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Authors: Chris Jordan

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BOOK: Measure of Darkness
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“Tons,” says Teddy. “I found more than a hundred references to the so-called Shane's Sleep Disorder Syndrome. Plus interesting facts on a variety of his cases.”

“Excellent, but hold for now,” Naomi says. “Jack, can you bring us up to speed on the murder investigation?”

Jack flips open his small reporter's notebook. Strictly a prop, in my opinion, but he's never without it. “So far everything Shane told me checks out. Cambridge homicide detectives are investigating the death by gunshot of Joseph Keener at his residence on Putnam Avenue, approximately two miles from the campus. The murder happened early this morning. State police are assisting—that means they'll eventually run the investigation, in all probability—and the FBI is all over the scene.”

“Anybody you know?”

“Cambridge, affirmative, Staties, affirmative. I'm meeting with my state police source this evening. Hopefully he'll have more to add.”

“Anything from your old colleagues in the FBI?”

“As you know, my former associates are mostly in the Boston field office, and normally the locals would be responding, assuming the murder has some federal connection. But this is a special team sent in directly from Justice. Unknown to me on a personal level.”

“You make yourself known?”

He shakes his head. “Not yet. Just to my guy in the Cambridge Major Crimes Unit and he won't mention our interest unless I ask him to. He knows the deal.”

“Good,” Naomi says. “Let's stay at arm's length from our friends in federal law enforcement until we've had a peek at the big picture. That being said, did you get any sense they're aware that Randall Shane has been seized and/or arrested by agents unknown?”

“The opposite. There's an APB out on him as a so-called ‘person of interest.' He's their prime suspect and they think he's in the wind.”

“Set the scene,” Naomi suggests. “Shower us with details.”

“There's not all that much, I'm afraid. Cambridge police were alerted by a 911 call that originated from the Keener residence at 5:42 a.m. The caller would not give his name, but stated a man had been killed. That was Shane, so they'll have him on digital audio making the call, for whatever that's worth. The first mobile unit responded to the scene in ten minutes or less, found the front door open and the victim facedown in a pool of blood in the hallway, a few yards from the front door. Major Crimes and forensic units arrive, as well as the medical examiner. The M.E. determines the victim died
of a single shot to the back of the head. Clotting and body temp suggest he'd been dead for no more than an hour or so before the call was made. No weapon recovered at the scene. Detectives did a canvas and his neighbors described him as the usual: shy type, kept to himself, very quiet. No one heard the gunshot.”

“Any indication of a child in the home?”

Jack shakes his head. “The investigating detective told me it was the residence of a single man, living alone. Cambridge police are unaware of any missing child connected with the victim. No such report was ever filed. There is no indication of a child in the home, not even a photo. No toys, no games, no bedroom set up for a kid, nothing.”

“No sign of a child,” Naomi muses, keenly interested. “How very odd. Two possibilities immediately present themselves. Either the victim has a child and all evidence has been removed from the home—surely he'd have pictures even if the mother has custody?—or the victim never had a child, certainly not a missing child, and Shane was somehow duped for reasons unknown.”

“To set him up for murder,” Jack suggests.

Naomi nods to herself, tapping her pen, wheels turning. “Okay, fine, that's our theory of the moment, in deference to your relationship with the suspect—but he remains a prime suspect unless or until the evidence leads us elsewhere.”

“He didn't do it.”

“You're a friend. I need more.”

“Fine,” Jack says, with a steely edge to his voice.

“Now please explain the discrepancy,” she suggests.

“What discrepancy?” Jack says, all innocence.

“You rendezvous with your buddy Randall Shane at 7:00 a.m. and yet you don't show up here until 8:30 a.m.
Kendall Square is at most fifteen minutes from this location. Where did you go? What did you do?”

Jack sighs. “We attempted to break into a motel.”

“A motel located where?”

“The Residence Inn off Kendall Square. Shane thought it likely that he'd been lured to the victim's home so that evidence could be planted in his room.”

“That's his theory.”

“Yes.”

Silence. Everybody fidgets, including Jack. Uncomfortable moments accumulate. Finally I stick my oar in and go, “Um,
attempted
to break in?”

“I know,” Jack says with a sigh. “Embarrassing. Two former special agents, and we couldn't manage to break into a motel room. We had the key card, so it wasn't even a break-in, technically. My only excuse, the place was being staked out by state police detectives, and they happened to be good.”

“They must have been very good,” Naomi suggests.

“More stubborn than good, but still. The plan was, Shane creates a diversion, I slip into his room and check it out for planted evidence.”

