Pharaoh (Jack Howard 7) (3 page)

For a few moments the rushing sound as the water entered the temple drowned out the cries of the men inside. Then a terrible shriek rose above it, and another, the noise magnified by the hollow space within. The sun dropped below the level of the cliff, and the aperture became a slit of darkness, the noise like a death rattle.

The god had supped its last sacrifice. The beast now ruled the temple, unshackled from the will of the priests, free to return to its pool in the river and prey on any men foolish enough to come this way and linger here again. But the beast would rule to its own measure, no longer as a god.

Akhenaten raised his arm one final time, signalling to the foreman of the team on the slope beside the temple. They began to heave on a rope attached to a rectangular slab on one side of the aperture that had let in the light high up on the temple wall, drawing it across to close the opening. The final scraping sounds of the rock ended, and the noise inside was gone. All that could be heard was the faint rustling of wind in their clothes, and the distant sound of the river over the rapids to the south. Everyone remained still: his own retinue, his soldiers on the clifftops, the slaves and their priestly guards. Then one of the guards dropped his whip and ran, and the others followed. The soldiers swooped down on them, spears raised. The guards would not be food for the temple, but carrion for the vultures.

The water that had flowed into the temple had found its level and was now surging back, a wave that lapped the edges of the channel as it rebounded into the river. Akhenaten looked down at the water that had splashed up around his feet, and saw that the muddy brown was sluiced through with blood.

It was done.

He turned towards the setting sun. The soldiers on the clifftop above the temple raised their elephant-tusk horns and blew one blast, the noise booming and echoing down the Nile and then fading away, like the last bellowing of some great beast. He opened his arms, staring into the orange orb, feeling the rays burn into him, letting his soul flow out through his eyes and become as one with the Aten.

The old religion was dead.

Let the new one begin.

PART 1

1

Off southern Spain, present day

Jack Howard eased forward in the confined space of the submersible, raising himself on his elbows so that he could see through the forward porthole into the azure shimmer of the Mediterranean. The thick cone of Perspex was designed to withstand the enormous pressures of abyssal depth, and distorted the view around the edge so that the research vessel
Seaquest II
some twenty metres above appeared as a strange play of white superstructure and dark hull. But the view in the centre was undistorted, a tunnel of clarity that seemed to match the single-minded determination that had brought Jack this far. As he made out the slope of rock and sand on the seabed below, his heart began to pound with excitement. Somewhere out there lay one of the greatest lost treasures of antiquity. For a moment Jack saw the image he had seen in his dreams for days now: a black basalt sarcophagus rising stark from the seabed like the toppled statue of a pharaoh half buried in the desert sand. Only this was not a dream.
This was real
.

‘Jack. Shift over. I need space.’ There was a grunt and a muttered curse in Greek and a figure pushed himself forward on his back alongside him, staring at the tangle of wires that hung from the open control panel above them. Costas Kazantzakis moved with a deftness that seemed to belie his barrel chest and thick forearms, and his shorter frame was more suited than Jack’s to fit inside the submersible. Jack knew better than to break his concentration, and watched as Costas moved his hands swiftly over the panel, pulling out and plugging in cables. In the distorted reflection of the Perspex Jack saw his face superimposed on Costas’, his thick dark hair appearing above the other man’s grizzled chin, and for a moment it seemed as if they were conjoined, two bodies become one. They had been doing this together for almost twenty years now, and it sometimes seemed like that. He pushed himself forwards to give Costas more space, watching his eyes dart over the panel. Seeing Costas at work quickened Jack’s sense of excitement over the discovery that might lie ahead. Costas had been his main dive buddy from before he had founded the International Maritime University, and together they had logged thousands of dives on IMU projects around the world. This one promised to be up there with the best, providing Costas could work out a way of releasing the tethering line that held the submersible suspended below
Seaquest II
like a lure on a fishing line.

Costas turned to him. ‘You okay in here?’

Jack shifted again. ‘I’d be happier diving free outside. Six foot five is about a foot too long for this space.’

‘Once I get this thing running, it’ll seem like an extension of your body. You’ll forget the cramped space, I promise.’

‘How much longer?’

Costas gazed back up at the wiring. ‘I once stared at a control panel for eighteen hours. Then bingo, I got it.’

‘I thought a PhD from MIT in submersibles engineering would have eased you through a glitch like this.’

Costas narrowed his eyes. ‘And I thought a PhD from Cambridge in archaeology would make you an instant expert in everything. I’m trying to remember the number of times I’ve watched my air gauge drop to zero while waiting for you to fathom out some ancient inscription.’

Jack grinned. ‘Okay. Touché.’

‘Have patience,’ Costas muttered, staring up. ‘It’ll come to me.’

