Read Rising Sun: A Novel Online
Authors: Michael Crichton
Tags: #Fiction, #General, #Mystery & Detective, #Thrillers, #Psychological
“Every so often, a work of popular fiction vaults over its humble origins as entertainment, grasps the American imagination and stirs up the volcanic subtexts of our daily life.
Uncle Tom’s Cabin
was that kind of book; so was Laura Z. Hobson’s
Gentleman’s Agreement.
Michael Crichton’s eighth novel, RISING SUN, a thriller set against the background of current American–Japanese tensions, is likely to be another.… A shocking and ominous polemic, RISING SUN is at heart a rallying cry.… That Mr. Crichton effortlessly weaves a mesmerizing mystery comes as no surprise. Witty and erudite, he can already lay claim to one of America’s heavyweight titles: Most Serious Suspense Novelist. That he should now write so passionately and engagingly on matters of Japanese culture and the survival of a free and productive America—that is the surprise of RISING SUN.… RISING SUN exposes the raw nerves of a country in profound economic distress, of a people with declining faith in themselves, their leaders and their past, a people very uneasy about their future. Despite the book’s provocative tone, Mr. Crichton is no xenophobe, no fool, no ranting bigot. The questions he poses are of great consequence in the debate about America’s condition at the end of the American century. What more could one ask of popular fiction?”
—The New York Times Book Review
(front page review)
Where Crichton really excels [is] the detailing of the many ways in which Japan has penetrated America, and the very real dangers this poses. The Japanese make no bones that to them business is war, and that a part of the war is conducted by neutralizing public opinion.”
—Chicago Sun-Times
“Remarkably timely … The plot of RISING SUN thicken[s] at a satisfying pace … Let us hope that Mr. Crichton’s assiduously researched fantasy does not turn out to be too extremely timely.”
—The New York Times
“[A] tense, fast-paced murder mystery.”
—Playboy
Suspenseful … Technologically riveting … Bound to attract controversy and a huge readership.”
—Kirkus Reviews
(starred review)
“Enough mystery and suspense to keep the reader hooked … [The] glimpses into the deep-rooted otherness of Japanese mores are fascinating. So is the book’s science, as one might expect from an author with an M.D. degree and a long line of bestsellers with high-tech plots.”
—USA Today
“[This] entertaining, well-researched thriller cannot be easily dismissed as Japan-bashing because it raises important questions about that country’s adversarial trade strategy and our inadequate response to it.”
—Publishers Weekly
(starred review)
This is a work of fiction. Characters, corporations, institutions, and organizations in this novel are either the product of the author’s imagination or, if real, used fictitiously without any intent to describe their actual conduct, except as noted below.
References in this novel to events and activities concerning certain Japanese corporations (Matsushita, Minolta, Mitsubishi, Nintendo, Panasonic, Sumitomo Corp., and Toshiba), to former Japanese prime ministers (Takeshita and Tanaka), and to certain American corporations (Cray Research, Emerson, Fairchild, General Electric, Houdaille, RCA, and Sears) are true.
A Ballantine Book
Published by The Random House Publishing Group
Copyright © 1992 by Michael Crichton
All rights reserved.
Published in the United States by Ballantine Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.
B
ALLANTINE
and colophon are registered trademarks of Random House, Inc.
Grateful acknowledgment is made to Warner/Chappell Music, Inc. for permission to reprint excerpts from “Great Balls of Fire” by Otis Blackwell and Jack Hammer. Copyright © 1957 by Unichappel Music, Inc. & Chappell & Co. All rights reserved. Used by permission.
eISBN: 978-0-307-76306-8
The edition published by arrangement with Alfred A. Knopf, a division of Random House, Inc.
Cover design: Will Staehle
v3.1_r2
We are entering a world where the old rules no longer apply.
—P
HILLIP
S
ANDERS
Business is war.
—Japanese motto
LOS ANGELES POLICE DEPARTMENT
CONFIDENTIAL TRANSCRIPT
OF INTERNAL RECORDS
Contents: Transcript of Video Interrogation
Detective Peter J. Smith
March 13–15
re: “Nakamoto Murder” (A8895-404)
This transcript is the property of the Los Angeles Police Department and is quote from, or otherwise reproduce or reveal the contents of this document is limited by law. Unauthorized use carrie severe penalties.
Direct all inquiries to:
Commanding Officer
Internal Affairs Division
Los Angeles Police Department
PO Box 2029
Los Angeles, CA 92038-2029
Telephone: (213) 555-7600
Telefax: (213) 555-7812
Video Interrogation: Det. P.J. Smith 3/13–3/15
Case: “
Nakamoto Murder
”
Description of interrogation:
Subject (Lt. Smith) was interrogated for 22 hours over 3 days from Monday, March 13 to Wednesday, March 15. Interview was recorded on S-VHS/SD videotape.
