Nightmare at 20,000 Feet: Horror Stories (29 page)

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Authors: Richard Matheson

Tags: #horror, #Fiction - Horror, #Short Stories (Single Author), #General, #Science Fiction, #American, #Horror - General, #Horror Fiction, #Fiction, #Short Stories, #Horror tales

BOOK: Nightmare at 20,000 Feet: Horror Stories
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  'Bad day,' said Shipley. 'Not worth it.'

  Mr Ketchum glanced at the sallow faced chief, then withdrew his look hastily. He felt cold premonition spidering in his stomach again. What in God's name
is
this? he asked himself. It had been bad enough in the cell. Here, tracking through this sea of mist, it was altogether worse.

  'That's right,' he heard his nerve-sparked voice saying. There are only sixty-seven people, aren't there?'

  The chief said nothing.

  'How… h-how old is Zachry?'

  In the silence he heard the chiefs finger joints crackle dryly.

  'Hundred fifty years,' said Shipley.

  'That old,' said Mr Ketchum. He swallowed with effort. His throat hurt a little. Come
on,
he told himself.
Relax.

  'How come it's named Zachry?' The words spilled out, uncontrolled.

  'Noah Zachry founded it,' said the chief.

  'Oh. Oh. I see. I guess that picture in the station…?'

  That's right,' said Shipley.

  Mr Ketchum blinked. So that was Noah Zachry, founder of this town they were driving through -

  - 
block after block after block.
There was a cold, heavy sinking in Mr Ketchum's stomach as the idea came to him.

  In a town so big, why were there only
67
people?

  He opened his mouth to ask it, then couldn't. The answer might be wrong.

  'Why are there only -?'
The words came out anyway before he could stop them. His body jolted at the shock of hearing them.

  'What?'

  'Nothing, nothing. That is - ' Mr Ketchum drew in a shaking breath. No help for it. He had to know.

  'How come there are only sixty-seven?’

  'They go away,' said Shipley.

  Mr Ketchum blinked. The answer came as such an anticlimax. His brow furrowed. Well, what else? he asked himself defensively. Remote antiquated, Zachry would have little attraction for its younger generations. Mass gravitation to more interesting places would be inevitable.

  The heavy man settled back against the seat. Of course. Think how much I want to leave the dump, he thought, and I don't even live here.

  His gaze slid forward through the windshield, caught by something. A banner hanging across the street, barbecue tonight. Celebration, he thought. They probably went berserk every fortnight and had themselves a rip roaring taffy pull or fishnet-mending orgy.

  'Who was Zachry anyway?' he asked. The silence was getting to him again.

  'Sea captain,' said the chief.

  'Oh?'

  'Whaled in the South Seas,' said Shipley.

  Abruptly, Main Street ended. The police car veered left on to a dirt road. Out the window Mr Ketchum watched shadowy bushes glide by. There was only the sound of the engine labouring in second and of gravelly dirt spitting out from under the tyres. Where does the judge live, on a mountain top? He shifted his weight and grunted.

  The fog began thinning now. Mr Ketchum could see grass and trees, all with a greyish cast to them. The car turned and faced the ocean. Mr Ketchum looked down at the opaque carpet of fog below. The car kept turning. It faced the crest of the hill again.

  Mr Ketchum coughed softly. 'Is… uh, that the judge's house up there?' he asked.

  'Yes,' the chief answered.

  'High,' said Mr Ketchum.

  The car kept turning on the narrow, dirt road, now facing the ocean, now Zachry, now the bleak, hill-topping house. It was a greyish white house, three storeys high, at each end of it the crag of an attic tower. It looked as old as Zachry itself, thought Mr Ketchum. The car turned. He was facing the fog-crusted ocean again.

  Mr Ketchum looked down at his hands. Was it a deception of the light or were they really shaking? He tried to swallow but there was no moisture in his throat and he coughed instead, rattlingly. This was so
stupid,
he thought; there's no reason in the world for this. He saw his hands clench together.

  The car was moving up the final rise towards the house now. Mr Ketchum felt his breaths shortening.
I
don't want to go,
he heard someone saying in his mind. He felt a sudden urge to shove out the door and run. Muscles tensed emphatically.

  He closed his eyes. For God's sake,
stop
it! he yelled at himself. There was nothing wrong about this but his distorted interpretation of it. These were modern times. Things had explanations and people had reasons. Zachry's people had a reason too; a narrow distrust of city dwellers. This was their socially acceptable revenge. That made sense. After all -

  The car stopped. The chief pushed open the door on his side and got out. The policeman reached back and opened the other door for Mr Ketchum. The heavy man found one of his legs and foot to be numb. He had to clutch at the top of the door for support. He stamped the foot on the ground.

  'Went to sleep,' he said.

  Neither of the men answered. Mr Ketchum glanced at the house; he squinted. He had seen a dark green drape slip back into place? He winced and made a startled noise as his arm was touched and the chief gestured towards the house. The three men started towards it.

  'I, uh… don't have much cash on me, I'm afraid/ he said. 'I hope a traveller's check will be all right.'

  'Yes,' said the chief.

  They went up to the porch steps, stopped in front of the door. The policeman turned a big, brass key-head and Mr Ketchum heard a bell ring tinnily inside. He stood looking through the door curtains. Inside, he could make out the skeletal form of a hat rack. He shifted weight and the boards creaked under him. The policeman rang the bell again.

  'Maybe he's - too sick,' Mr Ketchum suggested faintly.

  Neither of the men looked at him. Mr Ketchum felt his muscles tensing. He glanced back over his shoulder. Could they catch him if he ran for it?

  He looked back disgustedly. You pay your fine and you leave, he explained patiently to himself. That's all; you pay your fine and you leave.

