamboo cane and cured hides into their rough cotton tunics, the men of the village filed briskly to the praying place, where the alimamo led the worship: “
Allahu Akbar! Ashadu an lailahailala!”
(God is great! I bear witness that there is only one God!) It was after this, as the men were returning toward their home compounds for breakfast, that Omoro rushed among them, beaming and excited, to tell them of his firstborn son. Congratulating him, all of the men echoed the omens of good fortune.

Each man, back in his own hut, accepted a calabash of porridge from his wife. Returning to their kitchens in the rear of the compound, the wives fed next their children, and finally themselves. When they had finished eating, the men took up their short, bent-handled hoes, whose wooden blades had been sheathed with metal by the village blacksmith, and set off for their day’s work of preparing the land for farming of the groundnuts and the couscous and cotton that were the primary men’s crops, as rice was that of the women, in this hot, lush savanna country of The Gambia.

By ancient custom, for the next seven days, there was but a single task with which Omoro would seriously occupy himself: the selection of a name for his firstborn son. It would have to be a name rich with history and with promise, for the people of his tribe—the Mandinkas—believed that a child would develop seven of the characteristics of whomever or whatever he was named for.

On behalf of himself and Binta, during this week of thinking, Omoro visited every household in Juffure, and invited each family to the naming ceremony of the newborn child, traditionally on the eighth day of his life. On that day, like his father and his father’s father, this new son would become a member of the tribe.

When the eighth day arrived, the villagers gathered in the early morning before the hut of Omoro and Binta. On their heads, the women of both families brought calabash containers of ceremonial
sour milk and sweet munko cakes of pounded rice and honey. Karamo Silla, the jaliba of the village, was there with his tan-tang drums; and the alimamo, and the arafang, Brima Cesay, who would some day be the child’s teacher; and also Omoro’s two brothers, Janneh and Saloum, who had journeyed from far away to attend the ceremony when the drumtalk news of their nephew’s birth had reached them.

As Binta proudly held her new infant, a small patch of his first hair was shaved off, as was always done on this day, and all of the women exclaimed at how well formed the baby was. Then they quieted as the jaliba began to beat his drums. The alimamo said a prayer over the calabashes of sour milk and munko cakes, and as he prayed, each guest touched a calabash brim with his or her right hand, as a gesture of respect for the food. Then the alimamo turned to pray over the infant, entreating Allah to grant him long life, success in bringing credit and pride and many children to his family, to his village, to his tribe—and, finally, the strength and the spirit to deserve and to bring honor to the name he was about to receive.

Omoro then walked out before all of the assembled people of the village. Moving to his wife’s side, he lifted up the infant and, as all watched, whispered three times into his son’s ear the name he had chosen for him. It was the first time the name had ever been spoken as this child’s name, for Omoro’s people felt that each human being should be the first to know who he was.

The tan-tang drum resounded again; and now Omoro whispered the name into the ear of Binta, and Binta smiled with pride and pleasure. Then Omoro whispered the name to the arafang, who stood before the villagers.

“The first child of Omoro and Binta Kinte is named
Kunta!
” cried Brima Cesay.

As everyone knew, it was the middle name of the child’s late grandfather, Kairaba Kunta Kinte, who had come from his native
Mauretania into The Gambia, where he had saved the people of Juffure from a famine, married Grandma Yaisa, and then served Juffure honorably till his death as the village’s holy man.

One by one, the arafang recited the names of the Mauretanian forefathers of whom the baby’s grandfather, old Kairaba Kinte, had often told. The names, which were great and many, went back more than two hundred rains. Then the jaliba pounded on his tan-tang and all of the people exclaimed their admiration and respect at such a distinguished lineage.

Out under the moon and the stars, alone with his son that eighth night, Omoro completed the naming ritual. Carrying little Kunta in his strong arms, he walked to the edge of the village, lifted his baby up with his face to the heavens, and said softly, “
Fend kiling dorong leh warrata ka iteh tee.”
(Behold—the only thing greater than yourself.)

I
t was the planting season, and the first rains were soon to come. On all their farming land, the men of Juffure had piled tall stacks of dry weeds and set them afire so that the light wind would nourish the soil by scattering the ashes. And the women in their rice fields were already planting green shoots in the mud.

