Master of the Cauldron (32 page)

Garric hadn't known. He'd never really thought about the problems of not knowing whom to trust. Now that he
did
think about it, he realized that meant you could never trust anyone. How could Liane live in that world, at least part of the time?

They reached a blank wall where a glow faintly arrowed toward stairs to the left. They were brick and solid despite a crack splitting them in the middle. Their thin marble veneer had flaked away dangerously, but somebody—presumably the spy—had swept the broken slabs to either side.

“Did he say how far it is?” Garric asked, more for companionship than a need for an answer. The spy'd laid out the route while Dipsas and Balila were above ground, so he could use a lantern without risk of being seen. Garric and Liane couldn't take that chance, so the fact they needed total darkness to see the markings wasn't a handicap.

“He said it took him half an hour,” Liane said. “I don't know the distance—it doesn't really matter, I suppose. Of course it'll take us longer.”

But not a lot longer, Garric suspected. Liane was walking with a confidence he wouldn't have been able to equal if he'd been in front. She
showed no more hesitation than if she were stepping across a drawing room at midday. Either Liane was certain of her agent and that the reed she tapped ahead of her would give sufficient warning, or she acted as though she were certain.

The latter was more likely, and it showed quite amazing courage. Little things like risking a bad fall in the dark were harder to achieve than great flashy ones like charging a dangerous enemy. The big ones you did with a kind of madness seething in your blood to overcome normal concerns, but Liane's steady courage was the sort you had to find on your own.

The sound of their feet and breathing changed. The walls had closed in, and the markers were painted on living rock. Garric touched the wall. They were in a tunnel bored with crude tools, hammers and drills made by grinding sand into the softer limestone.

The atmosphere shifted again; echoes became a distant whisper. The markings were on glass-smooth flow rock, the pearly deposit that formed stalactites when it dripped from the cave roof instead of in sheets over the walls. Besides the echoes, Garric heard another thing, or thought he did.

“Pause a moment,” he said. He bent and laid his left palm on the cave floor, finding it faintly warm. Through the rock shivered a slow rumble that was neither his imagination nor the sound of blood in his own ears.

“All right,” he said, straightening and gripping Liane's sash firmly again.

“It's real, then?” she asked as she strode ahead again. They were clearly going down, but Garric couldn't be sure how steep the slope was.

“I think so,” Garric said. “But I don't know what it is.”

Liane gave a laugh that didn't seem forced. “Well, perhaps we'll learn,” she said. “That's what we're here for, after all.”

The cave narrowed; the right side had been improved by tools, but the left was natural. Garric touched a few threads, remains of fabric caught where tools had left a sharp fracture in the rock.

“There's light ahead,” Liane whispered. Garric could see it too, though the glow was so faint that it turned Liane's form into a wraith instead of a silhouette. They continued on, down a short flight of steps broken into the stone with hammers and levers. The tip of a deer-antler pick remained in the crack where it'd broken off unguessably far in the past.

“And voices,” Garric whispered back. He looped the sash over Liane's shoulder so that it wouldn't drag on the ground and trip one of them, then
let go of it. She'd shifted the reed to her left hand, holding it at the balance.

The words were more distinct than they ought to be.
A trick of the echoes?
Garric could make out syllables and sometimes whole snatches of the chant; enough to know he was listening to words of power, not the speech of human beings.

The light came through a natural crack widened into an egg-shaped opening large enough for a human. Even Liane would have to hunch to enter, though. They crept close on either side and peered into a large natural cavern.

The lamp must've been in a niche in the limestone wall, but it was out of sight from where Garric knelt. Countess Balila sat with the light over her shoulder, writing with quick, firm strokes on a tablet. As Garric watched, she flipped over one of the several waxed leaves and started on the next.

“Ouer sechan libara,”
thundered a voice. It must be shockingly loud in the cavern because the flame of the unseen lamp shivered in time with the syllables, but Garric heard the word only as a faint,
“Amounabreo.”

