River Odyssey

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Authors: Philip Roy

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RIVER ODYSSEY

OTHER BOOKS BY
PHILIP ROY

Submarine Outlaw

Journey to Atlantis

Copyright

RIVER ODYSSEY

Copyright © 2010 Philip Roy

All rights reserved.No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers.

RONSDALE PRESS
3350 West 21st Avenue, Vancouver, B.C., Canada V6S 1G7
www.ronsdalepress.com

Typesetting: Julie Cochrane, in Minion 12 pt on 16

Cover Art & Design: Massive Graphic

Paper: Ancient Forest Friendly “Silva” (FSC) —100% post-consumer waste,  totally chlorine-free and acid-free

Ronsdale Press wishes to thank the following for their support of its publishing program: the Canada Council for the Arts, the Government of Canada through the Canada Book Program, the British Columbia Arts Council and the Province of British Columbia through the British Columbia Book Publishing Tax Credit program.

Library and Archives Canada Cataloguing in Publication

Roy, Philip, 1960-

  River odyssey / Philip Roy.

(The submarine outlaw series; 3)

ISBN 978-1-55-380105-4

  I. Title. II. Series: Roy, Philip, 1960–. Submarine outlaw series; 3.

PS8635.O91144R58 2010  jC813’.6  C2010-904863-6

At Ronsdale Press we are committed to protecting the environment. To this end we are working with Canopy (formerly Markets Initiative) and printers to phase out our use of paper produced from ancient forests. This book is one step towards that goal.

for Julia

Table of Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Acknowledgements

About The Author

Chapter 1

IT BEGAN WITH
a conversation.

I was sitting on the floor of Sheba’s cottage. I had books, maps and charts open everywhere. There was a cockatiel on my shoulder, a cat on my lap, a dozen dogs and cats on the floor and sofa behind me, a tortoise slowly creeping under one book and a goat wanting to eat another. I was preparing for my longest journey yet, to the great Pacific Ocean, when Sheba appeared in the doorway from the kitchen. She was wearing a white dress with tiny green, yellow and pink flowers speckled over it. Her hair fell in red shell-like tresses all the way down the front of her dress like two rivers of red gold. In the spring Sheba dressed like the May Queen.

“Alfred!”

I looked up. Sheba was the voice of love for all creatures, living and otherwise. She was also the voice of omens, good and bad, and it was wise to listen to her. In the ancient world they would have called her an oracle.

“Yes?”

She threw her next words at me like a quest. “You must find your father!”

“What?”

The cockatiel flew to the top of the bookcase. The tortoise stuck his head out from underneath the atlas, then pulled it back in. Sheba returned to the kitchen.

I was so stunned I didn’t know what to think. I got up, brushed the cat fur from my lap and went to the kitchen. Hollie was curled up on a mat by the door, ready in case I should go outside. Edgar, the kitchen goat, was standing by the stove looking as if somebody had just died, though he always looked that way. Sheba had returned to sit at the table, had thrown on her apron and was peeling onions and garlic. She was peeling slowly and her eyes were watered with tears.

“I’m getting ready to go to the Pacific.”

“I know, Alfred.”

“I’ve never even seen my father.”

“I know.”

“He … he left when my mother died, when I was born.”

Sheba looked up with a loving smile beneath onion tears. Her eyes were green like a cat’s and sparkled when they were wet. “I know, Alfred.”

I sat down. She was filling two bowls with garlic and onion bulbs. Her garlic was big and her onions were small. Both had been grown and picked right here in the kitchen, Sheba’s hydroponic garden, where it was always summer. Outside, the fog rolled up against the windows. Ziegfried said that Sheba could grow a tomato from a stone. I believed it. I sat and watched her peel, and waited. My two favourite places in the world were Sheba’s kitchen and my submarine.

“I dreamt about you last night,” she said finally.

Now I knew I was in for it. If Sheba dreamt about you, you were in for it.

“There was a big storm,” she began.

I sat up and listened closely. A big storm was no big deal; I had seen lots of those.

“And there was a sea monster.”

