My Big Fat Supernatural Honeymoon (25 page)

Pete looked at him, looked at Gerry's still form, and contemplated telling Jack he was incurably deranged. Then she started to laugh. "Smacking that arsehole was the most fun I've had in months."

"Forty quid," Jack reminded her.

"I'll write you a check when we get out of this bloody swamp," she promised.

"Am I right you'll be finding your own flat, then, when we get home?" Jack said. He went on before she could answer. "Pete, for what it's worth, those bits you meant—I
am
a bastard and a selfish git, but I kept alive this long because of it. I'm sorry I can't undergo a miraculous transformation for you, luv. Truly I am."

Pete reached and took Jack's hand. He started, then squeezed her fingers and didn't loosen his grip. "I'm quitting," Pete said.

"The Metropolitan Police. I can't do that and be this." She gestured at the bog and the temple.

Jack's forehead crinkled. "But you love your job."

"I did," said Pete. "But you taught me that you're part of the Black first and a member of society second. And…" She almost swallowed down the words, jumped up and ran far away as she could, "I'd like you to teach me more."

Jack looked down on her, for a long time, smoke trailing out of one nostril. "You're bloody mad, Caldecott. You honestly think I'm any kind of qualified to take an apprentice? Bloody buggering fuck, you've
seen
what happens when things go bad with me. You'd sign on willingly for that?"

Pete nodded once, and was telling the truth.

"I'll be hard," Jack warned. "I won't let you be because you're my friend or because I care for you. It won't be any sort of pleasant and if you work with me there's a good chance you'll be buried in an early grave. So quit being so bloody stupid, go back to the Yard, and forget it, Pete, because if you take me as a teacher, I'll make bloody sure you regret it." He glared at her, but there was an expression in his eyes that was entirely new to Pete. She'd call it hope, if it were anyone but Jack.

"You're right, Jack Winter," she said. "You are a git."

"I told you," Jack started, but Pete leaned up and over and kissed him firmly, until he stopped trying to talk.

"I knew what I was getting into the first moment we met," she said. "And I don't want a transformation. I knew what I got the day I met you and you don't frighten me. Never did and never bloody will."

He grinned at her, but his eyes were calm cold glaciers in a choppy sea. "We'll see, luv."

Pete put her head on Jack's shoulder and they sat on the steps of the old temple in the bog, waiting to be rescued and watching the neon spires of Blackpool fade into daylight, skeletons of a nightshade world that crumbled away under the sun.

This
story, however, takes place long before the events of the series, and is a glimpse into the lives of those who influenced the creation of the Dirk & Steele detective agency
.

WHEN MISS LINDSAY FINALLY DEPARTED FOR THE WORLD beyond the wood, it meant that Lucy and Barnabus were the only people left to care for her house and land, as well as the fine cemetery she had kept for nearly twenty years outside the little town of Cuzco, Indiana. It was an important job, not just for Lucy and Barnabus, but for others, as well, who for years after would come and go, for rest or sanctuary. Bodies needed homes, after all—whether dead or living.

Lucy was only seventeen, and had come to the cemetery in the spring, not one month before Miss Lindsay went away. The girl's father was a cutter at the limestone quarry. Her brothers drove the team that hauled the stones to the masons. The men had no use for a sister, or any reminder of the fairer sex; their mother had run away that previous summer with a gypsy fortune-teller, though Lucy's father insisted his absent wife was off visiting relatives and would return. Eventually.

When word reached the old cutter that a woman named Miss Lindsay needed a girl to tend house, he made his daughter pack a bag with lunch, her comb, and one good dress from her mother's closet—then set her on the first wagon heading toward Cuzco. No good-byes, no messages sent ahead. Just chancing on fate that the woman would want his daughter.

Lucy remembered that wagon ride. Mr. Wiseman, the driver, had been hauling turnips that day, the bulbous roots covered beneath a burlap sheet to keep off the light drizzle: a cool morning, with a sweet breeze. No one on the road except them, and later, one other: an old man who stood at the side of the dirt track outside Cuzco, dressed in threadbare brown clothes, with a thin coat and his white hair slicked down from the rain. Pale eyes. Lost eyes, staring at the green budding hills like the woods were where his heart lived.

