Quin?s Shanghai Circus (29 page)

The soldier, also a corporal, tried to commit suicide by jumping out of a window, but a tree broke his fall and he only suffered a broken arm. Now he was being held in a ground-floor room empty save for the cushion on which the interrogating officer sat. Even the glass from the barred window had been removed.

The policeman's Captain questioned the prisoner a full day and night. At the end of that time he retired for a few hours of sleep after learning only two minor facts, the code name for the espionage network and the unknown disease that had caused the corporal's backache. The policeman was told to stay in the room and not take his eyes off the corporal.

The corporal, little more than a boy, had the delicate features and delicate body of a young girl. Dead leaves blew in through the window along with the cool autumn air. The boy asked if he could use the policeman's overcoat, and the policeman gave it to him after first emptying out the pockets.

There was a secret in that overcoat that had tormented the policeman ever since it was issued to him in the winter of 1935, a secret that had to do with size. In the supply shipment received by his unit that year there had been included a monstrous mistake by the manufacturer, an overcoat so large it could have gone around three or four large men.

The policeman, who was small, was given the coat as a joke and told not to cut it but to take it in, a project that had lasted just over a week. During that time he went about in the cold weather unprotected while the other men ridiculed him.

The young corporal now turned the overcoat over before putting it on. He saw where it had been roughly stitched. Suddenly he held it up and laughed.

What's so funny? said the policeman.

This is, said the boy.

Why?

Because I made it. That coat got me fired from the factory. I was thinking about my mother and the coat came out all wrong, so they fired me. I had to do something, so I went into the army. If it weren't for that coat I wouldn't be here today.

The boy stopped laughing. He moaned the name Miya and began to cry.

The policeman didn't hear the name or see the tears, he saw only the jeering faces that had insulted him two years before when he was cold. The Captain came back an hour later to find the prisoner crumpled up in the corner, his head battered out of shape, his face unrecognizable. The policeman was sitting on the cushion by the window watching the dead leaves fall in the yard.

The Captain flipped the safety on his revolver, but at the last moment kept himself from shooting his subordinate in the head.

Soon afterward the Captain was standing in front of the desk of his commanding officer, a General, the man from the apartment in Shanghai who had once been his patron and protector. There was no need for the Captain to be told that the death of so important a prisoner was unpardonable. At the same time as he turned in his report he made a formal request that both he and the policeman be transferred to a front-line infantry unit.

A month later the Captain was killed in a reckless assault on a Chinese machine gun emplacement. The policeman, however, was still carrying his favorite blackjack the December night his regiment broke ranks outside the gates of Nanking.

Fires were everywhere. For a thousand years the policeman stabbed and shot and clubbed Chinese, for ten thousand years he beat victims and mutilated them and burned them. Then all at once he turned a corner and found himself facing the man from the apartment in Shanghai, from the toilet in Mukden, a man he knew from the winter morning when his father had been found with his face gone and he had had to wait beside the road with a bowed head until an automobile passed bearing the powerful Baron who owned his family's land and all the land for miles around.

He had been only eight years old, but he had peeked up and caught a glimpse of the passing face. The man had held his head differently then, not in that stiff, rigid way, and that was what had confused the policeman in the Shanghai apartment and the Mukden toilet. But now in the screams and shadowy firelight of Nanking the policeman was no longer confused, his head cleared, and he knew exactly whom the face belonged to.

He struck him with his blackjack, the General went down. He dragged him out of the alley into a deserted courtyard, stripped off his uniform, rapped his testicles to hear the sounds from the icy Manchurian cellars.

A low moan. A quiet dying moan.

The fires burned and the policeman tapped out the rhythms in his head, the footsteps on the terraced hills of his childhood, the giant steps to nowhere. He tapped and gently tapped until he felt the sack in his hand growing cold. He severed the sack, shredded the testicles, knotted them around the General's neck and squeezed.

One eye was still wide open staring at him. He ripped it out and threw it away.

Screams.

A collapsing burning wall, flames leaping into the air, the General's epaulets shining in the gloom.

He dropped his trousers, squatted over them before loping out of the courtyard and down the alley.

After a month of arson, torture, and murder along the banks of the Yangtze the policeman was given a summary court martial. While racing a truck through a group of children in a village a machine gun mount had fallen from the truck to the ground. Due to the cries of the children he had failed to hear it. He was found guilty of negligent loss of property. The cost of the mount was deducted from his pay and he was transferred out of the war zone back to his old Kempeitai unit in Manchuria.

The next eight years passed without incident. More and more men were shipped out to the Pacific, to the Philippines, to Okinawa. The barracks in Mukden were unheated, food was scarce. Days he spent in the icy cellars, nights he took long walks into the countryside. One hot summer morning the Russians crossed the border and quickly overran what had once been the Kwangtung army.

As a fascist militarist the policeman was sent with the other Japanese prisoners to a labor camp in Siberia and put to work mining salt, which they did with their hands since the Russians had neither picks nor shovels. His eyes became infected from the salt, temporarily blinding him. Daily classes were held in the new order of justice the prisoners were to carry with them back to Japan.

They were encouraged to grow food or otherwise supplement their rations. The policeman's specialty was a kind of beer made from tundra weeds, homemade beer being traditional among the peasants of the Tohoku. The Russian guards liked it so much there was seldom any left for him, but for some reason he seemed happy to let them have it.

The end of the third year came. The prisoners, fully indoctrinated, were now ready to return to Japan to begin their revolutionary work. On the last night there was a banquet where the guards and prisoners embraced, sang, wept, congratulated each other on now being comrades in a common cause. The policeman left the banquet early to check the special batch of beer he had brewed for the celebration.