“What kind of diversion?”

“An exploding vehicle just around the corner from the motel. Specifically a small GMC pickup truck with a full tank of gas.”

“Failed to explode?”

“Oh, it exploded,” Jack says with some satisfaction. “The cab went fifty yards in one direction, the chassis in another, mostly straight up. Produced a very impressive fireball and a really nice mushroom cloud of black smoke. But the damn Staties didn't move. It was like they were expecting a diversion and determined not to budge.
No way I could get into the room undetected, which had been the whole point.”

Dane stirs, says, “Hey, I don't get it. How'd they know to stake out Shane's motel room less than an hour after the crime was reported? How did they even know he was involved at that point? The Cambridge cops had barely taken possession of the scene, let alone been in a position to identify suspects, or pass it on to the state police.”

“Good question,” Jack says. “Shane told me the motel must have been under surveillance before he called 911. He gets back to the vicinity of the motel ten minutes after he makes the call, the state police were already in place, well established. That's when he knows for sure he's being set up and that's when he calls me.”

“And you responded, even though you may have been assisting in the commission of a felony murder.”

“Damn right. I've known the guy since the Academy. No way did he murder a client.”

“And did detectives recover a murder weapon?”

Jack shakes his head. “Not yet, and not from the motel room.”

“So your working theory was mistaken and nothing was planted to incriminate Shane?”

“I didn't say that. The detectives found a bloodstained shirt under the bathroom sink in his room.”

“Ah. You're assuming that's the forensic link. Shane's DNA on the shirt, blood matched to the professor?”

“That's my assumption.”

“But the murder weapon is still out there.”

“So far.”

Naomi announces, “Excellent case briefing.”

To an outside observer she might seem inordinately pleased, considering the subject matter, but that's the way she rolls. “We'll assume for now that Shane is alive and
being held in some unknown location for purposes of interrogation, pretty much as he predicted. If they'd wanted to kill him they would have done so, rather than go to the trouble of seizing him from this residence. Dane, you'll work your sources at the Justice Department, see if there's any scuttlebutt on Randall Shane, or any known involvement by a covert security agency.”

“Whatever this is, it's buried deeper than deep,” Dane says. “I think a personal appearance is warranted. Show the flag.”

“Agreed,” Naomi says. “Take the shuttle.”

Dane pouts. “I was thinking the Gulfstream.”

Naomi, very firm: “Not warranted.”

“But the Benefactor is always very generous with his—”

“Shuttle. End of discussion.”

“Yes, ma'am,” says Dane, crossing her arms across her chest. “Ma'am” being what she calls boss lady when she doesn't get her way.

Naomi ignores the attorney being spoiled and childish—the Benefactor's personal Gulfstream is indeed at our disposal, but only for exigent circumstances—and turns to the elder male in our presence, the handsome alpha dog.

“Jack, you'll turn up whatever you can on additional background on the victim and his theoretical son. And see about infiltrating QuantaGate.”

“Budget considerations?” he asks, looking up from his notebook with a furtive glance at the still-pouting Dane.

“Whoever it takes.”

“Great. I'll go with the Invisible Man. Assuming he's available.”

The Invisible Man is an operative Jack has used in the
past. None of us have ever seen him. I'm assuming he's not actually invisible.

“Use whatever operatives you see fit,” Naomi says. “And there may be another line of inquiry worth pursuing. As I recall, QuantaGate was financed by local venture capitalist Jonny Bing. Who I believe is an acquaintance of yours, Dane.”

Dane, startled, bursts out laughing. “You recalled or you Googled?”

“I recall,” Naomi says firmly. “Am I wrong?”

“We partied once or twice a few years ago,” Dane admits. “You remember Sasha? The party planner? When Sash and I were having our little thing, one of her top clients was Jonny Bing. Sash always called him Jonny Bling, which I thought was pretty cute. Of course at the time I thought everything she did and said was cute. Anyhow, Jonny had these amazing parties on his yacht. Looked more like a cruise ship to me, but you know how that goes. For an egocentric billionaire, he's really kind of cool. Wild sense of humor, and he likes to see that a good time is had by all. If you want, I can call his people, see if he'll consent to an interview.”

“Absolutely. Do it,” Naomi says. “Are the assignments clear? Dane? Jack? Alice? Yes? Teddy, you will continue to mine data but will steer clear of the Department of Defense. I remind you all that certain agencies within the national security community have been known to run covert operations under the Patriot Act, answerable to basically no one. At this time we'll continue to keep a low profile with local law enforcement, and allow them to proceed on the murder case unhindered. Our primary task is to determine if the victim has a child, as Shane apparently believed, and if that child is in fact missing, and, if so, to recover the boy alive. Anything else is sec
ondary, including, at the moment, the safe return of Randall Shane—and that's the way he'd want it, I'm sure. Clear? Good. We'll reconvene at 7:00 a.m. for the morning brief. Jack, given the early kickoff tomorrow morning, you may want to spend the night at the residence.”

