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Authors: Richard Wright

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BOOK: Native Son
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But why did Bigger revolt? No explanation based upon a hard and fast rule of conduct can be given. But there were always two factors psychologically dominant in his personality. First, through some quirk of circumstance, he had become estranged from the religion and the folk culture of his race. Second, he was trying to react to and answer the call of the dominant civilization whose glitter came to him through the newspapers, magazines, radios, movies, and the mere imposing sight and sound of daily American life. In many respects his emergence as a distinct type was inevitable.

As I grew older, I became familiar with the Bigger Thomas
conditioning and its numerous shadings no matter where I saw it in Negro life. It was not, as I have already said, as blatant or extreme as in the originals; but it was there, nevertheless, like an undeveloped negative.

Sometimes, in areas far removed from Mississippi, I’d hear a Negro say: “I wish I didn’t have to live this way. I feel like I want to burst.” Then the anger would pass; he would go back to his job and try to eke out a few pennies to support his wife and children.

Sometimes I’d hear a Negro say: “God, I wish I had a flag and a country of my own.” But that mood would soon vanish and he would go his way placidly enough.

Sometimes I’d hear a Negro ex-soldier say: “What in hell did I fight in the war for? They segregated me even when I was offering my life for my country.” But he, too, like the others, would soon forget, would become caught up in the tense grind of struggling for bread.

I’ve even heard Negroes, in moments of anger and bitterness, praise what Japan is doing in China, not because they believed in oppression (being objects of oppression themselves), but because they would suddenly sense how empty their lives were when looking at the dark faces of Japanese generals in the rotogravure supplements of the Sunday newspapers. They would dream of what it would be like to live in a country where they could forget their color and play a responsible role in the vital processes of the nation’s life.

I’ve even heard Negroes say that maybe Hitler and Mussolini are all right; that maybe Stalin is all right. They did not say this out of any intellectual comprehension of the forces at work in the world, but because they felt that these men “did things,” a phrase which is charged with more meaning than the mere words imply. There was in the back of their minds, when they said this, a wild and intense longing (wild and intense because it was suppressed!) to belong, to be identified, to feel that they were alive as other people were, to be caught up forgetfully and exultingly in the swing of events, to feel the clean, deep, organic satisfaction of doing a job in common with others.

It was not until I went to live in Chicago that I first thought seriously of writing of Bigger Thomas. Two items of my experience combined to make me aware of Bigger as a meaningful and prophetic symbol. First, being free of the daily pressure of the Dixie environment, I was able to come into possession of my own feelings. Second, my contact with the labor movement and its ideology made me see Bigger clearly and feel what he meant.

I made the discovery that Bigger Thomas was not black all the time; he was white, too, and there were literally millions of him, everywhere. The extension of my sense of the personality of Bigger was the pivot of my life; it altered the complexion of my existence. I became conscious, at first dimly, and then later on with increasing clarity and conviction, of a vast, muddied pool of human life in America. It was as though I had put on a pair of spectacles whose power was that of an x-ray enabling me to see deeper into the lives of men. Whenever I picked up a newspaper, I’d no longer feel that I was reading of the doings of whites alone (Negroes are rarely mentioned in the press unless they’ve committed some crime!), but of a complex struggle for life going on in my country, a struggle in which I was involved. I sensed, too, that the Southern scheme of oppression was but an appendage of a far vaster and in many respects more ruthless and impersonal commodity-profit machine.

Trade-union struggles and issues began to grow meaningful to me. The flow of goods across the seas, buoying and depressing the wages of men, held a fascination. The pronouncements of foreign governments, their policies, plans, and acts were calculated and weighed in relation to the lives of people about me. I was literally overwhelmed when, in reading the works of Russian revolutionists, I came across descriptions of the “holiday energies of the masses,” “the locomotives of history,” “the conditions prerequisite for revolution,” and so forth. I approached all of these new revelations in the light of Bigger Thomas, his hopes, fears, and despairs; and I began to feel far-flung kinships, and sense, with fright and abashment, the possibilities of
alliances
between the American Negro and other people possessing a kindred consciousness.

