Oedipus the King (24 page)

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Authors: Sophocles,Evangelinus Apostolides Sophocles

Tags: #Drama, #Ancient & Classical, #Literary Collections, #Poetry, #test

BOOK: Oedipus the King
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page_79<br/>
Page 79
the harsh alternatives his quick mind poses: Oedipus sees that if Kreon's conspiracy is not stamped out, it will lead ultimately to his own destruction. The Chorus gropes for a less severe outcome. The gradual detachment of the Chorus from identification with Oedipus will emerge as his life is revealed to them.
787
the Sun
The Sun appears as source of final appeal frequently in tragedy, as it will later at l. 1635 when Kreon orders Oedipus out of its ''nurturing light."
793
let him go
That Oedipus yields, however grudgingly, shows that his stubbornness and self-confidence are not immune to persuasion or insensitive to the wishes of those close to him.
829
He says I murdered Laius
Kreon did not say this, of course. Oedipus so passionately believes in the truth of his inference that Kreon is responsible for Tiresias' charges that he does not present it at first as an inference.
838
I don't say that Apollo . . . sent it
This qualification both absolves Apollo from false prophecy and expresses skepticism concerning oracles, skepticism that must have been shared widely in a world where oracles were constantly put to dubious political use. The Chorus has the strongest commitment to the divine authority of oracles. Oedipus' belief is conditioned by experience and changes with events.
841
his killer . . . be a son
In Jocasta's version, the oracle to Laius was unqualified and not a punishment. Gould notes that by omitting the aspect of punishment present in earlier versions of the myth, Sophocles establishes the pure and unexplained malice of Apollo's destruction of Oedipus.
843
three roads meet
It is this detail that disturbs Oedipus, and the one he reverts to as soon as Jocasta ends her speech. Some gesture of recognition must have been made by the actor to account for Jocasta's line 857. Oedipus' reaction to Jocasta's mention of the crossroads may have been intended by Sophocles to explain why Oedipus was distracted from hearing another fact with direct bearing on his identity: the fact that Jocasta's child's feet had been "yoked together," as Oedipus' own had been, and which produced the swollen scars that gave him his name. However, the weight to be given Oedipus' crippled feet may not be as conclusive as some commentators think. If exposure of children was common, Oedipus might not be expected to connect himself instantly and absolutely with Laius' son, even had he heard Jocasta's words.
852
54
god wants . . . with ease
Lit. "Of what things the god hunts the use, he reveals easily himself." The image of the hunt appears also

 

page_80<br/>
Page 80
at ll. 271, 431, and 681. Here the image is of the god seizing his prey, and then displaying it.
857
What . . . thought turned you
Jocasta could refer either to a movement by Oedipus at ll. 85556 or earlier, at 843.
862
63
Phokis . . . Daulis
Towns near Delphi.
865
before you came to power
For the sequence of events leading to Oedipus' assumption of power in Thebes, see the introduction.
869
Was he a young man
Oedipus poses as the first alternative the one he must hope is true: that Laius was not an older man of an age to be his father. In her response Jocasta not only dashes this hope but suggests a physical resemblance between Laius and Oedipus.
872
that savage curse
The interdiction Oedipus declared against Laius' murderer at ll. 290307.
880
a herald
It is possible that the presence of a herald should have indicated to Oedipus that the party contained a prince or ruler.
887
begged me
A touch on the arm was a formal supplication (like clasping a person's knees) which appealed to piety in the hope of achieving a favorable response.
894
95
I've said far / too much
What Oedipus means here is uncertain. Most likely, as Gould suggests, is his regret for the curse pronounced against himselfthe curse to which he has already referred in l. 872.
901
know the risks
Lit. ''while I cross through this chance (
tyche
)."
902
3
Polybos . . . Merope
Are we to understand that Oedipus has never before named his parents or his origins to Jocasta? Although this is possible, it is much more likely that Sophocles uses here an epic convention whereby a hero begins a piece of consequential autobiography by formally naming his homeland and immediate ancestors.
905
chance happening
An excellent instance of Sophocles' practice of having Oedipus label as chance or luck an event that, seen in retrospect, becomes part of the pattern of his ruin created by Apollo.

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