Mendocino and Other Stories (4 page)

BOOK: Mendocino and Other Stories
9.63Mb size Format: txt, pdf, ePub

She made a note, then continued down his arm, shocking him here, then there. The worst of it was how she pulled the hairs on his arm when she lifted the tape off.

“What a guy,” she said. “Next time I give a demonstration can I call you?”

She set the wires and the fork on the table behind her. She held up a thin cord, on the end of which was a sliver of a needle, an inch and a half long. “Some people think this is worse,” she said, “but it shouldn't give you any trouble. Ready?”

She slid the needle into a muscle in his forearm, and Charlie felt tears pricking at his eyes. “Ah,” he said, and then, because it had sounded embarrassingly sexual, “Ow.”

“OK,” she said, “now make a fist.”

Such a small, thin needle for such a great, big pain. Charlie's entire arm hurt, not just where the needle jutted out, but in his hand and wrist, too. She moved the needle around and he thought he might actually cry. He was aware of a strange crackling sound, like a staticky TV, and he realized it was coming from the monitor.

“There,” Dr. Price said, “that wasn't so bad, was it?” She pulled the needle out of his arm, leaving him feeling bruised and exhausted. “Just a few more of these.”

Half an hour later, the test over, they sat in her office. Charlie rubbed his hand up and down his arm. He was giddy with relief, eager to be terribly funny or audacious.

He looked at Dr. Price—Lee, Leonora, not such a bad name, really—and he willed himself into a crush on her. That red hair,
those green eyes, the fetching white coat: he wanted her, or perhaps he only wanted to want her. Did the fact that it was only eleven o'clock in the morning mean he couldn't suggest they go for a drink? He longed to say “Let's ditch this hot dog stand”—it was a Linda line, but he felt he could use it with aplomb, without the least pang of sentimentality. They could have a drink and then a quick wedding, two or three red-haired kids, and a ranch-style house in the suburbs to which he would repair each evening, loosening the knot in his tie, eager for the martini she would have waiting for him. He only had joke ties now—a tie that looked like fish scales, a vintage tie a full five inches wide, even a tie made of wood—but he could buy one with little white dots, and he would, he would.

“… very useful,” she was saying. “At least we've ruled out any denervation.”

“What?” Charlie said.

“You passed the test, Mr. Goldman.”

“I did?”

“Don't look so morose. Go, take pictures with your middle finger, be happy.”

“But my arm,” Charlie said. “My arm hurts.”

“Take the Dolobid,” she said, standing up. “You said you'd worn a cervical collar for a while—do you still have it?” He nodded. “Wear it for a month or two. Sleep in it.” She smiled. “You can call me if the pain gets worse.”

BACK IN HIS
own neighborhood Charlie wandered toward the frame shop, his arm twinging occasionally in memory of the assault it had suffered, and he decided to ask for the afternoon off. He passed in front of a men's clothing store, and after a moment backtracked and stood looking in its window. Men at Work, the
store was called—the other kind of work. It was a store Linda liked; when they'd first arrived in San Francisco they'd gone out walking almost every evening, and she'd steered them into this shop several times: she'd held up combinations of shirts and ties for his appraisal, saying he'd look great in this blue or that brown. Charlie was a jeans man, but he hadn't minded—he'd even tried on the odd suit to please her. He understood: he liked watching her try on clothes, too. It was a way of interpolating his love for her: Linda in the silk dress, Linda in the leather jacket, Linda in the slender grey suit—he loved them all. He thought of going in and buying a tie to wear as a surprise for her the next time he saw her—not one with little white dots, but one he actually liked—but then he thought that it would be much better to ask her to come with him, to help him choose one. It was really a pretty good idea—maybe he'd even let her talk him into a suit. Was it so hard, after all, to imagine himself dressed in a suit and tie, taking the bus downtown every morning? He could see himself carrying a briefcase, could even picture himself passing through a revolving door and standing at a bank of elevators avoiding eye contact with the other people who were standing there. He could see himself stepping into the elevator, facing the doors, could picture the elevator rising smoothly and speedily to, say, the twenty-third floor—but then what? What did people do in those towers all day long? What was
in
the briefcase—a tuna sandwich and an apple? Charlie couldn't get himself out of the elevator.

At the frame shop he found Kendra, the nicer of the two owners, in the back room, cutting some mats. Cutting mats—now there was work that made sense. He was almost tempted to work his shift, but not quite.