Description of image:
Subject (Smith) seated at desk in Video Room #4, LAPD HQ. Clock visible on the wall behind subject. Image includes surface of desk, coffee cup, and Subject from the waist up. Subject wears coat and tie (day 1); shirt and tie (day 2); and shirtsleeves only (day 3). Video time-code in lower right corner.
Purpose of interrogation:
Clarification of Subject role in “Nakamoto Murder.” (A8895-404) Officers in charge of the interrogation were Det. T. Conway and Det. P. Hammond. Subject waived his right to an attorney.
Disposition of case:
Filed as “case unsolved.”
Transcript of: March 13 (1)
INT: Okay. The tape is running. State your name for the record, please.
SUBJ: Peter James Smith.
INT: State your age and rank.
SUBJ: I’m thirty-four years old. Lieutenant, Special Services Division. Los Angeles Police Department.
INT: Lieutenant Smith, as you know, you are not being charged with a crime at this time.
SUBJ: I know.
INT: Nevertheless you have a right to be represented here by an attorney.
SUBJ: I waive that right.
INT: Okay. And have you been coerced to come here in any way?
SUBJ: (long pause) No. I have not been coerced in any way.
INT: Okay. Now we want to talk to you about the Nakamoto Murder. When did you first become involved in that case?
SUBJ: On Thursday night, February 9, about nine o’clock.
INT: What happened at that time?
SUBJ: I was at home. I got a phone call.
INT: And what were you doing at the time you got the call?
Actually, I was sitting on my bed in my apartment in Culver City, watching the Lakers game with the sound turned off, while I tried to study vocabulary for my introductory Japanese class.
It was a quiet evening; I had gotten my daughter to sleep about eight. Now I had the cassette player on the bed, and the cheerful woman’s voice was saying things like, “Hello, I am a police officer. Can I be of assistance?” and “Please show me the menu.” After each sentence, she paused for me to repeat it back, in Japanese. I stumbled along as best I could. Then she would say, “The vegetable store is closed. Where is the post office?” Things like that. Sometimes it was hard to concentrate, but I was trying. “Mr. Hayashi has two children.”
I tried to answer.
“Hayashi-san wa kodomo ga fur … futur …”
I swore. But by then the woman was talking again.
“This drink is not very good at all.”
I had my textbook open on the bed, alongside a Mr. Potato Head I’d put back together for my daughter. Next to that, a photo album, and the pictures from her second birthday party. It was four months after Michelle’s party, but I still hadn’t put the pictures in the album. You have to try and keep up with that stuff.
“There will be a meeting at two o’clock.”
The pictures on my bed didn’t reflect reality any more. Four months later, Michelle looked completely different. She was taller; she’d outgrown the expensive party dress my
ex-wife had bought for her: black velvet with a white lace collar.
In the photos, my ex-wife plays a prominent role—holding the cake as Michelle blows out the candles, helping her unwrap the presents. She looks like a dedicated mom. Actually, my daughter lives with me, and my ex-wife doesn’t see much of her. She doesn’t show up for weekend visitation half the time, and she misses child-support payments.
But you’d never know from the birthday photos.
“Where is the toilet?”
“I have a car. We can go together.”
I continued studying. Of course, officially I was on duty that night: I was the Special Services officer on call for division headquarters downtown. But February ninth was a quiet Thursday, and I didn’t expect much action. Until nine o’clock, I only had three calls.
Special Services includes the diplomatic section of the police department; we handle problems with diplomats and celebrities, and provide translators and liaison for foreign nationals who come into contact with the police for one reason or another. It’s varied work, but not stressful: when I’m on call I can expect a half-dozen requests for help, none of them emergencies. I hardly ever have to roll out. It’s much less demanding than being a police press liaison, which is what I did before Special Services.
Anyway, on the night of February ninth, the first call I got concerned Fernando Conseca, the Chilean vice-consul. A patrol car had pulled him over; Ferny was too drunk to drive, but he was claiming diplomatic immunity. I told the patrolmen to drive him home, and I made a note to complain to the consulate again in the morning.
Then an hour later, I got a call from detectives in Gardena. They’d arrested a suspect in a restaurant shooting who spoke only Samoan, and they wanted a translator. I said I could get one, but that Samoans invariably spoke English; the country had been an American trust territory for years. The detectives said they’d handle it. Then I got a call that mobile television vans were blocking fire lanes at the Aerosmith concert; I told the officers to give it to the fire
department. And it was quiet for the next hour. I went back to my textbook and my sing-song woman saying things like, “Yesterday’s weather was rainy.”