Merry Go Round (11 page)

'It's perfectly disgusting and awfully rude of her,' she cried for the tenth time. 'I wish I hadn't come, and I wish to goodness you wouldn't stand there looking bored. Can't you say something to amuse me?'

'I should have thought you could wait for a few minutes without getting into a beastly temper.'

'I shall take care to serve that woman as she has served me. I suppose she's eating somewhere with her wretched man. Why don't you pay for the box so that we can go in?'

'Why should I? They've asked us, and we must hang about till they choose to turn up.'

'If you cared for me the least bit, you wouldn't refuse to do things I asked you.'

'If you'll ask for something reasonable I'll do it.'

Reggie had a very pretty little temper of his own, which his fond mother's upbringing had never taught him to restrain; and seeing that Mrs Castillyon raged with impatience, he assumed an exaggerated calm which was far more irritating than if he had fussed or fumed. The lady busied herself with sharp tongue to pierce his thick hide of indifference, and abused him roundly. In a little while without more ado he answered her in kind.

'If you're not satisfied with me I'll go. D'you think you're
the only woman in the world? I'm about sick of your vixenish temper. Good Lord, if this is what a married man has to put up with, God save me from marriage!'

They sat without speaking, and through her powder Mrs Castillyon's cheeks glowed angrily; but when at length Lady Paperleigh appeared, accompanied by a strapping youth with military airs, Mrs Castillyon greeted her with smiles and soft words, vowing that they had only that very moment arrived. Reggie, less accustomed to the ways of polite society, could not conceal his ill-humour, and shook hands in sulky silence.

After the performance Reggie put Mrs Castillyon into a cab, but he would not shake hands, and there was a malevolent scowl on his handsome face which singularly disturbed her; for what at first had seemed but a passing fancy was now unaccountably changed into a desperate passion. She had the soul of a trollop, and for years had flirted more or less seriously with one man after another; but it was chiefly admiration she sought and someone to go about with her and pay for little extravagances; and though several had taken the matter in earnest, she always kept her head, and was careful to drop them when they grew troublesome. But now, driving away alone, there was a dull and hungry pain in her heart; she was tormented by the anger of those handsome eyes, and remembered sorrowfully the hurried kiss he had given her the day before in the cab.

'Supposing he doesn't come back,' she whispered, with a painful sob.

She was a little frightened also, knowing herself in the power of a dissolute, selfish boy who cared nothing for her. Any woman would have served his purpose as well, for she saw with bitter clearness that he was merely dazzled by her wealth and her diamonds. He liked to dine at her house, and it pleased his vanity to embrace a woman in expensive clothes. But she had not the temperament to make a fight for freedom, and gave herself up to this love weakly, careless into what abyss of shame and misery it led. Going to her room, she wrote a pitiful letter to Reggie, and those with whom in time past she had
cruelly played, seeing this utter abasement, might have felt abundantly revenged.

Don't be angry with me, darling; I can't bear it. I love you with all my heart and soul. I'm sorry that I was horrid this evening, but I couldn't help it, and I will try to keep my temper. Write and say you forgive me, because my head is throbbing and my heart is aching for you.

I love you – I love you – I love you.

G
RACE

She folded the letter, and was about to put it in an envelope, when an idea crossed her mind. For all her flippancy, Mrs Castillyon had a good deal of observation; it had not escaped her notice that Reggie hated to spend money. She went to a drawer and took out a ten-pound note, which with a postscript she enclosed.

I'm sorry I hadn't my purse tonight, and I've only got this note here. Please take what I owe you out of it, and with the change you might buy yourself a tie-pin. I wanted to give you a little present, but I'm afraid of getting something you won't like. Please say you're not cross with me for asking you to see about it yourself.

The youth read the letter with indifference, but when he came to the last lines blushed, for his mother had instilled into him certain rules of honour, and against his will, he could not escape the notion that it was the most discreditable thing possible to accept money from a woman. For a moment he felt sick with shame, but the note was crisp and clean and inviting. His fingers itched.

His first impulse was to send it back, and he sat down at his writing-table. But when he came to put the note in an envelope, he hesitated and looked at it again.

