Out of the Black Land

Out of the Black Land

Kerry Greenwood

www.PhryneFisher.com

Poisoned Pen Press

Copyright © 2013 by Kerry Greenwood

First E-book Edition 2013

ISBN: 9781615954391 ebook

All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.

The historical characters and events portrayed in this book are inventions of the author or used fictitiously.

Poisoned Pen Press
6962 E. First Ave., Ste. 103
Scottsdale, AZ 85251

www.poisonedpenpress.com

[email protected]

Contents

Out of the Black Land

Contents

Dedication

The Cast

Book One

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Book Two

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Book Three

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

Chapter Twenty-eight

Chapter Twenty-nine

Chapter Thirty

Chapter Thirty-one

Chapter Thirty-two

Afterword

Bibliography

More from this Author

Contact Us

Dedication

Dedicated to MARK DEASEY
my dear and remarkable friend.
With thanks to David Greagg,
Richard Revill, Jean Greenwood, Tim Daly
and Dennis Pryor.

The Cast

Scribes

Ptah-hotep, Great Royal Scribe

Kheperren, Army Scribe

Khety, Scribe

Hanufer, Scribe

Bakhenmut, supervisor, married to Henutmire

Ammemmes Master of Scribes

Mentu, second Scribe

Snefru, the antiquarian

Menna, an old scribe, expert in cuneiform

Harmose, an old scribe, expert in foreign languages

Pashed, the spy

Royal Household of Thebes

Amenhotep, Amenhotep III, the wise Pharaoh

Tiye, Amenhotep’s Great Royal Wife and Queen

Sitamen, Tiye and Amenhotep’s daughter and Great Royal Wife

Smenkhare, son of Tiye, later King

Tutankhaten, son of Tiye, later King Tutankhamen

Bekhetaten, daughter of Tiye, died young

Sahte, chief maidservant to Tiye

Horemheb, General, later Pharaoh

Tey, Great Royal Nurse, later Queen, stepmother of Nefertiti

Ay, Divine Father, later Pharaoh, father of Nefertiti

Mutnodjme, daughter of Tey and Ay, wife of Horemheb, later Queen

Asen, nurse to Mutnodjme

Merope, Great Royal Wife to Amenhotep

Khons, their teacher

Duammerset, Singer of Isis

Userkhepesh, High Priest of Amen-Re at Karnak

Royal Household of Amarna

Akhnaten, Pharaoh, formerly Akhnamen/Amenhotep IV, son of Amenhotep III

Nefertiti, Nefertiti Neferneferuamen, later Nefernferuaten, Akhnaten’s wife

Mekhetaten, 1st daughter of Nefertiti, later Great Royal Wife to her ‘father’ Akhnaten

Meritaten, 2nd daughter, later Great Royal Wife, died young

Ankhesenpaaten, 3rd daughter of Nefertiti, later wife of Akhnaten, then Tutankhamen, then Ay; renamed Ankhesenamen

Neferneferauten, 4th daughter of Nefertiti, died as an infant

Neferneferure, 5th daughter of Nefertiti, died as an infant

Setepenre, 6th and last daughter of Nefertiti, died as an infant

Imhotep, the architect of Amarna

Huy, advisor to Akhnaten

Pannefer, advisor to Akhnaten

Aapahte, chief of the Sekmet Guard of Queen Tiye

Ptah-hotep’s Household

Meryt, Ptah-hotep’s chief slave, housekeeper and concubine

Tani, Nubian slave

Hani, Nubian slave

Teti, Nubian slave

Anubis, the guard dog

Household of Mutnodjme

Takhar, the cook

Kasa, the small boy

Ipuy, the old soldier

Bukentef, the butler

Ankherhau, servant

Wab, little girl

Ii, maid

Nebnakht, a guard

Khaemdua, General of the Hermotybies.

Khety-tashery, ‘little’ Khety, son of Khety the Scribe

Book One

The Hawk
in the Horizon

Chapter One

Mutnodjme

In the name of Ptah, in the name of his consort Mut after whom I was called and his son Khons who is the moon and time, in the hope that my heart will weigh heavily against the feather and I may live and die in Maat which is truth, I declare that my name is Mutnodjme and my sister is the most beautiful woman in the world.

I was born when she was seven. Her dying mother, the concubine, gave her into the arms of the formidable woman, my mother, Tey wife of Ay. I do not remember the concubine who bore Nefertiti. They say that she was beautiful, pale and silvery and sad, and she died young. Her child was kept apart from Tey’s household, and I did not see her when I was a baby. Tey is a small woman, dark of skin and eye; and those things I have inherited from her.

I am small, measured against Nefertiti’s length of limb; I am dark against her glowing Theban fairness. I am ugly against her almost divine beauty, and I am miserable against her happiness, for they have just told her that she is to marry Pharaoh Akhnamen, and become Great Royal Wife. She is his; no longer mine.