As my mind extended in this general and abstract manner, it
was fed with even more vivid and concrete examples of the lives of Bigger Thomas. The urban environment of Chicago, affording a more stimulating life, made the Negro Bigger Thomases react more violently than even in the South. More than ever I began to see and understand the environmental factors which made for this extreme conduct. It was not that Chicago segregated Negroes more than the South, but that Chicago had more to offer, that Chicago’s physical aspect—noisy, crowded, filled with the sense of power and fulfillment—did so much more to dazzle the mind with a taunting sense of possible achievement that the segregation it did impose brought forth from Bigger a reaction more obstreperous than in the South.

So the concrete picture and the abstract linkages of relationships fed each other, each making the other more meaningful and affording my emotions an opportunity to react to them with success and understanding. The process was like a swinging pendulum, each to and fro motion throwing up its tiny bit of meaning and significance, each stroke helping to develop the dim negative which had been implanted in my mind in the South.

During this period the shadings and nuances which were filling in Bigger’s picture came, not so much from Negro life, as from the lives of whites I met and grew to know. I began to sense that they had their own kind of Bigger Thomas behavioristic pattern which grew out of a more subtle and broader frustration. The waves of recurring crime, the silly fads and crazes, the quicksilver changes in public taste, the hysteria and fears—all of these had long been mysteries to me. But now I looked back of them and felt the pinch and pressure of the environment that gave them their pitch and peculiar kind of being. I began to feel with my mind the inner tensions of the people I met. I don’t mean to say that I think that environment
makes
consciousness (I suppose God makes that, if there is a God), but I do say that I felt and still feel that the environment supplies the instrumentalities through which the organism expresses itself, and if that environment is warped or tranquil, the mode and manner of behavior will be affected toward deadlocking tensions or orderly fulfillment and satisfaction.

Let me give examples of how I began to develop the dim negative of Bigger. I met white writers who talked of their responses, who told me how whites reacted to this lurid American scene. And, as they talked, I’d translate what they said in terms of Bigger’s life. But what was more important still, I read their novels. Here, for the first time, I found ways and techniques of gauging meaningfully the effects of American civilization upon the personalities of people. I took these techniques, these ways of seeing and feeling, and twisted them, bent them, adapted them, until they became
my
ways of apprehending the locked-in life of the Black Belt areas. This association with white writers was the life preserver of my hope to depict Negro life in fiction, for my race possessed no fictional works dealing with such problems, had no background in such sharp and critical testing of experience, no novels that went with a deep and fearless will down to the dark roots of life.

Here are examples of how I culled information relating to Bigger from my reading:

There is in me a memory of reading an interesting pamphlet telling of the friendship of Gorky and Lenin in exile. The booklet told of how Lenin and Gorky were walking down a London street. Lenin turned to Gorky and, pointing, said: “Here is
their
Big Ben.” “There is
their
Westminster Abbey.” “There is
their
library.” And at once, while reading that passage, my mind stopped, teased, challenged with the effort to remember, to associate widely disparate but meaningful experiences in my life. For a moment nothing would come, but I remained convinced that I had heard the meaning of those words sometime, somewhere before. Then, with a sudden glow of satisfaction of having gained a little more knowledge about the world in which I lived, I’d end up by saying: “That’s Bigger. That’s the Bigger Thomas reaction.”

In both instances the deep sense of exclusion was identical. The feeling of looking at things with a painful and unwarrantable nakedness was an experience, I learned, that transcended national and racial boundaries. It was this intolerable sense of feeling and understanding so much, and yet living on a plane of social reality where the look of a world which one did not make or own struck
one with a blinding objectivity and tangibility, that made me grasp the revolutionary impulse in my life and the lives of those about me and far away.

I remember reading a passage in a book dealing with old Russia which said: “We must be ready to make endless sacrifices if we are to be able to overthrow the Czar.” And again I’d say to myself: “I’ve heard that somewhere, sometime before.” And again I’d hear Bigger Thomas, far away and long ago, telling some white man who was trying to impose upon him: “I’ll kill you and go to hell and pay for it.” While living in America I heard from far away Russia the bitter accents of tragic calculation of how much human life and suffering it would cost a man to live as a man in a world that denied him the right to live with dignity. Actions and feelings of men ten thousand miles from home helped me to understand the moods and impulses of those walking the streets of Chicago and Dixie.

