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Authors: Philip Roth

BOOK: Portnoy's Complaint
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When I am bad I am locked out of the apartment. I stand at the door hammering and hammering until I swear I will turn over a new leaf. But what is it I have done? I shine my shoes every evening on a sheet of last night’s newspaper laid carefully over the linoleum; afterward I never fail to turn securely the lid on the tin of polish, and to return all the equipment to where it belongs. I roll the toothpaste tube from the bottom, I brush my teeth in circles and never up and down, I say “Thank you,” I say “You’re welcome,” I say “I beg your pardon,” and “May I.” When Hannah is ill or out before supper with her blue tin can collecting for the Jewish National Fund, I voluntarily and out of my turn set the table, remembering always knife and spoon on the right, fork on the left, and napkin to the left of the fork and folded into a triangle. I would never eat
milchiks
off a
flaishedigeh
dish, never, never, never. Nonetheless, there is a year or so in my life when not a month goes by that I don’t do something so inexcusable that I am told to pack a bag and leave. But what could it possibly be? Mother, it’s me, the little boy who spends whole nights before school begins beautifully lettering in Old English script the names of his subjects on his colored course dividers, who patiently fastens reinforcements to a term’s worth of three-ringed paper, lined and unlined both. I carry a comb and a clean hankie; never do my knicker stockings drag at my shoes, I see to that; my homework is completed weeks in advance of the assignment—let’s face it, Ma, I am the smartest and neatest little boy in the history of my school! Teachers (as you know, as they have
told
you) go home happy to their husbands because of me. So what is it I have done? Will someone with the answer to that question please stand up! I am so awful she will not have me in her house
a minute longer
. When I once called my sister a cocky-doody, my mouth was immediately washed with a cake of brown laundry soap; this I understand. But banishment? What can I possibly have done!

Because she is good she will pack a lunch for me to take along, but then out I go, in my coat and my galoshes, and what happens is not her business.

Okay, I say, if that’s how you feel! (For I have the taste for melodrama too—I am not in this family for nothing.) I don’t need a bag of lunch! I don’t need anything!

I don’t love you any more, not a little boy who behaves like you do. I’ll live alone here with Daddy and Hannah, says my mother (a master really at phrasing things just the right way to kill you). Hannah can set up the mahjongg tiles for the ladies on Tuesday night. We won’t be needing you any more.

Who cares! And out the door I go, into the long dim hallway. Who cares! I will sell newspapers on the streets in my bare feet. I will ride where I want on freight cars and sleep in open fields, I think—and then it is enough for me to see the empty milk bottles standing by our welcome mat, for the immensity of all I have lost to come breaking over my head. “I hate you!” I holler, kicking a galosh at the door; “you stink!” To this filth, to this heresy booming through the corridors of the apartment building where she is vying with twenty other Jewish women to be the patron saint of self-sacrifice, my mother has no choice but to throw the double-lock on our door. This is when I start to hammer to be let in. I drop to the doormat to beg forgiveness for my sin (which is what again?) and promise her nothing but perfection for the rest of our lives, which at that time I believe will be endless.

Then there are the nights I will not eat. My sister, who is four years my senior, assures me that what I remember is fact: I would refuse to eat, and my mother would find herself unable to submit to such willfulness—and such idiocy. And unable to for my own good. She is only asking me to do something
for my own good
—and still I say
no?
Wouldn’t she give me the food out of her own mouth, don’t I know that by now?

But I don’t want the food from her mouth. I don’t even want the food from my plate—that’s the point.

Please! a child with my potential! my accomplishments! my future!—all the gifts God has lavished upon me, of beauty, of brains, am I to be allowed to think I can just starve myself to death for no good reason in the world?

Do I want people to look down on a skinny little boy all my life, or to look up to a man?

Do I want to be pushed around and made fun of, do I want to be skin and bones that people can knock over with a sneeze, or do I want to command respect?

Which do I want to be when I grow up, weak or strong, a success or a failure, a man or a mouse?

I just don’t want to eat, I answer.

So my mother sits down in a chair beside me with a long bread knife in her hand. It is made of stainless steel, and has little sawlike teeth. Which do I want to be, weak or strong, a man or a mouse?

