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Authors: William W. Johnstone

BOOK: Reprisal
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Thirty-one
Doc Green finished putting the last stitch in Conrad's head and put his needle and sutures away. “It'll take a while to heal up right,” the doctor said. “But you'll mend. Take a swallow of that laudanum when your head hurts.”
Conrad nodded, stepping off the table in the doctor's office before giving Frank a look.
“Sorry this happened, Conrad,” Frank said. “Ned Pine and Vic Vanbergen were out to get me. Wish you hadn't been the one to suffer for it.”
They walked out on the doctor's front porch before Conrad said a word. “I'm grateful for what you did, Frank, but that won't make up for the years when you weren't there for me and my mother.”
Frank stared down at his boots. “I take it Vivian didn't tell you the whole story?”
“The whole story? What else is there to say? You left us alone. You left her to raise me by herself.”
“That isn't quite how it happened, and I can prove it if you'll listen to me.”
“I don't want to hear a damn thing you have to say. Just leave me alone. You're nothing but a killer, a paid assassin. Mom told me that much, and so did my grandpa.”
Frank let his gaze wander across the rooftops of Durango for a spell. “It's true that I've killed a few men. I'm not proud of it. But I didn't leave you and your mother because I wanted to. I didn't have a choice. I was framed for a crime I didn't commit. I didn't have any choice but to leave both of you, and I've regretted it every day of my life since.”
“A likely story.”
“It's the truth. If you'll allow it, one of these days I'd like to tell you about it. Then you can make up your own mind about who's telling the truth.”
“Mom wouldn't lie to me,” Conrad insisted.
“There were things she probably couldn't tell you. All I want is a chance for you to listen to me. Your grandfather had it in for me. He put me on the run and there was no way I could prove I was innocent.”
“Just leave me alone, Frank. And don't ever call me your son again.”
Frank went down the steps to his horse. “All I want you to do is hear what I have to say about what happened. I don't see how that's asking too much.”
Conrad turned to head down the boardwalk. Then he stopped. “Maybe I do owe you that much, but I'll have to have some time to think about it.”
“That's all I'm asking.”
“We'll see,” Conrad told him. “Right now all I want to do is get you out of my sight. I suppose I should be grateful that you got me away from Ned Pine and his hoodlums, but I've had too many years to think about how you abandoned me and my mother. I don't want to think about it now.”
“I understand,” Frank said quietly.
He mounted his horse as Conrad marched away. Frank's heart was heavy with sorrow. If the boy only knew the whole truth, he might take a different view of things.
He swung his horse away from the hitch rail, heading out to see about Dog and Jeff. He had plans to make.
Just once, he looked up at the mountains where he had tangled with Ned Pine and Victor Vanbergen.
“I'll be back up there one of these days,” he promised himself. “And when I do, things won't go so easy on either one of you.”
Frank led his packhorse down the street, but he drew up short when Louis Pettigrew came off the steps of the hotel.
“Mr. Morgan,” Pettigrew began, “I was hoping you'd have time to talk to me.”
“Not now,” Frank replied. “I've got some things weighing heavy on my mind.”
“Would tomorrow be okay?”
“A day or two,” Frank told him. “Right now, I've got a dog to check on, and a young friend waiting for me.”
Pettigrew nodded. “Just remember that I would very much like to give my readers the true story of Frank Morgan, the gunfighter,” he said.
“I'm not a gunfighter anymore,” Frank answered. “Just a man who's trying to live peaceful, if folks will let me.”
NEW YORK TIMES
AND
USA TODAY
BESTSELLING AUTHORS
W
ILLIAM
W. J
OHNSTONE
with J. A. Johnstone
 
FLINTLOCK
A Time for Vultures
 
Across the West, badmen know his name. The deadliest
bounty hunter on the frontier
,
Flintlock is armed with his
grandfather's ancient Hawken muzzleloader
,
ready to put
the blast on the face of injustice. As William and J. A.
Johnstone's acclaimed saga continues, Flintlock will
discover an evil too terrifying and deadly to even name.
 