I am not saying that I heard any talk of revolution in the South when I was a kid there. But I did hear the lispings, the whispers, the mutters which some day, under one stimulus or another, will surely grow into open revolt unless the conditions which produce Bigger Thomases are changed.

In 1932 another source of information was dramatically opened up to me and I saw data of a surprising nature that helped to clarify the personality of Bigger. From the moment that Hitler took power in Germany and began to oppress the Jews, I tried to keep track of what was happening. And on innumerable occasions I was startled to detect, either from the side of the Fascists or from the side of the oppressed, reactions, moods, phrases, attitudes that reminded me strongly of Bigger, that helped to bring out more clearly the shadowy outlines of the negative that lay in the back of my mind.

I read every account of the Fascist movement in Germany I could lay my hands on, and from page to page I encountered and recognized familiar emotional patterns. What struck me with particular force was the Nazi preoccupation with the construction of a society in which there would exist among all people (
German
peo
ple, of course!)
one
solidarity of ideals,
one
continuous circulation of fundamental beliefs, notions, and assumptions. I am not now speaking of the popular idea of regimenting people’s thought; I’m speaking of the implicit, almost unconscious, or pre-conscious, assumptions and ideals upon which whole nations and races act and live. And while reading these Nazi pages I’d be reminded of the Negro preacher in the South telling of a life beyond this world, a life in which the color of men’s skins would not matter, a life in which each man would know what was deep down in the hearts of his fellow man. And I could hear Bigger Thomas standing on a street corner in America expressing his agonizing doubts and chronic suspicions, thus: “I ain’t going to trust nobody. Everything is a racket and everybody is out to get what he can for himself. Maybe if we had a true leader, we could do something.” And I’d know that I was still on the track of learning about Bigger, still in the midst of the modern struggle for solidarity among men.

When the Nazis spoke of the necessity of a highly ritualized and symbolized life, I could hear Bigger Thomas on Chicago’s South Side saying: “Man, what we need is a leader like Marcus Garvey. We need a nation, a flag, an army of our own. We colored folks ought to organize into groups and have generals, captains, lieutenants, and so forth. We ought to take Africa and have a national home.” I’d know, while listening to these childish words, that a white man would smile derisively at them. But I could not smile, for I knew the truth of those simple words from the facts of my own life. The deep hunger in those childish ideas was like a flash of lightning illuminating the whole dark inner landscape of Bigger’s mind. Those words told me that the civilization which had given birth to Bigger contained no spiritual sustenance, had created no culture which could hold and claim his allegiance and faith, had sensitized him and had left him stranded, a free agent to roam the streets of our cities, a hot and whirling vortex of undisciplined and unchannelized impulses. The results of these observations made me feel more than ever estranged from the civilization in which I lived, and more than ever resolved toward the task of creating with words a scheme of images and symbols whose direction could enlist the
sympathies, loyalties, and yearnings of the millions of Bigger Thomases in every land and race….

But more than anything else, as a writer, I was fascinated by the similarity of the emotional tensions of Bigger in America and Bigger in Nazi Germany and Bigger in old Russia. All Bigger Thomases, white and black, felt tense, afraid, nervous, hysterical, and restless. From far away Nazi Germany and old Russia had come to me items of knowledge that told me that certain modern experiences were creating types of personalities whose existence ignored racial and national lines of demarcation, that these personalities carried with them a more universal drama-element than anything I’d ever encountered before; that these personalities were mainly imposed upon men and women living in a world whose fundamental assumptions could no longer be taken for granted: a world ridden with national and class strife; a world whose metaphysical meanings had vanished; a world in which God no longer existed as a daily focal point of men’s lives; a world in which men could no longer retain their faith in an ultimate hereafter. It was a highly geared world whose nature was conflict and action, a world whose limited area and vision imperiously urged men to satisfy their organisms, a world that existed on a plane of animal sensation alone.

BOOK: Native Son
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