Merlin's Booke (18 page)

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Authors: Jane Yolen

BOOK: Merlin's Booke
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Finally Sonda took her place again on a stool by Mother A's right hand.

Mother A shifted a moment and patted Sonda's knee. Then she looked to the right and left, taking in all eight women with her glance. “My sisters,” she began, “tomorrow our beloved daughter Vireo will begin her steel.”

Elaine awoke because someone was crying. She had been so near crying herself for a fortnight that the sound of the quiet weeping set her off, and before she could stop herself, she was snuffling and gulping, the kind of sobbing that Nanny Bess always called “bear grabbers.”

She was making so much noise, she did not hear the other weeper stop and move onto her bed, but she felt the sudden warmth of the girl's body and the sturdy arms encircling her.

“Hush, hush, little Pie,” came a voice, and immediately after her hair was smoothed down.

Elaine looked up through tear-blurred eyes. There was no moon to be seen through the windows, no candles lit. The dark figure beside her was faceless, but she knew the voice.

“Oh, Veree,” she whispered, “I didn't
mean
to cry.”

“Nor I, little one. You have been brave the long weeks here. I have seen that and admired it. And now, I fear that I have been the cause of your weeping.”

“No, not you, Veree. Never you. It is just that I miss my father so much. And my brother Lavaine, who is the handsomest man in all the world.”

Veree laughed and tousled the girl's hair. “Ah, there can be no
handsomest
man, Pie. All men be the same to the women who love and serve the bright goddess flame here.”

“If I cannot still love my Lavaine, then I do not want to
be
here.” She wiped at her eyes.

“You will get over such losses. I have.” Veree sat back on the bed.

“Then why
were
you crying? It was that which woke me.” Elaine would admit that much.

Veree shushed her fiercely and glanced around, but the other two girls slept on.

Elaine whispered, “You
were
weeping. By the window. Admit it.”

“Yes, sweet Pie, I was crying. But not for the loss of father or brother. Nor yet for house and land. I cry about tomorrow and tomorrow's morrow, and especially the third day after when I must finish my steel.” She rose and went towards the window.

Elaine saw the shadow of her passing betwixt dark and dark and shivered slightly. Then she got out of her bed and the shock of the cold stone beneath the rushes caused her to take quick, short steps over to Veree who sat by the open window.

Outside a strange moaning, part wind and part water, sighed from the Tamor. A night owl on the hunt cried, a soft ascending wheeze of sound.

Elaine put her hand out and touched Veree's shoulder, sturdy under the homespun shift. “But what are you afraid of? Do you fear being burned? Do you fear the blade? I had a maidservant once who turned white as hoarfrost when she had to look upon a knife, silly thing.”

“I fear the hurting. I fear … the blood.”

“What blood?”

In the dark Veree turned and Elaine could suddenly see two tiny points of light flashing out from the shadow eyes. “They have not told you yet about the blood?”

Elaine shook her head. Then realizing the motion might not be read in the blackness, she whispered, “No. Not yet.”

Veree sighed, a sound so unlike her that Elaine swallowed with difficulty.

“Tell me. Please.”

“I must not.”

“But
they
will soon.”

“Then let
them.”

“But I must know now so that I might comfort you, who have comforted me these weeks.” Elaine took her hand away from Veree's shoulder and reached for a lock of her own hair, unbound from its night plait, and popped it into her mouth, a gesture she had all but forgotten the last days.

“Oh, little Pie, you must not think I am a coward, but if I tell you when I should not … I would not have you think me false.” Veree's voice was seeped in sadness.

“I never …”

“You will when I tell you.”

“You are wonderful,” Elaine said, proclaiming fealty. “You have been the one to take me in, to talk to me, to listen. The others are all common mouths chattering, empty heads like wooden whistles blowing common tunes.” That was one of Nanny Bess' favorite sayings. “Nothing would make me think you false. Not now, not ever.”

Veree's head turned back to the window again and the twin points of light were eclipsed. She spoke toward the river and the wind carried her soft words away. Elaine had to strain to hear them.

“Our steel is forged of three of the four elements—fire and water and air.”

“I know that.”

“But the fourth thing that makes Evian steel, what makes it strike true, is a secret learned by Mother Morgan from a necromancer in the East where magic rides the winds and every breath is full of spirits.”

“And what is the fourth thing?” whispered Elaine, though she feared she already knew.

Veree hesitated, then spoke. “Blood. The blood of a virgin girl, an unblemished child, or a childless old maid. Blood drawn from her arm where the vein runs into the heart. The left arm. Here.” And the shadow held out its shadowy arm, thrusting it half out of the window.

Elaine shivered with more than the cold.

“And when the steel has been worked and pounded and beaten and shaped and heated, again and again, it is thrust into a silver vat that contains pure water from our well mixed through with the blood.”

“Oh.” Elaine sighed.

“And the words from the
Book of Brightness
are spoken over it by the mothers in the circle of nine. The sword is pulled from its bloody bath. Then the girl, holding up the sword, with the water flooding down her arm, marches into the Tamor, into the tidal pool that sits in the shadow of the high tor. She must go under the water with the sword, counting to nine times nine. Then thrusting the sword up and out of the water before her, she follows it into the light. Only then is the forging done.”

“Perhaps taking the blood will not hurt, Veree. Or only a little. The mothers are gentle. I burned myself the third day here, and Mother Sonda soothed it with a honey balm and not a scar to show for it.”