WHEN A MAN SAYS HE'S GOING
TO KILL YOU, BELIEVE HIM
 
The stench of death hangs over Happyville. When
Flintlock rides into town, he sees windows caked in dust,
food rotting on tables, and a forgotten corpse hanging at
the gallows. Citizens of Happyville are dead in their
beds, taken down by a deadly scourge, and Flintlock
must stay put or risk spreading the killer disease. His
quarantine is broken by Cage Kingfisher, a mad
clergyman who preaches the gospel of death. He orders
his followers to round up the survivors of Happyville and
bring them home to face the very plague they fled. To save
them, Flintlock must send Kingfisher to Hell. But the
deadly deacon has a clockwork arm that can draw a pistol
faster than the eye can blink. It will take the Devil to bring
him down. Or the frontier legend they call Flintlock.
 
Chapter One
“I don't like it, Sam,” O'Hara said, his black eyes troubled. “Those women could be setting us up. Their wagon wheel looks just fine from here.”
Sam Flintlock shook his head. “You know what I always tell folks about you, O'Hara?”
“No. What do you always tell folks about me?”
“That you let your Indian side win through. I mean every time. If you were looking at them gals with a white man's eyes you'd see what I see ... four comely young ladies who badly need our help.”
Now there were those who said some pretty bad things about Sam Flintlock. They called him out for a ruthless bounty hunter, gunman, outlaw when it suited him, and a wild man who chose never to live within the sound of church bells. At that, his critics more or less had him pegged, but to his credit, Flintlock never betrayed a friend or turned his back on a crying child, an abused dog, or a maiden in distress. And when the war talk was done and guns were drawn he never showed yellow.
Thus, when he saw four ladies and a dog crowded around what looked to be a busted wagon wheel, he decided he must ride to their rescue like a knight in stained buckskins.
But his companion, the half-breed known only as O'Hara, prone to suspicion and mistrust of the doings of white people, drew rein on Sam's gallant instincts.
“Well, my Indian side is winning through again,” O'Hara said. “It's telling me to stay away from those white women. Sam, it seems that when we interfere in the affairs of white folks we always end up in trouble.” He stared hard at the wagon. “There's something wrong here. I have a strange feeling I can't pin down.”
“You sound like the old lady who hears a rustle in every bush.” Flintlock slid a beautiful Hawken from the boot under his left knee and settled the butt on his thigh. “This cannon always cuts a dash with the ladies and impresses the menfolk. Let's ride.”
The four women gathered around the wagon wheel watched Flintlock and O'Hara ride toward them. They were young, not particularly pretty except by frontier standards, and looked travel-worn. Colorful boned corsets, laced and buckled, short skirts, and ankle boots revealed their profession, as did the hard planes of their faces. Devoid of powder and paint, exhausted by the rigors of the trail, the girls showed little interest in Flintlock and O'Hara as potential customers.
Flintlock touched his hat. “Can I be of assistance, ladies?”
A brunette with bold hazel eyes said, “Wheel's stuck, mister. ”
“I'll take a look,” Flintlock said.
One time in Dallas he'd watched John Wesley Hardin swing out of the saddle in one graceful motion and he hoped his dismount revealed the same panache. And it might have had not the large yellow dog decided to attack his ankle as soon as his foot touched the ground. The mutt clamped onto Flintlock's booted ankle, shook its head, and growled as though it was killing a jackrabbit.
“Git the hell off me,” Flintlock said, shaking his leg.
The little brunette grabbed the dog by the scruff of the neck and yelled, “Bruno! Leave the gent alone!”
But the animal seemed more determined than ever to bite through Flintlock's boot and maul his flesh. Bruno renewed his attack with much enthusiasm and considerable savagery.
All four women pounced on the dog and tried to drag the snarling, biting creature away while Flintlock continued to shake his leg and cuss up a storm. As the epic struggle with the belligerent Bruno became a cartwheeling, fur-flying free-for-all, O'Hara's voice cut through the racket of the melee.
“Sam! Riders!”
A moment later guns slammed and O'Hara reeled in the saddle. He snapped off a shot, bent over, and toppled onto the grass. His horse, its reins trailing, trotted away. Flintlock, dragging Bruno like a growling ball and chain, stepped around the horse and looked toward the tree line. Four riders were charging fast, firing as they came. Cursing himself for choosing fashion over common sense and leaving his Winchester in the boot, he threw the Hawken to his shoulder and triggered a shot. Boom! Through a cloud of gray smoke he watched a man throw up his hands, his revolver spinning away from him. The rider tumbled backwards off his horse and hit the ground hard, throwing up a cloud of dust. Flintlock dropped the Hawken and clawed for the Colt in his waistband.
