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Authors: Isak Dinesen

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BOOK: Out of Africa
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Lulu’s fawn was not afraid of the dogs, and would let them sniff him all over, but he could not get used to the Natives or to me, and if we ever tried to get hold of him, the mother and the child were off.

Lulu herself would never, after her first long absence from the house, come so near to any of us that we could touch her. In other ways she was friendly, she understood that we wanted to look at her fawn, and she would take a piece of sugar-cane from an outstretched hand. She walked up to the open dining-room door, and gazed thoughtfully into the twilight of the rooms, but she never again crossed the threshold. She had by this time lost her bell, and came and went away in silence.

My houseboys suggested that I should let them catch Lulu’s fawn, and keep him as we had once kept Lulu. But I thought it would make a boorish return to Lulu’s elegant confidence in us.

It also seemed to me that the free union between my house and the antelope was a rare, honourable thing. Lulu came in from the wild world to show that we were on good
terms with it, and she made my house one with the African landscape, so that nobody could tell where the one stopped and the other began. Lulu knew the place of the Giant Forest-Hog’s lair and had seen the Rhino copulate. In Africa there is a cuckoo which sings in the middle of the hot days in the midst of the forest, like the sonorous heartbeat of the world, I had never had the luck to see her, neither had anyone that I knew, for nobody could tell me how she looked. But Lulu had perhaps walked on a narrow green deerpath just under the branch on which the cuckoo was sitting. I was then reading a book about the old great Empress of China, and of how after the birth of her son, young Yahanola came on a visit to her old home; she set forth from the Forbidden City in her golden, green-hung palanquin. My house, I thought, was now like the house of the young Empress’s father and mother.

The two antelopes, the big and the small, were round by my house all that summer; sometimes there was an interval of a fortnight, or three weeks, between their visits, but at other times we saw them every day. In the beginning of the next rainy season my houseboys told me that Lulu had come back with a new fawn. I did not see the fawn myself, for by this time they did not come up quite close to the house, but later I saw three bushbucks together in the forest.

The league between Lulu and her family and my house lasted for many years. The bushbucks were often in the neighbourhood of the house, they came out of the woods and went back again as if my grounds were a province of the wild country. They came mostly just before sunset, and first moved in amongst the trees like delicate dark silhouettes on the dark green, but when they stepped out to graze on the lawn in the light of the afternoon sun their coats shone
like copper. One of them was Lulu, for she came up near to the house, and walked about sedately, pricking her ears when a car arrived, or when we opened a window; and the dogs would know her. She became darker in colour with age. Once I came driving up in front of my house with a friend and found three bushbucks on the terrace there, round the salt that was laid out for my cows.

It was a curious thing that apart from the first big bush-buck, Lulu’s bwana, who had stood under the Cape-chestnut with his head up, no male bushbuck was amongst the antelopes that came to my house. It seemed that we had to do with a forest matriarchy.

The hunters and naturalists of the Colony took an interest in my bushbucks, and the Game Warden drove out to the farm to see them, and did see them there. A correspondent wrote about them in the
East African Standard.

The years in which Lulu and her people came round to my house were the happiest of my life in Africa. For that reason, I came to look upon my acquaintance with the forest antelopes as upon a great boon, and a token of friendship from Africa. All the country was in it, good omens, old covenants, a song:

“Make haste, my beloved and be thou like to a roe or to a young hart upon the mountain of spices.”

During my last years in Africa I saw less and less of Lulu and her family. Within the year before I went away I do not think that they ever came. Things had changed, South of my farm land had been given out to farmers and the forest had been cleared here, and houses built. Tractors were heaving up and down where the glades had been. Many of the new settlers were keen sportsmen and the rifles sang in
the landscape. I believe that the game withdrew to the West and went into the woods of the Masai Reserve.

I do not know how long an antelope lives, probably Lulu has died a long time ago.

