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Authors: Steve Almond

Tags: #Humor, #Form, #Essays, #Anecdotes & Quotations, #General

BOOK: (Not That You Asked)
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Oprah!

 

Just a silly note to tell you that my wife and I rented
The Color Purple.
Again. What can I tell you? You got jobbed at the Oscars. Your performance made Anjelica Huston’s look like dinner theater. Also:
my publicist was wondering when I might hear back from you. (I explained about your schedule, but you know how these people get.)

Also also: Would it be too forward of me to refer to you, in future correspondences, as my
homegirl
?

 

Oprah in ’08!
Steve

 

 

Dearest O,

 

Last night I was looking through
The Uncommon Wisdom of Oprah Winfrey: A Portrait in Her Own Words
and I came across this quote:

“I don’t do anything unless it feels good. I don’t move on logic. I move on my gut. And I have a good gut!”

You were talking about your business philosophy. But it got me thinking about your actual gut, and the way the tabloids cover it so obsessively. It’s like, in a way, your body has become public property, up there on display for everybody to gawk at and poke and prod. I’m sure this thought has occurred to you a few million times, but here you are, the most influential black woman in human history, and somehow you’re still the white man’s slave.

That’s fucked up.

 

Steve

 

 

Oprahlove,

 

I hope you won’t take this the wrong way, but I get a bad feeling about Stedman. Every time I see a photo of him, I think:
Snidely Whiplash.
Lord knows you’ve waited long enough to find a man who will treat you right. But I can’t help feeling he’s sponging off you. It’s like when TomKat snubbed you for their wedding. I know you rose above that, but when I think about that ungrateful little Scientology hobbit and the way he frog-marches his stick-figure wifey around—I don’t know, it just gnaws at me.

I guess I feel kind of protective of you is what I’m saying.

I hope that’s all right.

 

Steve

 

 

Special Ops!

 

Given the hours you keep, I’m not upset you haven’t yet responded to my letters. I will say that certain folks at my publishing house have begun to express some concern. But I’m not even writing about that.

I’m writing because I had this strange dream last night. I was back in California (where I grew up) wandering through a desert; it must have been the Mojave. I was very weak and my tongue had swollen into a giant cigarette filter and I could feel this immense grinding weight on my shoulders. Every few steps the sun struck like a whip. The only thing I could think to do is what you advise in
A Journal of Daily Renewal.
I closed my eyes and burrowed into my
spirit place
and even though I was technically in the midst of a dream, I could see what the dream meant: I was experiencing the hardships my ancestors had as slaves in Egypt. I was still carrying around all that negative energy. So I stopped dead in my tracks and took ten cleansing breaths. When I opened my eyes the weight was gone and I was standing before the gates of the Promised Land. Only the Promised Land wasn’t in Palestine, it was in Montecito. It was your 42-acre mountain view estate! I opened my right fist and there was a slip of paper with the security code for the gate. So up the
winding path I flew, past the Lake of Serenity and the Rejuvenation Redwoods and the blinding lawns. It all looked exactly like it does in the
Special Collector’s Edition DVD of Oprah’s Legends Weekend.
Then I came to a huge house, which, it turned out, belonged to the caretaker, who was Rosie O’Donnell, only she was thin so I didn’t recognize her at first. She pointed to a speck in the distance. “You want the Main House, spanks.” It took a long time to reach the main house, even without the stone block on my shoulders. There were little golf carts around, but I knew that would be cheating. I was on a walkabout, not a golfcartabout. Finally, I reached your home and I rang the doorbell and banged on all the doors and windows. But you didn’t answer. No one answered.

Bottom-line me here: Should I be worried?

 

Steve

 

 

Dear Oprah:

 

It’s been a few months now since we began this correspondence, and I have to be honest. I’m not sure you’re holding up your end of the bargain. I realize we got off on the wrong foot. It’s also true that one or more of my previous letters may have been written under the influence of mild psychotropics. But that’s not the issue. The issue is business. You’ve got 20 million readers to satisfy and I’ve got a book so hot it’s burning a hole in my publisher’s panties. I’m trying to tell you that, from my end, all is forgiven.

Also: I’m not going to stop writing until we make this happen. To quote a certain someone, “I don’t believe in failure!”

 

Still at the same address,
Steve Almond

 

 

 

Dear Oprah,

 

You’re going to think
wow
when you open the enclosed gift.

You recognize that little face, no?

Need a hint?

It’s my daughter! Josephine.

She’s a lot bigger than the photo I sent along four months ago, right? Try 21 pounds (minus whatever she lost in transit). That’s almost as big as the turkey you and Stedman served to those autistic orphans last Thanksgiving!

Anyway, it occurred to me last night, in the midst of re-reading
The Gospel According to Oprah,
that a gesture of trust was needed to seal the bond between us. So here she is, the little gal I call “our practice baby.” She’s been pretty good, overall. A bit flatulent after certain meals, but who isn’t? Both my wife and I feel that you’ll make an amazing mother to our (former) daughter.