“Only if there's a chocolate mint under my pillow.”

“Always. Further thoughts, anyone?”

Jack impishly raises his hand. “Comment on ‘Ironic,' the so-called pop song by Alanis What's-her-face. A traffic jam when you're already late is not ironic, it's maddening or unfortunate. Red Sox beating Baltimore seventeen to ten and Don Orsillo announcing, ‘This is a real pitcher's battle.' That's irony. Case closed.”

Naomi rolls her eyes.

Chapter Six
Why Murder Is like Real Estate

A
n invitation to meet a source at a certain upscale lounge on Boylston Street means dressing for the occasion. In this case, for Jack Delancey, that means slightly down. He has changed into an off-the-rack JoS. A. Bank blue blazer, one that dry-cleans easily, and a pair of light, cotton twill dress slacks with knife-sharp creases. Top-Sider shoes, ever so slightly scuffed, because the outfit is already kind of boaty, so why not go all the way?

Upon entering the retail area of the cigar store, Jack is waved past the bar and through into the lounge. Not a large venue by any means, but nicely furnished, and one of the few places in the city where a man—or a woman, for that matter—can legally enjoy an alcoholic beverage and a tobacco product at the same time, in a nonfurtive manner. The source awaits him, puffing on a fat Padron Maduro, a snifter of port at his side. He doesn't bother to rise. “Hey, Jacko. Very sporty.”

Jack adjusts his slacks and takes a seat in a very comfortable leather chair, not far from the fireplace, directly opposite the source. “Captain Tolliver, my pleasure.”

Glenn Tolliver, a captain of detectives with the Massachusetts State Police, chuckles. “If we're going to be
formal, guess I'll have to address you as Special Asshole in Charge.”

“Special Asshole, Retired. Or resigned. I'm too young to retire, right?”

“You smokin' tonight, kid?”

“That's a Padron 1926 you got there? What is it, thirty-five bucks?”

“A little more. Live a little—I already started your tab. The way I figure, if I'm going for the most expensive drink in the joint, I might as well have the most expensive cigar. Especially if my hotshot pal from the private sector is paying.”

“So, how is the port?”

“Excellent. Dow's 30 Year, Tawny. Maybe when I'm retired or resigned, or whatever it is you are, I'll be able to afford a place like this. You think your boss would hire me?”

“Wouldn't count on it.”

“Not as long as she has you, is that it?”

“Something like that.”

Jack decides what the hell, he should be able to expense this somehow, so he orders what Tolliver is having. Soon enough they're puffing like a couple of locomotives, snug in the luxuriant stink of fine tobacco, and Jack thinks, not for the first time, that sometimes in life you get what you pay for. Which in this case includes a high-ranking detective in the state police. No one has dared call him Piggy (on account of his slightly upturned nose) since his days as a linebacker for Boston College. In his mid-forties now, and somewhat florid of face, Tolliver still has the military bearing of a uniform trooper, and the cool, calculating eyes of a man who has observed the worst of human behavior, from careless murder to child abuse. As is so often the case,
his response has been to develop a sense of humor so deep and dark and apparently careless that it can frighten civilians.

“Ah,” says Tolliver, exuding a plume of smoke from the pricey cigar. “Thank God the man got murdered on the left side of the river. If it was Boston we couldn't touch it. Murder is like real estate: location, location, location.”

“I'm sure the good professor was happy to oblige.”

“Poor bastard. All those brains and they end up all over the floor.”

“You put eyes on the scene?”

“Always, Jack. I need to see it for myself. What better way to work up an appetite? So what's your interest in the croak?”

“Croak? Is that new?”

“Word up, dude,” Tolliver says, affecting a much younger voice. “Got it off a paramedic who looks to be about twelve years old. He says, and I quote, ‘Excuse me, sir, but when can we move the croak?'”

“Kids these days.”

“Yeah. So? Your interest?”

“The big guy.”

Tolliver sits up a little straighter. “No shit? Randall goddamn Shane. I should have known. You probably knew him since the Academy, eh?”

“Exactly that long. How'd you get onto him so quick?”

“Wait, hold on now, you wouldn't be harboring a fugitive, would you? Doing a favor for an old friend?”