Doctor,
why
, why oh why oh why oh why does a mother pull a knife on her own son? I am six, seven years old, how do I know she really wouldn’t use it? What am I supposed to do, try bluffing her out, at seven? I have no complicated sense of strategy, for Christ’s sake—I probably don’t even weigh sixty pounds yet! Someone waves a knife in my direction, I believe there is an intention lurking somewhere to draw my blood! Only
why?
What can she possibly be thinking
in her brain?
How crazy can she possibly be? Suppose she had let me win—what would have been lost? Why a
knife
, why the threat of
murder
, why is such total and annihilating victory necessary—when only the day before she set down her iron on the ironing board and
applauded
as I stormed around the kitchen rehearsing my role as Christopher Columbus in the third-grade production of
Land Ho!
I am the star actor of my class, they cannot put a play on without me. Oh, once they tried, when I had my bronchitis, but my teacher later confided in my mother that it had been decidedly second-rate. Oh
how
, how can she spend such glorious afternoons in that kitchen, polishing silver, chopping liver, threading new elastic in the waistband of my little jockey shorts—and feeding me all the while my cues from the mimeographed script, playing Queen Isabella to my Columbus, Betsy Ross to my Washington, Mrs. Pasteur to my Louis—how can she rise with me on the crest of my genius during those dusky beautiful hours after school, and then at night, because I will not eat some string beans and a baked potato, point a bread knife at my heart?

And why doesn’t my father stop her?

WHACKING OFF

Then came adolescence—half my waking life spent locked behind the bathroom door, firing my wad down the toilet bowl, or into the soiled clothes in the laundry hamper, or
splat
, up against the medicine-chest mirror, before which I stood in my dropped drawers so I could see how it looked coming out. Or else I was doubled over my flying fist, eyes pressed closed but mouth wide open, to take that sticky sauce of buttermilk and Clorox on my own tongue and teeth—though not infrequently, in my blindness and ecstasy, I got it all in the pompadour, like a blast of Wildroot Cream Oil. Through a world of matted handkerchiefs and crumpled Kleenex and stained pajamas, I moved my raw and swollen penis, perpetually in dread that my loathsomeness would be discovered by someone stealing upon me just as I was in the frenzy of dropping my load. Nevertheless, I was wholly incapable of keeping my paws from my dong once it started the climb up my belly. In the middle of a class I would raise a hand to be excused, rush down the corridor to the lavatory, and with ten or fifteen savage strokes, beat off standing up into a urinal. At the Saturday afternoon movie I would leave my friends to go off to the candy machine—and wind up in a distant balcony seat, squirting my seed into the empty wrapper from a Mounds bar. On an outing of our family association, I once cored an apple, saw to my astonishment (and with the aid of my obsession) what it looked like, and ran off into the woods to fall upon the orifice of the fruit, pretending that the cool and mealy hole was actually between the legs of that mythical being who always called me Big Boy when she pleaded for what no girl in all recorded history had ever had. “Oh shove it in me, Big Boy,” cried the cored apple that I banged silly on that picnic. “Big Boy, Big Boy, oh give me all you’ve got,” begged the empty milk bottle that I kept hidden in our storage bin in the basement, to drive wild after school with my vaselined upright. “Come, Big Boy, come,” screamed the maddened piece of liver that, in my own insanity, I bought one afternoon at a butcher shop and, believe it or not, violated behind a billboard on the way to a bar mitzvah lesson.

It was at the end of my freshman year of high school—and freshman year of masturbating—that I discovered on the underside of my penis, just where the shaft meets the head, a little discolored dot that has since been diagnosed as a freckle. Cancer. I had given myself
cancer
. All that pulling and tugging at my own flesh, all that friction, had given me an incurable disease. And not yet fourteen! In bed at night the tears rolled from my eyes. “No!” I sobbed. “I don’t want to die! Please—no!” But then, because I would very shortly be a corpse anyway, I went ahead as usual and jerked off into my sock. I had taken to carrying the dirty socks into bed with me at night so as to be able to use one as a receptacle upon retiring, and the other upon awakening.