The bodiless voice stilled. Dipsas sat before a figure drawn in the center of the plug of black volcanic rock that formed the floor of the cavern. She chanted an invocation, her athame dipping and rising like a drinking bird. The wizard's voice seemed as loud as that which had spoken the response, but Garric couldn't make out the words.

The little cherub was playing with his toes near the countess; his wings of stiffened and gilded linen wobbled in the lamplight. He suddenly lost interest in his game and tugged at the hem of his mistress's outer tunic. She twitched it away from him, continuing to watch the wizard with the focus of a kestrel hovering above movement in the grass.

Dipsas swayed and would've fallen if she hadn't slapped both hands down on the figure. The athame lay before her; lamplight gave its polished, carven surface the look of rippling blackness, unformed evil.

“Chauboe!”
said the voice with the power of a distant avalanche. The cherub threw himself on his belly and squirmed over the rock, his eyes shut and his mouth twisted into a squall of terror lost in the response.

“Adeta mesou!”
said the voice. The light dimmed as though the first gust of a storm had struck the lamp.

Balila's great bird had been pacing on the other side of the cavern, visible to Garric except when it was at the end of its circuit. It stopped and backed
against the rock, flaring its crest and wings. It raised its hooked beak toward the roof and shrieked, its black tongue quivering but the sound inaudible.

The thundering response cut off. Echoes of the bird's cry and the child's terror rang about Garric and Liane.

The lamplight slowly steadied. The wizard remained as she'd been, sagging onto her hands. The countess let her stylus drop. The open leaves of her notebook swung lazily on the leather hinges.

Garric took a deep breath. Closing his eyes, he whispered to Liane, “We'd better leave now. They'll have the lamp.”

“Yes,” she said. “But I don't think Dipsas will be moving very quickly.”

“I don't know that I will either,” Garric said as he rose to his feet. “Even though I was just listening, and that to the last part of it.”

He thought of Carus' loathing for wizards. That opinion wasn't justified in the case of Tenoctris—but for the most part, Garric was inclined to agree.

 

Ilna set down the bowl that she'd polished with a piece of wheat bread, getting the last of the stew of lentils and barley in chicken broth. Glancing to either side where Chalcus and Davus were finishing their meals, she chewed the bread. So far as she was concerned, it was even tastier than the meat stew.

Ilna had kept poultry at home in Barca's Hamlet, pigeons and occasionally chickens, and Cashel not infrequently knocked over a squirrel or rabbit with a rock. Meat was a luxury, but not an unthinkable one.

Nobody in the borough raised wheat, though, so not even the wealthiest of her neighbors had bread like this unless they travelled. Ilna disliked most of the things she'd found in the world beyond Barca's Hamlet, but wheat bread was an exception.

She grinned at herself: she'd disliked most of the things she'd grown up with also. Occasionally she tried to convince herself that perhaps she was wrong about the world or at least needlessly uncharitable. She could never sustain the notion for long, though.

“Well, you've eaten now,” Lord Ramelus said, standing across the table from her and glaring with his fists on his hips. “How much longer will it take you to finish the pattern?”

“Not long,” said Ilna calmly. Ramelus reminded her of the fable of the frog who tried to make himself bigger than the ox by puffing himself up—till he burst. “When my companions have eaten their fill—”

“As indeed I have, your lordship,” Chalcus said, rising to his feet with his usual ease. “And a fine meal it was, I must say.”

The three of them ate at a trestle table on the porch of the western side-building. Chalcus had chosen the spot. Behind them was a storage shed, closed and locked; most of the side-buildings were open sheds. While Ilna didn't imagine they'd been in any real danger of being attacked from behind, it obviously affected how comfortable Chalcus felt when he was among people who weren't his friends.

“And I as well,” said Davus, getting up also. The three fist-sized rocks that he'd been juggling before the meal was served were lined up on the table beside his empty bowl and beer mug. “Your lordship is extremely generous to wayfaring strangers. The Old King would've approved.”

Ramelus scowled. Seifert sniggered. The landowner turned in barely contained fury, which the guard defused by twisting his grin into an expression of funereal sadness.