Too late!
A big, bearded man drove his mount straight at Flintlock and the impact of horse and man sent Flintlock flying and convinced Bruno that he'd be a lot safer somewhere else.
Winded and sprawled on his back, Flintlock stayed where he was for a moment, then he sat up and looked around for his fallen Colt.
There! A few yards to his right.
He staggered to his feet and for his pains, the bearded man charged again. He swung his left foot from the stirrup and kicked Flintlock in the head, the boot heel crashing into his forehead. For a moment, it seemed that the world around him was exploding in blinding arcs of scarlet and yellow fire.
Flintlock's head tilted back and he caught a glimpse of the sky spinning wildly above him . . . and then his legs went out from under him and he saw nothing . . . nothing at all.
* * *
Sam Flintlock regained consciousness to a pounding headache and a sharp pricking in his throat. From far off, at the end of a long tunnel, he heard a woman's voice.
“What the hell are you doing, Buck?”
Buck Yarr stopped, his bowie knife poised. “Gonna cut that heathen thunderbird offen his throat, Biddy. Make me a tobaccy pouch, it will.”
“Morg wants him alive,” the woman said. “You know who he is?”
“Don't give a damn who he is,” Yarr said.
“He's the outlaw Sam Flintlock,” Biddy said. “Morg thinks maybe there's a price on his head, his head and the breed's.”
Yarr said, “Morg didn't tell me that. I want the thunderbird. Now git the hell away from me lessen you aim to watch the cuttin'.”
“I seen a cuttin' or two before and they didn't trouble me none,” Biddy said. “One time down Forth Worth way I seen Doc Holliday cut a man, damn near gutted him. But Morg wants that Flintlock one alive.”
“All I want is some skin, Biddy. He'll still be alive after I'm done.”
“He'll be dead after you're done, Buck. Look, there's Morgan, ask him your own self,” Biddy said.
Flintlock opened his eyes. He tried to move but his arms were tightly bound to one of the wagon wheels. A few feet away O'Hara, his bloody head bowed, was tied to another. Opposite Flintlock, a kneeling man in greasy buckskins held a wicked, broad-bladed knife, his mouth under a sweeping red mustache stretched in a grin. The man's hat—a tall, pearl gray topper, its high crown holed by a bullet—caught Flintlock's attention.
“Morg, the whore says I can't cut on this man,” Yarr said. “What do you say?”
Morgan Davis was a tall, cadaverous man with black hair and penetrating black eyes. He affected the sober dress and measured speech of a country parson but the Colt in the shoulder holster under his left arm gave the lie to that image.
“Not now, Buck,” Davis said. “I've heard of this ranny. His name is Sam Flintlock on account of the old smoke pole he carries and he makes his living as a bounty hunter and bank robber. There's some say he's real sudden on the draw-and-shoot and has killed a dozen men. Others say he's just plumb loco and talks to his dead kinfolk, but I ain't so sure about that. He looks like a mean one though, don't he?”
“He ain't so tough,” Yarr said. “I want the big bird on his throat. Slice it offen him and make a pouch for myself.”
“It will make a fine pouch, a crackerjack pouch, Buck,” Davis said, patting the man on the shoulder. “But hold off on the cutting until we see if there's a price on his head. If he's wanted dead or alive, then he's all yours. But if the law wants him in one piece, then you can wait until after he's hung.”
“Long wait.” Yarr looked sulky.
Davis smiled. “Be of good cheer, Buck. There's a settlement close to Guadalupe Peak with a tough sheriff. We can take Flintlock and the breed there. If there's a dodger on them, once the lawman pays the reward I'm sure we can talk him into a quick hanging.”
“What town? What sheriff?” Yarr said. “I steer clear of lawmen.”
“Town's called Happyville and the sheriff's name is Barney Morrell,” Davis said. “Me and Barney go back a ways, to the time me and him rode with the Taylor brothers and that hard crowd during their feud with the Suttons. Barney killed a couple men and then lit out for the New Mexico Territory ahead of a Sutton hanging posse. He married a gal by the name of Lorraine Day and for a spell prospered in the hardware business. But Barney never could settle down for long and he worked as a lawman in Fort Worth and Austin and then, the last I heard, became the sheriff of Happyville.”