If only I could cut down to one hand-job a day, or hold the line at two, or even three! But with the prospect of oblivion before me, I actually began to set new records for myself. Before meals. After meals.
During
meals. Jumping up from the dinner table, I tragically clutch at my belly—diarrhea! I cry, I have been stricken with diarrhea!—and once behind the locked bathroom door, slip over my head a pair of underpants that I have stolen from my sister’s dresser and carry rolled in a handkerchief in my pocket. So galvanic is the effect of cotton panties against my mouth—so galvanic is the
word
“panties”—that the trajectory of my ejaculation reaches startling new heights: leaving my joint like a rocket it makes right for the light bulb overhead, where to my wonderment and horror, it hits and it hangs. Wildly in the first moment I cover my head, expecting an explosion of glass, a burst of flames—disaster, you see, is never far from my mind. Then quietly as I can I climb the radiator and remove the sizzling gob with a wad of toilet paper. I begin a scrupulous search of the shower curtain, the tub, the tile floor, the four toothbrushes—God forbid!—and just as I am about to unlock the door, imagining I have covered my tracks, my heart lurches at the sight of what is hanging like snot to the toe of my shoe. I am the Raskolnikov of jerking off—the sticky evidence is everywhere! Is it on my cuffs too? in my
hair?
my
ear?
All this I wonder even as I come back to the kitchen table, scowling and cranky, to grumble self-right-eously at my father when he opens his mouth full of red jello and says, “I don’t understand what you have to lock the door about. That to me is beyond comprehension. What is this, a home or a Grand Central station?” “… privacy … a human being … around here
never
,” I reply, then push aside my dessert to scream, “I don’t feel well—
will everybody leave me alone?

After dessert—which I finish because I happen to like jello, even if I detest them—after dessert I am back in the bathroom again. I burrow through the week’s laundry until I uncover one of my sister’s soiled brassieres. I string one shoulder strap over the knob of the bathroom door and the other on the knob of the linen closet: a scarecrow to bring on more dreams. “Oh beat it, Big Boy, beat it to a red-hot pulp—” so I am being urged by the little cups of Hannah’s brassiere, when a rolled-up newspaper smacks at the door. And sends me and my handful an inch off the toilet seat. “—Come on, give somebody else a crack at that bowl, will you?” my father says. “I haven’t moved my bowels in a week.”

I recover my equilibrium, as is my talent, with a burst of hurt feelings. “I have a terrible case of diarrhea! Doesn’t that mean anything to anyone in this house?”—in the meantime resuming the stroke, indeed quickening the tempo as my cancerous organ miraculously begins to quiver again from the inside out.

Then Hannah’s brassiere
begins to move
. To swing to and fro! I veil my eyes, and behold!—Lenore Lapidus! who has the biggest pair in my class, running for the bus after school, her great untouchable load shifting weightily inside her blouse, oh I urge them up from their cups, and over, LENORE LAPIDUS’S ACTUAL TITS, and realize in the same split second that my mother is vigorously shaking the doorknob. Of the door I have finally forgotten to lock! I knew it would happen one day!
Caught!
As good as
dead!

“Open up, Alex. I want you to open up this instant.”

It’s locked, I’m
not
caught! And I see from what’s alive in my hand that I’m not quite dead yet either. Beat on then! beat on! “Lick me, Big Boy—lick me a good hot lick! I’m Lenore Lapidus’s big fat red-hot brassiere!”

“Alex, I want an answer from you. Did you eat French fries after school? Is that why you’re sick like this?”

“Nuhhh, nuhhh.”

“Alex, are you in pain? Do you want me to call the doctor? Are you in pain, or aren’t you? I want to know exactly where it hurts.
Answer me
.”

“Yuhh, yuhhh—”

“Alex, I don’t want you to flush the toilet,” says my mother sternly. “I want to see what you’ve done in there. I don’t like the sound of this at all.”

“And me,” says my father, touched as he always was by my accomplishments—as much awe as envy—“I haven’t moved my bowels in a week,” just as I lurch from my perch on the toilet seat, and with the whimper of a whipped animal, deliver three drops of something barely viscous into the tiny piece of cloth where my flat-chested eighteen-year-old sister has laid her nipples, such as they are. It is my fourth orgasm of the day. When will I begin to come blood?

“Get in here, please, you,” says my mother. “Why did you flush the toilet when I told you not to?”

“I forgot.”

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