“Poor you,” Kendra said when he'd explained about the EMG. “I don't trust doctors at all anymore. Do you know, my gynecologist told me I should have a hysterectomy just because I'm forty-five
and I have a little trouble now and then? ‘We'll just take it out,’ he said. Can you believe it?”

Charlie shook his head.

“If I were you I would go next door and have a nice cup of herbal tea, and then go for a good long walk. You probably just pulled a muscle! An EKG, for goodness sakes. You can't trust them.”

He thanked her and left the shop. E
M
G, he thought. He raised his arm quickly and the pain drilled at him: still there. It was comforting, in a way.

At home Charlie sat down next to the phone. He missed New York, missed his friends—they'd never think to mention herbal tea without irony. And as for a good long walk, if he'd been in New York he'd have been instructed to get into a cab and go straight home to bed—much sounder advice. He longed to call one of his friends in New York, but whom could he call without having to tell about Linda? Instead he called his brother's office in Boston.

“Chuck!” Richard's voice boomed through the phone. “What's the good word?”

Was there one? Richard seemed to be in one of his increasingly frequent Hail-Fellow-Well-Met moods. “Nothing,” Charlie said. “I was at this doctor's—she gave me this test.”

“She?”

“Yeah—red hair, green eyes, white coat.”

“Uh oh,” Richard said. “Lust alert.”

Who was this person? This was not the kind of thing Charlie needed to hear.

“I take it,” Richard said, “that Linda is still among the missing?”

“You take it right.”

“She'll be back, kid. She will.”

“Yeah,” Charlie said. “She just needed some space.” She'd actually used that word, which had made the whole thing all the
worse. “Space.” It wasn't how she talked—wasn't, Charlie told himself, how
they
talked.

“What'd you go to a doctor for, anyway?” Richard said. Charlie could hear him moving papers around. “Your arm?”

“Yeah.”

“Hmm. You know, I have a theory about your arm. Would you like to hear it?”

“Not really.”

“It's nerves, your arm. Ever think of that? Nerves, pure and simple.”

Charlie waited in vain for Richard's dumb pun laugh. “It might be a nerve,” he said finally. “Like I was trying to tell you, I had this test.”

“And it was negative, right? Or positive, or whatever, but it didn't show anything, tell me I'm wrong. Have you never wondered why none of these tests shows anything?”

It was true: he'd had x-rays and blood tests and even a CAT scan. Would Richard have been happier if there were something terrible wrong? And there
was something
wrong. “I'm glad we had this chance to talk,” Charlie said. “Give my love to Kathy and the kids.”

“Charlie, Charlie, I'm sorry. I know it's a drag having your arm hurt, I do. But at least you have your legs, young friend!”

Charlie laughed: it was something their mother had said to Richard once.

“Charlie?” Richard said. “She will be back. You two are perfect together. You know what Kathy said a couple months ago? I shouldn't tell you this. She said she wished you and Linda were around more so the kids could see what a good marriage was all about. So there.”

“Well,” Charlie said. “I guess we showed her.” He attempted a laugh. “Is everything OK?”

“Yeah, yeah. You know how it is. It's one day, then it's the next day. What can you do? You just go on.”

This struck Charlie as immeasurably sad, and as soon as he could he made an excuse and got off the phone. You just go on and on and on.

He went into the bedroom and pulled open the bottom drawer of his dresser. There, wrapped in a dingy old plastic bag, was his cervical collar. He put it on and looked in the mirror: the man in the big white doughnut. To hell with neckties—he was taking the idea of the turtleneck to new limits. He felt like calling Dr. Price, but what could he say? Excuse me, but are there any tests to determine whether someone's really in pain? Excuse me, but are you busy tonight? He took a Dolobid and two codeine tablets and got into bed.

PEELING SHRIMP, LINDA
had said once, was like giving birth—no one ever told you how horrifying it was, you had to see for yourself. Charlie was peeling a pound of jumbo and not minding it at all: she had invited herself for dinner. As he worked he sang along to “Just Like a Woman” and allowed himself to hope that she, that tonight.… But she'd taken her diaphragm with her, he'd checked—she'd probably taken it because she'd known he would check—and while Charlie felt in his heart of hearts that a baby was just what they needed, Linda was unlikely to see it that way.

For that matter, sex wasn't really the issue.

What was the issue?

By seven o'clock everything was set. The shrimp were ready for sautéing, the snow peas and carrots were ready for boiling, the shockingly expensive raspberry tart was hidden in a cabinet, and
the wine, on which Charlie had spent most of an afternoon's pay, was icy cold.

