Like the cat the doberman has trapped,
like the rabbit in the fox's jaws
we feel the splintering of our bones
and wait for the moment that still may flash
the white space between pains
when we can break free.
It is the moment of damage
when already the pricing mind
tries to estimate cost and odds
while the nerves lean on their sirens
but the spine sounds a quiet tone
of command toward a tunnel of moment
that drills the air toward escape
or death. I have been caught.
Biology is destiny for all alive
but at the instant of tearing
open or free, the blood shrieks and
all my mother's mothers groan.
These ashes are not the fine dust I imagined.
The undertaker brings them out from the back
in a plastic baggie, like supermarket produce.
I try not to grab, but my need shocks me,
how I hunger to seize this officially
labeled garbage and carry you off.
All the water was vaporized,
the tears, the blood, the sweat,
fluids of a juicy, steamy woman
burnt offering into the humid Florida
air among cement palm trees with brown
fronds stuck up top like feather dusters.
In the wind the palmettoes clatter.
The air is yellowed with dust.
I carry you back North where you belong
through the bumpy black December night
on the almost empty plane stopping
at every airport like a dog at posts.
Now I hold what is left in my hands
bone bits, segments of the arched skull
varicolored stones of the body,
green, copper, beige, black, purple
fragments of shells eroded by storm
that slowly color the beach.
Archeology in a plastic baggie.
Grit spills into my palms:
reconstruct your days, your odyssey.
These are fragments of a smashed mosaic
that formed the face of a dancer
with bound feet, cursing in dreams.
At the marriage of the cat and dog
I howl under the floor.
You will chew on each other's bones
for years. You cannot read
the other's body language.
On the same diet you starve.
My longest, oldest love, I have brought
you home to the land I am dug into.
I promise a path laid right to you,
roses to spring from you, herbs nearby,
the company of my dead cats
whose language you already know.
We'll make your grave by piney woods,
a fine place to sit and sip wine,
to take the sun and watch the beans
grow, the tomatoes swell and redden.
You will smell rosemary, thyme,
and the small birds will come.
I promise to hold you in the mind
as a cupped hand protects a flame.
That is nothing to you. You cannot
hear. Yet just as I knew when you
really died, you know I have brought
you home. Now you want to be roses.
The dark socket of the year
the pit, the cave where the sun lies down
and threatens never to rise,
when despair descends softly as the snow
covering all paths and choking roads:
then hawk-faced pain seized you
threw you so you fell with a sharp
cry, a knife tearing a bolt of silk.
My father heard the crash but paid
no mind, napping after lunch,
yet fifteen hundred miles north
I heard and dropped a dish.
Your pain sunk talons in my skull
and crouched there cawing, heavy
as a great vessel filled with water,
oil or blood, till suddenly next day
the weight lifted and I knew your mind
had guttered out like the Chanukah
candles that burn so fast, weeping
veils of wax down the chanukiyot.
Those candles were laid out,
friends invited, ingredients bought
for latkes and apple pancakes,
that holiday for liberation
and the winter solstice
when tops turn like little planets.
Shall you have all or nothing
take half or pass by untouched?
Nothing you got,
Nun
said the dreidl
as the room stopped spinning.
The angel folded you up like laundry
your body thin as an empty dress.
Your clothes were curtains
hanging on the window of what had
been your flesh and now was glass.
Outside in Florida shopping plazas
loudspeakers blared Christmas carols
and palm trees were decked with blinking
lights. Except by the tourist
hotels, the beaches were empty.
Pelicans with pregnant pouches
flapped overhead like pterodactyls.
In my mind I felt you die.
First the pain lifted and then
you flickered and went out.
I walk through the rooms of memory.
Sometimes everything is shrouded in dropcloths,
every chair ghostly and muted.
Other times memory lights up from within
bustling scenes acted just the other side
of a scrim through which surely I could reach
my fingers tearing at the flimsy curtain
of time which is and isn't and will be
the stuff of which we're made and unmade.
In sleep the other night I met you, seventeen,
your first nasty marriage just annulled,
thin from your abortion, clutching a book
against your cheek and trying to look
older, trying to look middle class,
trying for a job at Wanamaker's,
dressing for parties in cast-off
stage costumes of your sisters'. Your eyes
were hazy with dreams. You did not
notice me waving as you wandered
past and I saw your slip was showing.
You stood still while I fixed your clothes,
as if I were your mother. Remember me
combing your springy black hair, ringlets
that seemed metallic, glittering;
remember me dressing you, my seventy-year-
old mother who was my last doll baby,
giving you too late what your youth had wanted.
What is this mask of skin we wear,
what is this dress of flesh,
this coat of few colors and little hair?
This voluptuous seething heap of desires
and fears, squeaking mice turned up
in a steaming haystack with their babies?
This coat has been handed down, an heirloom,
this coat of black hair and ample flesh,
this coat of pale slightly ruddy skin.
This set of hips and thighs, these buttocks,
they provided cushioning for my grandmother
Hannah, for my mother Bert and for me
and we all sat on them in turn, those major
muscles on which we walk and walk and walk
over the earth in search of peace and plenty.