While she was recovering from childbirth, Binta’s rice plot had been attended by Grandma Yaisa, but now Binta was ready to resume her duties. With Kunta cradled across her back in a cotton sling, she walked with the other women—some of them, including her friend Jankay Touray, carrying their own newborns, along with the bundles they all balanced on their heads—to the dugout canoes on the bank of the village bolong, one of the many tributary canals that came twisting inland from the Gambia River, known as the Kamby Bolongo. The canoes went skimming down the bolong with five or six women in each one, straining against their short, broad paddles. Each time Binta bent forward to dip and pull, she felt Kunta’s warm softness pressing against her back.

The air was heavy with the deep, musky fragrance of the mangroves, and with the perfumes of the other plants and trees that grew thickly on both sides of the bolong. Alarmed by the passing canoes, huge families of baboons, roused from sleep, began bellowing, springing about and shaking palm-tree fronds. Wild pigs
grunted and snorted, running to hide themselves among the weeds and bushes. Covering the muddy banks, thousands of pelicans, cranes, egrets, herons, storks, gulls, terns, and spoonbills interrupted their breakfast feeding to watch nervously as the canoes glided by. Some of the smaller birds took to the air—ringdoves, skimmers, rails, darters, and kingfishers—circling with shrill cues until the intruders had passed.

As the canoes arrowed through rippling, busy patches of water, schools of minnows would leap up together, perform a silvery dance, and then splash back. Chasing the minnows, sometimes so hungrily that they flopped right into a moving canoe, were large, fierce fish that the women would club with their paddles and stow away for a succulent evening meal. But this morning the minnows swam around them undisturbed.

The twisting bolong took the rowing women around a turn into a wider tributary, and as they came into sight, a great beating of wings filled the air and a vast living carpet of seafowl—hundreds of thousands of them, in every color of the rainbow—rose and filled the sky. The surface of the water, darkened by the storm of birds and furrowed by their flapping wings, was flecked with feathers as the women paddled on.

As they neared the marshy faros where generations of Juffure women had grown their rice crops, the canoes passed through swarming clouds of mosquitoes and then, one after another, nosed in against a walkway of thickly matted weeds. The weeds bounded and identified each woman’s plot, where by now the emerald shoots of young rice stood a hand’s height above the water’s surface.

Since the size of each woman’s plot was decided each year by Juffure’s Council of Elders, according to how many mouths each woman had to feed with rice, Binta’s plot was still a small one. Balancing herself carefully as she stepped from the canoe with her new baby, Binta took a few steps and then stopped short, looking with
surprise and delight at a tiny thatch-roofed bamboo hut on stilts. While she was in labor, Omoro had come here and built it as a shelter for their son. Typical of men, he had said nothing about it.

Nursing the baby, then nestling him inside his shelter, Binta changed into the working clothes she had brought in the bundle on her head, and waded out to work. Bending nearly double in the water, she pulled up by the roots the young weeds that, left alone, would outgrow and choke the rice crop. And whenever Kunta cried, Binta waded out, dripping water, to nurse him again in the shadow of his shelter.

Little Kunta basked thus every day in his mother’s tenderness. Back in her hut each evening, after cooking and serving Omoro’s dinner, Binta would soften her baby’s skin by greasing him from head to toe with shea tree butter, and then—more often than not—she would carry him proudly across the village to the hut of Grandma Yaisa, who would bestow upon the baby still more cluckings and kissings. And both of them would set little Kunta to whimpering in irritation with their repeated pressings of his little head, nose, ears, and lips, to shape them correctly.

Sometimes Omoro would take his son away from the women and carry the blanketed bundle to his own hut—husbands always resided separately from their wives—where he would let the child’s eyes and fingers explore such attractive objects as the saphie charms at the head of Omoro’s bed, placed there to ward off evil spirits. Anything colorful intrigued little Kunta—especially his father’s leather huntsman’s bag, nearly covered by now with cowrie shells, each for an animal that Omoro had personally brought in as food for the village. And Kunta cooed over the long, curved bow and quiver of arrows hanging nearby. Omoro smiled when a tiny hand reached out and grasped the dark, slender spear whose shaft was polished from so much use. He let Kunta touch everything except the prayer rug, which was sacred to its owner. And alone
together in his hut, Omoro would talk to Kunta of the fine and brave deeds his son would do when he grew up.