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BOOK: Rex Stout
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“How well do you know Vail?”

“I used to know him rather well. I haven’t seen him for a long time.”

“Have you been to his office recently?”

“I never have. I don’t even know where it is.”

“Your husband asked if you had wormed it out of Brager. Who is Brager?”

Judith Dundee’s lips curved in a little smile, whether of disdain or pure amusement could not be told. “Herman Brager,” she said, the R’s fuller and the G softer in her attractive voice than they were in Hicks’s twang. “A scientist. According to my husband, a genius; and perhaps he is, I don’t know. He does experiments and makes amazing discoveries. He has been with the company for several years. He wouldn’t work at Bridgeport, said there were too many people around, so my husband fitted up a laboratory for him up in Westchester, near a place called Katonah.” Her lips smiled again. “He’s what is called a character.”

“Do you know him?”

“Oh, yes. Not so well personally, if that’s the way to put it, but I’ve seen him often. My husband often has him here. He comes into town twice a month and dines here and they spend the evening talking business. And by the way—I said I never had an opportunity to learn a secret—but perhaps I did. Once Mr. Brager left his brief case here overnight, and possibly it was full of secrets. I can’t say, because I didn’t look. It must have been important, because my son drove in especially the next day to get it.”

“How long ago was that?”

She pursed her lips. “About a month ago.”

“Is your son with the company?”

“Yes, indeed. He’s twenty-four years old.” Her tone acknowledged the difficulty of crediting her with a son of so advanced an age, and to do her justice, it was rather surprising. “He finished a postgraduate course at M.I.T. in June, and now he’s up there with Mr. Brager.” She shifted her position on the divan, with a gesture of impatience. “But that’s irrelevant, isn’t it?” She made another gesture, of appeal, and smiled at him. “Won’t you help me? It’s so preposterous, and I feel so darned helpless! I went to a lifelong friend—he was best man at our wedding—and he has been to see my husband twice. That’s where I was this morning, at this friend’s office—he says that my husband absolutely refuses to discuss it and there’s nothing he can do. So I thought of going to a detective agency, and then I saw you, and remembered what that article said.”

She put out a hand, palm up. “You will help me, won’t you? Of course, since you despise money—but I can afford to pay whatever you ask—” She ended on a note of embarrassment.

“I don’t despise money.” Hicks surveyed her, and the glint in his unblinking eyes was more than ever the lazy but watchful insolence of a cat’s eyes. “In spite of what that article said, I’m not a nut. I admit one thing. It would be a lot of fun to find out if you really did sell your husband’s business secrets and what you’re really after is to learn what kind of proof he’s got hold of. Also I admit I could use about—” he paused a moment—“about two hundred dollars.”

She met his eyes. “I’ve told you the truth, Mr. Hicks.”

“Okay.” His eyes didn’t change. “I’ll take a crack at it. As I say, I need some cash. And I want a picture of you—a nice handsome picture. And maybe you can tell me a few more things.”

It appeared that she couldn’t, at least nothing useful or significant, though for another half an hour she answered his questions. When, a little later, he left, in his pocket was a check, and in an envelope under his arm was a large photograph of Judith Dundee, quite good-looking, even striking, with a gay tilt to her head and a provocative smile on her lips. There had been no explanation of his need for that. Down on the street, he returned to his cab and got in and started the engine.

On Madison Avenue in the Forties, a patrolman new to the
beat was speaking in a grieved tone to his precinct sergeant, through the police phone box:

“… I was here on the sidewalk and this taxi stops right by me, and the driver gets out and says, ‘How do you do, Officer,’ and hands me this piece of paper. I unfold it and look at it and it says—here, I’ll read it—‘Kindly phone Sheridan 9–8200 and tell Jake, the checker, to send a driver for the cab. I have no time because the police are after me.’ It’s signed, ‘A. Hicks,’ and that’s the name on the identification card in the cab. The writing’s hard to read, and then I look around and he’s gone. Nowhere in sight. I started—”

“What did he look like?”

“About thirty-five maybe, medium height, kind of slow-moving—at least I thought he was—big wide mouth, funny eye like a Chink—no, not like a Chink—”

The sergeant cackled. “That’s him. Alfred Hicks, alias Alphabet Hicks. Save that paper for me, I want to keep it.”