“No, I would not.”

“Swear on your little black book?”

“My little black book went away when I married Eileen, but yes, I swear.”

“Because I couldn't help you there. Other than to sug
gest you counsel the suspect to surrender himself posthaste.”

“Posthaste?”

“I have an education. Nuns gave their lives, and their rulers.”

Jack purses his lips, thinking over his next move. “Okay, here it is. I'll tell you everything I know about where Shane might be if you'll share why you want him for this.”

The state police detective sits back, smoking luxuriantly and thinking it over, or pretending to. All part of the tease because they both knew they were going to share before entering the premises, or the meet would not have taken place, certainly not on Jack's dime.

“It was all very convenient,” Tolliver begins. “The tip came down from on high.”

“How high?”

“Not God himself, but close. A heads-up to be on the lookout for this former federal agent who had been observed entering and exiting the home of the victim.”

“The professor was under surveillance? Why?”

“I believe the term ‘national security' may have been uttered. No details, of course. Other than that if we do pick him up we're supposed to turn him over to the feds immediately.”

“What agency?”

“The notification came through Homeland. Which as you know doesn't necessarily mean it originated there. Homeland can be a communication conduit for almost any other government agency, even those it doesn't actively manage, like FBI and CIA.”

“And this tipster specified a local motel where Shane might be conveniently located?”

Tolliver is decidedly not amused. “Tell me that wasn't you torching the vehicle.”

“It wasn't me,” Jack says, pleased that he can be honest, at least in a technical sense. “Glenn, you should know I did have contact with your suspect later on in the day, before he was apprehended.”

“Apprehended? Like hell. I'd know if we had him in custody.”

“Not by you. Apprehended by others. Guys in black ski masks, very professional.”

The captain of detectives looks startled, then quickly regains some of his humor, shaking his head ruefully. “What do you know, they got there first. I can tell this is going to be a good one. What's your interest? I mean besides the fact that you and the suspect were Academy sweethearts.”

“Mostly that. You know about his wife and kid?”

“I read the file, Jack.”

“Well, some of us keep an eye on Shane, help out when we can. He's one of the good guys.”

“Yeah? If he's so good what does that make the victim? One of the bad guys? And if we didn't put your pal in cuffs, exactly who did?”

Jack, who has learned to balance his boss's orders with the practicalities of maintaining access to various law enforcement agencies, decides to tell the captain of detectives what happened, mostly. He does so succinctly and without elaboration, as if writing a police report. By the time he gets to the end, Tolliver is openly gaping.

“Holy shit, a black helicopter? For real?”

“Figure of speech. No idea what color the thing actually was. But I swear you could barely hear it. Some kind of stealth version.”

“Still, I thought that was an urban legend.”

“Apparently not.”

“And they never showed a warrant?”

“Never said a word. Slam, bam, not even a ‘thank you, ma'am.'”

“Your boss must be freaked.”

“Naomi doesn't freak.”

Tolliver shrugs, as if he doesn't quite believe it. “So I heard. Good for her. Must be kind of weird, working for a female, huh?”

“Not weird at all.”

“No?”

Jack shakes his head, enough already.

Tolliver sighs. “Hey, one of these days maybe you'll wangle me an invitation. I'd love to see the inside of that place.”

Jack changes the subject. “Long way around, Shane was not the shooter. That's a definite. He's that rarest of things, an innocent man.”

Tolliver snorts. “Nobody is innocent in this world, least of all Randall Shane. We have a garment with blood on it. A shirt, extra large, 17-inch neck, 37-inch sleeves. The shirt would fit your average gorilla. It has discernible splatter on the right sleeve, indicative of proximity to a gunshot. It will take a while, lab work being what it is, but I'll bet you a bottle of this port that the blood belongs to the vic and the garment links to Mr. Shane.”

“No bet. You're probably correct about the matchups but there's an explanation: the shirt was deliberately used in the crime, donned by the real shooter and then planted. And if Shane never got back into his motel room, how did it get there?”

“Working on that. It's not only the garment, which you already knew about from the detectives on scene,
and don't think I didn't know that. There's something else. Something way better.”

“Oh?” says the former FBI agent, the little hairs stirring on the back of his well-barbered neck.

“We have the murder weapon, Jack. Registered to your pal, and his prints are all over it.”

“What? Where?”

“Located behind a Dumpster on the same block. Like he tried to chuck it away and threw it a little too far.”

“Shit,” says Jack.

“Very deep shit,” the detective agrees, puffing happily on his forty-dollar cigar.

BOOK: Measure of Darkness
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