Not so good. “What did it look like?”

“I couldn’t see it; I just knew it was there. And your submarine was sinking.”

Shoot! “Was the monster pulling it down?”

“Yes, I think so. I’m not sure. It’s just that… ”

“What?”

“Well… ”

“What? What is it?”

“I think maybe the sea monster was your father.”

“My
father
? How could it be my father? And why would he want to sink my submarine? He doesn’t even know me.”

“I know, Alfred. I don’t know why. It was him and it wasn’t him.”

I didn’t like where this was going.

“There was an angel too.”

“An angel? What did it look like? Did you see it?”

“No. I was waking. She just called out, ‘Alfred!’”

Sheba’s eyes drifted onto the onion she was peeling but I could guess where her mind was. She was twelve the last time she had seen her own father. She turned and looked at me.

“And then she said, ‘Forgive.’ But I don’t know if she meant you were supposed to forgive someone else, or ask for forgiveness for yourself.”

“Which one do you think it was?”

“I don’t know.”

“And you didn’t see what she looked like?”

“No.”

“What did she sound like?”

“Kind.”

“Why would I have to ask for forgiveness? What did
I
do?”

“I don’t know. Maybe that’s not what she meant. Maybe you’re supposed to forgive somebody else.”

“Who? My father?”

“Perhaps. The important thing is that you find him. Then you will know.”

“But why?”

“I don’t know, Alfred, but I don’t dream about angels and sea monsters every night. It is an important dream.”

I didn’t like to argue with Sheba. I wasn’t really arguing with her, I was just trying to understand.

“But I’m happy.”

“You’re happy now.”

“Yes.”

“But this dream tells me that something is coming your way. And you need to find out what it is. You can either go out and meet it, or wait until it finds you, but something tells me you’ll be happier if you find it first.”

“My father?”

“Maybe. Maybe something else.”

“Like what?”

“I don’t know.”

I watched as Edgar dropped his head onto Sheba’s shoulder and waited for her to scratch him. Even as she did, he looked like the world had just ended. That was his nature. He was a goat.

I had no intention of going looking for my father.

That night I crawled into my sleeping bag on the floor by the bay window. Hollie dug a trench between my feet and made himself as comfortable as a little dog could considering he was dwarfed by all the other dogs and most of the cats. During the night a few more warm bodies settled onto the bag, making turning difficult. I couldn’t sleep anyway. The night time was always when my worst thoughts came. That’s what I liked about the sub; we sailed at night and slept during the day.

I didn’t want to search for my father. Why should I, when he obviously didn’t want to find me? If he had, he would have. But he never did. If I went looking for him and found him, wherever he was, he probably wouldn’t appreciate it very much. He probably wouldn’t like me. In fact, maybe he would hate me. Why should I go looking for somebody who might hate me?

But a thought was nagging me. What if my father had
wanted
to find me but couldn’t? What if he was sick or handicapped in some way and was lying in a bed all these years hoping to see his only son? How terrible would that be? No. That was silly. I only thought like that at night when I couldn’t sleep. My father was just busy living his own life somewhere else and never even thought about me and probably didn’t even remember that he had a son in the first place.

I needed to roll over in my sleeping bag but didn’t want to disturb the animals so I pulled my legs up slowly, turned and slid them back in. I took a deep breath and sighed. Then I felt a tug at my shoulder. I opened my eyes. It was Sheba. In her gentle, songlike voice, as if it were the most natural thing in the world, she alerted me: “Alfred. There’s a ghost on the point.”

I jumped to my feet. I had been waiting for this for two years. Sheba’s sightings of ghosts, mermaids, flaming ships and strange creatures from the sea, which I had never seen myself, at least not clearly, yet hated to discredit because I respected her so much, had fascinated me ever since the day we met. Was I finally going to see a ghost for myself?

I dressed as quickly as I could and joined her in the kitchen. She said we had to go without a light and leave all the animals in the house. We didn’t want to spook the ghost.

“They’re very nervous,” she explained as we shut the kitchen door and tip-toed down the path towards the point. “It won’t stay long.”

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