Ilna had declared that Ramelus must provide a meal—with meat
and
wheat bread, though the demand for meat was more to irritate their host than because she needed it—before she gave the fabric its finishing touches. He'd obeyed—with extremely bad grace, but obeyed—because the partial pattern he'd seen over Ilna's shoulder had given him an inkling of how effective the finished design might be.

“I've fed you,” Ramelus snapped. “Now, do what you promised. If you try to gull me, you'll regret it—that I promise you!”

“I'll give you what I swore to give you,” Ilna said. “A hanging that makes most of those who see it happier. I'll follow the rules you set. Depend on it!”

The last sounded more like a threat—which it was—than Ilna'd intended, but Ramelus was too caught up in his own importance to pay attention to anybody else. “See that you do!” he said.

Ilna stepped to the nearby table where she'd left her loom. Her two companions came with her as naturally as her tunic swirled—and almost as closely, too. Peasants who'd been staring in wonderment at the pattern moved back like little fish when a pike darts toward them.

Ilna ran her fingers over the heddles of the borrowed loom. It was a
good one, a loom she wouldn't have minded owning herself.

She smiled as she made the final adjustments to her pattern, thread by thread: craft was in the craftsman, of course, not in her tools. And this particular work was a piece of craftsmanship that showed all there was that mattered in Ilna os-Kenset, the skill and the sense of justice as well. Charity was a fine thing, no doubt, but it wasn't a virtue Ilna claimed or even really desired.

Mostera gasped in wonder as she saw what Ilna was creating. She and her sister might be the only spectators who realized that the fabric was a double weave with different patterns on the front and back. Ordinarily Ilna would've opened the finished piece at one selvedge to double the width of the finished cloth, but in this case she'd picked up threads from the underlayer to deliberately bind the patterns together. And when she was done—

Ilna beat the fabric one last time, then withdrew the bar and paused. Her arms and shoulders were stiff. There was quite a lot going on with this business. Weaving itself was physical effort, particularly at the speed at which Ilna accomplished it, but there was more to her art than that. Everything had to be paid for, which was exactly the way it should be.

“You're a demon,” Malaha whispered. “You're not human!”

“I'm human,” Ilna said as she began to knot off her fabric. She'd deliberately left the selvedges long to make it easier to hang the piece above Ramelus' throne. She looked Malaha in the face, and added, “There was a time that I was much worse than any demon, but I've always been human.”

Mostera put her hand on her sister's. Neither of them spoke.

Ilna smiled, nodded, and stretched the fabric out toward Lord Ramelus. “I've met my obligation,” she said, a statement instead of pretending there was any doubt of the fact.

The chief of the landowner's bodyguards muttered what was a curse by the words of it, a prayer in its tone. Even Ramelus drew in a breath of amazement.

The pattern was abstract both visually and in emotional effect. A bed of earth tones and grays zigzagged up the fabric till at midpoint the yarn dyed with berry pulp appeared—a few pink flecks, then a ripple, and from there to the top a hinted outline picked out by the insistence of the color rather than the weight of the line.

When Ilna looked at the pattern she saw, she
felt,
a spring morning in
Barca's Hamlet. Dawn was rising over the Inner Sea, and she had no pressing task in hand. Others who viewed it would feel other things. From the expressions on the faces of Ramelus and his guards, Ilna herself would find some of those things distasteful or even disgusting.

But it wasn't her task to edit the fantasies of her fellow humans. As she'd said to Malaha, she had enough on her own conscience.

“Wonderful!” a peasant shouted. Half the large crowd chorused, “Wonderful!” or started to cheer. Ramelus looked stricken, sick and angry and uncertain—but drawn despite himself by what he saw in the fabric.

Ilna folded the panel closed. “Master Chalcus?” she said, nodding to the man at her side. “The posts of the chair back—the throne there in the kiosk? I believe this is sized to their span. Please tie it there.”

She handed the fabric to Chalcus but looked at Ramelus. “Do you agree, sir?” she said.