In his right hand, he held a round silver mirror. A discordant sight, flashing and bright; Lucy thought she heard voices in her head when she saw the reflecting glass: whispers like birdsong, teasing and sweet.

Mr. Wiseman did not wave at the man, but Lucy did, out of politeness and concern. She received no response; as though she were some invisible spirit, or the breeze.

"Is he sick?" Lucy whispered to Mr. Wiseman.

"Sick and married," said the spindly man, in a voice so loud, she winced. He tugged his hat a bit farther over his eyes. "Married, with no idea how to let go of the dead."

"His wife is gone?" Lucy thought of her mother.

"Gone, dead. That was Henry Lindsay you saw. Man's been like that for almost twenty years. Might as well be dead himself."

Which answered almost nothing, in Lucy's mind. "What happened to her?"

A sly smile touched Mr. Wiseman's mouth, and he glanced sideways. "Don't know, quite. But she up and died on their wedding night. I heard he hardly had a chance to touch her."

"That's
awful
," Lucy said, not much caring for the look in Mr Wiseman's eye, as though there was something funny about the idea. She did not like, either, the other way he suddenly seemed to look at her; as though she could be another fine story, for him.

She edged sideways on the wagon seat. Mr. Wiseman looked away. "People die, Miss Lucy. But it's a shame it happened so fast I even heard said they were going to run away, all fancy. A honeymoon, like they do out East in the cities."

Lucy said nothing. She did not know much about such things. In her experience, there was little to celebrate about being husband and wife. Just hard times, and loss, and anger. A little bit of laughter, if you were lucky. But not often.

She twisted around, looking back. Henry still stood at the bend in the road, his feet lost in deep grass, soaked and pale and staring at the woods, those smoky green hills rising and falling like the back of some long fat snake. Her heart ached for him, just a little, though she did not know why. His loss was a contagious thing.

Honeymoon
, she thought, tasting the word and finding it pretty, even though she did not fully appreciate its meaning. And then another word entered her mind, familiar, and she murmured "Lindsay."

Lindsay. The same name as the woman she was going to see Lucy looked inquiringly at Mr. Wiseman.

"His sister," he replied shortly, and smiled. "His very pretty sister, even if she's getting on in years." He stopped the wagon and pointed at a narrow dirt path that curled into the woods. "There. Follow that to her house."

Lucy hesitated. "Are you certain?"

"There isn't a man, woman, or child in this area who doesn't know where Miss Lindsay lives." He reached behind him, and pulled out a bulging cloth sack. "Here, give this to her. Say it was from Wilbur."

Lucy clutched the sack to her stomach. It felt like turnips. She slid off the wagon, feeling lost, but before she could say anything, Mr. Wiseman gave her that same sly smile and said, "Stay on the path, Miss Lucy. Watch for ghosts."

"Ghosts," she echoed, alarmed, but he shook the reins, tipped his hat, and his wagon rattled into motion. No good-byes. Lucy watched him go, almost ready to shout his name, to ask that he wait for her. She stayed silent, though, and looked back the way they had come. Home, to her father and brothers.

Then she turned and stared down the narrow track leading into the woods. It was afternoon, but with the clouds and misting drizzle it could have been twilight before her, a forest of night. Birdsong rattled; again, Lucy thought she heard whispers. Voices airy as the wind.

Ghosts
. Or nothing. Just her imagination. Lucy swallowed hard, and walked into shadow, the wet gloom: dense and thick and wild.

She thought of her mother as she walked. Wondered if she had been this frightened of leaving home, or if it had been too much a relief to unburden herself of husband and children. Then Lucy thought of the old man, Henry Lindsay, and his lost eyes and lost wife and lost wedding night, and wondered if it was the same, except worse—worse because her mother had chosen to go, worse because her father did not have eyes like that man, or that sorrow. Just anger. So much bitter anger.