Often, very often, in the quiet hours of daybreak, I have dreamed that I have heard Lulu’s clear bell, and in my sleep my heart has run full of joy, I have woken up expecting something very strange and sweet to happen, just now, in a moment.

When I have then lain and thought of Lulu, I have wondered if in her life in the woods she ever dreamed of the bell. Would there pass in her mind, like shadows upon water, pictures of people and dogs?

If I know a song of Africa,—I thought,—of the Giraffe, and the African new moon lying on her back, of the ploughs in the fields, and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a colour that I had had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me?

I have not heard from Lulu, since I went away, but from Kamante I have heard, and from my other houseboys in Africa. It is not more than a month since I had the last letter from him. But these communications from Africa come to me in a strange, unreal way, and are more like shadows, or mirages, than like news of a reality.

For Kamante cannot write, and he does not know English. When he, or my other people, take it into their heads to send me their tidings, they go to one of the professional Indian or Native letter-writers who are sitting with their writing desk, paper, pen and ink, outside the Post Offices, and explain to them what shall be in the letter. The professional
writers do not know much English either, and can hardly be said to know how to write, but they themselves believe that they can. To show off their skill they enrich the letters with a number of flourishes, which makes them difficult to decipher. They have also a habit of writing the letters in three or four different kinds of ink, and, whatever their motive for this is, it gives the impression that they are short of ink and are squeezing the last drop out of a number of ink-bottles. From all these efforts come the sort of messages that people got from the Oracle of Delphi. There is a depth in the letters that I get, you feel that there is some vital communication which has been heavy on the heart of the sender, which had made him walk in a long way from the Kikuyu Reserve to the Post Office. But it is wrapped up in darkness. The cheap and dirty little sheet of paper that, when it comes to you, has travelled many thousand miles, seems to speak and speak, even to scream to you, but it tells you nothing at all

Kamante, however, in this as in most other ways was different from other people. As a correspondent he has a manner of his own. He puts three or four letters into the same envelope, and has them marked:
1st Letter, 2nd Letter
, and so on. They all contain the same things, repeated over and over. Perhaps he wants to make a deeper impression upon me by repetition, he had that way in talking when there was anything that he particularly wanted me to understand or remember. Perhaps it is difficult for him to break off when he feels that he has got into contact with a friend at such a great distance.

Kamante writes that he has been out of work for a long time. I was not surprised to hear of it, for he was really caviare to the general. I had educated a Royal Cook and left him in a new Colony. It was with him a case of “Open
Sesame”. Now the word has been lost, and the stone has closed for good round the mystic treasures that it had in it. Where the great Chef walked in deep thought, full of knowledge, nobody sees anything but a little bandy-legged Kikuyu, a dwarf with a flat, still face.

What has Kamante got to say when he walks in to Nairobi, takes up his stand before the greedy supercilious Indian letter-writer, and expounds to him a message that is to go round half the world? The lines are crooked and there is no order in the phrases of the letter. But Kamante had in him a greatness of soul of which the people who knew him will still hear the note in the cracked disordered music, even as an echo of the harp of the herdboy David.

This is a “2nd letter”:

“I was not forget you Memsahib. Honoured Memsahib. Now all your servants they never glad because you was from the country. If we was bird we fly and see you. Then we turn. Then your old farm it was good place for cow small calf black people. Now they had no anything cows goat sheep they has no anything. Now all bad people they enjoy in their heart because your old servant they come poor people now. Now God know in his heart all this to help sometime your servant.”

And in a “3rd letter” Kamante gives an example of the way in which the Native can say a handsome thing to you, he writes:

“Write and tell us if you turn. We think you turn. Because why? We think that you shall never can forget us. Because why? We think that you remembered still all our face and our mother names.”

A white man who wanted to say a pretty thing to you would write: “I can never forget you.” The African says: “We do not think of you, that you can ever forget us.”

