Michael Connelly (9 page)

Salazar went around the table. He lifted Meadows’s right hand and yanked the finger backward. He couldn’t get the leverage
needed and couldn’t break the joint.

“Harder than I thought,” he said. “Perhaps the digit was struck with a blunt object of some kind. One that did not blemish
the skin.”

When Sakai came in with the slides fifteen minutes later, the autopsy was completed and Salazar was sewing Meadows’s chest
closed with thick, waxed twine. He then used an overhead hose to spray debris off the body and wet down the hair. Sakai bound
the legs together and the arms to the body with rope, to prevent them from moving during the different stages of rigor. Bosch
noticed that the rope cut across the tattoo on Meadows’s arm, across the rat’s neck.

Using his thumb and forefinger, Salazar closed Meadows’s eyes.

“Take him to the box,” he said to Sakai. Then to Bosch, “Let’s take a look at these slides. This seemed odd to me because
the hole was bigger than your normal scag spike and its location, in the chest, was unusual.

“The puncture is clearly antemortem, possibly perimortem — there was only slight hemorrhaging. But the wound is not scabbed
over. So we’re talking shortly before, or even during death. Maybe the cause of death, Harry.”

Salazar took the slides to a microscope that was on the counter at the back of the room. He chose one of the slides and put
it on the viewing plate. He bent over to look and after half a minute finally said, “Interesting.”

He then looked briefly at the other slides. When he was done, he put the first slide back on the viewing plate.

“Okay, basically, I removed a one-inch-square section of the chest where this puncture was located. I went into the chest
about one and a half inches deep with the cut. The slide is a vertical dissection of the sample, showing the track of the
perforation. Do you follow me?”

Bosch nodded.

“Good. It’s kind of like slicing an apple open to expose the track of a worm. The slide traces the path of the perforation
and any immediate impact or damage. Take a look.”

Bosch bent to the eyepiece of the microscope. The slide showed a straight perforation about one inch deep, through the skin
and into the muscle, tapering in width like a spike. The muscle’s pink color changed to a dark brownish color around the deepest
point of the penetration.

“What does it mean?” he asked.

“It means,” said Salazar, “that the puncture was through the skin, through the fascia — that’s the fibrous fat layer — and
then directly into the pectoral muscle. You notice the deepening color of the muscle around the penetration?”

“Yes, I notice.”

“Harry, that’s because the muscle is burned there.”

Bosch looked away from the microscope to Salazar. He thought he could make out the line of a thin smile beneath the pathologist’s
breathing mask.

“Burned?”

“A stun gun,” the pathologist said. “Look for one that fires its electrode dart deep into the skin tissue. About three to
four centimeters deep. Though in this case, it is likely the electrode was manually pressed deeper into the chest.”

Bosch thought a moment. A stun gun would be virtually impossible to trace. Sakai came back into the room and leaned on the
counter by the door, watching. Salazar collected three glass vials of blood and two containing yellowish liquid from the tool
cart. There was also a small steel pan containing a brown lump of material that Bosch recognized from experience in this room
as liver.

“Larry, here are the tox samples,” Salazar said. Sakai took them and disappeared from the room again.

“You’re talking about torture, electric shock,” Bosch said.

“I would say it looks so,” Salazar said. “Not enough to kill him, the trauma is too small. But possibly enough to get information
from him. An electric charge can be very persuasive. I think there is ample history on that. With the electrode positioned
in the subject’s chest, he could probably feel the juice going right into his heart. He would have been paralyzed. He’d tell
them what they wanted and then could only watch while they put a fatal dosage of heroin into his arm.”

“Can we prove any of this?”

Salazar looked down at the tile floor and put his finger on his mask, and scratched his lip beneath it. Bosch was dying for
a cigarette. He had been in the autopsy room nearly two hours.

“Prove any of it?” Salazar said. “Not medically. Tox tests will be done in a week. For the sake of argument, say they come
back heroin overdose. How do we prove that someone else put it in his arm, not himself? Medically, we can’t. But we can show
that at the time of death or shortly before, there was a traumatic assault on the body in the form of electric shock. He was
being tortured. After death there is the unexplained damage to the first digit of the left hand.”