“Maybe I can pick up his trail if I—”

“Forget it. Kindly call the number he asked you to.”

“Do you mean,” the patrolman’s voice shrilled with indignation, “it was just a prank?”

“Prank hell.” The sergeant cackled again. “He saved a nickel, didn’t he?”

It would be a pleasure to record that during the ensuing hours of that Wednesday afternoon swift strides were made toward the solution of Judith Dundee’s problem, but it would be contrary to fact. Though Hicks performed various errands, the only perceptible progress was toward the disappearance of Judith Dundee’s money, beginning with cashing the check. The major expenditures were as follows:

Suit of clothes
$65.00
Pocketknife
2.50
Two-pound box of chocolates
2.25
Postal money order for British War Relief
100.00
Photographs of Myrna Loy, Bette Davis, Deanna Durbin and Shirley Temple
4.00
$173.75

At seven o’clock that evening Hicks was eating spaghetti and arguing about Mussolini at the family table in the kitchen of an
Italian restaurant on East 29th Street. At nine o’clock the table was cleared and a pinochle game was started. At midnight Hicks went upstairs to the furnished room for which he paid six dollars a week.

In yellow pajamas piped in brown, he sat on the edge of the bed and opened the box of chocolates and smelled it with a long deep inhalation.

“I’ll earn it and then I’ll eat it,” he muttered. If he had known how much of a chore the earning was to be, he might have added, “If I’m still alive.”

Two

In the reception room of the executive offices of the Republic Products Corporation high above Lexington Avenue, the receptionist sat at her desk and tried not to yawn. Losing the struggle, she covered her mouth with a palm. It was five minutes past nine, Thursday morning. Life presented a dreary outlook. Her feet hurt. Dancing till after one o’clock, and less than six hours’ sleep, and standing up in the subway … no more, she just couldn’t take it, not at her age … that was all right when she was younger, but now she was twenty-three, nearly twenty-four—

“Good morning,” said a twangy voice.

The voice irritated her. Her tired eyes saw a man in a new-looking brown suit, and a face that was new to her, with a large envelope under his arm.

“Who do you want to see?” she asked. Ordinarily she said “Whom,” but, feeling as she did, that was beyond her.

“You,” the man said.

That old gag deserved, and usually received, chilly disdain. But the idea that anyone on earth could want to see her then, the way her face felt and the way her feet hurt, was so perfectly excruciating that she had to laugh. She burst into laughter.

“No,” the man protested. “Really. I want to ask if you’d like to take a trip to Hollywood.”

“Sure,” she said scornfully. “Does Garbo need a double or what?”

“You’ll never get anywhere,” said the man severely, “with an attitude like that. Here’s opportunity knocking at your door and listen to you.” He placed the envelope on the desk, opened the flap, extracted a large glossy photograph, and held it in front of her. “Who is that?”

With one glance she said sarcastically, “John Barrymore.”

“Very well,” he said reproachfully. “You’ll live to regret it. There’s four more pictures of movie stars in here. If you can identify all five, you get a year’s subscription to the
Movie Gazette.
Free. Then you write an article of a thousand words and send it to our contest editor—”

“I don’t know any thousand words.” She glanced at the photograph again. “But if they’re all as easy as that. Shirley Temple.”

“Right.” He pulled out another one. “Now watch your step.”

She snorted. “Those eyes? Bette Davis.”

“Two right. This one?”

“Deanna Durbin.”

“And this?”

“Myrna Loy.”

“Good for you. Four down and one to go. This last one?”

She squinted at it. She took it from him and peered at it from different angles. “Huh,” she said, “I thought there was a catch in it. This is probably some dame that sat on a wagon in ‘Gone With the Wind’ when they fled from that town in Virginia, I think it was—”

“Atlanta, Georgia. But you wrong me. I think you ought to recognize her without straining your brain beyond its capacity. Dressed differently, of course. For instance, imagine her getting out of the elevator and walking up to you here at your desk—with a hat on, remember, and some kind of a wrap probably, and sort of nervous, and saying for instance that she wanted to see Mr. Vail—”

The girl hissed at him.

