Player Piano (2 page)

The motor stopped, the radio winked off, and the door slammed. “Don’t take any wooden nickels,” called the car as Paul climbed into his own. “Don’t take any wooden nickels, don’t take any wooden nickels, don’t take any—”

“I won’t!”

Bud’s car fell silent, apparently at peace.

Paul drove down the broad, clean boulevard that split the plant, and watched the building numbers flash by. A station wagon, honking its horn, and its occupants waving to him, shot past in the opposite direction, playfully zigzagging on the deserted street, heading for the main gate. Paul glanced at his watch. That was the second shift just coming off work. It annoyed him that sophomoric high spirits should be correlated with the kind of young men it took to keep the plant going. Cautiously, he assured himself that when he,
Finnerty, and Shepherd had come to work in the Ilium Works thirteen years before, they had been a good bit more adult, less cock-sure, and certainly without the air of belonging to an elite.

Some people, including Paul’s famous father, had talked in the old days as though engineers, managers, and scientists were an elite. And when things were building up to the war, it was recognized that American know-how was the only answer to the prospective enemy’s vast numbers, and there was talk of deeper, thicker shelters for the possessors of know-how, and of keeping this cream of the population out of the front-line fighting. But not many had taken the idea of an elite to heart. When Paul, Finnerty, and Shepherd had graduated from college, early in the war, they had felt sheepish about not going to fight, and humbled by those who did go. But now this elite business, this assurance of superiority, this sense of rightness about the hierarchy topped by managers and engineers—this was instilled in all college graduates, and there were no bones about it.

Paul felt better when he got into Building 58, a long, narrow structure four blocks long. It was a pet of his. He’d been told to have the north end of the building torn down and replaced, and he’d talked Headquarters out of it. The north end was the oldest building in the plant, and Paul had saved it—because of its historical interest to visitors, he’d told Headquarters. But he discouraged and disliked visitors, and he’d really saved Building 58’s north end for himself. It was the original machine shop set up by Edison in 1886, the same year in which he opened another in Schenectady, and visiting it took the edge off Paul’s periods of depression. It was a vote of confidence from the past, he thought—where the past admitted how humble and shoddy it had been, where one could look from the old to the new and see that mankind really had come a long way. Paul needed that reassurance from time to time.

Objectively, Paul tried to tell himself, things really were
better than ever. For once, after the great bloodbath of the war, the world really was cleared of unnatural terrors—mass starvation, mass imprisonment, mass torture, mass murder. Objectively, know-how and world law were getting their long-awaited chance to turn earth into an altogether pleasant and convenient place in which to sweat out Judgment Day.

Paul wished he had gone to the front, and heard the senseless tumult and thunder, and seen the wounded and dead, and maybe got a piece of shrapnel through his leg. Maybe he’d be able to understand then how good everything now was by comparison, to see what seemed so clear to others—that what he was doing, had done, and would do as a manager and engineer was vital, above reproach, and had, in fact, brought on a golden age. Of late, his job, the system, and organizational politics had left him variously annoyed, bored, or queasy.

He stood in the old part of Building 58, which was now filled with welding machines and a bank of insulation braiders. It soothed him to look up at the wooden rafters, uneven with ancient adze marks beneath flaking calcimine, and at the dull walls of brick soft enough for men—God knows how long ago—to carve their initials in: “KTM,” “DG,” “GP,” “BDH,” “HB,” “NNS.” Paul imagined for a moment—as he often imagined on visits to Building 58—that he was Edison, standing on the threshold of a solitary brick building on the banks of the Iroquois, with the upstate winter slashing through the broomcorn outside. The rafters still bore the marks of what Edison had done with the lonely brick barn: bolt holes showed where overhead shafts had once carried power to a forest of belts, and the wood-block floor was black with the oil and scarred by the feet of the crude machines the belts had spun.

On his office wall, Paul had a picture of the shop as it had been in the beginning. All of the employees, most of them recruited from surrounding farms, had stood shoulder to shoulder amid the crude apparatus for the photograph,
almost fierce with dignity and pride, ridiculous in stiff collars and derbies. The photographer had apparently been accustomed to taking pictures of athletic teams and fraternal organizations, for the picture had the atmosphere, after the fashion of the day, of both. In each face was a defiant promise of physical strength, and at the same time, there was the attitude of a secret order, above and apart from society by virtue of participating in important and moving rites the laity could only guess about—and guess wrong. The pride in strength and important mystery showed no less in the eyes of the sweepers than in those of the machinists and inspectors, and in those of the foreman, who alone was without a lunchbox.