He rubbed the finger over his mask again and then concluded, “I could testify that this was a homicide. The totality of the
medical evidence indicates death at the hands of others. But, for the moment, there is no cause. We wait for the tox studies
to be completed and then we’ll put our heads together again.”

Bosch wrote a paraphrase of what Salazar had just said into his notebook. He would have to type it into his own reports.

“Of course,” Salazar said, “proving any of this beyond a reasonable doubt to a jury is another matter. I would guess that,
Harry, you have to find that bracelet and find out why it was worth torturing and killing a man for.”

Bosch closed his notebook and started to pull off the paper gown.

• • •

The setting sun burned the sky pink and orange in the same bright hues as surfers’ bathing suits. It was beautiful deception,
Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog
that made their colors so brilliant, that behind every pretty picture there could be an ugly story.

The sun hung like a ball of copper in the driver’s-side window. He had the car radio tuned to a jazz station and Coltrane
was playing “Soul Eyes.” On the seat next to him was a file containing the newspaper clippings from Bremmer. The file was
weighted down by a six-pack of Henry’s. Bosch got off at Barham and then took Woodrow Wilson up into the hills above Studio
City. His home was a wood-framed, one-bedroom cantilever not much bigger than a Beverly Hills garage. It hung out over the
edge of the hill and was supported by three steel pylons at its midpoint. It was a scary place to be during earthquakes, daring
Mother Nature to twang those beams and send the house down the hill like a sled. But the view was the trade-off. From the
back porch Bosch could look northeast across Burbank and Glendale. He could see the purple-hued mountains past Pasadena and
Altadena. Sometimes he could see the smoky loom-up and orange blaze of brush fires in the hills. At night the sound of the
freeway below softened and the searchlights at Universal City swept the sky. Looking out on the Valley never failed to give
Bosch a sense of power which he could not explain to himself. But he did know that it was one reason — the main reason — he
bought the place and would never want to leave it.

Bosch had bought it eight years earlier, before the real estate boom got seriously endemic, with a down payment of $50,000.
That left a mortgage of $1,400 a month, which he could easily afford because the only things he spent money on were food,
booze and jazz.

The down payment money had come from a studio that gave it to him for the rights to use his name in a TV miniseries based
on a string of murders of beauty shop owners in Los Angeles. Bosch and his partner during the investigation were portrayed
by two midlevel TV actors. His partner took his fifty grand and his pension and moved to Ensenada. Bosch put his down on a
house he wasn’t sure could survive the next earthquake but that made him feel as though he were prince of the city.

Despite Bosch’s resolve never to move, Jerry Edgar, his current partner and part-time real estate man, told him the house
was now worth three times what he had paid for it. Whenever the subject of real estate came up, which was often, Edgar counseled
Bosch to sell and trade up. Edgar wanted the listing. Bosch just wanted to stay where he was.

It was dark by the time he reached the hill house. He drank the first beer standing on the back porch, looking out at the
blanket of lights below. He had a second bottle while sitting in his watch chair, the file closed on his lap. He hadn’t eaten
all day and the beer hit him quickly. He felt lethargic and yet jumpy, his body telling him it needed food. He got up and
went to the kitchen and made a pressed turkey sandwich that he brought back to the chair with another beer.

When he was finished eating he brushed the sandwich crumbs off the file and opened it up. There had been four
Times
stories on the WestLand bank caper. He read them in the order of publication. The first was just a brief that had run on
page 3 of the Metro section. The information had apparently been gathered on the Tuesday the break-in was discovered. At the
time, the LAPD and the FBI weren’t that interested in talking to the press or letting the public know what had happened.

AUTHORITIES PROBE BANK BREAK-IN

An undisclosed amount of property was stolen from the WestLand National Bank in downtown during the three-day holiday weekend,
authorities said Tuesday.

The burglary, being investigated by the FBI and the Los Angeles Police Department, was discovered when managers of the bank
located at the corner of Hill Street and Sixth Avenue arrived Tuesday and found the safe-deposit vault had been looted, FBI
Special Agent John Rourke said.

Rourke said an estimate on the loss of property had not been made. But sources close to the investigation said more than $1
million worth of jewels and other valuables stored in the vault by customers of the bank was taken.