Around midnight the Russian guards began to arrive, most of them already drunk. In all, eight of them came, although more had been invited and fewer might have turned up. They sat in the pine grove laughing and singing as he poured out the frothy brew.

The
Amanita muscaria
was a mushroom as well known to Siberian peasants as it was to peasants in the Tohoku. When eaten, a cold sweat was followed by stupor, convulsions, delirium.
Death's angel
it was called, because its victims were always young children who had not yet learned to recognize the deadly muscarine.

The policeman watched the guards die and found himself falling under a magical spell, perhaps because eight fates were dying in the pine grove and eight times eight was the number of paths that led to the primeval Oriental hexagram, the ancient figure found in the Book of Changes.

In any case the sky was so clear that night that every eye in the unfathomable darkness could look down upon this little creature who had come to take part, briefly, in a faceless, patternlesss drama that was without beginning or end, who had come to creep with chance through scenery as impenetrable as millennia of fallen pine needles, a creature who understood as much of the winds that moved him as a leaf broken from the branch of a mulberry tree.

The prisoner-of-war ship arrived in Yokohama in the spring of 1948. The cherry blossoms were still in bloom. A Japanese government band played the
Washington Post March
and
Stars and Stripes Forever.
Hundreds of mothers and sisters crowded the pier waving white handkerchiefs, trying to hear the chant from the men at the railings. What were they shouting?
Banzai
three times with the arms raised?

The chant grew louder as the ship moved in. They could hear it more clearly now.

Pulverize. Smash. Crush. Exterminate.

The handkerchiefs dropped out of the air, the families were quiet and uneasy. Down came the gangplanks and the men, but none of them stopped to embrace their wives and mothers and sisters. Instead they set up folding camp stools, climbed on top of the stools, and began shouting out interminable lectures on mad dog revanchists and imperialist jackals. The families surged hysterically up and down the pier losing themselves in the confusion.

The policeman pushed his way through the crowds and took a train to the industrial suburb where he had been given an underground assignment by the party. Ostensibly he worked in a factory owned by a secret party member that made novelties for export. He painted souvenir models of the Empire State Building. But his real job was to stand in the front line during antigovernment demonstrations and use a straight razor rolled up in a newspaper to slash the flanks of horses used by the police in controlling riots.

He also used the disguised razor to slash the faces of policemen who were on the ground. This routine continued for several years until war broke out in Korea. That May Day the party issued different orders. Not only were they to attack the police, they were also directed to burn the cars of Americans and steal revolvers from policemen where possible.

Razors. Fires. Clubbings. By ten o'clock in the morning he had his first revolver, by noon he had his third. Toward early evening he had cached several more. His procedure was to stagger out of an alley when a policeman passed and yell that he was being attacked by Communists. When the policeman went into the alley he hit him over the head with his blackjack and stole his revolver, then hurriedly worked over his face with the razor before going off to burn another car.

When the sun went down he found himself sitting in the cellar where the revolvers were hidden. He was tired. He counted and recounted the revolvers and went into a trance that lasted more than an hour. Once more the mystical number had descended upon him.

Upon awakening he went in search of a demonstrator who had been injured in the fighting. He came across a dazed student whose head was bleeding. He brought the boy back to the cellar and knocked him out with the blackjack.

Shortly thereafter a squad of police broke into the cellar, acting on the information of a concerned citizen. They discovered eight stolen revolvers under the boy's crumpled body. Due to his head wound the boy could remember nothing of what had happened.

The hero responsible for leading the authorities to the cache was given a patriotic award by a police captain. Despite his illiteracy, his application for employment with the metropolitan police force was given priority because he was an unemployed veteran who had spent three years in a Russian slave labor camp. At his own request he was assigned to the special riot detachment that dealt with Communist demonstrations.

Over the next decade he used his blackjack on any demonstrator he saw carrying a rolled-up newspaper. At the same time a series of murders and rapes occurred in the Tokyo area, unsolved, that were identical in every respect to those reported in Mukden before the war.

On New Year's Day, a month before Geraty arrived in New York with the largest collection of Japanese pornography ever assembled in a Western tongue, the policeman got very drunk and took a train to Kamakura. As always when he left the city at night, he was wearing his old Kempeitai overcoat. He found what he was looking for, an isolated hut on the beach, and was about to break in when he saw someone sitting on the sand, a huge, immobile figure in a squatting position.

The giant had a round black hat pulled down to his ears. The sky was black and the policeman couldn't make out his face. He went across the beach and asked the stranger what he was doing.

In answer the giant held out a bottle.

The policeman sat down and had a drink. An hour went by in silence, perhaps two hours. They finished one bottle of the unknown alcohol and the giant opened another. Not once during this time did the stranger turn his eyes away from the sea. A third hour passed or a fourth and the policeman was reminded of his mysterious union with the stars long ago in Siberia.

He began to talk. He spoke of his childhood, the hateful body hair he had been born with, his father eaten by a dog, his mother drowned in a frozen rice paddy, the giant steps to the mulberry trees, the latrines in Korea, the icy cellars in Manchuria, the abandoned storefront in Shanghai, the tundra weed beer brewed for Russian guards, the first and second and third meetings with Baron Kikuchi.

Mysteriously he came under the spell of the immobile giant, mysteriously repeating on a Kamakura beach the act of confession performed by his unknown sister in a locked, shuttered room a quarter of a century earlier in Shanghai. The giant was impassive. He never stirred. The lapping waves took the place of the humming reels of film. Toward dawn, exhausted, having confessed everything, the policeman fell asleep.

He awoke colder than he had ever been before, naked except for a towel over his lap. The tide was rising, water washed his hairy legs. Beside him lay two empty bottles of Irish whiskey, a jar that smelled of horseradish, the clothes he had taken off during the night while recounting his tale, thereby reversing the nakedness of that other confession in another era.