Veree turned back to the window. “It must be done by the girl all alone at the rising of the moon. Out in the glade. Into the silver cup. And how can I, little Pie, how can I prick my own arm with a knife, I who cannot bear to see myself bleed. Not since I was a small child, could I bear it without fainting. Oh, I can kill spiders, and stomp on serpents. I am not afraid of binding up another's wounds. But my own blood … if I had known … if my father had known … I never would have come.”

Into the silence that followed her anguished speech, came the ascending cry of another owl, which ended in a shriek as the bird found its prey. The cry seemed to agitate the two sleepers in their beds and they stirred noisily. Veree and Elaine stood frozen for the moment, and even after were tentative with their voices.

“Could you …” Elaine began.

“Yes?”

“Could you use an animal's blood instead?”

“Then the magic would not work and everyone would know.”

Elaine let out a long breath. “Then I shall go out in your place. We shall use
my
blood and you will not have to watch.” She spoke quite assuredly, though her heart beat wildly at her own suggestion.

Veree hugged her fiercely. “What
can
you think of me that you would believe I would let you offer yourself in my place, little one. But I shall love you forever just for making the suggestion.”

Elaine did not quite understand why she should feel so relieved, but she smiled into the darkness. Then she yawned loudly.

“What
am
I thinking of?” Veree chastised herself. “You should be sleeping, little one, not staying up with me. But be relieved. You have comforted me. I think …” she hesitated for a little, then finished gaily, “I think I shall manage it all quite nicely now.”

“Really?” asked Elaine.

“Really,” said Veree. “Trust me.”

“I do. Oh, I do,” said Elaine and let herself be led back to bed where she fell asleep at once and dreamed of an angel with long dark braids in a white shift who sang, “verily, verily,” to her and drew a blood-red crux on her forehead and breast and placed her, ever smiling, in a beautiful silk-lined barge.

If there was further weeping that night, Elaine did not wake to it, nor did she speak of it in the morn.

The morn was the first day of Veree's steel and the little isle buzzed with the news. The nine Mothers left the usual chores to the lesser women and the girls, marching in a solemn line to the forge where they made a great circle around the fire.

In due time Veree, dressed in a white robe with the hood obscuring her face, was escorted by two guides, Mothers who had been chosen by lot. They walked along the Path of Steel, the winding walkway to the smithy that was lined with water-smoothed stones.

As she walked, Veree was unaware of the cacophony of birds that greeted her from the budding apple boughs. She never noticed a flock of finches that rose up before her in a cloud of yellow wings. Instead her head was full of the chant of the sword.

Water to cool it,

Forge to heat it,

Anvil to form it,

Hammer to beat it.

She thought carefully of the points of the sword: hilt and blade, forte and foible, pommel and edge, quillon and grip. She rehearsed her actions. She thought of everything but the blood.

Then the door in front of her opened, and she disappeared inside. The girls who had watched like little birds behind the trees sighed as one.

“It will be your turn next full moon,” whispered Marta to Gale. Gale smiled crookedly. The five girls from the other sleeping room added their silent opinions with fingers working small fantasies into the air. Long after the other girls slipped back to their housely duties, Elaine remained, rooted in place. She watched the forge and could only guess at the smoky signals that emerged from the chimney on the roof.

Water to cool it,

Forge to heat it,

Anvil to form it,

Hammer to beat it.

The mothers chanted in perfect unity, their hands clasped precisely over the aprons of their robes. When the chant was done, Mother Argente stepped forward and gently pushed Veree's hood back.

Released from its binding, Veree's hair sprang forward like tiny black arrows from many bowstrings, the dark points haloing her face.

She really is a magnificent child,
Argente thought to herself, but aloud spoke coldly. “My daughter,” she said, “the metal thanks us for its beating by becoming stronger. So by our own tempering we become women of steel. Will you become one of us?”

“Mother,” came Veree's soft answer, “I will.”

“Then you must forge well. You must pour your sweat and your blood into this sword that all who see it and any who use it shall know it is of excellent caliber, that it is of Evian Steel.”

“Mother, I will.”

The Mothers stood back then and only Hesta came forward. She helped Veree remove her robe and the girl stood stiffly in her new forging suit of tunic and trews. Hesta bound her hair back into a single braid, tying it with a golden twine so tightly that it brought tears to the girl's eyes. She blinked them back, making no sound.

“Name your tools,” commanded Hesta.

Veree began. Pointing out each where it hung on its hook on the wall, she droned: “Top swage, bottom swage, flatter, cross peen, top fuller, bottom fuller, hot chisel, mandrel …” The catalogue went on and only half her mind was occupied with the rota. This first day of the steel was child's play, things she had memorized her first weeks on Ynis Evelonia and never forgot. They were testing the knowledge of her head. The second day they would test her hands. But the third day … she hesitated a moment, looked up, saw that Hesta's eyes on her were glittering. For the first time she understood that the old forge mistress was hoping that she would falter, fail. That startled her. It had never occurred to her that someone she had so little considered could wish her ill.

She smiled a false smile at Hesta, took up the list, and finished it flawlessly.

The circle of nine nodded.

“Sing us now the color of the steel,” said Sonda.

Veree took a breath and began. “When the steel is red as blood, the surface is at all points good; and when the steel is rosy red, the top will scale, the sword is dead; and when the steel is golden bright, the time for forging is just right; and when the steel is white as snow, the time for welding you will know.”

The plainsong accompaniment had helped many young girls remember the colors, but Veree sang it only to please the mothers and pass their test. She had no trouble remembering when to forge and when to weld, and the rest was just for show.

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