Read Quilts: Their Story and How to Make Them Online
Authors: Marie D. Webster,Rosalind W. Perry
Tags: #Quilts, #Quilting, #Coverlets
Title: Quilts
Their Story and How to Make Them
Author: Marie D. Webster
Release Date: February 24, 2008 [eBook #24682]
Language: English
Character set encoding: ISO-8859-1
***START OF THE PROJECT GUTENBERG EBOOK QUILTS***
BY
ILLUSTRATED
Garden City
New York
DOUBLEDAY, PAGE & COMPANY
1916
INDIANA WREATH
Made in 1858. Colours: red, green, yellow, and pink
Copyright, 1915, by
Doubleday, Page & Company
All rights reserved, including that of
translation into foreign languages,
including the Scandinavian
CHAPTER | PAGE | |
| Introduction | xv |
I. | Patchwork in Antiquity | 3 |
II. | Patchwork and Quilting During the Middle Ages | 16 |
III. | Patchwork and Quilting in Old England | 34 |
IV. | The Quilt in America | 60 |
V. | How Quilts Are Made | 89 |
VI. | Quilt Names | 115 |
VII. | Quilt Collections and Exhibitions | 133 |
VIII. | The Quilt’s Place in American Life | 149 |
| List of Quilt Names, Arranged Alphabetically | 169 |
| List of References | 177 |
Indiana Wreath | Frontispiece |
| FACING PAGE |
*The Bedtime Quilt | 24 |
The Iris Design | 40 |
Morning Glories | 56 |
Daisy Quilt | 72 |
*Poppy Design | 86 |
*The Sunflower Quilt | 102 |
“Pink Rose” Design | 120 |
*The “Wind-blown Tulip” Design | 134 |
Golden Butterflies and Pansies | 140 |
The “Snowflake” Quilt Design | 146 |
*The Dogwood Quilt | 150 |
The Wild Rose | 156 |
*Morning Glory | 160 |
*“Keepsake Quilt” | 164 |
* Made by Marie Webster.
| FACING PAGE |
Section of Funeral Tent of an Egyptian Queen, Made in a Patchwork of Coloured Goatskins | 4 |
Old English Appliqué | 5 |
Fifth Century Appliqué | 6 |
Armenian Patchwork: St. George and the Dragon | 7 |
Persian Quilted Linen Bath Carpet: Seventeenth Century | 10 |
Old English Hanging with Appliqué Figures | 11 |
Modern Egyptian Patchwork: Four Cushion Covers | 12 |
Modern Egyptian Patchwork: Panels for Screens | 13 |
Modern Egyptian Patchwork: Panels for Wall Decoration | 16 |
Double Nine Patch | 17 |
Pieced Baskets | 20 |
Bedroom, Cochran Residence, Deerfield, Mass. | 21 |
Jacob’s Ladder | 28 |
Conventional Tulip | 29 |
Old German Appliqué, Metropolitan Museum, New York | 32 |
Double X | 33 |
Puss-in-the-Corner | 34 |
Tea Leaves | 35 |
Feather Star | 38 |
Drunkard’s Path | 39 |
Star of the East | 42 |
White Quilt with Tufted Border, Metropolitan Museum, New York | 43 |
Sunburst and Wheel of Fortune | 46 |
Tree of Paradise | 47 |
Old Bed and Trundle Bed | 48 |
Two White Tufted Bedspreads | 49 |
Tufted Bedspread with Knotted Fringe | 52 |
Unknown Star | 53 |
Combination Rose | 54 |
Double Tulip | 55 |
Princess Feathers | 58 |
Princess Feathers with Border | 59 |
Peonies | 60 |
North Carolina Lily | 61 |
Feather Star with Appliqué | 64 |
Tulip Tree Leaves | 65 |
Mexican Rose | 66 |
Currants and Cockscomb | 67 |
Conventional Appliqué | 70 |
Single Tulip | 71 |
Ohio Rose | 74 |
Rose of Sharon | 75 |
Original Floral Designs | 78 |
Conventional Tulip | 79 |
Conventional Rose | 80 |
Conventional Rose Wreath | 81 |
Poinsettia | 84 |
Whig Rose | 85 |
Harrison Rose | 92 |
Detail of Harrison Rose, Showing Quilting | 93 |
Original Rose Design | 96 |
Pineapple Design | 97 |
Virginia Rose | 100 |
Rose of LeMoine | 101 |
Charter Oak | 108 |
Puffed Quilt of Silk | 109 |
Variegated Hexagon, Silk | 112 |
Roman Stripe, Silk | 113 |
American Log Cabin, Silk and Wool | 116 |
Democrat Rose | 117 |
Original Rose No. 3 | 124 |
White Quilt, Stuffed Designs | 125 |
White Quilt | 128 |
Old Ladies Quilting | 129 |
Quilts on a Line | 136 |
*Grapes | 137 |
* Made by Marie Webster.
| PAGE |
Single Diagonal Lines | 93 |
Double Diagonal Lines | 93 |
Triple Diagonal Lines | 93 |
Diamonds | 99 |
Hanging Diamonds | 99 |
Broken Plaid | 99 |
Rope | 104 |
Shell | 104 |
Fan | 104 |
Feathers in Bands | 105 |
Feathers in Waved Lines | 105 |
Feathers in Circles | 105 |
Three Original Quilting Designs from Old Quilts | 108 |
Design from an Old English Quilt | 112 |
Medallion Design | 112 |
Pineapple | 112 |
Although
the quilt is one of the most familiar and necessary articles in our households, its story is yet to be told. In spite of its universal use and intimate connection with our lives, its past is a mystery which—at the most—can be only partially unravelled.
The quilt has a tradition of long centuries of slow but certain progress. Its story is replete with incidents of love and daring, of sordid pilferings and generous sacrifices. It has figured in many a thrilling episode. The same type of handiwork that has sheltered the simple peasant from wintry blasts has adorned the great halls of doughty warriors and noble kings. Humble maids, austere nuns, grand dames, and stately queens; all have shared in the fascination of the quilter’s art and have contributed to its advancement. Cottage, convent, and castle; all have been enriched, at one time or another, by the splendours of patchwork and the pleasures of its making.
In its suitability for manufacture within the home, the quilt possesses a peculiar merit. Although exposed for a full century to the competition of machinery, under the depressing influence of which most of the fireside crafts have all but vanished, the making of quilts as a home industry has never languished. Its hold on the affections of womankind has never been stronger than it is to-day. As a homemaker, the quilt is a most capable tool lying ready at the hand of every woman. The selection of design, the care in piecing, the patience in quilting; all make for feminine contentment and domestic happiness.
There are more quilts being made at the present time—in the great cities as well as in the rural communities—than ever before, and their construction as a household occupation—and recreation—is steadily increasing in popularity. This should be a source of much satisfaction to all patriotic Americans who believe that the true source of our nation’s strength lies in keeping the family hearth flame bright.
As known to-day, the quilt is the result of combining two kinds of needlework, both of very ancient origin, but widely different in character.
Patchwork—the art of piecing together fabrics of various kinds and colours or laying patches of one kind upon another, is a development of the primitive desire for adornment. Quilting—the method of fastening together layers of cloths in such a manner as to secure firmly the loose materials uniformly spread between them, has resulted from the need of adequate protection against rigorous climates. The piecing and patching provide the maker with a suitable field for the display of artistic ability, while the quilting calls for particular skill in handling the needle. The fusing of these two kinds of needlework into a harmonious combination is a task that requires great patience and calls for talent of no mean order.