There was movement from the hatch to the rear compartment beyond Jack’s feet, and the third person in the submersible appeared, a short woman with dark curly hair and glasses wearing an IMU jumpsuit. Sofia Fernandez, a former Spanish navy medic who was now an archaeologist with the local Cartagena museum, had come on board as the official representative of the Spanish antiquities authority. She had only arrived on
Seaquest II
an hour before and Jack had never met her previously, but both men had immediately liked her. At the moment, all that concerned Jack was that she was small enough not to reduce his comfort level in the sphere below a tolerable level.

She pulled herself in, and sat in the driver’s seat. ‘What gives?’ she said.

‘Apologies for the glitch,’ Costas replied, looking at her ruefully. ‘This is a new submersible fresh out of the engineering department at IMU, and today is its first open-water test. I haven’t even given her a name yet.
Seaquest II
can only be here for a day or two, as she’s due back for a winter refit in England, and this was the only window I had to get this thing in the water to see how she behaves on a real operation.’ He paused. ‘I’ve been meaning to ask. Where did you get that accent? The sassy attitude. And don’t get me wrong. I like it.’

Sofia smiled. ‘From dealing with men like you. I was brought up in Puerto Rico by my American mother.’

‘But you ended up in the Spanish navy.’

‘I was a Spanish citizen because of my father, and the navy offered to pay my way through medical school in Seville.’

‘And now you’re an archaeologist.’

‘After my pre-med year the call came for medical personnel to join the Spanish contingent in Afghanistan, and I volunteered to go as a combat medic. After that, I decided I’d done my bit for medicine and it was time to move on. At med school I’d developed an interest in operation theatre tools for remote surgery, so I did a masters in robotics engineering.’

‘No way,’ Costas exclaimed. ‘Right up my alley. We use the same basic technology for remote excavation from submersibles. We
have
got something to talk about during the long hours while I stare at this panel.’

‘Not long hours,’ Jack said firmly. ‘Short minutes.’

‘Well, my other fascination was archaeology, so I started over again and did a degree in anthropology and got the job at the Cartagena museum. My mother was a dive instructor in Puerto Rico and I’d dived almost before I could walk, so when I heard that you were planning to come to search for the wreck of the
Beatrice
off Cartagena, I couldn’t believe my luck.’

‘Combat medic, robotics engineer, archaeologist, diver,’ Costas said. ‘Sounds like a pretty good skill-set to me.’

‘Anyway, speaking of accents, what’s a Greek from the Kazantzakis shipping family doing with a New York accent? And best friends with a Brit?’

‘I went to school in Manhattan,’ Costas said. ‘And Jack’s only really a Brit in his ancestry. He was brought up in New Zealand and Canada before going to boarding school in England. So we’re international really. The International Maritime University. An international team of oddballs.’

‘That reminds me: a strange guy with long lank hair and a lab coat collared me topside before I got into the submersible. I forgot to tell you.’

‘Oh God,’ Costas murmured, staring back at the panel. ‘Lanowski. What does he want?’

‘He said that although Kazantzakis
thinks
he knows everything about submersibles, he’s really a concepts man and is pretty useless on computer systems and circuitry. He said that because you agreed to be his best man, it showed that you were his friend now and would have no problem acknowledging his superior mental agility. I think those were his exact words.’

Costas grimaced. ‘He’s got it in for me because when he and his glamour-model wife got married in our top-end submersible, the trim was wrong.’

‘Correction,’ Jack said. ‘You sabotaged the trim so that they would get married at the bottom of the Marianas Trench instead of just below the surface.’

‘It was a great opportunity to test the new pressure hull,’ Costas said defensively. ‘It was the only reason I agreed to be his best man.’

‘This gets better,’ Sofia said. ‘Lanowski has a glamour-model wife and they got married underwater. Let me guess, they met online and it was love at first sight?’

‘You bet. Love of submersibles at first sight. She loves really big submarines.’

‘Uh-huh. And don’t tell me, she has a PhD too?’

‘Submersibles nanotechnology. Flying tiny drone submersibles into the abyss. Lanowski loves her for it.’

‘I’m sure he does.’

Costas put out his hand resignedly. ‘Okay, what did he give you?’

Sofia passed over a crumpled piece of paper. ‘He said it’s a circuit diagram. He scribbled it down while I kitted up.’

Costas flattened the paper and stared at it. ‘Why oh why didn’t he show me this earlier?’ he groaned.

‘He said he was giving you the time to work it through yourself and realise you were never going to get there.’

Costas reached up, pulled out one cable and plugged in another. A red light began to flash on the panel. ‘Okay. We’ve got maybe half an hour while the system reboots.’ He leaned back against the Perspex dome and looked at Jack. ‘Which gives you just enough time to fill me in on exactly what we’re doing here. I missed your briefing topside because I was down here apparently failing to spot what Lanowski knew all along. So what do we know about our target?’