Rourke also declined to say how the burglars entered the vault but did say that the alarm system was not working properly.
He declined to elaborate.

A spokesman for WestLand declined Tuesday to discuss the burglary. Authorities said there were no arrests or suspects.

Bosch wrote the name John Rourke in his notebook and went on to the next newspaper story, which was much longer. It had been
published the day after the first and had been bannered across the top of the front page of the Metro section. It had a two-deck
headline and was accompanied by a photograph of a man and woman standing in the safe-deposit vault looking down at a manhole-sized
opening in the floor. Behind them was a pile of deposit boxes. Most of the small doors on the back wall were open. Bremmer’s
byline was on the story.

AT LEAST $2 MILLION TAKEN IN BANK TUNNEL JOB;
BANDITS HAD HOLIDAY WEEKEND TO DIG INTO VAULT

The article expanded on the first story, filling in the detail that the perpetrators had tunneled into the bank, digging an
approximately 150-yard line from a city storm main that ran under Hill Street. The story said an explosive device had been
used to make the final break through the floor of the vault. According to the FBI, the burglars probably were in the vault
through most of the holiday weekend, drilling open the individual safe-deposit boxes. The entry tunnel from the stormwater
main to the vault was believed to have been dug during seven to eight weeks before the heist.

Bosch made a note to ask the FBI how the tunnel had been dug. If heavy equipment was used, most banks’ alarms, which measured
sound as well as earth vibrations, would have picked up the ground movement and sounded. Also, he wondered, why hadn’t the
explosive device set off alarms?

He looked then at the third article, published the day after the second. This one wasn’t written by Bremmer, though it still
had been played on the front of Metro. It was a feature on the dozens of people lining up at the bank to see if their safe-deposit
boxes were among those pried open and emptied. The FBI was escorting them into the vault and then taking their statements.
Bosch scanned the story but saw the same thing over and over again: people angry or upset or both because they had lost items
that they had placed in the vault because they believed it was safer than their homes. Near the bottom of the story Harriet
Beecham was mentioned. She had been interviewed as she came out of the bank, and she told the reporter she had lost a lifetime’s
collection of valuables bought while traveling the world with her late husband, Harry. The story said Beecham was dabbing
at her eyes with a lace handkerchief.

“I lost the rings he bought me in France, a bracelet of gold and jade from Mexico,” Beecham said. “Whoever they were that
did this, they took my memories.”

Very melodramatic. Bosch wondered if the last quote had been made up by the reporter.

The fourth story in the file had been published a week later. By Bremmer, it was short and had been buried in the back of
Metro, behind where they stuffed the Valley news. Bremmer reported that the WestLand investigation was being handled exclusively
by the FBI. The LAPD provided initial backup, but as leads dried up, the case was left in the bureau’s hands. Special Agent
Rourke was quoted again in this story. He said agents were still on the case full-time but no progress had been made or suspects
identified. None of the property taken from the vault, he said, had turned up.

Bosch closed the file. The case was too big for the bureau to slough off like a bank stickup. He wondered if Rourke had been
telling the truth about the lack of suspects. He wondered if Meadows’s name had ever come up. Two decades earlier Meadows
had fought and sometimes lived in the tunnels beneath the villages of South Vietnam. Like all the tunnel fighters, he knew
demolition work. But that was for bringing a tunnel down. Implosion. Could he have learned how to blow through the concrete-and-steel
floor of a bank vault? Then Bosch realized that Meadows would not necessarily have needed to know how. He was sure the WestLand
job had taken more than one person.

He got up and got another beer from the refrigerator. But before going back to the watch chair he detoured into the bedroom,
where he pulled an old scrapbook out of the bottom drawer of the bureau. Back in the chair he drank down half the beer, then
opened the book. There were bunches of photographs loose between the pages. He had meant to mount them but had never gotten
around to it. He rarely even opened the book. The pages were yellowed and had gone to brown at the edges. They were brittle,
much like the memories the photos evoked. He picked up each snapshot and examined it, at some point realizing that he had
never mounted them on the pages because he liked the idea of holding each picture in his hands, feeling it.