Police at the Funeral

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Authors: Margery Allingham

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CONTENTS

Cover

About the Book

About the Author

Also by Margery Allingham

Dedication

Title Page

Chapter 1. ‘Here Lies a Benefactor'

Chapter 2. The Luck of Uncle Andrew

Chapter 3. ‘Something Rather Terrifying . . .'

Chapter 4. ‘The Four-Flusher'

Chapter 5. Aunt Kitty's Secret Vice

Chapter 6. The Grand Manner

Chapter 7. The Conjuror

Chapter 8. The Observations of Mr Cheetoo

Chapter 9. Dirty Linen

Chapter 10. Uncle William's Guilty Conscience

Chapter 11. And So To Bed

Chapter 12. Committee Stage

Chapter 13. Man Friday

Chapter 14. The Cat in the Bag

Chapter 15. The Outside Job

Chapter 16. Black Sunday

Chapter 17. Open Verdict

Chapter 18. Report of the Deputy Coroner

Chapter 19. Under the Black Wing

Chapter 20. The Devil in the House

Chapter 21. The Owner of the Green Hat

Chapter 22. In the Morning

Chapter 23. A Legacy

Chapter 24. Audience

Chapter 25. The Token

Note

Copyright

About the Book

When Albert Campion is called in by the fiancee of an old college friend to investigate the disappearance of her uncle, he little expects the mysterious spate of death and dangers that follows among the bizarre inhabitants of Socrates Close, Cambridge. He and Stanislaus Oates must tread carefully, and battle some complex family dynamics, to solve the case.

About the Author

Margery Allingham was born in London in 1904. She attended the Perse School in Cambridge before returning to London to the Regent Street Polytechnic. Her father – author H. J. Allingham – encouraged her to write, and was delighted when she contributed to her aunt's cinematic magazine,
The Picture Show
, at the age of eight.

Her first novel was published when she was seventeen. In 1928 she published her first detective story,
The White Cottage Mystery
, which had been serialised in the
Daily Express
. The following year, in
The Crime at Black Dudley
, she introduced the character who was to become the hallmark of her writing – Albert Campion. Her novels heralded the more sophisticated suspense genre: characterised by her intuitive intelligence, extraordinary energy and accurate observation, they vary from the grave to the openly satirical, whilst never losing sight of the basic rules of the classic detective tale. Famous for her London thrillers, such as
Hide My Eyes
and
The Tiger in the Smoke
, she has been compared to Dickens in her evocation of the city's shady underworld.

In 1927 she married the artist, journalist and editor Philip Youngman Carter. They divided their time between their Bloomsbury flat and an old house in the village of Tolleshunt D'Arcy in Essex. Margery Allingham died in 1966.

ALSO BY MARGERY ALLINGHAM IN
THE ALBERT CAMPION SERIES

The Crime at Black Dudley

Mystery Mile

Look to the Lady

Sweet Danger

Death of a Ghost

Dancers in Mourning

Flowers for the Judge

The Case of the Late Pig

Mr Campion and Others

The Fashion in Shrouds

Black Plumes

Coroner's Pidgin

Traitor's Purse

The Casebook of Mr Campion

More Work for the Undertaker

The Tiger in the Smoke

The Beckoning Lady

Hide My Eyes

The China Governess

The Mind Readers

A Cargo of Eagles

TO MY SEVEN PATERNAL UNCLES

Police at the Funeral
Margery Allingham

CHAPTER I
‘HERE LIES A BENEFACTOR'

WHEN ONE MAN
is following another, however discreet may be the pursuer or the pursued, the act does not often pass unnoticed in the streets of London.

There were at least four people who realized that Inspector Stanislaus Oates, only lately promoted to the Big Five, was being followed down High Holborn by the short, squat, shabby man who yet bore the elusive air of a forgotten culture about him.

The Inspector walked with his hands in the pockets of his raincoat, his collar turned up until it almost met the brim of his battered trilby. His shoulders were hunched, his feet were wet, and his very gait announced the dejection which he felt.

There was very little to show the casual passer-by that the square man, who might have been a bookmaker's tout, was following the Inspector. He himself would have been astounded to know that anyone had guessed that he was aware of the policeman's existence, but old Mrs Carter, who sells flowers outside the Provincial Bank, recognized Mr Oates and observed his trailer, and wondered what he was up to, aloud, to her daughter who was waiting for the ‘late extra'
Evening Standard
van, and getting her high-heeled shoes full of water from the stream which was sweeping down the gutter.

The Commissionaire standing on the steps of the big Anglo-American hotel saw the two men also, and congratulated himself that nothing much escaped him. Old Todd, last cabby in the rank before Staple Inn, also made a note of the spectacle as he sat staring listlessly over his steel-rimmed glasses waiting for the evening rush, wondering if his one remaining brake would hold in this blasted rain.

And lastly, the Inspector himself was aware of the circumstance. One is not a policeman for twenty-five years without becoming peculiarly sensitive to the fact that one is not alone
in one's promenading, and the silent companion at the discreet distance becomes as real as if he were at one's side.

