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Authors: John Varley

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BOOK: Persistence of Vision
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I could not think of the Kellerites as bisexual, though clinically they were. It was much deeper than that. They could not even recognize a concept as poisonous as a homosexuality taboo.

It was one of the first things they learned. If you distinguish homosexuality from heterosexuality you are cutting yourself off from communication-full communication-with half the human race.

They were pansexual; they could not separate sex from the rest of their lives. They didn't even have a word in shorthand that could translate directly into English as sex. They had words for male and female in infinite variation, and words for degrees and varieties of physical experience that would be impossible to express in English, but all those words included other parts of the world of experience also; none of them walled off what we call sex into its own discrete cubbyhole.

There's another question I haven't answered. It needs answering, because I wondered about it myself when I first arrived. It concerns the necessity for the commune in the first place. Did it really have to be like this? Would they have been better off adjusting themselves to our ways of living?

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file:///G|/rah/John%20Varley%20-%20Persistence%20Of%20Vision.txt All was not a peaceful idyll. I've already spoken of the invasion and rape. It could happen again, especially if the roving gangs that operate around the cities start to really rove.

A touring group of motorcyclists could wipe them out in a night.

There were also continuing legal hassles. About once a year the social workers descended on Kelley and tried to take their children away. They had been accused of everything possible, from child abuse to contributing to delinquency. It hadn't worked so far, but it might someday.

And after all, there are sophisticated devices on the market that allow a blind and deaf person to see and hear a little. They might have been helped by some of those.

I met a deaf-blind woman living in Berkeley once. I'll vote for Kelley.

As to those machines...

In the library at Kelley there is a seeing machine. It uses a television camera and a computer to vibrate a closely set series of metal pine. Using it, you can feel a moving picture of whatever the camera is pointed at. It's small and light, made to be carried with the pinpricker touching your back. It cost about thirty-five thousand dollars.

I found it in the corner of the library. I ran my finger over it and left a gleaming streak behind as the thick dust came away.

Other people came and went, and I stayed on.

Keller didn't get as many visitors as the other places I had been. It was out of the way.

One man showed up at noon, looked around, and left without a word.

Two girls, sixteen-year-old runaways from California, showed up one night. They undressed for dinner and were shocked when they found out I could see. Pink scared the hell out of them.

Those poor kids had a lot of living to do before they approached Pink's level of sophistication.

But then Pink might have been uneasy in California. They left the next day, unsure if they had been to an orgy or not. All that touching and no getting down to business, very strange.

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There was a nice couple from Santa Fe who acted as a sort of liaison between Keller and their lawyer. They had a nine-year-old boy who chattered endlessly in handtalk to the other kids.

They came up about every other week and stayed a few days, soaking up sunshine and participating in the Together every night. They spoke halting shorthand and did me the courtesy of not speaking to me in speech.

Some of the Indians came around at odd intervals. Their behavior was almost aggressively chauvinistic. They stayed dressed at all times in their Levis and boots. But it was evident that they had a respect for the people, though they thought them strange. They had business dealings with the commune. It was the Navahos who trucked away the produce that was taken to the gate every day, sold it, and took a percentage. They would sit and powwow in sign language spelled into hands. Pink said they were scrupulously honest in their dealings.

And about once a week all the parents went out in the field and ***ed.

* *

I got better and better at shorthand and bodytaik. I had been breezing along for about five months and- winter was in the offing. I had not examined my desires as yet, not really thought about what it was I wanted to do with the rest of my life. I guess the habit of letting myself drift was too ingrained. I was there, and constitutionally unable to decide whether to go or to face up to the problem if I wanted to stay for a long, long time.

Then I got a push.

For a long time I thought it had something to do with the economic situation outside. They were aware of the outside world at Keller. They knew that isolation and ignoring problems that could easily be dismissed as not relevant to them was a dangerous course, so they subscribed to the Braille New York Times and most of them read it. They had a television set that got plugged in about once a month. The kids would watch it and translate for their parents.

So I was aware that the non-depression was moving slowly into a more normal inflationary spiral. Jobs were opening up, money was flowing again. When I found myself on the outside again shortly afterward, I thought that was the reason.

The real reason was more complex. It had to do with peeling off the onion layer of shorthand and discovering another layer beneath it.

I had learned handtalk in a few easy lessons. Then I became aware of shorthand and bodytalk, and of how much harder they would be to learn. Through five months of constant immersion, which is the only way to learn a language, I had attained the equivalent level of a five- or six-year-old in shorthand. I knew I could master it, given time. Bodytalk was another matter.

You couldn't measure progress as easily in bodytalk. It was a variable and highly file:///G|/rah/John%20Varley%20-%20Persistence%20Of%20Vision.txt (19 of 24)

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file:///G|/rah/John%20Varley%20-%20Persistence%20Of%20Vision.txt interpersonal language that evolved according to the person, the time, the mood. But I was learning.

Then I became aware of Touch. That's the best I can describe it in a single, unforced English noun. What they called this fourth-stage language varied from day to day, as I will try to explain.

I first became aware of it when I tried to meet Janet Reilly. I now knew the history of Keller, and she figured very prominently in all the stories. I knew everyone at Keller, and I could find her nowhere. I knew everyone by names like Scar, and She-with-the-missing-front-tooth, and Man-withwiry-hair. These were shorthand names that

I had given them myself, and they all accepted them without question. They had abolished their outside names within the commune. They meant nothing to them; they told nothing and described nothing.