My mother is my mirror and I am hers.
What do we see? Our face grown young again,
our breasts grown firm, legs lean and elegant.
Our arms quivering with fat, eyes
set in the bark of wrinkles, hands puffy,
our belly seamed with childbearing.
Give me your dress so I can try it on.
Oh it will not fit you, Mother, you are too fat.
I will not fit you, Mother.
I will not be the bride you can dress,
the obedient dutiful daughter you would chew,
a dog's leather bone to sharpen your teeth.
You strike me sometimes just to hear the sound.
Loneliness turns your fingers into hooks
barbed and drawing blood with their caress.
My twin, my sister, my lost love,
I carry you in me like an embryo
as once you carried me.
What is it we turn from, what is it we fear?
Did I truly think you could put me back inside?
Did I think I would fall into you as into a molten
furnace and be recast, that I would become you?
What did you fear in me, the child who wore
your hair, the woman who let that black hair
grow long as a banner of darkness, when you
a proper flapper wore yours cropped?
You pushed and you pulled on my rubbery
flesh, you kneaded me like a ball of dough.
Rise, rise, and then you pounded me flat.
Secretly the bones formed in the bread.
I became willful, private as a cat.
You never knew what alleys I had wandered.
You called me bad and I posed like a gutter
queen in a dress sewn of knives.
All I feared was being stuck in a box
with a lid. A good woman appeared to me
indistinguishable from a dead one
except that she worked all the time.
Your payday never came. Your dreams ran
with bright colors like Mexican cottons
that bled onto the drab sheets of the day
and would not bleach with scrubbing.
My dear, what you said was one thing
but what you sang was another, sweetly
subversive and dark as blackberries,
and I became the daughter of your dream.
This body is your body, ashes now
and roses, but alive in my eyes, my breasts,
my throat, my thighs. You run in me
a tang of salt in the creek waters of my blood,
you sing in my mind like wine. What you
did not dare in your life you dare in mine.
Dedicated to Rabbi Debra Hachen
,
who made a beautiful wedding with us
,
for which many of the poems in this section were written
.
Two poems by Ira Wood are included
.
Slowly and slower you have learned
to let yourselves grow while weaving
through each other in strong cloth.
It is not strangeness in the mate
you must fear, and not the fear
that loosens us so we lean back
chilly with a sudden draft on flesh
recently joined and taste again
the other sharp as tin in the mouth,
but familiarity we must mistrust,
the word based on the family
that fogs the sight and plugs the nose.
Fills the ears with the wax of possession.
Toughens the daily dead skin
callused against penetration.
Never think you know finally, or say
My husband likes, My wife is,
without balancing in the coil of the inner ear
that no one is surely anything till dead.
Love without respect is cold as a boa
constrictor, its caresses as choking.
Celebrate your differences in bed.
Like species, couples die out or evolve.
Ah strange new beasties with strawberry hides,
velvet green antlers, undulant necks,
tentacles, wings and the senses of bees,
your own changing mosaic of face
and the face of the stranger you live with
and try to love, who enters your body
like water, like pain, like food.
We learn each other in braille,
what the tongue and teeth taste,
what the fingers trace, translate
into arias of knowledge and delight
of silk and stubble, of bark
and velvet and wet roses,
warbling colors that splash through
bronze, violet, dragonfly jade,
the red of raspberries, lacquer, odor
of resin, the voice that later
comes unbidden as a Mozart horn
concerto circling in the ears.
You are translated from label,
politic mask, accomplished patter,
to the hands round hefting,
to a weight, a thrust, a scent
sharp as walking in early
morning a path through a meadow
where a fox has been last night
and something in the genes saying
FOX to that rich ruddy smell.
The texture of lambswool, of broadcloth
can speak a name in runes. Absent,
your presence carols in the blood.
Great love is an abrupt switching
in a life bearing along at express speeds
expecting to reach the designated stations
at the minute listed in the timetable.
Great love can cause derailment,
coaches upended, people screaming,
luggage strewn over the mountainside,
blood and paper on the grass.
It's months before the repairs are done,
everyone discharged from the hospital,
all the lawsuits settled, damage
paid for, the scandal subsided.
Then we get on with the journey
in some new direction, hiking overland
with camels, mules, via helicopter
by barge through canals.
The maps are all redrawn and what
was north is east of south
and there be dragons in those mountains
and the sun shines warmer and hairier
and the moon has a cat's face.
There is more sunshine. More rain.
The seasons are marked and intense.
We seldom catch colds.
There is always you at my back
ready to fight when I must fight;
there is always you at my side
the words flashing light and shadow.
What was grey ripples scarlet and golden;
what was bland reeks of ginger and brandy;
what was empty roars like a packed stadium;
what slept gallops for miles.
Even our bones are reformed in the close
night when we hold each other's dreams.
Memories uncoil backward and are remade.
Now the first egg itself is freshly twinned.
We build daily houses brick by brick.
We put each other up at night like tents.
This story tells itself as it grows.
Each morning we give birth to one another.