Jack did not relish the idea of a further half-hour swaying in the submersible under
Seaquest II
, and he welcomed Costas’ request. He reached over and clicked on his laptop, lifting it and turning the screen towards the other two. ‘It’s a fantastic story,’ he said. ‘Of all the artefacts looted by European travellers to ancient lands, this one is probably the most extraordinary. In 1837, a British army officer named Richard Vyse and an engineer named John Perring used gunpowder to blow their way into the main burial chamber of the pyramid of Menkaure at Giza. Inside it they found a great basalt sarcophagus and a wooden coffin. After an incredible effort inching the sarcophagus along the entrance shaft, Vyse and his Egyptian workers managed to get it out of the pyramid and down to Alexandria, where it was loaded on to the
Beatrice
. She set sail, and was recorded leaving Malta on the thirteenth of October 1838. That was the last anyone ever heard of her.’

‘Do we know what the sarcophagus looked like?’

‘There’s an illustration in Vyse’s book.’ Jack clicked on the laptop and an image came up. ‘Basalt, two and a half metres long, almost a metre high and a metre wide. There were no hieroglyphs, but you can see it had carved decoration, in the style of an ancient Egyptian palace facade. It’s one of the most important pieces of Old Kingdom sculpture.’

‘So what do we know about the
Beatrice
?’ Costas asked.

Jack clicked, and another image came up. ‘This is a facsimile page from Lloyd’s
Register
of 1838. The owner and captain was a man called Wichelo, and the ship was built in 1827 at Quebec in Lower Canada. You can see she’s described as a snow – a type of brig – and was bound from Liverpool for Alexandria in Egypt on the outward leg of her last ever voyage.’

He tapped the keyboard again. The image changed to an old painting of a ship anchored close to shore, its sails furled but the British Red Ensign flying from its stern.

‘This is by Raffaello Corsini, a painter based in Ottoman Turkey, and shows
Beatrice
in 1832 in the Bay of Smyrna – modern Izmir in Turkey. At this point she’s a brig, meaning two square-rigged masts, fore and main, with a big fore-and-aft sail at the stern hanging from a boom stepped to the mainmast. Sometime between that date and 1838 she was converted to a snow, which meant that a small mast was stepped into the deck immediately abaft the mainmast as a more secure way of flying the fore-and-aft sail.’

‘She must have been a pretty good runner to merit the upgrade,’ Costas said.

Jack nodded. ‘Those were the days when merchant ships were designed to outrun pirates and privateers. People look at an image like this painting and are surprised to be told it wasn’t a warship.’

‘Any guns?’

‘Good question. You can see the single row of eight gun ports along the side. They could be painted on, of course, but I think they’re real.’

‘Guns mean a greater chance of seeing the wreck on the seabed, right?’ Sofia asked.

‘Right,’ agreed Jack. ‘In the Mediterranean, any exposed hull timbers would have been eaten by the
Teredo navalis
shipworm, and without big metal artefacts like guns we might not see anything.’

‘What was her condition recorded in the 1838
Register
?’ Costas asked.

Jack reduced the image so they could see the register again. ‘First grade, second condition. The little asterisk means that she’d undergone repairs, in this case replacement of the wooden knees holding up her deck timbers with iron girders.’

Costas pursed his lips. ‘Even large iron girders are unlikely to survive after almost two hundred years in seawater. Sofia’s right. We’re looking for guns.’

‘Not forgetting eight tons of sarcophagus,’ Jack said.

‘What about the wrecking?’ Sofia said. ‘How did you pin it down to this place?’

Jack paused. This was the revelation that had brought them here, that had preoccupied him for weeks now. He looked at Sofia keenly. ‘I said that the departure of
Beatrice
from Malta was the last anyone ever heard of her. Well, we now know that’s no longer quite true. There have always been rumours that the ship went down off Cartagena, but they’ve never been substantiated. Then a couple of months ago IMU was contacted by a collector of antiquarian books on Egyptology who thought I might be interested in his copy of Vyse’s
Operations Carried on at the Pyramids of Gizeh in 1837
. Here’s what Vyse says about the loss of the sarcophagus: “It was embarked at Alexandria in the autumn of 1838, on board a merchant ship, which was supposed to have been lost off Cartagena, as she was never heard of after her departure from Leghorn on the twelfth of October that year, and as some parts of the wreck were picked up near the former port.”

‘But that’s not all,’ he continued. ‘And that’s not why the man contacted me. It was because in his copy, on the page where Vyse mentions the loss of the
Beatrice
, was an interleaved sheet containing hand-written latitude and longitude co-ordinates and a couple of transit bearings from precisely the position we’re at now. They were taken by someone who knew what they were doing, a trained seafarer, from a boat over the spot. The sheet was unsigned, but the giveaway was the
ex libris
plate at the front of the book, with the name Wichelo.’