'After all, what with the dinner and tea yesterday, she owes me a good deal of it, and I shall spend it on her if I keep it. She's so rich, it means nothing to her.'

Then he had an inspiration.

'I'll put the balance on a horse, and if it comes in I'll give her the tenner back. If it doesn't – well, it's not my fault.'

He pocketed the note.

T
HE
Kents spent their honeymoon in a fisherman's cottage at Carbis Water, the very name of which, romantic and musical, enchanted Basil's ear; and from their window the cliff, grown over with odorous broom, tumbled lazily to the edge of the coloured sea. There was an amiable simplicity about the old man from whom they hired rooms, and Basil delighted to hear his long stories of the pilchard fishery, of storms that had strewn the beach with wreckage, and of fierce battles fought between the fishers of St Ives and the foreigners from Lowestoft. He told of the revivals which burned along the countryside, calling sinners to repentance, and how himself on a memorable occasion had found salvation; now he confessed his late-found faith with savage ardour, but notwithstanding made the most he could out of the strangers in his house! And the tall, gaunt figure of that ancient seaman, with furrowed cheeks and eyes bleared with long scanning of the sea, seemed a real expression of that country – wild with its deserted mines, yet tender; barren yet with the delicate colour of a pastel. To Basil, weary with the conflicting emotions of the last month, it had a restful charm unrivalled by the distincter glories of more southern lands.

One afternoon they walked up a hill to see the local curiosity, a gravestone which crowned its summit, and Basil wandered on while Jenny, indifferent and tired, sat down to rest. He sauntered through the furze, saffron and green, and the heather rich with the subdued and decorous richness of an amethyst: some child had gathered a bunch of this and thrown it aside, so that it lay on the grass dying, faded purple, like a symbol of the decay of an imperial power. For a reason that escaped him, it recalled to Basil's mind that most poetical of prose-writers, the divinely simple weaver of words, Jeremy
Taylor, and he repeated to himself that sad, passionate phrase used in the
Holy Dying:
'Break the beds, drink your wine, crown your head with roses and besmear your curled locks with nard; for God bids you to remember death.'

Standing on the brink, he overlooked the valley of the sea – Hale in the distance, with its placid river, like some old Italian town coloured and gay even under that sombre heaven. The sky was grey and overcast, and the clouds, pregnant with rain, swept over the hill-top like the gauzy drapery of some dying pagan spirit, lingering solitary among the grotesque shapes of Christian legend. There was a line of dead trees on the crest of the hill, and Basil, visiting this place earlier in the year, had found them then incongruous with the summer, a hideous darkness against the joyous colour of the Cornish June. But now all Nature drew into harmony with them, and they stood, gnarled and leafless, with a placid silence, as though in a sense of the eternity of things they felt a singular content. The green leaves and the flowers were vanity, ephemeral as the butterflies and the light breeze of April, but they were changeless and constant. Dead ferns lay all about, brown as the earth, and they were the first of the summer plants to go, chilled to death by the mild wind of September. The silence was so great that Basil seemed to hear the wings of the rooks as they beat the air, flying overhead from field to field, and in his mind, curiously, he listened to the voice of London calling. Basil peculiarly enjoyed his solitude, for he was used to be much alone, and the constant companionship since his marriage at times proved irksome. He began to plan out his future. There was no reason why Jenny should not be induced to a wider view of things than she then possessed; she was by no means a fool, and little by little, with patience on his side, she might gain interest in the things that interested him: it would be wonderful to disclose a human soul to its own beauty. But his enthusiasm was short-lived, for, walking down the hillside, he found Jenny asleep, her head thrown back and her hat slouched over one eye, her mouth open. His heart sank, for he saw her as he had never seen her before: amid the soft grace of that scene her clothes looked tawdry and crude, and with keen
eyes he detected, under her beauty, the commonness of nature for which already he loathed the brother.

But, fearing it would rain, he woke her and proposed that they should go home. She smiled at him lovingly.

'Have you been looking at me asleep? Had I got my mouth open?'

'Yes.'

'I must have looked a sight.'

'Where did you buy your hat?' he asked.

'I made it myself. Don't you like it?'