A buzzer sounded, and Paul stepped to one side of the aisle as the sweeping machine rattled by on its rails, whooshing up a cloud of dust with spinning brooms, and sucking up the cloud with a voracious snout. The cat in Paul’s arms clawed up threads from his suit and hissed at the machine.

Paul’s eyes began to nag him with a prickling sensation, and he realized that he’d been gazing into the glare and sputter of the welding machines without protecting his eyes. He clipped dark glasses over his spectacles, and strode through the antiseptic smell of ozone toward lathe group three, which was in the center of the building, in the new part.

He paused for a moment by the last welding-machine group, and wished Edison could be with him to see it. The old man would have been enchanted. Two steel plates were stripped from a pile, sent rattling down a chute; were seized by mechanical hands and thrust under the welding machine. The welding heads dropped, sputtered, and rose. A battery of electric eyes balefully studied the union of the two plates, signaled a meter in Katharine’s office that all was well with welding-machine group five in Building 58, and the welded plates skittered down another chute into the jaws of the punch-press group in the basement. Every seventeen seconds, each of the twelve machines in the group completed the cycle.

Looking the length of Building 58, Paul had the impression
of a great gymnasium, where countless squads practiced precision calisthenics—bobbing, spinning, leaping, thrusting, waving…. This much of the new era Paul loved: the machines themselves were entertaining and delightful.

Cursorily, he opened the control box for the welding-machine group, and saw that the machines were set to run for three more days. After that, they would shut down automatically until Paul received new orders from headquarters and relayed them to Doctor Lawson Shepherd, who was second-in-command and responsible for Buildings 53 through 71. Shepherd, who was sick today, would then set the controls for a new batch of refrigerator backs—however many backs EPICAC, a computing machine in Carlsbad Caverns, felt the economy could absorb.

Paul, calming the anxious cat with his long, slender fingers, wondered indifferently if Shepherd really was sick. Probably not. More likely, he was seeing important people, trying to get transferred out from under Paul.

Shepherd, Paul, and Edward Finnerty had all come to Ilium together as youngsters. Now Finnerty had moved on to bigger things in Washington; Paul had been given the highest job in Ilium; and Shepherd, sulky and carping, but efficient, had, in his own eyes, been humiliated by being named second-in-command to Paul. Transfers were an upper-echelon decision, and Paul hoped to God that Shepherd got one.

Paul arrived at lathe group three, the troublemaker he had come to see. He had been agitating a long time for permission to junk the group, without much luck. The lathes were of the old type, built originally to be controlled by men, and adapted during the war, clumsily, to the new techniques. The accuracy was going out of them, and, as the meter in Katharine’s office had pointed out, rejects were showing up in quantity. Paul was willing to bet that the lathe group was
ten
per cent as wasteful as it had been in the days of human control and mountainous scrap heaps.

The group, five ranks of ten machines each, swept their tools in unison across steel bars, kicked out finished shafts onto continuous belts, stopped while raw bars dropped between their chucks and tailstocks, clamped down, and swept their tools across the bars, kicked out the finished shafts onto …

Paul unlocked the box containing the tape recording that controlled them all. The tape was a small loop that fed continuously between magnetic pickups. On it were recorded the movements of a master machinist turning out a shaft for a fractional horsepower motor. Paul counted back—eleven, twelve, thirteen years ago, he’d been in on the making of the tape, the master from which this one had been made….

He and Finnerty and Shepherd, with the ink hardly dry on their doctorates, had been sent to one of the machine shops to make the recording. The foreman had pointed out his best man—what
was
his name?—and, joking with the puzzled machinist, the three bright young men had hooked up the recording apparatus to the lathe controls. Hertz! That had been the machinist’s name—Rudy Hertz, an old-timer, who had been about ready to retire. Paul remembered the name now, and remembered the deference the old man had shown the bright young men.