Today the Inspector was aware of it and took no notice of it. There were many people who might have considered that they had sufficient grievance against him to meditate an attack on Mr Oates, but no one, so far as he knew, who would risk making such an attempt in broad daylight in the heart of the city. He squelched on, therefore, through the rain, lost in his own private depression. That lank, good-tempered man running to fat only at the stomach was oppressed by nothing more than a mild attack of dyspepsia coupled with the uncomfortable premonition that his luck was out and that something unpleasant was going to happen. His was not an imaginative nature, but a premonition is a premonition, and he had just joined the Big Five, so that his responsibilities, should anything difficult turn up, would be by no means decreased. Moreover, there was the rain, the dyspepsia which had sent him for the walk, and again the rain.

In the centre of the blinding storm which blew across the Viaduct he paused and upbraided himself. The vague presence behind him was his least irritant. Hang it! this rain was soaking him. He was out of the district of hotels, and thanks to the care of a grandmotherly government no public-house would be open for another hour and a half. His trouser legs were flapping clammily against his ankles, and in jerking up his raincoat collar he had spilt a small waterfall from his hat-brim down the back of his neck.

There were a thousand and one things he might have done. He could have taken a taxi back to the Yard or to some restaurant or hotel where he could have dried at leisure, but his mood was perverse, and he looked about him aggressively. The rawest constable on this beat, he reflected, must know of some shelter, some haven in this wilderness of offices where a man might dry, warm himself, and perhaps smoke a forbidden pipe in pleasant if dusty privacy.

London, like all great cities which have been built and rebuilt for upwards of a thousand years, has all sorts of odd corners, little forgotten patches of valuable land which still belong to the public, hidden though they are amid great stone
masses of private property. Standing on the Viaduct, Stanislaus Oates cast his mind back over twenty years to the time when he himself had been a constable in London, raw from the provinces. Surely he had walked this dreary street on his way home from a Holborn beat: surely there had been some retreat where he had polished up the answers for the terrifying oral examination in the spring, or pencilled an absurdly glorified account of his doings to the trusting and lovely Marion still down in Dorset.

The buildings around him had changed, but the lie of the land was the same. Memory returned to him, patchily at first like a landscape seen through leaves, but suddenly he recollected a musty smell of warm sacks and hot water-pipes. And then it all came back to him – the dark passage-way with the shaft of light at the end, the red door in the wall with the bucket outside and the statue facing it.

Immediately his spirits rose considerably, and he set off, penetrating farther into the city until a sudden turning brought him face to face with a narrow archway squeezed in between two palatial wholesalers' doorways. The paving-stones within the passage were worn narrow strips set crazily together, and on the whitewashed wall was a small battered notice half obliterated by dust and further obscured by the shadow, which stated simply: ‘
To the Tomb
.'

Down this alley Inspector Stanislaus Oates plunged without hesitation.

After some fifteen yards of tunnel he emerged into a little yard, the face of which had not altered since he had first known it, nor, for that matter, for the last hundred years. Here brown-black buildings rose steep on all four sides, framing a small patch of grey unfriendly sky. The reason for this peculiar air-shaft in the very centre of an ancient block of buildings took up by far the larger half of the yard and consisted of a rectangle of sparse yellow grass surrounded by railings, in the midst of which reposed the stone effigy of a man in doublet and hose. A tablet at the figure's feet announced to the curious:

Sir Thomas Lillyput

He bought this land

His bones wherein to lie

Disturb him not lest ye be stirred

When ye shall come to die

Lord Mayor of London,
1537,

and underneath, in more modern script:

Here lies a benefactor

Let no one move his bones.

The pious or perhaps superstitious magnates of a later London had so far respected Sir Thomas and his property that they had built their businesses around him and not directly above or beneath him.

The builder of the block above the passage, however, had utilized the yard as an entrance for coal since the strictly legal right-of-way was too narrow to admit of its use as a goods entrance, and the red door which the Inspector remembered on the right of the effigy led into the somewhat archaic heating arrangements of the ancient firm who occupied the east block.

The door was propped open by a bucket as it always had been. To the Inspector's livening eyes it appeared to be the same bucket, and he wondered if Old Foxie – the name came back to him with delightful familiarity – was still stoking. His depression was lifting at every step, and he advanced jauntily, restraining an absurd inclination to kick the pail as he passed into the semi-darkness of the furnace-room.

‘And this, if I mistake not, Watson, is our client,' said a voice out of the gloom. ‘Good Heavens! The Force!'

After his first start of surprise the Inspector swung round to find himself facing a young man perched insecurely on a pile of débris in the warm murky shelter of the stove. A shaft of light from the furnace lit up the figure, throwing him into sharp relief.

The Inspector had a vision of a lank immaculate form surmounted by a pale face half obliterated by enormous hornrimmed spectacles. The final note of incongruity was struck by an old-fashioned deerstalker cap set jauntily upon the top of the young man's head.

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