'I wish it weren't so bright.'

'Colours suit me,' she answered. 'They always did.'

The Cornish drizzle hovered over the earth, all-penetrating like human sorrow, and at length, with the closing day, the rain fell. In the mist and in the night the country sank into darkness. But in Basil's heart was a greater darkness, and already, after one short week, he feared that the task he had confidently undertaken was beyond his strength.

On their return to London Basil moved such furniture as he possessed into the little house he had taken in Barnes. He liked the old-fashioned High Street of that place because it had preserved a certain village simplicity, and the common made up for the dreary look of the long row of villas in which was his own: the builder, careful of his invention, had placed on each side fifty small houses so alike that they were distinguishable only by their numbers and the grandiloquent names on the fanlight. For two or three weeks the young couple were engaged in putting things to rights, and then Basil settled to the monotonous life he liked because it gave most opportunity for work. He went away every morning early to chambers, where he devilled for the 'silk' in whose room he sat, waiting for briefs that came not, and about five took the train back to Barnes; then followed a stroll along the tow-path with Jenny, and after dinner he wrote till bed-time. Basil felt now a certain quiet satisfaction in his marriage; his affairs were settled for good, and he could surrender himself to his literary ambition. Apparently there was a magic in the nuptial tie, since there arose within him by degrees a sober but deep affection for
Jenny; he was flattered by her adoration, and touched at the humility wherewith she did his bidding. With all his heart he looked forward to the birth of their child. They talked of him incessantly for both were convinced that it must be a son, and they never tired of discussing what to do with him, how he should wear his hair, when be breeched, and where to go to school. When Basil pictured the beautiful woman nursing her child – and she had never been lovelier than then – his pulse throbbed with thankfulness and pride; and he chid himself because he had ever hesitated to marry her or for a moment during the honeymoon bitterly regretted his rashness.

Jenny was radiantly happy. She was of indolent temper, and it delighted her, after the bondage of the
Golden Crown,
to do nothing from morning till night. It was very amusing to have at her beck and call a servant who called her 'ma'am', and hugely satisfactorily to watch her work while she sat idly. She was proud also of the little house and the furniture, and dusted the pictures with greater complacency because she thought them rather ugly; Basil said they were very beautiful, and she knew they cost a lot of money. In the same way Jenny admired her husband all the more because she neither understood his ideas nor sympathized with his ambitions. She worshipped him like a dog his master. It was a daily torment when he went to town, and invariably she accompanied him to the door to see the last of him; when he was due to return, she listened with held breath for his step on the pavement, and sometimes in her impatience walked to meet him.

Basil had not the amiable gift of taking people as they are, asking no more from them than they can give; but rather sought to mould after his own ideas the persons with whom he came into contact. Jenny's taste was deplorable, and the ignorance which had not been unbecoming to the pretty barmaid in the wife was a little distressing. In accordance with a plan of unconscious education whereby, like powder in jam, Jenny might acquire knowledge without realizing it, Basil gave her books to read; and though she took them obediently, his choice, perhaps, was not altogether happy, for after a diligent quarter of an hour she would mostly drop the volume, and for the rest
of the morning chat familiarly with the maid-of-all-work. If, however, at any time she yearned for literary pabulum, she much preferred to buy a novelette at the station bookstall, but took care to hide it when Basil came in; and once when he found by chance a work entitled
Rosamund's Revenge,
explained that it belonged to the servant. For one penny Mrs Kent could get a long and blood-curdling romance, the handsome, aristocratic hero of which bore an unusual similarity to Basil, while the peerless creature for whom doughty deeds were so fearlessly performed was none other than herself; under the mattress in the spare bedroom she kept her favourite story, wherein a maid of high degree nobly sacrificed herself, and Jenny's heart beat fast when she thought how willingly under similar circumstances she would have risked her life for Basil. Ignorant of all this, Kent talked frequently of the books himself had given her, but in his enthusiasm was apt to be so carried away as not to notice how small her knowledge thereof remained.

'I wish you'd read me your book, Basil,' she said one evening. 'You never tell me anything about it.'

'It would only bore you, darling.'

