Romancing Mister Bridgerton

O
n the sixth of April, in the year 1812—precisely two days before her sixteenth birthday—Penelope Featherington fell in love.

It was, in a word, thrilling. The world shook. Her heart leaped. The moment was breathtaking. And, she was able to tell herself with some satisfaction, the man in question—one Colin Bridgerton—felt precisely the same way.

Oh, not the love part. He certainly didn't fall in love with her in 1812 (and not in 1813, 1814, 1815, or—oh, blast, not in all the years 1816–1822, either, and certainly not in 1823, when he was out of the country the whole time, anyway). But his earth shook, his heart leaped, and Penelope knew without a shadow of a doubt that his breath was taken away as well. For a good ten seconds.

Falling off a horse tended to do that to a man.

It happened thus:

She'd been out for a walk in Hyde Park with her mother and two older sisters when she felt a thunderous rumbling under her feet (see above: the bit about the earth shaking). Her mother wasn't paying much attention to her (her mother rarely did), so Penelope slipped away for a moment to see what was about. The rest of the Featheringtons were in rapt conversation with Viscountess Bridgerton and her daughter
Daphne, who had just begun her second season in London, so they were pretending to ignore the rumbling. The Bridgertons were an important family indeed, and conversations with them were
not
to be ignored.

As Penelope skirted around the edge of a particularly fattrunked tree, she saw two riders coming her way, galloping along hell-for-leather or whatever expression people liked to use for fools on horseback who care not for their safety and well-being. Penelope felt her heart quicken (it would have been difficult to maintain a sedate pulse as a witness to such excitement, and besides, this allowed her to say that her heart leaped when she fell in love).

Then, in one of those inexplicable quirks of fate, the wind picked up quite suddenly and lifted her bonnet (which, much to her mother's chagrin, she had not tied properly since the ribbon chafed under her chin) straight into the air and, splat! right onto the face of one of the riders.

Penelope gasped (taking her breath away!), and then the man fell off his horse, landing most inelegantly in a nearby mud puddle.

She rushed forward, quite without thinking, squealing something that was meant to inquire after his welfare, but that she suspected came out as nothing more than a strangled shriek. He would, of course, be furious with her, since she'd effectively knocked him off his horse and covered him with mud—two things guaranteed to put any gentleman in the foulest of moods. But when he finally rose to his feet, brushing off whatever mud could be dislodged from his clothing, he didn't lash out at her. He didn't give her a stinging set-down, he didn't yell, he didn't even glare.

He laughed.

He laughed
.

Penelope hadn't much experience with the laughter of men, and what little she
had
known had not been kind. But this man's eyes—a rather intense shade of green—were
filled with mirth as he wiped a rather embarrassingly placed spot of mud off his cheek and said, “Well, that wasn't very well done of me, was it?”

And in that moment, Penelope fell in love.

When she found her voice (which, she was pained to note, was a good three seconds after a person of any intelligence would have replied), she said, “Oh, no, it is I who should apologize! My bonnet came right off my head, and…”

She stopped talking when she realized he hadn't actually apologized, so there was little point in contradicting him.

“It was no trouble,” he said, giving her a somewhat amused smile. “I—Oh, good day, Daphne! Didn't know you were in the park.”

Penelope whirled around to find herself facing Daphne Bridgerton, standing next to her mother, who promptly hissed, “What have you done, Penelope Featherington?” and Penelope couldn't even answer with her stock,
Nothing,
because in truth, the accident was completely her fault, and she'd just made a fool of herself in front of what was obviously—judging from the expression on her mother's face—a very eligible bachelor indeed.

Not that her mother would have thought that
she
had a chance with him. But Mrs. Featherington held high matrimonial hopes for her older girls. Besides, Penelope wasn't even “out” in society yet.

But if Mrs. Featherington intended to scold her any further, she was unable to do so, because that would have required that she remove her attention from the all-important Bridgertons, whose ranks, Penelope was quickly figuring out, included the man presently covered in mud.

“I hope your son isn't injured,” Mrs. Featherington said to Lady Bridgerton.

“Right as rain,” Colin interjected, making an expert sidestep before Lady Bridgerton could maul him with motherly concern.

Introductions were made, but the rest of the conversation was unimportant, mostly because Colin quickly and accurately sized up Mrs. Featherington as a matchmaking mama. Penelope was not at all surprised when he beat a hasty retreat.

But the damage had already been done. Penelope had discovered a reason to dream.

Later that night, as she replayed the encounter for about the thousandth time in her mind, it occurred to her that it would have been nice if she could have said that she'd fallen in love with him as he kissed her hand before a dance, his green eyes twinkling devilishly while his fingers held hers just a little more tightly than was proper. Or maybe it could have happened as he rode boldly across a windswept moor, the (aforementioned) wind no deterrent as he (or rather, his horse) galloped ever closer, his (Colin's, not the horse's) only intention to reach her side.

But no, she had to go and fall in love with Colin Bridgerton when he fell off a horse and landed on his bottom in a mud puddle. It was highly irregular, and
highly
unromantic, but there was a certain poetic justice in that, since nothing was ever going to come of it.

Why waste romance on a love that would never be returned? Better to save the windswept-moor introductions for people who might actually have a future together.

And if there was one thing Penelope knew, even then, at the age of sixteen years minus two days, it was that her future did not feature Colin Bridgerton in the role of husband.

She simply wasn't the sort of girl who attracted a man like him, and she feared that she never would be.