By 7:30, everything looked a little wilted.

At eight Charlie put on his cervical collar and sat on the edge of the bed. He thought of Dr. Price saying,
Go, take pictures with your middle finger, be happy
, and he hoped that she would remember what she'd said to him and be stricken by remorse—prefer-ably tonight. And she'd call him and say, Charlie, I didn't mean it, I want to help you. When the phone rang at 8:30, though, it was Linda.

“Charlie?” she said.

He held the receiver away from his ear while she recited her apologies—something about work, something about Kiro. After a while he broke in. “Let me guess: you'll call me soon. Good-bye.” He hung up, and when she didn't call back he returned to the kitchen and threw away the shrimp and the snow peas and the carrots, forced them into the disposal with a wooden spoon. He took the tart from its hiding place and carefully lifted it out of its box. Holding it with both hands, he leaned over the sink and quickly ate half of it. He was about to have another bite but instead said, “That's disgusting,” and let what was left fall from his hands. He could feel the glaze on his cheeks. He started out of the kitchen but immediately turned back and shook pepper over the remains, just in case he changed his mind.

IN HIS DREAM
Linda was about twenty-three, in blue jeans but neat in blue jeans—blue jeans that she'd ironed. They were new in New York, living in an apartment that was like one they'd lived in but smaller and darker and dirtier, and she was stacking things: stacks of dishes, stacks of books arranged by subject, stacks of his
socks and underwear. He was lying on the naked mattress watching her, and she was babbling, threatening to alphabetize the spices while at the same time relating to him a story about her aunt Marge, the “funny” one—and they were happy, happy.

And when he woke she
was
there, but not in blue jeans. She was sitting upright on a chair by the door, her purse in her lap, wearing a pair of what she called “slacks” and a blouse and blazer—looking, Charlie thought, like a woman waiting to be interviewed for a job. He propped himself up on his elbows to get a better look, then sank back onto the bed. “Thanks for knocking,” he said.

“I did,” she said eagerly, seeing that he was awake. “Several times.
And
I rang the doorbell. I guess you're still a heavy sleeper.”

“You were expecting major changes? It's only been three weeks.”

She came over and sat on the edge of the bed. “I'm really sorry,” she said. “Really, really sorry.” She touched the cervical collar. “Poor thing.”

He ripped open the Velcro fastening and tossed the collar to the floor.

“Please,” she said. “Please forgive me.”

“OK,” Charlie said. “I forgive you.”

She bent down and kissed him quickly, awkwardly, on the jaw. “I'll make us some breakfast, OK?”

When he had dressed he found her stretched out on the living room rug, balancing in her lap an old accordion file she kept in a small wooden trunk they used as an end table. She was sipping from a cup of coffee, and it was such a familiar sight that Charlie was moderately cheered: perhaps this was simply another phase of their life together. He got coffee for himself and stretched out next to her.

“Actually, you do look awfully thin,” she said. “Have you been eating?”

“Mostly sugar in various forms. It gives me a certain clearheadedness.”

“And so good for you.” She sipped her coffee. “Did you pour pepper on a tart?”

They laughed, and she leaned over and kissed him again, easily; then she began looking through the file.

“What are you after in there, anyway?” Charlie said.

“My old address book—Kiro wants me to get in touch with Mackenzie about something.”

“Oh.” Mackenzie was an old professor of hers—it seemed to Charlie that he wasn't supposed to ask about what.

“Oh, look.” Linda pulled a postcard from the file. “I can't believe it—remember this?” She held the card up for him to see: it showed a row of tiny cabins and a big sign that grandly proclaimed, KENABSCONSETT INN—LODGE, CABINETTES. “Remember our cabinette?”

“You mean cabinet?” Charlie said. He remembered: a dank little bathroom, fringed chenille curtains, a bed like a topographical map. Somewhere in Maine. It had poured rain the entire time they were there, and they'd gone to the “lodge”—a little matchbox of an office with an easy chair crammed next to a fireplace—and bought fifty-two copies of this postcard so he could make them a deck of cards.

Other books

Artist's Daughter, The: A Memoir by Alexandra Kuykendall
Death Stretch by Peters, Ashantay
The Ogre Downstairs by Diana Wynne Jones
Riders From Long Pines by Ralph Cotton
The Boys from Binjiwunyawunya by Robert G. Barrett
Lily and the Duke by Helen Hardt
Submissive by Moonlight by Sindra van Yssel
Protecting a Mate by Maria Connor