We have pleated the linen garments for her, and I am sitting on the marble floor of the palace of Divine Father Ay in the great city of Thebes—with the sellers of dates and dried fish calling his trade outside, women’s voices, shrill and constant—making wreaths of moonflowers and lotus. I am uncomfortable and cramped, because I have no skill in my fingers for this delicate work, and the flowers will not lie peaceably along the wire frame for me as do those of the other maidens. They are refractory and shed their petals if I force them.

This is the third time that I have had to start again.

***

When did I first know her, my half-sister Nefertiti Neferneferuamen, whose name means ‘The Beautiful One Who Is Come’?

It must have been the river.

I knew that I was being very naughty.

My wet-nurse had been called away on some deep matter involving herbs and childbirth—both female mysteries from which I was excluded—and the servant-girl who was supposed to watch me was flirting with the guard. I was sitting in the garden in Ay’s palace, watching the little boats being dragged ashore as the flood filled the Nile and the banks crumbled.

‘Egypt,’ said Asen my nurse, ‘is called the Black Land, because of the rich soil deposited by the river. Our land is the gift of the Nile,’ she said, stroking my curly dark hair, ‘as you are, daughter, as we all are. And Pharaoh is our Lord and the Gods are above and beneath us, the land our father Geb and the sky our mother Nut, so go to sleep, little daughter. We are cradled in the Nile, nursed by the river,’ she said, and went away to tend a woman who was groaning in the next room.

I tried to follow, but an old woman grabbed me by the arm and hauled me from the door.

‘Not yet, daughter of Ay,’ she grinned toothlessly at me.

I was nettled at being excluded and wandered back to the window, where fascinating debris was being swept down the swollen river. The placid water foamed like honey from Asun. I waited until the girl was entirely engrossed in her guard and slipped quietly out of the window and onto the paved place outside the palace.

The air was full of people crying out and giving orders that no one was listening to. The flood had come down suddenly this year, my sixth in Maat, and early. Little houses which had been made by herdsmen to be dismantled later were being dismantled early by the water, running faster than a running horse. No one noticed me as I wandered through the crowd. Of all the children of Ay I most resembled the common people and apart from the fineness of my amulet and the gold rings in my ears there was nothing to set me apart. A woman leading a mother-goat and carrying a kid almost stood on me and cursed me out of her path in the name of Set, a serious curse. I threaded my way through the people to the edge.

Fascinating. People like ants scurried away from the water, carrying hay and sacks and terracotta pots. A solemn priest of Basht bore away a sacred cat from a grain storehouse which had been inundated. It was soaking wet, spitting and furious, and it scored his smooth pale shoulders with long angry lines, which he did not even seem to notice.

I was so interested in the movement and the voices, crying on a variety of Gods to allow them to get to safety before the water enveloped them, that I did not notice that the water had eaten away the spit of sand which I was standing on and was about to eat me.

I must have screamed as I fell. It was cold water, terribly strong, and I saw the flash of a reptilian tail as a crocodile was swept helplessly past, turning belly-up as it struggled to regain its balance. Ivory teeth flashed in the gaping mouth. I was seized by the Nile, pummelled and thumped. There was no air. A red mist rose in front of my eyes. I struggled to surface, striving against the current, gained the air and gulped, then the fists of the water thrust me under again, and the scales of another crocodile scraped my legs.

I struggled again, twisting all my slight weight, grabbed at something, and was hauled bodily out by strong hands. I came up red-faced, gasping, soaking wet, into strong arms which squeezed the Nile out of my lungs and shook me bodily.

It was the young man Horemheb, double my age and destined to be a soldier. He was tall and good looking, with long hair as black as ink and the most considering dark eyes. His hair was plaited in locks, each one tipped with a blue faience bead, which bobbed across his bare shoulders as he moved. He tucked me under one arm as though I was baggage and climbed the bank. I did not struggle against this humiliation, because I was still breathless and suddenly conscious of being in very deep trouble.

‘You ran away from your nurse, Mutnodjme,’ he said solemnly, setting me down on wobbly feet. I grasped at him as I felt myself falling and he picked me up again. His body was warm and his arms secure and I relaxed a little.

‘I did,’ I agreed.

‘You will be beaten,’ he added.

I will,’ I said, observing that his fine cloth was stained with river-mud.

‘Now, how are we to get you out of this?’ he asked himself, mounting the next bank and striding towards the palace of Ay. ‘Where is Asen?’

‘Tending to a woman in childbirth,’ I said. ‘Put me down, I can walk.’

He did so, and took my long side-lock in his hands, wringing it to spill out the water. He surveyed me. I was a mess. My skin was stained with black mud, my feet and hands filthy, and blood was flowing from the crocodile scrapes along my legs. He wiped at the grazes with a hard hand.

‘Doesn’t this hurt?’ he asked.

‘Of course.’ I winced as he blotted at the blood with his palm.

‘But you haven’t cried, ‘Nodjme,’ he commented.

‘There is no point in crying, Lord.’

He smiled then. Horemheb rarely smiled. It lit up his broad face like Re Exalted who is the sun at noon and I smiled back.