 

On the tenth of April, in the year 1813—precisely two days after her seventeenth birthday—Penelope Featherington made her debut into London society. She hadn't wanted to do it. She begged her mother to let her wait a year. She was at least two stone heavier than she ought to be, and her face still
had an awful tendency to develop spots whenever she was nervous, which meant that she
always
had spots, since nothing in the world could make her as nervous as a London ball.

She tried to remind herself that beauty was only skin deep, but that didn't offer any helpful excuses when she was berating herself for never knowing what to
say
to people. There was nothing more depressing than an ugly girl with no personality. And in that first year on the marriage mart, that was exactly what Penelope was. An ugly girl with no—oh, very well, she had to give herself
some
credit—with very little personality.

Deep inside, she knew who she was, and that person was smart and kind and often even funny, but somehow her personality always got lost somewhere between her heart and her mouth, and she found herself saying the wrong thing or, more often, nothing at all.

To make matters even less attractive, Penelope's mother refused to allow Penelope to choose her own clothing, and when she wasn't in the requisite white that most young ladies wore (and which of course didn't flatter her complexion one bit), she was forced to wear yellow and red and orange, all of which made her look perfectly wretched. The one time Penelope had suggested green, Mrs. Featherington had planted her hands on her more-than-ample hips and declared that green was too melancholy.

Yellow, Mrs. Featherington declared, was a
happy
color and a
happy
girl would snare a husband.

Penelope decided then and there that it was best not to try to understand the workings of her mother's mind.

So Penelope found herself outfitted in yellow and orange and the occasional red, even though such colors made her look decidedly
un
happy, and in fact were positively ghastly with her brown eyes and red-tinged hair. There was nothing she could do about it, though, so she decided to grin and bear it, and if she couldn't manage a grin, at least she wouldn't cry in public.

Which, she took some pride in noting, she never did.

And if that weren't enough, 1813 was the year that the mysterious (and fictitious) Lady Whistledown began publishing her thrice-weekly
Society Papers.
The single-sheet newspaper became an instant sensation. No one knew who Lady Whistledown really was, but everyone seemed to have a theory. For weeks—no, months, really—London could speak of nothing else. The paper had been delivered for free for two weeks—just long enough to addict the
ton
—and then suddenly there was no delivery, just paperboys charging the outrageous price of five pennies a paper.

But by then, no one could live without the almost-daily dose of gossip, and everyone paid their pennies.

Somewhere some woman (or maybe, some people speculated, some man) was growing very rich indeed.

What set
Lady Whistledown's Society Papers
apart from any previous society newssheets was that the author actually listed her subjects' names in full. There was no hiding behind abbreviations such as Lord P——or Lady B——. If Lady Whistledown wanted to write about someone, she used his full name.

And when Lady Whistledown wanted to write about Penelope Featherington, she did. Penelope's first appearance in
Lady Whistledown's Society Papers
went as follows:

A rather stinging blow, to be sure, but nothing less than the truth.

Her second appearance in the column was no better.

Not, Penelope was afraid, anything that would enhance her popularity.

But the season wasn't a complete disaster. There were a few people with whom she seemed able to speak. Lady Bridgerton, of all people, took a liking to her, and Penelope found that she could often tell things to the lovely viscountess that she would never dream of saying to her own mother. It was through Lady Bridgerton that she met Eloise Bridgerton, the younger sister of her beloved Colin. Eloise was also just turned seventeen, but her mother had wisely allowed her to delay her debut by a year, even though Eloise possessed the Bridgerton good looks and charm in abundance.

And while Penelope spent her afternoons in the green-and-cream drawing room at Bridgerton House (or, more often, up in Eloise's bedchamber where the two girls laughed and giggled and discussed everything under the sun with great earnestness), she found herself coming into occasional contact with Colin, who at two-and-twenty had not yet moved out of the family home and into bachelor lodgings.

If Penelope had thought she loved him before, that was nothing compared to what she felt after actually getting to know him. Colin Bridgerton was witty, he was dashing, he had a devil-may-care jokester quality to him that made women swoon, but most of all…

Colin Bridgerton was nice.

Nice.
Such a silly little word. It should have been banal, but somehow it fit him to perfection. He always had something nice to say to Penelope, and when she finally worked up the courage to say something back (other than the very basic greetings and farewells), he actually listened. Which made it all the easier the next time around.

By the end of the season, Penelope judged that Colin Bridgerton was the only man with whom she'd managed an entire conversation.

This was love. Oh, this was love love love love love love. A silly repetition of words, perhaps, but that was precisely what Penelope doodled on a ridiculously expensive sheet of writing paper, along with the words, “Mrs. Colin Bridgerton” and “Penelope Bridgerton” and “Colin Colin Colin.” (The paper went into the fire the moment Penelope heard footsteps in the hall.)

How wonderful it was to feel love—even the one-sided sort—for a nice person. It made one feel so positively sensible.

Of course, it didn't hurt that Colin possessed, as did all the Bridgerton men, fabulous good looks. There was that famous Bridgerton chestnut hair, the wide and smiling Bridgerton mouth, the broad shoulders, the six-foot height, and in Colin's case, the most devastating green eyes ever to grace a human face.

They were the sort of eyes that haunted a girl's dreams.

And Penelope dreamed and dreamed and dreamed.

 

April of 1814 found Penelope back in London for a second season, and even though she attracted the same number of suitors as the year before (zero), the season wasn't, in all honesty, quite so bad. It helped that she'd lost nearly two stone and could now call herself “pleasantly rounded” rather than “a hideous pudge.” She was still nowhere near the slender ideal of womanhood that ruled the day, but at least she'd changed enough to warrant the purchase of a completely new wardrobe.

Unfortunately, her mother once again insisted on yellow, orange, and the occasional splash of red. And this time, Lady Whistledown wrote: