Return to Killybegs (24 page)

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Authors: Sorj Chalandon,Ursula Meany Scott

Tags: #Belfast, #Troubles, #Northern Ireland, #journalism, #Good Friday Agreement, #Traitor, #betrayal

BOOK: Return to Killybegs
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A guy was walking along the path. Short and stocky, with short grey hair and creased eyes. His hands were empty, a satchel over his shoulder. When he saw me, he froze and waved.

—Tyrone Meehan?

I stopped at the door.

—Are you Tyrone Meehan?

—Why?

—Jeffrey Kerr, from the
Donegal Sentinel
.

I motioned to him not to come any closer.

—How did you find me?

—A bit of investigating, adding up ...

A journalist. The beginning of the end. He was looking at the house from a distance.

—May I come in?

—No.

—May I come a bit closer?

—What do you want?

—Are you going to hide here for long?

He was moving forward slowly, like a child stalking a bird. Because of his weight, he was stumbling over the ruts and breathing heavily.

—I’m not hiding. I just want to be left alone.

—Are you staying here or will you go elsewhere?

—I’m not going anywhere. Leave, please.

—People are talking about you a lot these days.

—Can you not see? I’m in the middle of nowhere and I’m doing no one any harm, so leave now!

He sniffed noisily, glancing at my door with the sorry look of someone not allowed in. He raised a hand, and dropped it again.

—Who gave you this address?

The journalist shrugged. He didn’t even turn around.

—Gave? You mean sold!

—Who?

—A friend of yours, Timmy Gormley.

I shook my head. Timmy Gormley. I repeated his name out loud, ‘King of the quays.’ I calculated. It was the first time in sixty-five years that I’d heard that name. When I left him, the pitiful gang leader was picking a fight with Josh Byrne, the pixie with the pockmarked face. After all this time, Josh had become an old priest, Timmy had remained a bastard, and I was no longer anything at all.

I waited for the door to slam shut. For the car to leave. I went back inside. The fire was nearly dead so I pulled on a second jumper. And then I was overcome with dizziness. I sat down at the table. I could see the journalist again in my mind’s eye, balanced strangely on the path, turned sideways, his left arm behind his back. Every time I moved, he had moved with me. I’d found it strange, suspicious. And suddenly I understood. The bag, his stance, his arm thrown behind him so as not to block the screen. He was filming. I’d been filmed. He had stolen the cottage, the fir tree, the surroundings, my unshaven face, my tired eyes, my trousers that were too big, my large jumper and my muddy shoes. It had occurred to me that he’d given up too quickly, but he hadn’t given up anything. He hadn’t taken out either a pen or a notebook. He knew well, in coming here, that I wasn’t going to confide in him. That he’d be going back to the office without confessions or regrets. It wasn’t my words he came to steal, it was my image.

I didn’t eat dinner. The
Donegal Sentinel
had no need to even make a film. The journalist would simply take an image for the front page and then sell the rest to television. I knew it. I was certain of it. I didn’t sleep, either. I stayed sitting at the table, my head on my arms, my anorak thrown over my shoulders, watching the flame of the candle dance.

This afternoon, I wasn’t able to walk through the door of Mullin’s. Two men turned to look at me when I arrived in Bridge Street. A woman crossed the road. The owner was waiting for me at the pub door. It was the time I usually came to drink and he knew it. My steps slowed. He placed himself in the doorway. I gave him a questioning look.

—We don’t want any trouble, Meehan.

—What trouble?

—You’re in the paper, on the television. We’re simple people, you know. That business is far too serious for our little town.

I put my hands in my pockets. I withdrew.

—Buy your beers in the shop and drink at home, it’ll be better that way.

The door opened. A man walked out. He put on his cap, said goodbye to the owner, avoided my eyes. Behind him, the bar was packed. My father’s table was no longer there, nor the coat stand. They’d moved the cigarette machine. It was in my place.

—Sorry, Meehan.

He wasn’t. I don’t think he was. He went back into his bar. I looked again, one last time, just the few seconds it took for the swinging door to close behind him. The dark panelling, the old counter, the gilded lamps, the high stools, the pictures, the black and red ceiling, the snugs down the back, the brass beer taps, the surge of warmth and the buzz of all those people. I didn’t leave immediately. I crossed the street and leaned against the opposite wall. I was waiting for the door to open.

—Come on, Tyrone Meehan! Come back in here! One last pint for old time’s sake. Out of respect for your father, and as a homage to your past. In memory of the kid who wouldn’t dare go into the place or walk across the room, who used to cough in the smoke, who’d sip the creamy head from the large glasses held out to him, who’d listen to Padraig Meehan sing, who’d come to look for him in his drunkenness, and take him back through his darkness, step by step. To you, Tyrone Meehan! Before all the Timmy Gormleys of heaven and earth come looking to kill you!

I bought a bottle of whiskey. I walked through the town. I went as far as the fortified tower. It was cold. There was frost over everything, the grass, the brambles, the trees, the low stone walls. My father had told me one day that my mother deserved to be living in a castle. That it was our fault if she was working herself to death. Ours, their children’s. It was the middle of summer. There was a light, salty rain falling. He took me to the tower. He was walking quickly, he wasn’t waiting for me. When we arrived, he sat on the rocks facing the ruin and told me the story of that keep. A very beautiful woman had lived there with her very happy husband. A count, a prince, I don’t know. Someone who had a job. When the first child came along, the first stones fell from the tower. With the second child’s arrival, more stones fell. And the bigger the family grew, the more the tower crumbled. One day, the prince left in anger and the princess died, crushed by an enormous block that had come away from the roof.

—And the children? I asked.

My father got up. He moved ahead of me, with his bigger, ‘father’ steps.

—The children? They turned into crows.

He pointed out a black bird in the sky.

—There you are, that one’s called Francis.

I was walking behind him with wee, fearful steps. I was crying softly. I didn’t want to ruin our house. I didn’t want Father to leave. I didn’t want Mother to die. I didn’t want to become a crow.

I was six years old.

16

Killybegs, Sunday, 31 December 2006

Sheila brought a white paper tablecloth from Strabane, where she has been living with a friend since I came here. She made our New Year’s Eve meal before coming over, a big dish of bangers and mash, which she heated up on my camping stove. She had added caramelized onions, mushy peas and thin slices of yellow apples to the sausages and the mashed potatoes.

I set the table. Our two plates, and mugs for glasses. She had left a bottle of white wine outside against the front wall. It would be chilled just in time for the meal. She had also brought six beers for me and some gin for herself. I cut the brown bread. Two slices each, with a square of butter. I watched her back, bent over the single burner. The smell of hot oil was warming the house. I listened to my wife’s silence. Her movements as if nothing had happened. When I caught her eye, she would smile. Not her girlish, motherly or warrior smile, but a very weary old woman’s smile that I had never seen before.

We hadn’t talked. When she came to join me here, after my interrogation by the IRA, she took me in her arms and closed her eyes. Then she looked at me, her hands in mine. She was looking for something that had changed in my eyes. I wanted to respond, tell her that her presence did me good. But she placed her hand gently on my mouth.

—No, Tryone. Don’t say anything. I’m not asking you anything, I don’t want to know anything.

I went to move her hand away. She moved it back.

—Please, wee man. You’re going to have to lie, so don’t.

And then she unpacked her big bag. Emergency supplies. Toilet paper, candles, cigarettes, bread, some tinned food. I asked if she’d brought the paper. She replied that it didn’t say anything good.

I had placed a fork either side of my plate and a knife either side of Sheila’s. She smiled. I’d never been too gifted in the kitchen. Then we sat down. She said a prayer, just three words, to thank Mary for having brought us together. She had bought a red candle with a golden star in Boots. She had decorated the table with pine needles and mistletoe. We toasted with the cold wine. It wasn’t a celebration, but a painful ceremony. The irritating noise of our cutlery, the battle of the fire against the damp wood, the candle flame.

—It’s good, I murmured.

She only answered with her eyes.

It was nine o’clock. The cold was taking over.

—I’m not going to wait up till midnight, Sheila yawned.

She was exhausted. She apologized.

—Neither am I. I’m going to write for a while, then I’ll join you.

—Who are you writing to?

—Nobody. Just things that are going through my head.

Her friend in Strabane had made an apple crumble, and she’d wrapped up half for me. It was almost the meal of a free man.

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