Afterward, they’d got Rudy’s foreman to let him off, and, in a boisterous, whimsical spirit of industrial democracy, they’d taken him across the street for a beer. Rudy hadn’t understood quite what the recording instruments were all about, but what he had understood, he’d liked: that he, out of thousands of machinists, had been chosen to have his motions immortalized on tape.

And here, now, this little loop in the box before Paul, here was Rudy as Rudy had been to his machine that afternoon—Rudy, the turner-on of power, the setter of speeds, the controller of the cutting tool. This was the essence of Rudy as far as his machine was concerned, as far as the economy was concerned, as far as the war effort had been concerned.
The tape was the essence distilled from the small, polite man with the big hands and black fingernails; from the man who thought the world could be saved if everyone read a verse from the Bible every night; from the man who adored a collie for want of children; from the man who … What else had Rudy said that afternoon? Paul supposed the old man was dead now—or in his second childhood in Homestead.

Now, by switching in lathes on a master panel and feeding them signals from the tape, Paul could make the essence of Rudy Hertz produce one, ten, a hundred, or a thousand of the shafts.

Paul closed the box’s door. The tape seemed in good condition, and so were the pickups. Everything, in fact, was as ship-shape as could be expected, considering the antiquity of the machines. There were just going to have to be rejects, and that was that. The whole group belonged in a museum, not a production setup. Even the box was archaic—a vaultlike affair bolted to the floor, with a steel door and lock. At the time of the riots, right after the war, the master tapes had all been locked up in this way. Now, with the antisabotage laws as rigidly enforced as they were, the only protection the controls needed was from dust, cockroaches, and mice.

At the door, in the old part of the building once more, Paul paused for a moment to listen to the music of Building 58. He had had it in the back of his mind for years to get a composer to do something with it—
the Building 58 Suite.
It was wild and Latin music, hectic rhythms, fading in and out of phase, kaleidoscopic sound. He tried to separate and identify the themes. There! The lathe groups, the tenors:
“Fur-razz-ow-ow-ow-ow-ow-ak! ting! Furr-azz-ow-ow …”
The welders, the baritones:
“Vaaaaaaa-zuzip! Vaaaaaaa-zuzip!”
And, with the basement as a resonating chamber, the punch presses, the basses: “
Aw-grumph! tonka-tonka. Aw-grump! tonka-tonka
…” It was exciting music, and Paul, flushed, his vague anxieties gone, gave himself over to it.

Out of the corner of his eye, a crazy, spinning movement caught his fancy, and he turned in his delight to watch a cluster of miniature maypoles braid bright cloth insulation about a black snake of cable. A thousand little dancers whirled about one another at incredible speeds, pirouetting, dodging one another, unerringly building their snug snare about the cable. Paul laughed at the wonderful machines, and had to look away to keep from getting dizzy. In the old days, when women had watched over the machines, some of the more simple-hearted had been found sitting rigidly at their posts, staring, long after quitting time.

His gaze fell upon an asymmetrical heart scratched into the old brick, and in its center, “K.L.-M.W.”, and the date, “1931.” K.L. and M.W. had taken a liking to one another, then, in the same year that Edison had died. Paul thought again of the fun of showing the old man around Building 58, and suddenly realized that most of the machinery would be old stuff, even to Edison. The braiders, the welders, the punch presses, the lathes, the conveyers—everything in sight, almost, had been around in Edison’s time. The basic parts of the automatic controls, too, and the electric eyes and other elements that did and did better what human senses had once done for industry—all were familiar enough in scientific circles even in the nineteen-twenties. All that was new was the combination of these elements. Paul reminded himself to bring that out in his talk at the Country Club that night.

The cat arched her back and clawed at Paul’s suit again. The sweeper was snuffling down the aisle toward them once more. It sounded its warning buzzer, and Paul stepped out of its path. The cat hissed and spat, suddenly raked Paul’s hand with her claws, and jumped. With a bouncing, stiff-legged gait, she fled before the sweeper. Snatching, flashing, crashing, shrieking machines kept her in the middle of the aisle, yards ahead of the sweeper’s whooshing brooms. Paul looked frantically for the switch that would stop the sweeper, but before he found it, the cat made a stand. She faced the on-coming
sweeper, her needle-like teeth bared, the tip of her tail snapping back and forth. The flash of a welder went off inches from her eyes, and the sweeper gobbled her up and hurled her squalling and scratching into its galvanized tin belly.