He followed her glance and saw a man approaching—a large man, well fed and well shaved, with a broad nose and a thin mouth. He had been headed from the elevator for the corridor leading within, but swerved and was approaching.…

“Good morning, Mr. Vail,” the girl said as brightly as though her feet were perfectly all right.

His “Good morning” sounded more like Bulgarian. “What’s all this?” he demanded, stopping at the desk. He frowned at the photographs, at the stranger standing there. “I heard you mention my name—”

“Just accidentally, Mr. Vail,” the girl said hastily. “He was only telling me—only showing me—”

She stopped because something queer was happening. Vail had glanced at the photograph she had put down, the unidentified one, had bent over to look at it, and then had abruptly straightened up; and the expression on his face frightened her, though it was directed not at her but at the stranger. Though she had seen him angry before, she had never seen his lips as thin as that, nor his eyes drawn so narrow.

“Ah,” he said. Then suddenly he smiled, but it was not a smile to reassure anybody, least of all the man it was aimed at. “There is some explanation of this, I suppose? This picture of a lady—an old friend of mine?”

The stranger smiled back. “I can make one up.”

Vail took a step. “Who are you?”

The other took a wallet from his pocket, fished out a card, and offered it. Vail took it and looked at it:

A. HICKS
M.S.O.T.P.B.O.M.

He looked up, unsmiling. “This—this hash?”

The other gestured it away. “Unimportant. One of my titles. Melancholy Spectator of the Psychic Bellyache of Mankind. The name is Hicks.”

“Who sent you here?”

Hicks shook his head. “I didn’t come to see you, Mr. Vail. Some other time, maybe.” He reached for envelope and photographs.

“Leave those things here and get out!”

But Hicks gathered them up with one swoop of his hand and made for the elevator. In a moment a down car stopped for him.

As he emerged from the building no sign of the smile was on his face. He was beginning to suspect that he was in for something nasty. It seemed likely, considering how startlingly Vail’s
narrowed eyes had been those of a wary and malevolent pig, that some one was going to-get hurt.

He sat on a bench in Bryant Park and thought it over.

The office of R. I. Dundee and Company was on 40th Street near Madison Avenue, a mere five-minute walk from that of its hottest competitor, Republic Products Corporation.

At eleven o’clock that Thursday morning, anyone seeing R. I. Dundee seated at his desk would not have guessed that only ten minutes ago a phone call from the Chicago branch had brought the glad tidings that a $68,000 contract for plastics had just been closed with Fosters, the biggest manufacturers of loose-leaf binders in the country. Dundee sat staring at a corner of the rug with an expression of mingled dejection and choler. With his regular precise features and his well-fitting conservative gray coat, he looked like a man intended by both nature and himself to be neat and personable, but with his disarranged hair and his bloodshot eyes, the intention was shockingly impugned.

He shifted in his chair and groaned, and when there was a knock at the door he yelled in a tone of extreme exasperation, “Come in!”

A boy entered and handed him a card:

A. HICKS
C.F.M.O.B.

Beneath was written in ink, “Have just seen Mr. James Vail. It might interest you.”

Dundee straightened up and gave the card another look. He rubbed it with his thumb and forefinger, and looked at it again.

“What does this man look like?”

“He looks all right, sir. Except his eyes maybe. They’re kind of gleamy and menacing.”

“Send him in here.”

The boy went. When, a moment later, the visitor entered, he got a cool reception. Dundee stayed in his chair, offered no greeting, and stared up at the newcomer. Hicks stood on the other side of the desk and returned the stare, then circled around to a chair, sat, and said:

“Candidate for Mayor of Babylon. Not Babylon, Long Island. Babylon.”

Dundee blinked with irritation. “What the devil are you talking about?”

Hicks pointed to the card which the other still held in his fingers. “Those letters. That’s what they stand for. To save you the trouble of asking. Sometimes they help to open a conversation, but in this case of course Jimmie Vail’s name would have been enough. Wouldn’t it?”

“What about Vail? What do you want?”

Hicks smiled at him. “First I’d like to get acquainted a little. If I bounce it right back at you, what I want, you’ll probably tell me to get out, as Vail did, and then where are we? The way you look, on edge the way you are. And with that stubborn mouth you’ve got. But I guess I can lead up to it. Yesterday afternoon your wife paid me two hundred dollars.”

BOOK: Rex Stout
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