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At first I assumed that it was my imperfect command of shorthand that made me unable to clearly ask the right question about Janet Reilly. Then I saw that they were not telling me on purpose. I saw why, and I approved, and thought no more about it. The name Janet Reilly described what she had been on the outside, and one of her conditions for pushing the whole thing through in the first place had been that she be no one special on the inside. She melted into the group and disappeared. She didn't want to be found. All right.

But in the course of pursuing the question I became aware that each of the members of the commune had no specific name at all. That is, Pink, for instance, had no less than one hundred and fifteen names, one from each of the commune members. Each was a contextual name that told the story of Pink's relationship to a particular person. My simple names, based on physical descriptions, were accepted as the names a child would apply to people. The children had not yet learned to go beneath the outer layers and use names that told of themselves, their lives, and their relationships to others.

What is even more confusing, the names evolved from day to day. It was my first glimpse of Touch, and it frightened me. It was a question of permutations. Just the first simple expansion of the problem meant there were no less than thirteen thousand names in use, and they wouldn't stay still so I could memorize them. If Pink spoke to me of Baldy, for instance, she would use her

Touch name for him, modified by the fact that she was speaking to me and not Shortchubby-man.

Then the depths of what I had been missing opened beneath me and I was suddenly breathless with fear of heights.

Touch was what they spoke to each other. It was an incredible blend of all three other modes I had learned, and the essence of it was that it never stayed the same. I could listen to them speak to me in shorthand, which was the real basis for Touch, and be aware of the currents of Touch flowing just beneath the surface.

It was a language of inventing languages. Everyone spoke their own dialect because everyone spoke with a different instrument: a different body and set of life experiences. It was modified by everything. It would not stand still.

They would sit at the Together and invent an entire body of Touch responses in a night; idiomatic, personal, totally naked in its honesty. And they used it only as a building block for the next night's language.

I didn't know if I wanted to be that naked. I had looked into myself a little recently and had not been satisfied with what I found. The realization that every' one' of them knew more about it than I, because my honest body had told what my frightened mind had not wanted to reveal, was shattering. I was naked under a spotlight in Carnegie Hall, and all the no-pants nightmares I had ever had came out to haunt me. The fact that they ail loved me with all my warts was suddenly not enough. I wanted to curl up in a dark closet with my ingrown ego and let it fester.

I might have come through this fear. Pink was certainly trying to help me. She told me that it would only hurt for a while, that I would quickly adjust to living my life with my darkest emotions written in fire across my forehead. She said Touch was not as hard as it looked at first, either. Once I learned shorthand and bodytalk, Touch would flow naturally from it like sap rising in a tree. It would be unavoidable, something that would happen to me without much effort at all.

I almost believed her. But she betrayed herself. No, no, no. Not that, but the things in her concerning * * * ing convinced me that if I went through this I would only. bang my head hard against the next step up the ladder.

***

I had a little better definition now. Not one that I can easily translate into English, and even that attempt will only convey my hazy concept of what it was.

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"It is the mode of touching without touching," Pink said, her body going like crazy in an attempt to reach me with her own imperfect concept of what it was, handicapped by my illiteracy. Her body denied the truth of her shorthand definition, and at the same time admitted to me that she did not know what it wee herself.

"It is the gift whereby one can expand oneself from the eternal quiet and dark into something else." And again her body denied it. She beat on the floor in exasperation.

"It is en attribute of being in the quiet and dark all the time, touching others. All I know for sure is that vision and hearing preclude it or obscure it. I can make it as quiet and dark as I possibly can and be aware of the edges of it, but the visual orientation of the mind persists.

That door is closed to me, and to all the children."

Her verb "to touch" in the first part of that was a Touch amalgam, one that reached back into her memorise of me and what I had told her of my experiences. It implied and called up the smell and feel of broken mushrooms in soft earth under the barn with Tall-one-with-green-eyes, she who taught me to feel the essence of an object. It also contained references to our bodytalking while I was penetrating into the dark and wet of her, end her running account to me of what it was like to receive me into herself. This was ell one word.

I brooded on that for a long time. What was the point of suffering through the nakedness of Touch, only to reach the level of frustrated blindness enjoyed by Pink?

What was it that kept pushing me away from the one place in my life where I had been happiest?

One thing was the realization, quite late in coming, that can be summed up as "What the hell am I doing here?" The question that should have answered that question was "What the hell would I do if I left?"

I was the only visitor, the only one in seven years to stay at Kelley for longer than a few days. I brooded on that. I was not strong enough or confident enough in my opinion of myself to see it as anything but a flaw in me, not in those others. I was obviously too easily satisfied, too complacent to see the flaws that those others had seen.

It didn't have to be flaws in the people of Kelley, or in their system. No, I loved and respected them too much to think that. What they had going certainly came as near as anyone ever has in this imperfect world to a sane, rational way for people to exist without warfare and with a minimum of politics. In the end, those two old dinosaurs ere the only ways humans have yet discovered to be social animals. Yes, I do see war as a way of living with another; by imposing your will on another in terms so unmistakable that the opponent has to either knuckle under to you, die, or beat your brains out. And if that's a solution to anything, I'd rather live without solutions. Politics is not much better. The only thing going for it is that it occasionally succeeds in substituting talk for fists. , Kelley was an organism. It was a new way of relating, and it seemed to work. I'm not pushing it as a solution for the world's problems. It's possible that it could only work for a group with a common self-interest as binding and rare as deafness and blindness. I can't think of another group whose needs are so interdependent.

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