The path curled. Lucy walked fast, stepping light over rocks and ivy. In the undergrowth, she heard movement: a blue bird broke loose from the canopy, streaking toward the narrow trail of gray sky; to see it felt like she was watching some desperate escape, as though the leaves on either side of the track were walls, strong as stone and insurmountable. She half expected a hand to reach from the trees and snatch the bird back.

A chill settled between her shoulders. Lucy heard a whisper, wordless but human. A hush, heart-stopping. She paused in mid-step and turned. There was no one behind her.

Lucy heard it again, and terror squeezed her gut like a cut lemon. Ghostly, yes; a voice like the wind, high and cool. She caught movement out the corner of her eye—cried out, turning—and saw a face peering from the shadows of the underbrush.

A woman. A woman in the wood, pale and fair, with eyes as blue as cornflowers. Lucy stared, trying to make sense of it—unable to speak or move as she met that terrible gaze, which was lost and so utterly lonely, Lucy felt her heart squeeze again, but softer, with a pang.

"Help me," whispered the woman. "Please, help me."

Lucy tried to speak, and choked. Around her, other voices seemed to seep free of the wood; whispers and hoarse cries and birds screaming into the cool wet air, a rising wind that blasted Lucy with a bone-chill to her heart, swelling like her insides were growing on the hum of the wood, engorged on sound.

She heard a shout—a man—but she could not turn to see. Her body felt far away, lost, and the woman cried, "
She's coming
."

Something broke inside Lucy: she could move again. She tried to run—heard another shout, desperate, and turned in time to see a brown flailing blur, a streak of silver, a shock of white hair.

Arms caught Lucy from behind. She cried out as she was lifted into the air, screaming as the sky and trees spun into a blur, so sickening, she closed her eyes. She heard the woman sobbing, a man crying a name—
Mary, Mary
—and then nothing except a heartbeat beneath her ear, sure and steady as a hammer falling.

Her heart hurt. Lucy opened her eyes and found the world changed.

She was no longer caught on the path in the woods. A meadow surrounded her, small and green and lush with grass and wild daisies, scattered with heavy oaks; somewhere near a creek burbled and goats bleated. Lucy saw a small white house behind a grove of lilac trees, and beyond, again, the rising forest; only gentler, without the dense shadows that seemed to live and breathe. No women lost in the leaves.

There were arms around her body, and movement on her left. Lucy struggled, managing to pull away until she could dance backward, staring.

Two men stood before her, one young, the other older. The elder man was Henry Lindsay. Lucy remembered his face. Up close, however, he did not look quite so aged. His body was straight and hard and lean; he had few wrinkles and his eyes were bright, startling, the color of gold. His white hair was the only symptom of age, but that seemed a trivial thing compared with the fire in his gaze, which was so alive, she thought she must have imagined the man who had stood at the side of the road, with a face as slack and dead as a corpse.

The young man with him had quieter eyes, but just as bold. He wore a soft blue cotton shirt that had been patched with bits and pieces of rags, the stitches neat, made with thick red thread, a complement to his color: blue eyes, skin brown from the sun, hair dark and wild like a scarecrow. He glanced at Henry, just before the older man lurched toward Lucy: a half step, the edge of a full run, stopping as though pulled back by strings. His hands clenched into fists. Lucy noted the silver mirror jutting from his coat pocket.

"She spoke to you," said Henry, his voice deceptively controlled: quiet, easy—frightening, because Lucy could tell it was a lie. She said nothing, uncertain how to answer him, and in her head she could see the woman in the wood, her pale face and lost eyes: a mirror to how this man had looked while standing on the road.

Henry said it again, louder: "She spoke. Tell me what she said."

Lucy stared, bewildered, and he rocked toward her with a low cry, hand outstretched. She staggered back, holding up her arms, but the young man stepped between them and caught Henry before he could get close, holding him back with his size and easy strength. Lucy readied herself to run.