“He still there?” Yarr said.
“I haven't heard otherwise,” Davis said.
“Then I guess I'll wait.” Yarr slid his knife into its sheath. “But there's one thing I need to get straight, Morg.”
“What's that?”
“I want to cut this man afore he's hung. Don't set right with me to go slicing a big bird offen a dead man's throat. It ain't proper.”
Davis nodded. “I'm sure that can be arranged, Buck. Easy thing to cut a man before he gets hung.”
“What about the sheriff? What's his name?”
“I'll take care of Barney. Kick back a share of the reward money and he'll cooperate.”
Buck Yarr grinned, slapped off Flintlock's hat, grabbed him by the hair, and shook him. “Hear that, musket man? You'll get your throat cut afore a noose is tightened around it. I wonder how that will feel? Bad painful, I think. Real bad painful.”
Flintlock's wrists were knotted to the wagon wheel at either side of his head. But to his joy his legs were untied. He measured the distance between the toe of his right boot and Buck Yarr's chin. Perfect! Gritting his teeth, he powered his leg upward, arching his back to increase the force of the kick.
The result was all he hoped it would be.
With a sickening thud, like a rifle butt hitting a log, the toe of his boot hit Yarr just under his chin. The man's head snapped back, his mouth spurting strings of blood and saliva. Kneeling on one knee and off balance, he fell heavily onto his right side.
“Never trust a wolf until it's been skun, idiot,” Flintlock said, staring at the groaning man with merciless eyes.
Yarr was hurting but he wasn't done.
Big and strong and snarling like a wounded animal, he got to his feet and charged Flintlock, his knife raised for a downward, killing thrust.
“Buck, no!” Davis yelled.
The enraged man ignored him, but the knife blow never came. Somewhere in Yarr's primitive, reptilian brain he decided that a stabbing was a much too merciful death. His eyes glittering, he switched his attention to the thunderbird on Flintlock's throat. Giggling, he concentrated on his task. The point of his knife pierced skin and drew a thin rivulet of blood and then slowly, carefully, like an eager bride cutting her wedding cake, he began to ... saw.
“Buck, get the hell away from him!” Davis yelled.
Yarr ignored the man, intent on cutting out the skin of Flintlock's throat.
Blam!
Yarr's head exploded as Davis's bullet entered the man's right temple and exited an inch above his left ear, blowing out a gory fountain of brain and bone. For long moments Yarr remained where he was, perfectly still, knife in hand, face expressionless. Then slowly . . . slowly . . . he opened his mouth wide, fell back, and lay still.
Davis kicked Flintlock hard in the ribs. “Now see what you done? You made me kill one of my boys and you already shot another.” Davis shoved the hot muzzle of his Colt between Flintlock's eyes. “Mister, count yourself a lucky man. At the moment you're worth more to me than Buck. Well, maybe. If Barney Morrell tells me he's got no paper on you, I'll cut the bird off your throat myself.”
Pain spiking at his ribs, Flintlock said, “Hell, you got our horses and traps. That's enough for any damned two-bit thief like you.”
Davis shook his head. “No it ain't, not for me.” He stared at Flintlock. “You got a big reputation, feller, but right now you sure as hell don't stack up to much.”
“A lot of men have thought that,” Flintlock said. “I killed most of them.”
The man thumbed his chest. “Well, I ain't so easy to kill, feller. Name's Morgan Davis. That mean anything to you?”
“Seems to me I heard tell of a pimp by that name,” Flintlock said. “They say he has a reputation for beating up on whores.”
Davis smiled. “You're a funny man, Flintlock, a real knee-slapper, but there's something you should know.” The man leaned closer and his voice dropped to a whisper. His breath smelled like rotten meat. “I was spawned in the lowest regions of hell and I've lived in a bottomless pit of depravity and violence since. Don't ever say something is funny again or I'll cut your tongue out.”
Flintlock saw only hate, malevolence, and loathing in Davis's eyes, as though they were stricken with a foul disease. The pimp was a man to be reckoned with and Flintlock wisely kept his mouth shut.
After a final kick at Flintlock's unprotected ribs, Davis stepped away. He stopped at O'Hara, got down on one knee, and buried his fingers in the breed's bloody hair. He jerked up O'Hara's head and stared into his face. “Hey Flintlock, your breed friend is dead.”
Davis let O'Hara's head go and it lolled lifelessly onto O'Hara's chest. Sam Flintlock felt a devastating sense of loss ... and then a spike of white-hot anger.

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