  Inside the house there was dark movement. Mr Ketchum looked up, startled in spite of himself. A tall woman was approaching the door.

  The door opened. The woman was thin, wearing an ankle-length black dress with a white oval pin at her throat. Her face was swarthy, seamed with threadlike lines. Mr Ketchum slipped off his hat automatically.

  'Come in,' said the woman.

  Mr Ketchum stepped into the hall.

  'You can leave your hat there,' said the woman, pointing towards the hat rack that looked like a tree ravaged by flame. Mr Ketchum dropped his hat over one of the dark pegs. As he did, his eye was caught by a large painting near the foot of the staircase. He started to speak but the woman said, 'This way.'

  They started down the hall. Mr Ketchum stared at the painting as they passed it.

  'Who's that woman,' he asked, 'standing next to Zachry?'

  'His wife,' said the chief.

  'But she-'

  Mr Ketchum's voice broke off suddenly as he heard a whimper rising in his throat. Shocked, he drowned it out with a sudden clearing of the throat. He felt ashamed of himself. Still… Zachry's wife?

  The woman opened a door. 'Wait in here,’ she said.

  The heavy man walked in. He turned to say something to the chief. Just in time to see the door shut.

  'Say, uh…' He walked to the door and put his hand on the knob. It didn't turn.

  He frowned. He ignored the pile-driver beats of his heart. 'Hey, what's going on?' Cheerily bluff, his voice echoed off the walls. Mr Ketchum turned and looked around. The room was empty. It was a square empty room.

  He turned back to the door, lips moving as he sought the proper words.

  'Okay,' he said, abruptly, 'it's very -' He twisted the knob sharply. 'Okay, it's a very funny joke.' By God, he was mad. 'I've taken all I'm -'

  He whirled at the sound, teeth bared.

  There was nothing. The room was still empty. He looked around dizzily. What was that sound? A dull sound, like water rushing.

  'Hey,' he said automatically. He turned to the door. 'Hey!' he yelled, 'cut it out! Who do you think you are anyway?'

  He turned on weakening legs. The sound was louder. Mr Ketchum ran a hand over his brow. It was covered with sweat. It was warm in there.

  'Okay, okay,' he said, 'it's a fine joke but -'

  Before he could go on, his voice had corkscrewed into an awful, wracking sob. Mr Ketchum staggered a little. He stared at the room. He whirled and fell back against the door. His out flung hand touched the wall and jerked away.

  It was hot.

'Huh?'
he asked incredulously.

  This was impossible. This was a joke. This was their deranged idea of a little joke. It was a game they played. Scare the City Slicker was the name of the game.

  'Okay!' he yelled.
'Okay?
It's funny, it's very funny! Now let me out of here or there's going to be trouble!'

  He pounded at the door. Suddenly he kicked it. The room was getting hotter. It was almost as hot as an -

  Mr Ketchum was petrified. His mouth sagged open.

  The questions they'd asked him. The loose way the clothes fit everyone he'd met. The rich food they'd given him to eat. The empty streets. The savage like swarthy colouring of the men, of the woman. The way they'd all looked at him. And the woman in the painting, Noah Zachry's wife -
a native woman with her teeth filed to a point.

  BARBECUE TONIGHT.

  Mr Ketchum screamed. He kicked and pounded on the door. He threw his heavy body against it. He shrieked at the people outside.

  'Let me out!
Let me out!
LET… ME… OUT!'

  The worst part about it was, he just couldn't believe it was really happening.

14 - THE HOLIDAY MAN

  "You'll be late, " she said.

  He leaned back tiredly in his chair.

  "I know," he answered.

  They were in the kitchen having breakfast. David hadn't eaten much. Mostly, he'd drunk black coffee and stared at the tablecloth. There were thin lines running through it that looked like intersecting highways.

  "Well?" she said.

  He shivered and took his eyes from the tablecloth.

  "Yes," he said. "All right."

  He kept sitting there.

"David,"
she said.

  "I know, I know," he said, "I'll be late." He wasn't angry. There was no anger left in him.

  "You certainly will," she said, buttering her toast. She spread on thick raspberry jam, then bit off a piece and chewed it cracklingly.

  David got up and walked across the kitchen. At the door he stopped and turned. He stared at the back of her head.

  "Why couldn't I?" he asked again.

  "Because you can't," she said. "That's all."

  "But
why?"

  "Because they need you," she said. "Because they pay you well and you couldn't do anything else. Isn't it obvious?"

  "They could find someone else."

  "Oh, stop it," she said. "You know they couldn't."

  He closed his hands into fists. "Why should I be the one?" he asked.

  She didn't answer. She sat eating her toast.

  "Jean?"

  "There's nothing more to say," she said, chewing. She turned around. "Now, will you go?" she said. "You shouldn't be late today."

  David felt a chill in his flesh.

  "No," he said, "not today."

  He walked out of the kitchen and went upstairs. There, he brushed his teeth, polished his shoes and put on a tie. Before eight he was down again. He went into the kitchen.

  "Goodbye," he said.

  She tilted up her cheek for him and he kissed it. "Bye, dear," she said. "Have a-" She stopped abruptly.

  "-nice day?" he finished for her. "Thank you." He turned away. "I'll have a lovely day."

  Long ago he had stopped driving a car. Mornings he walked to the railroad station. He didn't even like to ride with someone else or take a bus.

  At the station he stood outside on the platform waiting for the train. He had no newspaper. He never bought them any more. He didn't like to read the papers.

  "Mornin', Garret."

  He turned and saw Henry Coulter who also worked in the city. Coulter patted him on the back.

  "Good morning," David said.

  "How's it goin'?" Coulter asked.

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