2.
A
Shooting
Accident
on the
Farm
1 the shooting accident

O
n the evening of the nineteenth of December, I walked out of my house before going to bed, to see if there was any rain coming. Many farmers in the highlands were, I believe, doing the same thing at that hour. Sometimes, in a lucky year, we would get a few heavy showers just round Christmas, and it was a great thing for the young coffee, which has set on the trees after the flowering in the short rains of October. This night there was no sign of rain. The sky was serene and silently triumphant, resplendent with stars.

The Stellar Heaven of the Equator is richer than that of the North, and you see it more because you are out more at night. In Northern Europe, winter nights are too cold to allow one much pleasure in the contemplation of the stars, and in summer one hardly distinguishes them within the clear night sky, that is as pale as a dog-violet.

The tropical night has the companionability of a Roman Catholic Cathedral compared to the Protestant Churches of the North, which let you in on business only. Here in the great room everybody comes and goes, this is the place where things are going on. To Arabia and Africa, where the sun of the midday kills you, night is the time for travelling
and enterprise. The stars have been named here, they have been guides to human beings for many centuries, drawing them in long lines across the desert-sands and the Sea, one towards the East, and another to the West, or the North and South. Cars run well at night, and it is pleasant to motor under the stars, you get into the habit of fixing visits to friends up-country by the time of the next full moon. You start Safaris by the new moon, to have the benefit of the whole row of moonlight nights. It is then strange, when back on a visit to Europe, to find your friends of the towns living out of touch with the moves of the moon and almost in ignorance of them. The young moon was the sign of action to Khadija’s camel man, whose Caravan was to start off when she appeared in the sky. With his face towards her he was one of the “Philosophers who spin out of moonlight systems of the Universe”. He must have looked at her much, that he made her his sign in which to conquer.

I had got a name amongst the Natives, because a number of times I had happened to be, on the farm, the first to see the new moon, like a thin silver bow in the sunset; particularly because, two or three years running, I had been the first to catch sight of the new moon of the month of Ramadan, the Mohammedan’s holy Month.

The farmer slowly turns his eyes all round the Horizon. First to the East, for from the East, if it comes, comes the rain, and there stands clear Spica in the Virgin. Then South, to greet the Southern Cross, doorkeeper of the great world, faithful to travellers and beloved by them, and higher up, under the luminous streak of the Milky Way, Alpha and Beta in the Centaur. To the South West sparkles Sirius, great in heaven, and the thoughtful Canopus, and to the West above the faint outline of the Ngong Hills, now nearly unbroken, the radiant diamond ornament, Rigel, Betelgeuze
and Bellatrix. He turns to the North last, for to the North we go back in the end, and there he runs upon the Great Bear himself, only he is now calmly standing on his head on account of the heavenly perspective, and that has all the air of a bearish joke, that cheers the heart of the Nordic emigrant.

People who dream when they sleep at night, know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of. Strangers appear and are friends or enemies, although the person who dreams has never done anything about them. The ideas of flight and pursuit are recurrent in dreams and are equally enrapturing. Excellent witty things are said by everybody. It is true that if remembered in the daytime they will fade and lose their sense, because they belong to a different plane, but as soon as the one who dreams lies down at night, the current is again closed and he remembers their excellency. All the time the feeling of immense freedom is surrounding him and running through him like air and light, an unearthly bliss. He is a privileged person, the one who has got nothing to do, but for whose enrichment and pleasure all things are brought together; the Kings of Tarshish shall bring gifts. He takes part in a great battle or ball, and wonders
the while that he should be, in the midst of those events, so far privileged as to be lying down. It is when one begins to lose the consciousness of freedom, and when the idea of necessity enters the world at all, when there is any hurry or strain anywhere, a letter to be written or a train to catch, when you have got to work, to make the horses of the dream gallop, or to make the rifles go off, that the dream is declining, and turning into the nightmare, which belongs to the poorest and most vulgar class of dreams.

BOOK: Out of Africa
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