I know what you’re thinking:
Hey Steve, won’t adopting your child complicate my plan to select your book for Oprah’s Book Club

?
Won’t people cry nepotism and/or bribery
? Of course they will! And you know what the sponsors will be crying?
Ratings!
Especially after your special double episode featuring a tearful author/daughter reunion, with special guest babysitter…Condi Rice!

Seriously, homegirl: I’ve got goose bumps on my scalp.

 

Steve

 

P.S. The baby isn’t eating solid food just yet, so the missus expressed some milk for her. Please refrigerate
immediately.

 

 

 

 

EVERYTHING WAS BEAUTIFUL AND NOTHING HURT

 

THE FAILED PROPHECY OF KURT VONNEGUT
(and How It Saved My Life)

 

Part One

You are writing for strangers.

Face the audience of strangers.

 

I
t would be fair to call me one of the Kurt Vonnegut cult, though a member in poor standing. I read all of his books in high school and college, most of them six times, and I’m sure I walked around for a good number of years spouting little Vonnuggets of wisdom, as his followers so incessantly do.

I devoted most of my senior year in college to a detailed study of his work, writing a thesis titled “Authorial Presence in the Works of Kurt Vonnegut,” a copy of which I recently asked my mother to send me, in her capacity as Chief Curator of the Steve Almond Archives, a capacity, I should add, that she views as the necessary burden of having raised an itinerant narcissist. The Archives have fallen on hard times in the past few years, the result being that the original bound copy of the document—which I feel compelled to note was
dedicated
to the Chief Curator—no longer exists. It was apparently lent out to my uncle Peter, a man whose own literary archive resides in the backseat of his car.

The Chief Curator was able to find, after what she described as “many hours of excavation,” a draft of the thesis, which included the proofreading marks of my college pal James Shiffer, who, perhaps not coincidentally, no longer speaks to me. The last page bore a circular stamp at the bottom right. I initially took this to be some sort of academic notarization before coming to recognize it as a large, oddly filigreed coffee stain.

 

 

 

I WAS REVISITING
my thesis because I had been asked to write an appreciation of Vonnegut, a request I initially refused. I was at work on a dying novel, after all, and I hate to be distracted in the midst of such satisfying masochism. But the request lingered. It activated certain deeply rooted fanboy tendencies. I started thinking about how much Vonnegut had meant to me, and why, and whether writing about him might lead to a rendezvous. That was what I wanted. I wanted to interview him. I wanted to sit around on his porch smoking Pall Malls with him, or at least breathing in his secondhand smoke.

Note: This is the fantasy of every single Vonnegut fan.

 

 

 

EIGHTEEN YEARS AGO,
upon my successful expulsion from college, I was invited to stay with a friend of my girlfriend, out in Sagaponeck, Long Island. I was on the brink of breaking up with this particular girlfriend. But it was also true that these friends of hers were neighbors of Vonnegut. Friends, actually. (They called him Kurt!) So I took a bus out there and hung around for a few days, feeling poor and unsophisticated and properly caddish. In my backpack was a bound copy of my thesis.

All weekend, I fantasized about dropping it off in his mailbox, with a note explaining that I was staying just down the road. He was a busy guy, and a notorious grouch, so he wouldn’t read my thesis immediately. But eventually he’d crack the thing and read a few pages and realize, with a discernable jolt, that, by God, this young Almond fellow knew a few things, that I alone among his legion of literary investigators had divined his essence, understood his crusade, could be trusted with his secrets. This would lead to an invite for cocktails, a long wistful discussion, many Pall Malls, and his eventual decision to adopt me.

But I chickened out.

 

 

 

CLUCK CLUCK.

 

 

 

FAST-FORWARD TO EARLY 2006.
I had agreed to write about Vonnegut. But the word on the street was that
no one
got to Vonnegut. The best I could hope for was to get a note to his attorney, one Donald Farber. I imagined this Farber as a dead ringer for Bela Lugosi, with a massive desk upon which sat a single small rubber stamp. From time to time, a small, possibly deformed assistant would place a document before him, allowing Farber the solemn pleasure of whacking a bright red “No” on each request.

Around this time, I traveled down to Hartford, Connecticut,
1
for a reading and by chance started thumbing through a local paper and suddenly saw Kurt Vonnegut staring at me. He was slated to appear at something called the Connecticut Forum, along with authors Joyce Carol Oates and Jennifer Weiner. This was obviously kismet, but I managed not to notice, and immediately filed this information away in the precise part of my brain that has been eroded by pot smoke. The newspaper got tossed into my own backseat archive.

A month later, while uncharacteristically cleaning my car, I came upon the ad for the Connecticut Forum, which was taking place the very next evening. I was no longer suffering under the delusion that I would be able to contact Vonnegut directly. And thus, a notion now took root inside my pointy little head: I had to go see Kurt Vonnegut. I had to drive down to Hartford and ask him for an interview. I became convinced this would be my one and only shot at a face-to-face. The man was eighty-three years old. He had been smoking those Pall Malls (unfiltered) for longer than my parents have been alive. To put it indelicately: He would soon be dead.

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