'D'you think I'm not clever enough to understand it?'

'Of course not! If you'd like me to, I shall be only too pleased to read you bits of it.'

'I'm so glad you're a novelist. It's so uncommon, isn't it? And I
shall
be proud when I see your name in the papers. Read me some now, will you?'

No writer, however violent his protests, really dislikes being asked to read an unpublished book; it is the child of his heart, and has still the glamour which, when it is coldly set up in type and bound in cloth, will be utterly destroyed. Basil especially needed sympathy, for he was distrustful of himself, and could work better when someone expressed admiration for his efforts. It had been his ardent hope that Jenny would take interest in his writing, and it was only from diffidence that hitherto he had said little about it.

The idea of his novel, the scene of which was Italy in the early sixteenth century, came to him one day in the National Gallery
soon after his return from South Africa, when his mind, fallow after the long rest from artistic things, was peculiarly sensitive to the impression of beauty. He wandered among the pictures, visiting old favourites, and the sober quiet of that place filled his soul with a greater elation than love or wine; he recalled the moment often for its singular happiness, spiritual and calm, yet very fruitful. At last he came to that portrait of an Italian nobleman by Moretto, which to an imaginative mind seems to express the whole spirit of the later Renaissance. It fitted his mood strangely. He thought that to make lovely patterns was the ultimate end of the painter's art, and noticed with keen appreciation the decorative effect of the sombre colouring and of the tall man, leaning, melancholy and languid, in that marble embrasure. Nameless through the ages, he stood in an attitude that was half weariness and half affectation; and his restrained despair was reflected by the tawny landscape of the background, blank like the desert places of the spiritual life; the turquoise sky even was cold and sad. The date was given, 1526, and he wore the slit sleeves and hose of the period (the early passion for the New Birth was passed already; for Michelangelo was dead, and Caesar Borgia rotted in far Navarre); the dark cerise of his parti-coloured dress was no less mournful than the black, but against it gleamed the delicate cambric of his shirt and ruffles. One hand, ungloved, rested idly on the pommel of his long sword, the slender, delicate hand, white and soft, of a gentleman and a student. On his head he wore a strange-shaped hat, part buff, part scarlet, with a medallion on the front of St George and the Dragon.

The face haunted Basil, paler by reason of the dark beard; and out of it looked wistfully the eyes, as though sight were weariness and the world had naught to offer but disillusion. Presently, brooding over the character which seemed there expressed, he invented a story, and to work it out for some months, steeping himself in the poets and historians of the period, spent much time in the British Museum. At last he began actually to write. Basil wished to describe Italian society at that time, its profound disenchantment after the vigorous
glow with which it had welcomed the freedom of mind when the fall of Constantinople threw open to the human intellect a new horizon; and devised a man who waged life as though it were a battle, vehemently, seeking to enjoy every moment, and now, finding all things vain, looked back with despair because the world had nothing more to offer. Acquainted with the courts of princes and the tents of condottieri, he had experienced every emotion, fought bloodily, loved and intrigued, written poetry and talked platonism. The incidents of this career were stirring, but Basil referred to them only so much as was necessary to explain the state of mind, for he desired to show his scorn of commonplace by eschewing sensation and giving merely detailed analyses of a spiritual condition.

His theme gave opportunity for the elaborate style Basil affected, and he began to read, emphasizing the rhythm of his sentences and rejoicing in their music. His vocabulary, chosen from the Elizabethans, was rich and sonorous, and the beauty of certain words intoxicated him. But at last he stopped suddenly.

'Jenny?' he said.

No answer came, and he saw that she was fast asleep. Taking care not to disturb her, he put aside the book and rose from his chair. It was not worth while to ask him to read if she could not keep awake, and with some vexation he went to his desk. But his sense of humour came to the rescue.

'What a fool I am!' he cried, with a laugh. 'Why should I think it would interest her?'

Yet Mrs Murray had listened to that same chapter with most flattering attention, and afterwards was loud in its praise. Basil remembered that Molière read comedies to his cook, and if she was not amused rewrote them. By that test he should have destroyed his novel; but then impatiently he told himself that he wrote, not for the many, but for a chosen few.