‘We can’t just steal back into the palace as though nothing has happened,’ said my rescuer. ‘I know. Nefertiti will help. Come along, little sister. Climb on my back, we have to hurry.’

Thus I saw her for the first time, the beautiful one.

Horemheb skirted the palace walls, walked carefully through the first hall, then dived through a curtained door into the Princess’ courtyard. I never thought to wonder how he knew the way. A woman was bathing in a pond full of fragrant water. I smelt lotus and jasmine. The air was heavy with scent like spring.

‘Lady, I bring you a little sister in distress,’ he said, putting me down. ‘She was eaten by the river, and faces a beating for being drawn to the Great Mystery of the River, enchanted perhaps by Hapi, God of the Nile.’

There was an odd tone in his voice, which worried me. Hesitancy, from so sure a person as Horemheb? But I forgot all about him as soon as the lady turned and held out her arms to me.

Oh, beautiful, lovely beyond belief, my half-sister Nefertiti. Her skin was as smooth as marble, her features all perfect; long nose, high cheekbones, eyes like almonds, liquid and soft. But it was her gentleness which glowed, which shone. I walked straight into her embrace as she gathered me, mud and weed and all, into her milky pool and I lay on her smooth, rounded breasts as though I had been fostered there.

‘You have done well,’ she told Horemheb, and he bowed and went away.

I had fallen in love with my sister. She washed all the mud off me with her own hands, heedless of the blood in the water, then called her women. She called her own nurse to treat the grazes on my legs, and then dried me and dressed me, for concealment, in a woman’s cloth.

When Asen came to find me, my wounds were carefully hidden under a too-big gown and I was sitting like a good little girl, while my most beautiful sister plaited flowers into my hair.

‘Is she not my sister, daughter of my father?’ she asked Asen, who bustled in full of outrage and threatening a beating. ‘Should she not come to me? Let her come again,’ said Nefertiti in a voice like flowing gold, and Asen melted right away in front of my eyes.

So I first saw her, the beautiful one who is come, the Great Royal Wife. And so I first saw Horemheb the young soldier, who rescued me from the Nile.

Ptah-hotep

I cannot remember not being able to read and write.

When I was five years old in Maat who is truth, my father Imhotep sent me to the palace of the Temple of Amen-Re at Karnak to become as he is. I had taken his stylus and made squiggly attempts at letters all over the whitewashed inner wall of the house, using cooking-pot soot for ink, because I had seen him writing and wanted to imitate it. My mother raised a hand to slap me, because she valued her clean walls, but my father had put her aside, saying ‘Here is a scribe and son of a scribe, should he not practice his father’s profession?’

And the woman my mother had agreed, while I was still naked, while I wore nothing but the amulet and sidelock of childhood.

And here I am now many years later, my legs crossed under me, immaculate fine linen cloth uncreased, the plaster-board laid across my lap, my own palette beside me on the floor. My brushes and styli are carefully selected and meticulously kept and my ink is of the finest, solid black and bright scarlet. I compound and grind my own ink, which I dilute with water if I am writing on papyrus and with painter’s size derived from boiled hoofs if I am inscribing a wall. Beside me are a pile of limestone shards and broken pottery, the ostraca for notes and random thoughts, and my master is reading out the
Building Inscription of Amenhotep II
, which the whole class is copying, miserably or obediently.

I am bored almost to extinction. Cruel father, to condemn me to this endless toil! Better I had been such as the young men who work in the fields, who care for oxen and fish in the river. Better even to be a slave carrying water or grinding corn, better to be a weaver in his little house or a laundryman beating filthy clothes in the shallows, a messenger on a fast horse, a soldier in danger of death on the border of Egypt, where the vile Kush lurk in ambush.

Better anything than this: the heat of noon, heavy on the eyelids. The glare outside of sun on marble. The silence except for the droning of a fly, the heavy sigh of some overburdened scholar, the scratching of styli on plaster, the scrubbing of someone rubbing out a mistake with a ball of cloth, the endless, endless droning voice and the never-ending
Building Inscription of Amenhotep II
, the grandfather of the present Pharaoh who lives, Amenhotep III. And my master goes on, and on:

Live the Horus: Mighty Bull, great in Strength: Favourite of the Two Goddesses: Mighty in Opulence: Made to Shine in Thebes: Golden Horus: Seizing by his Might in all Lands, Good God, Likeness of Re, Splendid Ray of Atum, begotten Son whom he made to shine in Karnak. He appointed him to be king of all living, to do that which his ka did: his avenger, seeking excellent things, great in marvels, creative in knowledge, wise in execution, skilful-hearted like Ptah; king of Kings, ruler of rulers, valiant, without his equal, lord of terror amongst the southern lands, great in fear at the end of the north. Every land comes to him bowing down…’

My fingers know their way. My ears hear the words and write them down. I do not need to pay attention and I find myself wondering, what would it be like, to stand guard outside the palace or to work at one’s own trade and lie down in one’s own bed at night with nothing more to worry about but tomorrow’s labour? All my life I have written other men’s words, made permanent their thoughts.